May emphasized the importance of returning to storytelling basics, admitting it’s one thing to know the elements of a compelling story but another to successfully put them into practice. One of the key pillars of a good story is the element of surprise. As storytellers, it’s imperative to ask: is this story counterintuitive or does it challenge conventional thinking? Does the story have stakes that could disrupt the status quo? Does the main character make surprising decisions? Often the message of the story might be familiar, but the way it is chosen to be told can be unconventional – and that abnormal approach is what will keep the audience engaged.
When crafting the story, it’s essential to talk to the people impacted. Identify your characters, ask open-ended questions, and encourage them to describe scenes in as much detail as they can; whatever medium the story will be told in, the reader or listener is going to be experiencing it in their mind’s eye so it’s fundamental to think visually. Qualities of a good character include: being somebody the audience can relate to, being someone who has a moment of change or surprise, and perhaps most importantly, someone who is willing to tell (and enjoys telling) their story.
Reporters are often pitched victim stories -- the tried and true phrase “if it bleeds it leads” is still applicable. But with victim stories, you’re kind of stuck narratively: the question becomes “where do I go from there” or “how do I give the audience something meaningful and substantive they’re going to take away?” Even if the basic message of the story is that the system is stacked and they can’t solve the underlying issue on their own, giving the characters agency is hugely important: move away from a character just being the vessel of the terrible things happening to them.
CTAC 2024 Valencia - Henrik Hanke - Reduce to the max - slideshare.pdf
Take a Masterclass from NPR’s Story Lab
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Story Lab Masterclass
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PRESENTER
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AGENDA
What are the elements of a great story?
Learn to think like a reporter and it will improve your
pitch
Who is the main character?
Identify the person that will personify your story
Where does the story take place?
A great story has great scenes. Learn where reporters
go to tell the most dramatic and impactful story
What is the most important information?
Prepare reporters with the specific information and an
angle to pitch to their editors.
Apply these story elements to your own work
Practice using these elements to pitch your story today
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Elements of a story
● Surprise
● Characters
● Scenes
● Plot
● Specific and informative
● Theme
● Relevance
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A great story is a
surprising story. What will
make people share it?
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A good story is
SURPRISING
Reporters and editors are drawn to
stories that will tell the audience
something they don’t already know
3
Does the main
character make
surprising decisions?
1
Is the angle of this
story counterintuitive
or challenge
conventional thinking?
2
Does the story does
have stakes that could
disrupt status quo?
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Listen for these qualities
● Someone audience can relate to
● Do they have a moment of change?
● Is their story surprising?
● Do they tell their stories with
specific and interesting details?
● Are they willing and hopefully
enjoy telling their story?
● Are they reflective?
● Does this character reflect the
message you want to send? (Do
not try to put words in their mouth,
it will backfire.)
7
Who is the main
character?
Audition characters by doing your own
interview
● Write down questions beforehand
● Ask open ended questions (not
leading questions)
● Encourage analogies
● Ask them to describe scenes in
detail
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What are the scenes?
A great story is told in scenes
○ Scenes are where something
happens that illustrates a point
○ Scenes help place the
character in context
○ Scenes are where our main
character faces challenges and
is changed one way or another
There are two kinds of scenes
• Recounted scenes
○ These are scenes where the
characters recount a dramatic
moment and the reporter
recreates it
• Reported scenes
○ The reporter is on location and
watches the drama unfold in
real time
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To Pitch a Great Story,
You Need to Think Like A
Reporter
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Stories have a
beginning, middle and
end
Beginning
○ Often begins with scene
○ Introduce main character
○ Nut graph
■ Provides context
■ Answers question: Why
Should I care?
■ Sets up challenge facing
main character
Middle
• Ideas from nut graph fleshed out in
detail
• Scenes illustrate development of story
• Introduce all characters and points of
view
End
• Tension of story is resolved
• Possible endings
○ End on scene that sums up
change
○ Look to future
○ Theme is made explicit
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A reporter is telling
your story. What will
you be able to
control?
