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What’s the story? Consider this
image while everyone arrives…
Learning Objectives
•To be able to describe camerawork and
mise-en-scene in a scene
•To be able to analyse meaning that is
created by camerawork and mise-en-scene
Mise-en-scene
• location/set design
• body language
• facial expression
• costume
• colour palette
• lighting
• props
Camera Work
• long-shot
• mid-shot
• close-up
• panning movement
• tracking/dolly movement
• high angle
• low angle
•What do you learn about Elizabeth through the
mise-en-scene?
•What do you learn about Elizabeth through the
camerawork?
•How are you positioned as an audience
member?
Semiotics
•Denotation/ Connotation
• Identify & Describe/ What it means
• A long shot from the front of the aisle shows Elizabeth entering the hall.
In the shot the subjects are positioned either side of the aisle and
Elizabeth at the end. Elizabeth is in the centre of the frame and this long
shot allows us to see her dress. The dress is a white embellished gown.
To the left of the frame we see her ladies in waiting who are also dressed
in white gowns, although not as decorative as Elizabeth’s. This shot
connotes that she is the bride in this scene, and that she is going to
marry England. The ladies in waiting are there as her bridesmaids, on
this her wedding day. The white dress symbolises her virginity and the
ladies in waiting dresses are not as decorative to connote that they
cannot outshine the bride on her wedding day.
Written Task
•Analyse how media language is used to create
meaning in the final sequence of Elizabeth
•Up to 800 words. At least five examples of
camera and five examples of mise-en-scene
Homework
• Write a detailed analysis of the Tsotsi poster:
• Camera shot
• Costume
• Colour
• Lighting
• Framing
• Set design
• DENOTATION / CONNOTATION

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Lesson 2 elizabeth

  • 1.
  • 2. What’s the story? Consider this image while everyone arrives…
  • 3. Learning Objectives •To be able to describe camerawork and mise-en-scene in a scene •To be able to analyse meaning that is created by camerawork and mise-en-scene
  • 4. Mise-en-scene • location/set design • body language • facial expression • costume • colour palette • lighting • props
  • 5. Camera Work • long-shot • mid-shot • close-up • panning movement • tracking/dolly movement • high angle • low angle
  • 6. •What do you learn about Elizabeth through the mise-en-scene? •What do you learn about Elizabeth through the camerawork? •How are you positioned as an audience member?
  • 7. Semiotics •Denotation/ Connotation • Identify & Describe/ What it means • A long shot from the front of the aisle shows Elizabeth entering the hall. In the shot the subjects are positioned either side of the aisle and Elizabeth at the end. Elizabeth is in the centre of the frame and this long shot allows us to see her dress. The dress is a white embellished gown. To the left of the frame we see her ladies in waiting who are also dressed in white gowns, although not as decorative as Elizabeth’s. This shot connotes that she is the bride in this scene, and that she is going to marry England. The ladies in waiting are there as her bridesmaids, on this her wedding day. The white dress symbolises her virginity and the ladies in waiting dresses are not as decorative to connote that they cannot outshine the bride on her wedding day.
  • 8. Written Task •Analyse how media language is used to create meaning in the final sequence of Elizabeth •Up to 800 words. At least five examples of camera and five examples of mise-en-scene
  • 9. Homework • Write a detailed analysis of the Tsotsi poster: • Camera shot • Costume • Colour • Lighting • Framing • Set design • DENOTATION / CONNOTATION