SlideShare a Scribd company logo
1 of 13
THE ENJOYMENT OF MUSIC
ESSENTIAL LISTENING
EDITION
by
Kristine Forney
Andrew Dell’Antonio
Joseph Machlis
THIRD EDITION
Lecture Slides
Chapter 22
Grace and Grandeur:
The Baroque Dance Suite
Baroque Instruments
• The Rise of Instrumental Music
• Early- vs. late-Baroque instrumentation
• Instrument designs were improved
• Finest violins in history came from shops of
– Stradivarius
– Guarneri
– Amati
• Violin strings made of gut
• Woodwinds made of wood
• Horns and trumpets: valveless, called “natural”
• Timpani
Baroque Instruments
The Baroque Suite
• Dance Suites
– “Stylized” collection of dances intended for listening
rather than dancing
– Derived from various types of dances that were in
fashion
– Core Dances: Allemande(Ger), Courante(Fr),
Sarabande(Sp), Gigue(Irish)
– Other dances: Bourée, minuet, gavotte, loure,
polonaise, passepied
– Might include prelude or overture
– Customary for all to be written in the same key, faster
dances contrast with slower
– Repeated sections; embellished on repeat
– Binary form
Handel and the Orchestral Suite
• Water Music
• Music for the Royal Fireworks--written to celebrate
the peace treaty that ended the War of Austrian
Succession
Two notable suites by Handel
George Frideric Handel
Water Music
• Written for a riverboat party given by English
King George I--July 17, 1717
• The entire piece is a suite--series of dance
movements Twenty-two numbers
• Performed without continuo
• Divided into three suites
• Movement presented here:
– Hornpipe--a lively dance in triple meter, often
associated with sailors
Binary Form
• Two sections, each repeated
– ||: A :||: B :||
• Tonic key to related key New key ---> tonic
• A section starts in tonic and modulates; B
section starts in the new key and goes back to
the tonic key.
• Usually based on a single theme, manipulated
in various ways; little actual contrasting
material.
More About the Hornpipe
• Timbre: Winds vs. Strings
• Handel did not specify which instruments should
play.
– In the Hornpipe performers used a different
orchestration each time the binary form was
presented.
– Orchestration--manner in which various
instruments are assigned to musical lines
Other Baroque Suites
• Elizabeth Jacquet de la Guerre--Suite in D
Minor--for harpsichord
• Francois Couperin--many suites for
harpsichord
• Johann Sebastian Bach--Orchestral Suite
No. 3 in D Major (Air on a G String)
Water Music
“Hornpipe”
• https://www.youtube.com/watch?v=TRNmXwNnB
by
Kristine Forney
Andrew Dell’Antonio
Joseph Machlis
Lecture Slides
SECOND EDITION
THE ENJOYMENT OF MUSIC
ESSENTIAL LISTENING EDITION
http://wwnorton.com/web/enjoyess2

More Related Content

What's hot

Chapter 15 Singing in Friendship: The Renaissance Madrigal
Chapter 15 Singing in Friendship: The Renaissance MadrigalChapter 15 Singing in Friendship: The Renaissance Madrigal
Chapter 15 Singing in Friendship: The Renaissance MadrigalLaura Riddle
 
Chapter 14 Symbols & Puzzles: Machaut and the Medieval Mind
Chapter 14 Symbols & Puzzles: Machaut and the Medieval MindChapter 14 Symbols & Puzzles: Machaut and the Medieval Mind
Chapter 14 Symbols & Puzzles: Machaut and the Medieval MindLaura Riddle
 
Chapter 10 Western Musical Instruments
Chapter 10 Western Musical InstrumentsChapter 10 Western Musical Instruments
Chapter 10 Western Musical InstrumentsLaura Riddle
 
Chapter 10 Western Musical Instruments
Chapter 10 Western Musical InstrumentsChapter 10 Western Musical Instruments
Chapter 10 Western Musical InstrumentsLaura Riddle
 
Chapter 16 Singing in Friendship: The Renaissance Madrigal
Chapter 16 Singing in Friendship: The Renaissance MadrigalChapter 16 Singing in Friendship: The Renaissance Madrigal
Chapter 16 Singing in Friendship: The Renaissance MadrigalLaura Riddle
 
Chapter 12 Style and Function of Music in Society
Chapter 12 Style and Function of Music in SocietyChapter 12 Style and Function of Music in Society
Chapter 12 Style and Function of Music in SocietyLaura Riddle
 
