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Insidious
Analyzing Camerawork,
Editing, mise-en-scene and
sound.
Right from the beginning camerawork is used to disorientate and
confuse the viewer to give a more tense experience. For example when
the title sequence is ever it shows a lamp that contrasts from the dark
background, then the entire frame tilts and the texts go in alternative
directions.
The shots when turning around the corner are very close
to the edge making the viewer think there is something
behind the door. After this a show of a demonic face
being lit by candle light.
CAMERA1
CAMERA1
Different Shots
To build
Are Used
Tension
1
Sp00ky
Sp00ky
Sp00ky
Sp00ky
Editing2
Long takes are used to build tension and also contrast the belief that
short takes are used in horror sequences. Inverted colors are used to
make the scene a lot darker than it actually is, it also changes the
atmosphere to give a more ominous feel. Cross-cutting is used when
going around the house to establish the setting, this is accompanied by
the titles fading in and out of the darkness with a smoke effect.
BLAH
BLAH
BLAH
BLAH
B
BLAH
BLAH
Editing
Editing
Editing
LOL
Editing
Makes All
The
Difference
Mise-en-scene
3
Credits and titles are red, giving a sp00ky feel to even the opening
credits, also they fade in and out again. Very low key lighting really
helps to create shadows that contrast against the light (which is being
produced from the moonlight from outside of the window.). The addition
of shadows of figures and furniture moving makes you instantly think of
the paranormal and supernatural.
4
Silence is used very effectively to build tension and make the viewer
feel uneasy. The suddenly a high pitch off tune violin scretches when a
figure standing in the window comes into shot. This really help build
suspense. Sudden spikes of sound when the shadows appear and
when the ornaments move to keep the tension building.
How Camerawork, Editing, Mise-en-scene and Sound Build Tension in Insidious
How Camerawork, Editing, Mise-en-scene and Sound Build Tension in Insidious
How Camerawork, Editing, Mise-en-scene and Sound Build Tension in Insidious

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How Camerawork, Editing, Mise-en-scene and Sound Build Tension in Insidious

  • 2. Right from the beginning camerawork is used to disorientate and confuse the viewer to give a more tense experience. For example when the title sequence is ever it shows a lamp that contrasts from the dark background, then the entire frame tilts and the texts go in alternative directions. The shots when turning around the corner are very close to the edge making the viewer think there is something behind the door. After this a show of a demonic face being lit by candle light.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 14.
  • 15.
  • 17. Long takes are used to build tension and also contrast the belief that short takes are used in horror sequences. Inverted colors are used to make the scene a lot darker than it actually is, it also changes the atmosphere to give a more ominous feel. Cross-cutting is used when going around the house to establish the setting, this is accompanied by the titles fading in and out of the darkness with a smoke effect.
  • 21. LOL
  • 22.
  • 23.
  • 25.
  • 27. Credits and titles are red, giving a sp00ky feel to even the opening credits, also they fade in and out again. Very low key lighting really helps to create shadows that contrast against the light (which is being produced from the moonlight from outside of the window.). The addition of shadows of figures and furniture moving makes you instantly think of the paranormal and supernatural.
  • 28.
  • 29.
  • 30.
  • 31. 4
  • 32. Silence is used very effectively to build tension and make the viewer feel uneasy. The suddenly a high pitch off tune violin scretches when a figure standing in the window comes into shot. This really help build suspense. Sudden spikes of sound when the shadows appear and when the ornaments move to keep the tension building.

Editor's Notes

  1. To view this presentation, first, turn up your volume and second, launch the self-running slide show.
  2. To view this presentation, first, turn up your volume and second, launch the self-running slide show.
  3. Presentations are a powerful communication medium.
  4. For more than 20 years, Duarte has developed presentations…
  5. …to launch products,
  6. …align employees,
  7. …increase company value,
  8. …and propel
  9. …global causes.
  10. Along the way we’ve discovered…
  11. …five simple rules for creating world-changing presentations.
  12. The first rule is: Treat your audience as king.
  13. Your audience deserves to be treated like royalty. Design a presentation that meets their needs, not just yours.
  14. Give them those things in a clear, easily understandable way…
  15. …and you will undoubtedly find favor with the king.
  16. The second rule is: Spread ideas and move people.
  17. To view this presentation, first, turn up your volume and second, launch the self-running slide show.
  18. Your audience didn’t show up to read your 60 page on screen dissertation.
  19. They’re there to see you. To be inspired by your message…
  20. …and witness the quality of your thought.
  21. You are not giving your presentation to have another meeting. You are there to covey meaning.
  22. So, consider including imagery that powerfully illustrates your point.
  23. Sometimes moving images can inspire in a way that static slides cannot. A slow moving animation creates a sense of nostalgia.
  24. A sequential build adds a sense of suspense.
  25. And a thought-provoking video moves your audience in a way that can change not only minds, but hearts.
  26. The next rule is: Help them see what you are saying.
  27. To view this presentation, first, turn up your volume and second, launch the self-running slide show.
  28. Half of the people in your audience are verbal thinkers and the other half are visual.
  29. Combining minimal text with meaningful visuals means that you’ll reach everyone.
  30. Brainstorm graphics that will effectively communicate your message…
  31. Rule number 4: Practice design, not decoration.
  32. To view this presentation, first, turn up your volume and second, launch the self-running slide show.
  33. As tempting as it is to fill your slides with stuff, often de-decorating is the best policy.
  34. Any writer or designer will tell you that 90% of the creative process…
  35. …is destructive.