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Lessons in reading the learning landscape
A Centre for Research on Learning and Innovation Seminar
Pippa Yeoman, ethnographer
The University of Sydney
@PippaYeoman | https://pippayeoman.wordpress.com | pippa.yeoman@sydney.edu.au
1.	 Intro	 |	 	 2.	 The	 learning	 landscape	 |	 3.	 Connec8ng	 ac8vity	 &	 environment	 |	 4.	 Connec8ng	 theory	 &	 prac8ce
Some of the people who inform my thinking
Some of the people who inform my thinking
#
What we know
about how we learn
as changed… .-/'%#
,/3#4,/%1-2#/%2##
Some of the people who inform my thinking
#
Changed space#!#
changed practice.%#
,/3#4,/%1-2#/%2##
Some of the people who inform my thinking
We are not
powerless,/3#
4,/%1-2#/%2##
Some of the people who inform my thinking
#
Materials matter,/3#
4,/%1-2#/%2##
other bits of my epistemic environmentother bits of my epistemic environment
other bits of my epistemic environmentother bits of my
other bits of my epistemic environment
outputs from this epistemic assemblage…
Multimodal
studies of
learning
activity
Observational
studies of
learning space
design
Observational
studies of
innovative use
in HE
Pre and Post
occupancy
studies
ARC LAUREATE FELLOWSHIP
Learning, technology and design: Architectures for
productive networked learning.
2012 - 2015
Ethnography
habits &
HABITATS
PhD – 2015
!"#$%%!&'(!)*&'+(*+,%
-.-/%./01-(
ARC DISCOVERY PROJECT
Modelling Complex Learning Spaces:
Connecting use, management and design.
2016 - 2018
the learning landscape
What constitutes
?
1.	 Intro	 |	 2.	 The	 learning	 landscape	 |	 3.	 Connec8ng	 ac8vity	 &	 environment	 |	 4.	 Connec8ng	 theory	 &	 prac8ce
Learning is socially situated
learning is physically situated
epistemology	
/ɪˌpɪstɪˈmɒlədʒi,ɛ-/	
the	theory	of	knowledge,	
especially	with	regard	to		
its	methods,	validity,	and	
scope,	and	the	dis8nc8on	
between	jus8fied	belief	
and	opinion.	
Learning	is epistemologically situated
design for learning includes…
design-in-advance
design-in-the doing
design for learning requires…
EPSITEMIC DESIGN SOCIAL DESIGNSET DESIGN
Learning is
physcially situated
Learning is supported
through knowledge
oriented activity.
Learning is socially
situated.
!"#$%&'()%*+,-"%-.'-/+ 0*1#-,2#.'-#(+3'*4/+56,(),-1/+7+"%8&-'('19+
:(('8#.'-;6/%+'3+/<#8%+ =6**,86(64+ ='446-,"9+
!%(%8.'->+/%?6%-8%+7+<#8%+ @'(%/+7+),A,/,'-/+'3+(#B'6*+:*.3#8"/>+"''(/+7+"%C"/+
PHILOSOPHY
MACRO
The global
Level I patterns
MESO
The structure
Level II patterns
MICRO
The details
Level III patterns
The Activity Centred Analysis and Design framework (Goodyear & Carvalho, 2014).
(Goodyear(1999)andAlexanderetal.(1977)
EPSITEMIC DESIGN SOCIAL DESIGNSET DESIGN
Learning is
physcially situated
Learning is supported
through knowledge
oriented activity.
Learning is socially
situated.