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval Chant
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval ChantChapter 13 Voice and Worship: Tradition and Individuality in Medieval Chant
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval ChantLaura Riddle
 
Chapter 27 Expanding the Conversation: Mozart, Chamber Music, and Larger Forms
Chapter 27 Expanding the Conversation: Mozart, Chamber Music, and Larger FormsChapter 27 Expanding the Conversation: Mozart, Chamber Music, and Larger Forms
Chapter 27 Expanding the Conversation: Mozart, Chamber Music, and Larger FormsLaura Riddle
 
Music in the Middle Ages
Music in the Middle AgesMusic in the Middle Ages
Music in the Middle AgesLumen Learning
 
Chapter 17 Glory Be: Music for the Renaissance Mass
Chapter 17 Glory Be: Music for the Renaissance MassChapter 17 Glory Be: Music for the Renaissance Mass
Chapter 17 Glory Be: Music for the Renaissance MassLaura Riddle
 
Prelude 4 Music as Order and Logic
Prelude 4 Music as Order and LogicPrelude 4 Music as Order and Logic
Prelude 4 Music as Order and LogicLaura Riddle
 
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval Chant
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval ChantChapter 13 Voice and Worship: Tradition and Individuality in Medieval Chant
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval ChantLaura Riddle
 
Chapters 20, 22, & 24 - Johann Sebastian Bach
Chapters 20, 22, & 24 - Johann Sebastian BachChapters 20, 22, & 24 - Johann Sebastian Bach
Chapters 20, 22, & 24 - Johann Sebastian BachLaura Riddle
 
Chapters 25, 26, & 29 Joseph Haydn
Chapters 25, 26, & 29 Joseph HaydnChapters 25, 26, & 29 Joseph Haydn
Chapters 25, 26, & 29 Joseph HaydnLaura Riddle
 
MUSICA EN EL ROMANTICISMO: PIANO Y LIED
MUSICA EN EL ROMANTICISMO: PIANO Y LIEDMUSICA EN EL ROMANTICISMO: PIANO Y LIED
MUSICA EN EL ROMANTICISMO: PIANO Y LIEDJuan Moreno
 
Prelude 5 The Romantic Era
Prelude 5 The Romantic EraPrelude 5 The Romantic Era
Prelude 5 The Romantic EraLaura Riddle
 
CHAPTER 49 COPLAND
CHAPTER 49 COPLANDCHAPTER 49 COPLAND
CHAPTER 49 COPLANDLaura Riddle
 
Chapter 21 Textures of Worship: Handel and the English Oratorio
Chapter 21 Textures of Worship: Handel and the English OratorioChapter 21 Textures of Worship: Handel and the English Oratorio
Chapter 21 Textures of Worship: Handel and the English OratorioLaura Riddle
 

What's hot (20)

Chapter 15 Singing in Friendship: The Renaissance Madrigal
Chapter 15 Singing in Friendship: The Renaissance MadrigalChapter 15 Singing in Friendship: The Renaissance Madrigal
Chapter 15 Singing in Friendship: The Renaissance Madrigal
 
Chapter 14 Symbols & Puzzles: Machaut and the Medieval Mind
Chapter 14 Symbols & Puzzles: Machaut and the Medieval MindChapter 14 Symbols & Puzzles: Machaut and the Medieval Mind
Chapter 14 Symbols & Puzzles: Machaut and the Medieval Mind
 
Chapter 10 Western Musical Instruments
Chapter 10 Western Musical InstrumentsChapter 10 Western Musical Instruments
Chapter 10 Western Musical Instruments
 
Chapter 10 Western Musical Instruments
Chapter 10 Western Musical InstrumentsChapter 10 Western Musical Instruments
Chapter 10 Western Musical Instruments
 
Chapter 16 Singing in Friendship: The Renaissance Madrigal
Chapter 16 Singing in Friendship: The Renaissance MadrigalChapter 16 Singing in Friendship: The Renaissance Madrigal
Chapter 16 Singing in Friendship: The Renaissance Madrigal
 
Chapter 12 Style and Function of Music in Society
Chapter 12 Style and Function of Music in SocietyChapter 12 Style and Function of Music in Society
Chapter 12 Style and Function of Music in Society
 
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval Chant
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval ChantChapter 13 Voice and Worship: Tradition and Individuality in Medieval Chant
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval Chant
 
