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Lecture 37  Horticulture and Literature: Shakespeare William Shakespeare (1660-1616)  Elizabethan playwright and poet  Considered greatest writer in  English, if not in any language Writes historical plays, romances,  and comedies; still performed Sonnets still read by lovers  (although many addressed to a  man) Writes on the human condition
Amazing knowledge of horticulture, agriculture,  seamanship, law, fishing, hunting, history,  classics, etc.  On this basis some claim Shakespeare’s work  actually written by Edward de Vere, 17 th  Earl  of Oxford (1550-1604) Greatest vocabulary of any writer Many English words have first usage in works Many expressions have become clichés Something is rotten in the state of Denmark   Hamlet There’s small choice in rotten apples Taming of the Shrew
Shakespeare uses the world of imagery:  simile, metaphor, analogy to paint verbal  pictures May be key to understanding Shakespeare (Caroline Spurgeon 1931) Sources: Bookish facts: classics, bible Real world: nature, sports, everyday life,  horticulture
Horticultural Information (Richer in horticulture than general farming) Plant growth and plan, seeding Pruning and training Manuring and weeding Ripeness and decay Gardens and gardening Premise A study of horticultural imagery in  Shakespeare's leads us to both an  appreciate of his works as literature and an  understanding of horticulture in the  Elizabethan period as well as today
Plant References So we grew together, Like to a double cherry, seeming parted, But yet a union in partition; Two lovely berries moulded on one stem Midsummer Night’s Dream ,III(2)139 O, had the monster seen those lily hands Tremble, like aspen leaves upon a lute Titus Andronicus, II(4)44 Mine eyes smell Onions, I shall weep anon:  All’s Well that Ends Well, V(3) 321 And most dear actors, eat no onions nor  garlic, for we are to utter sweet breath Midsummer Night’s Dream, IV(2) 42
Medicinals Not Poppy, nor mandragora, Nor all the drowsy syrups of the world, Shall ever medicine thee to that sweet sleep Which thou owedst yesterday Othello, III,(3)330 Root of hemlock digg’d I’ the dark Macbeth, IV(1)25 I have convey’d aboard; and I have brought The oil, the balsamum and aqua-vitae Comedy of Errors, IV(1)187
Flowers and Flowering When I have pluck’d the rose, I cannot give it vital growth again. It must needs wither: I’ll smell it on the tree Othello,V(2)86. Though other things grow fair against the sun, Yet fruits that blossom first will first be ripe  Othello, II(3) 382
The summer’s flower is to the summer sweet, Though to itself it only live and die; But if that flower with base infection meet, The basest weed outbraves his dignity: For sweetest  things turn sourest by their deeds; Lilies that fester smell far worse than weeds. Venus and Adonis, (1079)
Gardens and Gardeners ‘ Tis in ourselves that we are thus or thus. Our bodies are our gardens, to the which our wills are gardeners: so that if we will plant nettles, or sow lettuce, set hyssop and weed up thyme, supply it with one gender of herbs, or distract it with many, either to have it sterile with idleness, or manured with industry, why, the power and corrigible authority of this lies in our wills Othello, I(3)322 Come, my spade. There is no ancient gentlemen but gardeners, ditchers, and grave-makers: they hold up Adam’s profession Hamlet, V(1)34.
Pruning But, poor old man, thou prunest a rotten tree, That cannot so much as a blossom yield In lieu of all thy pains and husbandry  As You Like It, II(3)63 Go, bind thou up yon dangling apricocks, Which, like unruly children, make their sire Stoop with oppression of their prodigal weight: Give some supportance to the bending twigs. Go thou, and like an executioner, Cut off the heads of too fast growing sprays, That look too lofty in our commonwealth: All must be even in our government Richard II, III(4)
Her vine, the merry cheerer of the heart, Unpruned dies; her hedges even-pleach’d, Like prisoners wildly overgrown with hair, Put forth disorder’d twigs… And as our vineyards, fallows, meads, and hedges, Defective in their natures, grow to wildness, Even so our houses and ourselves and children Have lost, or do not learn for want of time, The sciences that should become our country… Henry V, V(2)
Manuring As gardeners do with ordure (dung) hide those roots That shall first spring and be most delicate Henry V, II(2), 4
Grafting Her royal stock graft with ignoble plants Richard III, III(7) 127 Noble stock Was graft with Crab-tree slip 2nd Henry VI, III(2)213 Nay, you shall see my orchard, where, in an arbour, we will eat a last year’s pippin of my own graffing, with a dish of caraways, and so forth. 2nd Henry IV, V(3).
You see, sweet maid, we marry A gentle scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race: this is an art Which does mend nature, change it rather, but The art itself is nature. Winter’s Tale. IV(4)81.