PHILOSOPHY
!"#$%&'()%*+,-"%-.'-/+ 0*1#-,2#.'-#(+3'*4/+56,(),-1/+7+"%8&-'('19+MACRO
:(('8#.'-;6/%+'3+/<#8%+ =6**,86(64+ ='446-,"9+MESO
!%(%8.'->+/%?6%-8%+7+<#8%+ @'(%/+7+),A,/,'-/+'3+(#B'6*+:*.3#8"/>+"''(/+7+"%C"/+MICRO
The Activity Centred Analysis and Design framework (Goodyear & Carvalho, 2014)
Goodyear(1999)&Alexanderetal.(1977)
Design-in-advance DE!FGH+ FHIEHDED+0JI=0KE+ JHDE@LMFHG+N:LJE+
Design-in-the-doing :==0K0D:IF0H+N:LJE+FH+:=IF0H+!"#$"%&'()
A palette of learning spaces,
Highlights problems with representational ways of thinking
about space, and the challenges associated with
interdisciplinary sense making…
formal fixed static
. ( J G & - 4 , # # # # # . ( J G & ( M 4 , # # # # # . ( J G , M < / %#
3 - &# 2 - 3 0 1 %# # # # # # - 5 0 3 & - < 0 4# 2 - 3 0 1 %# # # # # 3 ( 4 0 / . G 2 - 3 0 1 %#
J J J " 0 < / 1 M ' " 4 ( <#
formal fixed dynamic!
, 0 G & - 4 , # # # # # , 0 G & ( M 4 , # # # # # < - 2 G , M < / %#
3 - &# 2 - 3 0 1 %# # # # # # - 5 0 3 & - < 0 4# 2 - 3 0 1 %# # # # # 3 ( 4 0 / . G 2 - 3 0 1 %#
O 0 5 5 / # P - ( < / %#
formal flexible dynamic
, 0 G & - 4 , # # # # # , 0 G & ( M 4 , # # # # # , 0 G , M < / %#
3 - &# 2 - 3 0 1 %# # # # # - 5 0 3 & - < 0 4# 2 - 3 0 1 %# # # # # 3 ( 4 0 / . G 2 - 3 0 1 %#
O 0 5 5 / # P - ( < / %#
informal mixed dynamic
, 0 G & - 4 , # # # # # , 0 G & ( M 4 , # # # # , 0 G , M < / %#
3 - &# 2 - 3 0 1 %# # # # # # - 5 0 3 & - < 0 4# 2 - 3 0 1 %# # # # # 3 ( 4 0 / . G 2 - 3 0 1 %#
O / M .# Q 4 7 ' - 2 0 -#
informal fixed static
. ( J G & - 4 , # # # # # , 0 G & ( M 4 , # # # # # , 0 G , M < / %#
3 - &# 2 - 3 0 1 %# # # # # # - 5 0 3 & - < 0 4# 2 - 3 0 1 %# # # # # 3 ( 4 0 / . G 2 - 3 0 1 %#
R ' - J # S 4 , K - ' 1#
performative - formal
< - 2 G & - 4 , # # # # # , 0 G & ( M 4 , # # # # # , 0 G , M < / %#
3 - &# 2 - 3 0 1 %# # # # # # - 5 0 3 & - < 0 4# 2 - 3 0 1 %# # # # # 3 ( 4 0 / . G 2 - 3 0 1 %#
O - & - ' # 7 . / ' I - # O , ( & ( 1 ' / 5 , :#
performative - dialogic
< - 2 G & - 4 , # # # # # < - 2 G & ( M 4 , # # # # # , 0 G , M < / %#
3 - &# 2 - 3 0 1 %# # # # # # - 5 0 3 & - < 0 4# 2 - 3 0 1 %# # # # # 3 ( 4 0 / . G 2 - 3 0 1 %#
J J J " / ' 4 , 0 & - 4 & M 3 " 4 ( < " / M#
performative - augmented
, 0 G & - 4 , # # # # # , 0 G & ( M 4 , # # # # # . ( J G , M < / %#
3 - &# 2 - 3 0 1 %# # # # # # - 5 0 3 & - < 0 4# 2 - 3 0 1 %# # # # # 3 ( 4 0 / . G 2 - 3 0 1 %#
T - U : # 0 < / 1 - 3#
performative - informal
< - 2 G & - 4 , # # # # # , 0 G & ( M 4 , # # # # # , 0 G , M < / %#
3 - &# 2 - 3 0 1 %# # # # # # - 5 0 3 & - < 0 4# 2 - 3 0 1 %# # # # # 3 ( 4 0 / . G 2 - 3 0 1 %#
J J J " & , - H M % & , - ( ' : " 4 ( <#
qualities of learning activity to !
properties of the designed environment
How do we connect
?