Chapter 27 Expanding the Conversation: Mozart, Chamber Music, and Larger Forms
Chapter 27 Expanding the Conversation: Mozart, Chamber Music, and Larger FormsChapter 27 Expanding the Conversation: Mozart, Chamber Music, and Larger Forms
Chapter 27 Expanding the Conversation: Mozart, Chamber Music, and Larger Forms
 
Music in the Middle Ages
Music in the Middle AgesMusic in the Middle Ages
Music in the Middle Ages
 
Chapter 17 Glory Be: Music for the Renaissance Mass
Chapter 17 Glory Be: Music for the Renaissance MassChapter 17 Glory Be: Music for the Renaissance Mass
Chapter 17 Glory Be: Music for the Renaissance Mass
 
Prelude 4 Music as Order and Logic
Prelude 4 Music as Order and LogicPrelude 4 Music as Order and Logic
Prelude 4 Music as Order and Logic
 
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval Chant
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval ChantChapter 13 Voice and Worship: Tradition and Individuality in Medieval Chant
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval Chant
 
Intro to Baroque
Intro to BaroqueIntro to Baroque
Intro to Baroque
 
Classical Forms
Classical FormsClassical Forms
Classical Forms
 
Chapters 20, 22, & 24 - Johann Sebastian Bach
Chapters 20, 22, & 24 - Johann Sebastian BachChapters 20, 22, & 24 - Johann Sebastian Bach
Chapters 20, 22, & 24 - Johann Sebastian Bach
 
Chapters 25, 26, & 29 Joseph Haydn
Chapters 25, 26, & 29 Joseph HaydnChapters 25, 26, & 29 Joseph Haydn
Chapters 25, 26, & 29 Joseph Haydn
 
MUSICA EN EL ROMANTICISMO: PIANO Y LIED
MUSICA EN EL ROMANTICISMO: PIANO Y LIEDMUSICA EN EL ROMANTICISMO: PIANO Y LIED
MUSICA EN EL ROMANTICISMO: PIANO Y LIED
 
Prelude 5 The Romantic Era
Prelude 5 The Romantic EraPrelude 5 The Romantic Era
Prelude 5 The Romantic Era
 
CHAPTER 49 COPLAND
CHAPTER 49 COPLANDCHAPTER 49 COPLAND
CHAPTER 49 COPLAND
 
Chapter 21 Textures of Worship: Handel and the English Oratorio
Chapter 21 Textures of Worship: Handel and the English OratorioChapter 21 Textures of Worship: Handel and the English Oratorio
Chapter 21 Textures of Worship: Handel and the English Oratorio
 

Similar to Baroque Dance Suite

Mozart - Chapters 27, 31, and 32
Mozart - Chapters 27, 31, and 32Mozart - Chapters 27, 31, and 32
Mozart - Chapters 27, 31, and 32Laura Riddle
 
Baroque power point
Baroque power pointBaroque power point
Baroque power pointmcashdollar
 
Ch22 - Classical Instrumental Music.pptx
Ch22 - Classical Instrumental Music.pptxCh22 - Classical Instrumental Music.pptx
Ch22 - Classical Instrumental Music.pptxAlicia Wallace
 
Chapter 23 - Sounding Spring: Vivaldi & The Baroque Concerto
Chapter 23 - Sounding Spring: Vivaldi & The Baroque ConcertoChapter 23 - Sounding Spring: Vivaldi & The Baroque Concerto
Chapter 23 - Sounding Spring: Vivaldi & The Baroque ConcertoLaura Riddle
 
Chapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
Chapter 23 Sounding Spring: Vivaldi and the Baroque ConcertoChapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
Chapter 23 Sounding Spring: Vivaldi and the Baroque ConcertoLaura Riddle
 
Power point 10: Instrumental Music in the 1500s
Power point 10: Instrumental Music in the 1500sPower point 10: Instrumental Music in the 1500s
Power point 10: Instrumental Music in the 1500sScott Marosek
 
Chapter 26 - Romantic choral, chamber and orchestral
Chapter 26 - Romantic choral, chamber and orchestralChapter 26 - Romantic choral, chamber and orchestral
Chapter 26 - Romantic choral, chamber and orchestralAlicia Wallace
 
The Classical Period
The Classical PeriodThe Classical Period
The Classical PeriodChristy Ros
 
Bach - Chapters 19 and 24
Bach - Chapters 19 and 24Bach - Chapters 19 and 24
Bach - Chapters 19 and 24Laura Riddle
 
