The document discusses Warli art, a style of tribal art from the Thane district of Maharashtra, India. It describes key features of Warli paintings including their symbolic nature depicting relationships between humans, animals, and the natural world. It also notes that Warli paintings traditionally served ritual purposes during marriage ceremonies and were believed to invoke the power of gods. The document encourages supporting Warli art directly from tribal artists as a way to contribute to social development.
1. AaidvaasaI k laa ý
www.warli.in India’s Global Art, Proudly Tribal Art!
The sacred nature of the trees is suggested by their soaring heights in relation to the men and beasts.
Dances of spring, of budding trees, of the meeting of lovers, and the poise and abandon form an important
repertoire in tribal vocabulary. Nothing is static; the trees, the human figures, the birds challenge and
respond to each other, create tensions and resolve them. The art of the Tribal people symbolises man's
harmony with each other and with nature. These paintings also supposedly invoke powers of the Gods.
The original symbolism of the paintings was (and still is) found in marriage ceremonies, which could not
take place until a painting was complete. We call them as “Lagnacha Chauk” meaning marriage
paintings. The Ttibal values the sense of uniformity and the close social interactions with nature and the
spirits is what makes the Tribal who they are. For the Tribal, life is an eternal circle. Death is not the
end as much as it is a new beginning. Hence circles best represent the art of Warli, which has neither an
end nor a beginning. The purpose of these drawings remain ritual as it did from ancient times, that of
projecting and invoking power, virility, protection from unknown diseases, and the dark supernatural
forces which have to be kept appeased and satisfied at all times. The paintings pulsate with energy and
are a vehicle for the tribal's innermost urges.
Buy Warli Art directly from Tribal, be part of social development, let us do it together!
कम् लित या सा कला' Ì ी आनंद दत ती कला, अशी कलची Óया´या कली ात. कला Ì स दयª , संÖकती, राग,
आनंद, लोभ, ितरÖकार, सुखदु:ख, वदना या सवª भावना कलतून Óय करता यतात. ÿÂयक कलचा Æम ा को Âया ना को Âया संÖकतीतून ोत
असतो. अशीच ठा ि Ð ाला परं परन लाभलली आि आ तागायत तन कलली कला Ì 'वारली' िचýकला ोय. वारली िचýकला ी ठा
ि Ð ातील नÓ तर गातील सवाª त म ßवाची िचýशली आ . संÖकती, ी, परं परा आि कमª कां या माÅयमातूनच वारली मूलिनवासी िचýशली
उदयास आली आ . ी िचýशली िटकव ं एक साधनाच आ . ºया ÿमा िसंधू नदी¸या खोöयातील संÖकती ी अितÿाचीन संÖकती आ . Âयाचÿमा
वारली िचýशली ी संÖकती मानली ात. फार पूवीपाªसन सामूि कåरÂया राि Ðयान समू श ìच म ान दशª न या संÖकतीतून िदसून यतं.
ू
वारली िचýकला ी म ाराÕ ातील कोक िवभागातील आिदवासी मातीची विश ् यपू ª िचýशली आ . ग ची पा ª भमी
ू
असलÐया िभंतéवर तांद ा¸या पां öया िपठान साध व सुबक आकार रं गवÁयाची प त या िचýशलीच विश ् य सम ल ात. ÿÂयक िचýामÅय िविवध
स , उÂसव, सो ा याचं िचý यतं. यातून Âयांची सांिघक भावना िदसून यत. ÿÂयक कला Æमाला यÁयास का ी तरी कार असतं. ि िÈशयन
संÖकतीत मर ो°र ीवनाला म ßव दऊन थ कला Æमास आली तर रोमन कला ीवन सुखकर ोÁयासाठी गासमोर आली तर वारली
िचýशलीत या दोÆ ी संÖकतीचा िमलाप िदसून यतो. कार वारली िचýकला ी ऐि क ि वनाचं आि मर ो°र ीवनाचं संगम प आ . व ोनुªव र्
चालत आलली वारली िचýशली पÁयाच ÿयÂन ोत आ त
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