1.	 Intro	 |	 2.	 The	 learning	 landscape	 |	 3.	 Connec8ng	 ac8vity	 &	 environment	 |	 4.	 Connec8ng	 theory	 &	 prac8ce
tools to connect activity & environment
1. Case studies of materials properties & qualities
Properties of writable walls
Vertical, stable, flat, shared and
visible from a distance.
Qualities of writable walls
“Moving toward the wall had the
effect of focusing group
deliberations and planning….”
+ , - ( ' - 8 4 / .# M % 2 - ' 5 0 % % 0 % 1 3 V# + 0 <# $ % 1 ( .2# W * X ! ! Y# / % 2# S 3 & ' 0 2# Z [ ' - % 3 - %# W * X X  Y#
O'-3-%&-2# 0%# 7,/5&-'# =# (H# ]/K0&3# ;# ]/K0&/&3# !"#$%%!&'(!)*&'+(*+,%-.-/%./01-(#
#
tools to connect activity & environment
2. Studies of entanglement tracing learning activity
+,-('-84/.# M%2-'50%%0%13V# $/%# ](22-'# W*X!!Y# ;# T((2:-/'# ;# 7/'9/.,(# W*X!=Y#
O'-3-%&-2# 0%# 7,/5&-'# ^# (H# ]/K0&3# ;# ]/K0&/&3# !"#$%%!&'(!)*&'+(*+,%-.-/%./01-(#
#
S%&/%1.-<-%&#W]]E#]+E#++E#+]Y#2#N_%1%-33#2#4(%LM%4&M'/.#-9-%&######
#5'(K.-<#### N`0%1########3-.-48(%########Sa#W&(&/.#-%&/%1.-<-%&Y#
tools to connect activity & environment
3. Alexandrian properties as diagnostic/design tool
+,-('-84/.# M%2-'50%%0%13V# 7,'03&(5,-'# b.-`/%2-'# W!ccE# *XX=Y# /%2# b.-`/%2-'# -&# /."# W!cY#
O'-3-%&-2# 0%# 7,/5&-'# d# (H# ]/K0&3# ;# ]/K0&/&3# !"#$%%!&'(!)*&'+(*+,%-.-/%./01-(#
!"! e-9-.3#(H#Z4/.-#
*"! Z&'(%1#7-%&-'3#
6"! f(M%2/'0-3#
="! b.&-'%/8%1#g-5-88(%#
^"! O(3089-#Z5/4-#
d"! T((2#Z,/5-#
c"! e(4/.#Z:<<-&'0-3#
h"! R--5#$%&-'.(4I#
"! 7(%&'/3&#
!X"! T'/2-2#9/'0/8(%#
!!"! g(M1,%-33#
!*"! S4,(-3#
!6"! +,-#i(02#
!="! $%%-'#7/.<#
!^"! j(&GZ-5/'/&-%-33#
tools to connect activity & environment
4. Pedagogical patterns sharing good designsharing good design
+,-('-84/.# M%2-'50%%0%13V# b.-`/%2-'# -&# /."# W!cYE# T((2:-/'# W*XX=Y# /%2# T((2:-/'# ;# g-&/.03# W*X!XY#
O'-3-%&-2# 0%# 7,/5&-'# c# (H# ]/K0&3# ;# ]/K0&/&3# !"#$%%!&'(!)*&'+(*+,%-.-/%./01-(#
##
learning theory through empirical
observation of learning activity
How do we process
?