Power point 15: Late Baroque Music in Germany
Power point 15: Late Baroque Music in GermanyPower point 15: Late Baroque Music in Germany
Power point 15: Late Baroque Music in GermanyScott Marosek
 
Baroque Music
Baroque MusicBaroque Music
Baroque Musiccroufrul
 
Chapter 28 Conversation with a Leader: Haydn and the Classical Concerto
Chapter 28  Conversation with a Leader: Haydn and the Classical ConcertoChapter 28  Conversation with a Leader: Haydn and the Classical Concerto
Chapter 28 Conversation with a Leader: Haydn and the Classical ConcertoLaura Riddle
 
Handel -Chapter 20 and 22
Handel -Chapter 20 and 22Handel -Chapter 20 and 22
Handel -Chapter 20 and 22Laura Riddle
 
Prelude 3 The Baroque Era
Prelude 3 The Baroque EraPrelude 3 The Baroque Era
Prelude 3 The Baroque EraLaura Riddle
 
Ch17 late 17th century italy & germany
Ch17   late 17th century italy & germanyCh17   late 17th century italy & germany
Ch17 late 17th century italy & germanyAlicia Wallace
 
Wk 7 baroque instrumental music, late 17th vocal, early 18th cenury
Wk 7   baroque instrumental music, late 17th vocal, early 18th cenuryWk 7   baroque instrumental music, late 17th vocal, early 18th cenury
Wk 7 baroque instrumental music, late 17th vocal, early 18th cenuryAlicia Wallace
 
Ch16 17th century france, england, spain, new world
Ch16   17th century france, england, spain, new worldCh16   17th century france, england, spain, new world
Ch16 17th century france, england, spain, new worldAlicia Wallace
 
Prelude 3 The Baroque Era
Prelude 3 The Baroque EraPrelude 3 The Baroque Era
Prelude 3 The Baroque EraLaura Riddle
 
Ch15 - 17th century chamber & church music
Ch15 - 17th century chamber & church musicCh15 - 17th century chamber & church music
Ch15 - 17th century chamber & church musicAlicia Wallace
 

Similar to Baroque Dance Suite (20)

Mozart - Chapters 27, 31, and 32
Mozart - Chapters 27, 31, and 32Mozart - Chapters 27, 31, and 32
Mozart - Chapters 27, 31, and 32
 
Baroque power point
Baroque power pointBaroque power point
Baroque power point
 
Ch22 - Classical Instrumental Music.pptx
Ch22 - Classical Instrumental Music.pptxCh22 - Classical Instrumental Music.pptx
Ch22 - Classical Instrumental Music.pptx
 
Chapter 23 - Sounding Spring: Vivaldi & The Baroque Concerto
Chapter 23 - Sounding Spring: Vivaldi & The Baroque ConcertoChapter 23 - Sounding Spring: Vivaldi & The Baroque Concerto
Chapter 23 - Sounding Spring: Vivaldi & The Baroque Concerto
 
Chapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
Chapter 23 Sounding Spring: Vivaldi and the Baroque ConcertoChapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
Chapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
 
Power point 10: Instrumental Music in the 1500s
Power point 10: Instrumental Music in the 1500sPower point 10: Instrumental Music in the 1500s
Power point 10: Instrumental Music in the 1500s
 
Chapter 26 - Romantic choral, chamber and orchestral
Chapter 26 - Romantic choral, chamber and orchestralChapter 26 - Romantic choral, chamber and orchestral
Chapter 26 - Romantic choral, chamber and orchestral
 
The Classical Period
The Classical PeriodThe Classical Period
The Classical Period
 
Bach - Chapters 19 and 24
Bach - Chapters 19 and 24Bach - Chapters 19 and 24
Bach - Chapters 19 and 24
 
Power point 15: Late Baroque Music in Germany
Power point 15: Late Baroque Music in GermanyPower point 15: Late Baroque Music in Germany
Power point 15: Late Baroque Music in Germany
 
Baroque Music
Baroque MusicBaroque Music
Baroque Music
 
Chapter 28 Conversation with a Leader: Haydn and the Classical Concerto
Chapter 28  Conversation with a Leader: Haydn and the Classical ConcertoChapter 28  Conversation with a Leader: Haydn and the Classical Concerto
Chapter 28 Conversation with a Leader: Haydn and the Classical Concerto
 
Handel -Chapter 20 and 22
Handel -Chapter 20 and 22Handel -Chapter 20 and 22
Handel -Chapter 20 and 22
 