Not much.
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Practice pitching your
story
Time to put these story elements to use
by pitching a dramatic, surprising story
that will catch the attention of reporters
and editors -- and ultimately an
audience
3
What is surprising?
1
What is the context
and angle?
2
Who are the main
characters and
dramatic scenes?
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RECAP Provide reporters with
the elements they need
to tell the story
Find an angle that fits
the context and
available evidence
Be prepared to respond
to developments
outside your control
3
2
1
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THANK YOU!
Editor's Notes
Story Lab, what it is, role at NPR
Question for audience -- What are the ways you get your stories in front of an audience? have you ever had an important story but had trouble getting word out? What do you think caused that? What frustrates you about getting story out?
Acknowledge people are from different backgrounds, different sized orgs, many know this but good to keep in front of mind, it’s not the principals but putting in practice
These concepts can work for everything from facebook to live events to reaching traditional media
ask them first what they are
These are old lessons, not new to mavaluable for all aspects of communications
Talk through examples
Issues -- there’s always victims, but can’t just end there.
AID in Guatemala -- what is effect of cutting USAID in Guatemala? We wanted to tell the story of a seed bank and explain importance, but put it in context of immigration debate to make it feel timely. Counterintuitive -- climate change is pushing migration -- also that cuts in USAID unlikely to make migration worse, but that’s a very limited way to measure programs
Women’s rights in Pakistan.
I worked on this story with our Pakistan correspondent. We wanted to do a story about the Jane Austen Society of Pakistan. And we met these two sisters, who really became the story, and we used it to really show how women were systematically repressed, and by focusing on their love of Jane Austen it was both surprising and relatable. In that context, made surprising decisions, divorced husband despite risks. She eventually lost kids, stakes were raised, and the story turned into an hour long story for rough translation that also included reporters story.
Mosul DIY -- about volunteerism in Mosul. Once again we made it surprising by making the story surprisingly relatable. And this had a lot of surprusing twists and turns and impulsive decisions by idealistic young people.
Surprise medical bills
Going to pre interview make sure right person and context is correct, don’t want to be surprised by circumstances.
You’ll see what we’re avoiding is dry, victim-oriented skills. Reporters get a lot of pitches about people who are suffering and obviously it’s better to have someone be the face of a problem than just an expert -- but stories that tend to really move people are stories where the character has agency and makes decisions. They don’t have to prevail but it’s important that there more than just passive victims.
Who has a person that you think could help be the vehicle for an important story? What challenges have you had?
Reporters have a disadvantage -- they are parachuting in to a place hoping for something to happen. If you have someone on the ground that experienced something, you have the opportunity to turn that into a story for your website or social media.
Think of scenes even facebook posts. Pull quote. Start with scene.
Have you witnessed or been told about a remarkable scene from your work? Describe it.
Or if you are trying to get the media to pick it up, you can do the initial work of getting contact info for the people who experienced it, then you can present a reporter with a compelling scene to illustrate the story.
Anyone here experience something that you thought, that if people could experience this they’d understand your work in a new way?
Take MOSUL story
We meet young people who are trying to bring the idea of citizenship to Mosul
One is a young woman who sees government isn’t doing it’s job, bodies are everywhere, so she decides to clean up bodiesShe goes ahead even though it’s a challenge to the authority of he government
Middle -- back story
We learn the stakes for her, seen her neighborhood destroyed, sister killed
She’s transformed, no going back
She challenges governor on national tv
Loses everything she’s worked for, investigated
Ending is governor is corrupt, blamed for
Give reporter access and they’ll appreciate it
Be prepared to respond to different points of view patiently
Sometimes reporters will interview you but not use quotes -- don’t see this as a failure
News agencies are not marketing firms
Circumstances and context change
30 second pitch -- don’t get lost in the weeds
Start with a dramatic paragraph, describing your character having a moment of change, or could be a scene
Than tell reporter what you can provide, access to characters/places/experts