1.	 Intro	 |	 2.	 The	 learning	 landscape	 |	 3.	 Connec8ng	 ac8vity	 &	 environment	 |	 4.	 Connec8ng	 theory	 &	 prac8ce
LEGEND
Mr. Osborne
Other teachers
Edward & Isobel
Student sitting on floor
Student sitting on furniture
Student lying on the floor
----- Mr Osborne’s movement
----- Edward & Isobel’s movement
The Zone
31st October, 2012
180 students in
a total 567.48 m2
11.13 am
OP!I+0=I05E@+QRPQ>+HJKE@:=M+FH+ISE+T0HE+
34567879:;<9;=>9984;?@+A+';7B;
P-(</%E# O"# W*X!dY"# b# 3&M2:# 0%# 0<5'(903/8(%E# 0%# &,-# 2-301%# /%2# M3-# (H# 4(<5.-`# %-&J('I-2# .-/'%0%1#
-%90'(%<-%&3"#$%#e"#7/'9/.,(E#O"#T((2:-/'E#;#Q"#2-#e//&#WS23"YE#U(#8%VB#/%)+/<#8%/+3'*+-%"W'*$%)+(%#*-,-1"#
j-J#P('IE#jPV#g(M&.-21-"#
#
OP!I+0=I05E@+QRPQ>+HJKE@:=M+FH+ISE+T0HE+
11.13 amtask-set dissonance
C;67D;9E;7:F434:F4:<;G;=9@@CH95C<7I4;<C8J8;?@+A+';7B;
;
OP!I+0=I05E@+QRPQ>+HJKE@:=M+FH+ISE+T0HE+
task-set-social improvisation
E544F96;<9;543K53984;?@+A+';7B;
11.14 am
11.16 am
OP!I+0=I05E@+QRPQ>+HJKE@:=M+FH+ISE+T0HE+
task-set-social improvisation
=966K:C@;@4C5:7:L;5489K5=48;?@+A+';7B;
11.16 am
OP!I+0=I05E@+QRPQ>+HJKE@:=M+FH+ISE+T0HE+
task-set-social correspondence
M57<CH@4;MC@@8;?@+A+';777B;
OP!I+0=I05E@+QRPQ>+HJKE@:=M+FH+ISE+T0HE+
6C:CL7:L;<>4;>454NC:FN:9M;I7C;<>4;C:OM>454NC:O<764;?@+A+';77B;
;
11.18 am
11.26 am
OP!I+0=I05E@+QRPQ>+HJKE@:=M+FH+ISE+T0HE+
task-set-social improvisation
F97:LN<>4N59K:F8;?@+A+';777B
11.26 am
OP!I+0=I05E@+QRPQ>+HJKE@:=M+FH+ISE+T0HE+
task-set-social correspondence
C8J;H4E954;PKFL7:L;?@+A+';777B;
11.27 am
OP!I+0=I05E@+QRPQ>+HJKE@:=M+FH+ISE+T0HE+
task-set-social correspondence
7F4:<7EO7:L;<>548>9@F8;9E;4:LCL464:<;?@+A+';77B
11.28 am
OP!I+0=I05E@+QRPQ>+HJKE@:=M+FH+ISE+T0HE+
task-set-social correspondence
=9@@CH95C<7I4;@4C5:7:L;7:;<>4;934:;?@+A+';7B
11.28 am
OP!I+0=I05E@+QRPQ>+HJKE@:=M+FH+ISE+T0HE+
task-set-social correspondence
H47:L;CMC54;9E;Q9:48;9E;7:E@K4:=4;?@+A+';77B;
;
;
11.29 am
OP!I+0=I05E@+QRPQ>+HJKE@:=M+FH+ISE+T0HE+
task-set-social correspondence
9I458447:L;G;9I45>4C57:L;?@+A+';777B;
11.30 am
OP!I+0=I05E@+QRPQ>+HJKE@:=M+FH+ISE+T0HE+
task-set-social correspondence
6CJ7:L;<>7:J7:L;I787H@4;?@+A+';777B;
11.32 am
OP!I+0=I05E@+QRPQ>+HJKE@:=M+FH+ISE+T0HE+
task-set dissonance
6CJ7:L;<>7:J7:L;I787H@4;?@+A+';777B;
D
11.35 am
OP!I+0=I05E@+QRPQ>+HJKE@:=M+FH+ISE+T0HE+
task-set-social improvisation
:CI7LC<7:L;<>4;<C8J;8=C34;?@+A+';77B;
How we think about how we learn has changed,
changed space ≠ changed practice
changed set, epistemic & social design = changed practice
we are not powerless
materials matter.
How will you shape
your learning environment
today?
pippa.yeoman@sydney.edu.au

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