Prelude 3 The Baroque Era
Prelude 3 The Baroque EraPrelude 3 The Baroque Era
Prelude 3 The Baroque Era
 
Ch17 late 17th century italy & germany
Ch17   late 17th century italy & germanyCh17   late 17th century italy & germany
Ch17 late 17th century italy & germany
 
Wk 7 baroque instrumental music, late 17th vocal, early 18th cenury
Wk 7   baroque instrumental music, late 17th vocal, early 18th cenuryWk 7   baroque instrumental music, late 17th vocal, early 18th cenury
Wk 7 baroque instrumental music, late 17th vocal, early 18th cenury
 
Ch16 17th century france, england, spain, new world
Ch16   17th century france, england, spain, new worldCh16   17th century france, england, spain, new world
Ch16 17th century france, england, spain, new world
 
Prelude 3 The Baroque Era
Prelude 3 The Baroque EraPrelude 3 The Baroque Era
Prelude 3 The Baroque Era
 
Ch15 - 17th century chamber & church music
Ch15 - 17th century chamber & church musicCh15 - 17th century chamber & church music
Ch15 - 17th century chamber & church music
 
THE BAROQUE DANCE SUITE.ppt
THE BAROQUE DANCE SUITE.pptTHE BAROQUE DANCE SUITE.ppt
THE BAROQUE DANCE SUITE.ppt
 

More from Laura Riddle

CHAPTER 54 WILLIAMS
CHAPTER 54 WILLIAMSCHAPTER 54 WILLIAMS
CHAPTER 54 WILLIAMSLaura Riddle
 
Chapters 55 & 57 MINIMALISM
Chapters 55 & 57 MINIMALISMChapters 55 & 57 MINIMALISM
Chapters 55 & 57 MINIMALISMLaura Riddle
 
CHAPTER 53 Bernstein
CHAPTER 53 BernsteinCHAPTER 53 Bernstein
CHAPTER 53 BernsteinLaura Riddle
 
Chapters 51 & 52 Cage - Crumb
Chapters 51 & 52 Cage - CrumbChapters 51 & 52 Cage - Crumb
Chapters 51 & 52 Cage - CrumbLaura Riddle
 
PRELUDE 7 Beyond Modernism?
PRELUDE 7 Beyond Modernism?PRELUDE 7 Beyond Modernism?
PRELUDE 7 Beyond Modernism?Laura Riddle
 
Chapter 45 Stravinsky
Chapter 45 StravinskyChapter 45 Stravinsky
Chapter 45 StravinskyLaura Riddle
 
Prelude 6 - Modernism
Prelude 6 - ModernismPrelude 6 - Modernism
Prelude 6 - ModernismLaura Riddle
 
Classicism VS. Romanticism
Classicism VS. RomanticismClassicism VS. Romanticism
Classicism VS. RomanticismLaura Riddle
 
Chapter 44 Debussy
Chapter 44 DebussyChapter 44 Debussy
Chapter 44 DebussyLaura Riddle
 
Chapter 43 Tchaikovsky
Chapter 43 TchaikovskyChapter 43 Tchaikovsky
Chapter 43 TchaikovskyLaura Riddle
 
Chapter 41 - Wagner
Chapter 41 - WagnerChapter 41 - Wagner
Chapter 41 - WagnerLaura Riddle
 
Chapters 38 & 39 Grieg & Dvorak NATIONALISM
Chapters 38 & 39 Grieg & Dvorak NATIONALISMChapters 38 & 39 Grieg & Dvorak NATIONALISM
Chapters 38 & 39 Grieg & Dvorak NATIONALISMLaura Riddle
 
Chapter 37 Personal Soundtracks
Chapter 37 Personal SoundtracksChapter 37 Personal Soundtracks
Chapter 37 Personal SoundtracksLaura Riddle
 
Chapters 35 & 42 Chopin & Brahms
Chapters 35 & 42 Chopin & BrahmsChapters 35 & 42 Chopin & Brahms
Chapters 35 & 42 Chopin & BrahmsLaura Riddle
 
Chapter 33 Musical Reading: Schubert & the Early Romantic Lied
Chapter 33 Musical Reading: Schubert & the Early Romantic LiedChapter 33 Musical Reading: Schubert & the Early Romantic Lied
Chapter 33 Musical Reading: Schubert & the Early Romantic LiedLaura Riddle
 
Prelude 5 The Romantic Era
Prelude 5 The Romantic EraPrelude 5 The Romantic Era
Prelude 5 The Romantic EraLaura Riddle
 
Chapters 30 & 31 Beethoven
Chapters 30 & 31 BeethovenChapters 30 & 31 Beethoven
Chapters 30 & 31 BeethovenLaura Riddle
 
Chapters 27, 28, & 32 Mozart
Chapters 27, 28, & 32 MozartChapters 27, 28, & 32 Mozart
Chapters 27, 28, & 32 MozartLaura Riddle
 
Chapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
Chapter 23 Sounding Spring: Vivaldi and the Baroque ConcertoChapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
Chapter 23 Sounding Spring: Vivaldi and the Baroque ConcertoLaura Riddle
 

More from Laura Riddle (20)

CHAPTER 54 WILLIAMS
CHAPTER 54 WILLIAMSCHAPTER 54 WILLIAMS
CHAPTER 54 WILLIAMS
 
Chapters 55 & 57 MINIMALISM
Chapters 55 & 57 MINIMALISMChapters 55 & 57 MINIMALISM
Chapters 55 & 57 MINIMALISM
 
CHAPTER 53 Bernstein
CHAPTER 53 BernsteinCHAPTER 53 Bernstein
CHAPTER 53 Bernstein
 
Chapters 51 & 52 Cage - Crumb
Chapters 51 & 52 Cage - CrumbChapters 51 & 52 Cage - Crumb
Chapters 51 & 52 Cage - Crumb
 
PRELUDE 7 Beyond Modernism?
PRELUDE 7 Beyond Modernism?PRELUDE 7 Beyond Modernism?
PRELUDE 7 Beyond Modernism?
 
Chapter 45 Stravinsky
Chapter 45 StravinskyChapter 45 Stravinsky
Chapter 45 Stravinsky
 
Prelude 6 - Modernism
Prelude 6 - ModernismPrelude 6 - Modernism
Prelude 6 - Modernism
 
Classicism VS. Romanticism
Classicism VS. RomanticismClassicism VS. Romanticism
Classicism VS. Romanticism
 
Chapter 44 Debussy
Chapter 44 DebussyChapter 44 Debussy
Chapter 44 Debussy
 
Chapter 43 Tchaikovsky
Chapter 43 TchaikovskyChapter 43 Tchaikovsky
Chapter 43 Tchaikovsky
 
Chapter 41 - Wagner
Chapter 41 - WagnerChapter 41 - Wagner
Chapter 41 - Wagner
 
Chapter 40 Verdi
Chapter 40 VerdiChapter 40 Verdi
Chapter 40 Verdi
 
Chapters 38 & 39 Grieg & Dvorak NATIONALISM
Chapters 38 & 39 Grieg & Dvorak NATIONALISMChapters 38 & 39 Grieg & Dvorak NATIONALISM
Chapters 38 & 39 Grieg & Dvorak NATIONALISM
 
Chapter 37 Personal Soundtracks
Chapter 37 Personal SoundtracksChapter 37 Personal Soundtracks
Chapter 37 Personal Soundtracks
 
Chapters 35 & 42 Chopin & Brahms
Chapters 35 & 42 Chopin & BrahmsChapters 35 & 42 Chopin & Brahms
Chapters 35 & 42 Chopin & Brahms
 
Chapter 33 Musical Reading: Schubert & the Early Romantic Lied
Chapter 33 Musical Reading: Schubert & the Early Romantic LiedChapter 33 Musical Reading: Schubert & the Early Romantic Lied
Chapter 33 Musical Reading: Schubert & the Early Romantic Lied
 
Prelude 5 The Romantic Era
Prelude 5 The Romantic EraPrelude 5 The Romantic Era
Prelude 5 The Romantic Era
 
Chapters 30 & 31 Beethoven
Chapters 30 & 31 BeethovenChapters 30 & 31 Beethoven
Chapters 30 & 31 Beethoven
 
Chapters 27, 28, & 32 Mozart
Chapters 27, 28, & 32 MozartChapters 27, 28, & 32 Mozart
Chapters 27, 28, & 32 Mozart
 
Chapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
Chapter 23 Sounding Spring: Vivaldi and the Baroque ConcertoChapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
Chapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
 

Recently uploaded

Introduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptxIntroduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptxpboyjonauth
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Sapana Sha
 
Introduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher EducationIntroduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher Educationpboyjonauth
 
Blooming Together_ Growing a Community Garden Worksheet.docx
Blooming Together_ Growing a Community Garden Worksheet.docxBlooming Together_ Growing a Community Garden Worksheet.docx
Blooming Together_ Growing a Community Garden Worksheet.docxUnboundStockton
 
internship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developerinternship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developerunnathinaik
 
Class 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdfClass 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdfakmcokerachita
 
भारत-रोम व्यापार.pptx, Indo-Roman Trade,
भारत-रोम व्यापार.pptx, Indo-Roman Trade,भारत-रोम व्यापार.pptx, Indo-Roman Trade,
भारत-रोम व्यापार.pptx, Indo-Roman Trade,Virag Sontakke
 
Science lesson Moon for 4th quarter lesson
Science lesson Moon for 4th quarter lessonScience lesson Moon for 4th quarter lesson
Science lesson Moon for 4th quarter lessonJericReyAuditor
 
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️9953056974 Low Rate Call Girls In Saket, Delhi NCR
 
Presiding Officer Training module 2024 lok sabha elections
Presiding Officer Training module 2024 lok sabha electionsPresiding Officer Training module 2024 lok sabha elections
Presiding Officer Training module 2024 lok sabha electionsanshu789521
 
Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17Celine George
 
Biting mechanism of poisonous snakes.pdf
Biting mechanism of poisonous snakes.pdfBiting mechanism of poisonous snakes.pdf
Biting mechanism of poisonous snakes.pdfadityarao40181
 
Science 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its CharacteristicsScience 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its CharacteristicsKarinaGenton
 
ENGLISH5 QUARTER4 MODULE1 WEEK1-3 How Visual and Multimedia Elements.pptx
ENGLISH5 QUARTER4 MODULE1 WEEK1-3 How Visual and Multimedia Elements.pptxENGLISH5 QUARTER4 MODULE1 WEEK1-3 How Visual and Multimedia Elements.pptx
ENGLISH5 QUARTER4 MODULE1 WEEK1-3 How Visual and Multimedia Elements.pptxAnaBeatriceAblay2
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxSayali Powar
 
A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformChameera Dedduwage
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)eniolaolutunde
 
Crayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon ACrayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon AUnboundStockton
 
History Class XII Ch. 3 Kinship, Caste and Class (1).pptx
History Class XII Ch. 3 Kinship, Caste and Class (1).pptxHistory Class XII Ch. 3 Kinship, Caste and Class (1).pptx
History Class XII Ch. 3 Kinship, Caste and Class (1).pptxsocialsciencegdgrohi
 

Recently uploaded (20)

Introduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptxIntroduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptx
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
 
Introduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher EducationIntroduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher Education
 
Blooming Together_ Growing a Community Garden Worksheet.docx
Blooming Together_ Growing a Community Garden Worksheet.docxBlooming Together_ Growing a Community Garden Worksheet.docx
Blooming Together_ Growing a Community Garden Worksheet.docx
 
internship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developerinternship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developer
 
Class 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdfClass 11 Legal Studies Ch-1 Concept of State .pdf
Class 11 Legal Studies Ch-1 Concept of State .pdf
 
भारत-रोम व्यापार.pptx, Indo-Roman Trade,
भारत-रोम व्यापार.pptx, Indo-Roman Trade,भारत-रोम व्यापार.pptx, Indo-Roman Trade,
भारत-रोम व्यापार.pptx, Indo-Roman Trade,
 
Science lesson Moon for 4th quarter lesson
Science lesson Moon for 4th quarter lessonScience lesson Moon for 4th quarter lesson
Science lesson Moon for 4th quarter lesson
 
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
 
Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝
Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝
Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝
 
Presiding Officer Training module 2024 lok sabha elections
Presiding Officer Training module 2024 lok sabha electionsPresiding Officer Training module 2024 lok sabha elections
Presiding Officer Training module 2024 lok sabha elections
 
Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17
 
Biting mechanism of poisonous snakes.pdf
Biting mechanism of poisonous snakes.pdfBiting mechanism of poisonous snakes.pdf
Biting mechanism of poisonous snakes.pdf
 
Science 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its CharacteristicsScience 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its Characteristics
 
ENGLISH5 QUARTER4 MODULE1 WEEK1-3 How Visual and Multimedia Elements.pptx
ENGLISH5 QUARTER4 MODULE1 WEEK1-3 How Visual and Multimedia Elements.pptxENGLISH5 QUARTER4 MODULE1 WEEK1-3 How Visual and Multimedia Elements.pptx
ENGLISH5 QUARTER4 MODULE1 WEEK1-3 How Visual and Multimedia Elements.pptx
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
 
A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy Reform
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)
 
Crayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon ACrayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon A
 
History Class XII Ch. 3 Kinship, Caste and Class (1).pptx
History Class XII Ch. 3 Kinship, Caste and Class (1).pptxHistory Class XII Ch. 3 Kinship, Caste and Class (1).pptx
History Class XII Ch. 3 Kinship, Caste and Class (1).pptx
 

Baroque Dance Suite

  • 1. THE ENJOYMENT OF MUSIC ESSENTIAL LISTENING EDITION by Kristine Forney Andrew Dell’Antonio Joseph Machlis THIRD EDITION Lecture Slides
  • 2. Chapter 22 Grace and Grandeur: The Baroque Dance Suite
  • 3. Baroque Instruments • The Rise of Instrumental Music • Early- vs. late-Baroque instrumentation
  • 4. • Instrument designs were improved • Finest violins in history came from shops of – Stradivarius – Guarneri – Amati • Violin strings made of gut • Woodwinds made of wood • Horns and trumpets: valveless, called “natural” • Timpani Baroque Instruments
  • 5. The Baroque Suite • Dance Suites – “Stylized” collection of dances intended for listening rather than dancing – Derived from various types of dances that were in fashion – Core Dances: Allemande(Ger), Courante(Fr), Sarabande(Sp), Gigue(Irish) – Other dances: Bourée, minuet, gavotte, loure, polonaise, passepied – Might include prelude or overture – Customary for all to be written in the same key, faster dances contrast with slower – Repeated sections; embellished on repeat – Binary form
  • 6. Handel and the Orchestral Suite • Water Music • Music for the Royal Fireworks--written to celebrate the peace treaty that ended the War of Austrian Succession Two notable suites by Handel
  • 7. George Frideric Handel Water Music • Written for a riverboat party given by English King George I--July 17, 1717 • The entire piece is a suite--series of dance movements Twenty-two numbers • Performed without continuo • Divided into three suites • Movement presented here: – Hornpipe--a lively dance in triple meter, often associated with sailors
  • 8. Binary Form • Two sections, each repeated – ||: A :||: B :|| • Tonic key to related key New key ---> tonic • A section starts in tonic and modulates; B section starts in the new key and goes back to the tonic key. • Usually based on a single theme, manipulated in various ways; little actual contrasting material.
  • 9. More About the Hornpipe • Timbre: Winds vs. Strings • Handel did not specify which instruments should play. – In the Hornpipe performers used a different orchestration each time the binary form was presented. – Orchestration--manner in which various instruments are assigned to musical lines
  • 10. Other Baroque Suites • Elizabeth Jacquet de la Guerre--Suite in D Minor--for harpsichord • Francois Couperin--many suites for harpsichord • Johann Sebastian Bach--Orchestral Suite No. 3 in D Major (Air on a G String)
  • 12.
  • 13. by Kristine Forney Andrew Dell’Antonio Joseph Machlis Lecture Slides SECOND EDITION THE ENJOYMENT OF MUSIC ESSENTIAL LISTENING EDITION http://wwnorton.com/web/enjoyess2

Editor's Notes

  1. ■ In the Baroque era, instruments were greatly improved and featured in several large-scale genres, including the suite (a collection of dances). ■ The Baroque suite is a group of dances, usually in the same key, with each piece in binary form (A-A-B-B) or ternary form (A-B-A). ■ Handel’s best-known orchestral suites are Water Music and Music for the Royal Fireworks.
  2. “If music be the food of love, play on.” —William Shakespeare, Twelfth Night During the Baroque era, instrumental music became as important as vocal music for the first time in history. Great virtuosos such as Bach on the organ or Vivaldi on the violin raised the technique of playing to new heights. Early Baroque composers did not specify instrumentation. Late Baroque composers began to choose instruments according to timbre desired, and wrote the music in a way that showcased the best quality of the instrument.
  3. Instrument designs became more precise, and the art of orchestration began to blossom. One dramatic improvement occurred in the construction of string instruments. Some of the finest violins ever built were from the workshops of Stradivarius, Guarneri, and Amati. Many of these violins are still in circulation and are currently worth millions of dollars.
  4. Handel wrote two notable orchestral suites: Water Music and Music for the Royal Fireworks. Artwork: Giovanni Antonio Canal (Canaletto) (1697–1768), a royal sortie on the Thames River in London
  5. Listening Guide 10—Handel: Water Music, Suite in D Major, II