Weeds and Insects How weary, stale, flat, and unprofitable, Seem to me all the uses of this world! Fie on’t! ah fie! ‘tis an unweeded garden, That grows to seed; things rank and gross in nature Possess it merely Hamlet, I(2)133 Now ‘tis the spring, and weeds are shallow-rooted; Suffer them now, and they’ll o’ergrow the garden And choke the herbs for want of husbandry 2nd Henry VI, III(1)31
Thus are my blossoms blasted in the bud And caterpillars eat my leaves away 2nd Henry VI, III(1)89 She never told her love, But let concealment, like a worm i’ the bud, Feed on her damask cheek Twelfth Night, II (4)113
Frost   Death lies on her like an untimely frost Upon the sweetest flower of the field Romeo and Juliet, IV(5)58 This is the state of man: to-day he puts forth The tender leaves of hopes, to-morrow blossoms, And bears his blushing honours thick upon him; And third day comes a frost, a killing frost, And, when he thinks, good easy man, full surely His greatness is a-ripening, nips his root, And then he falls, as I do Henry VIII, III(2)70
Horticultural Seasons For never-resting time leads summer on To hideous winter, and confounds him there; Sap check’d with frost and lusty leaves quite gone, Beauty o’ersnow’d, and bareness everywhere; Then, were not summer’s distillation left, A liquid prisoner pent in walls of glass, Beauty’s effect with beauty were bereft, Nor it, nor no remembrance what it was; But flowers distill’d, though they with winter meet, Leese but their show; their substance still lives sweet. Sonnet 5
Shall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date; Sometime too hot the eye of heaven shines, And often is his gold complexion dimm’d, By chance or natures’s changing course untrimm’d Sonnet 18
Marketing I cannot do’t without counters. Let me see what am I to buy for our sheep-shearing feast? Three pound of sugar, five pound of currants, rice - what will this sister of mine do with rice?…..She hath made me four and twenty nose-gays for the shearers….I must have saffron to colour the warden pies; mace; dates? – none, that’s out of my note; nutmegs, seven; a race or two of ginger, but that I may beg; four pound of prunes, and as many of raisins o’ the sun. The Winter’s Tale, IV(3)
Garden Scene from Richard II Gardener   Go, bind thou up yon dangling apricocks, Which, like unruly children, make their sire Stoop with oppression of their prodigal weight; Give some supportance to the bending twigs. Go thou, and like an executioner, Cut off the heads of too fast growing sprays, That look too lofty in our commonwealth: All must be even in our government. You thus employed, I will go root away The noisome weeds, which without profit suck The soil’s fertility from wholesome flowers.
Man   Why should we in the compass of a pale Keep law and form and due proportion, Showing, as in a model, our firm estate, When our sea-walled garden, the whole land, Is full of weeds, her fairest flowers chok’d up, Her fruit-trees all unprun’d, her hedges ruin’d, Her knots disordered and her wholesome herbs Swarming with caterpillars?
Gardener Hold thy peace. He that hath suffered this disordered spring Hath now himself met with the fall of leaf. The weeds which his broad-spreading leaves did shelter, That seem’d in eating him to hold him up, Are pluck’d up root and all by Bullingbrook, I mean the Earl of Wiltshire, Bushy, Green. Man What, are they dead?
Gardener They are; and Bullingbrook Hath seiz’d the wasteful king. O, what pity is it That he had not so trimm’d and dress’d his land As we this garden! We at time of year Do wound the bark, the skin of our fruit-trees, Lest, being over-proud in sap and blood, With too much riches it confound itself; Had he done so to great and growing men, They might have lived to bear and he to taste Their fruits of duty. Superfluous branches We lop away, that bearing boughs may live; Had he done so, himself had borne the crown, Which waste of idle hours hath quite thrown down.
Sheep Sheering Party from A Winter’s Tale Perdita   Give me those flowers there, Dorcas. Reverend sirs, For you there’s rosemary and rue; these keep Seeming and savor all the winter long. Grace and remembrance be to you both, And welcome to our shearing!
Polixenes   Shepherdess, A fair one are you, well you fit our ages With flow’rs of winter.   Perdita   Sir, the year growing ancient, Not yet on summer’s death, nor on the bir Of trembling winter, the fairest flowers o’ the season Are our carnations and streak’d gillyvors Which some call nature’s bastards: of that kind Our rustic garden’s barren; and I care not To get slips of them.
Polixenes   Wherefore, gentle maiden, Do you neglect them? Perdita   For I have heard it said There is an art which in their piedness shares With great creating nature.
Polixenes   Say there be; Yet nature is made better by no mean But nature makes that mean: so, over that art Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race: this is an art Which does mend nature, change it rather, but The art itself is nature. Perdita So it is.
Polixenes   Then make your garden rich in gillyvors, And do not call them bastards. Perdita   I’ll not put The dibble in earth to set one slip of them; No more than were I painted I would wish This youth should say ‘twere well and only therefore Desire to breed by me. Here’s flowers for you; Hot lavender, mints, savory, marjoram; The marigold, that goes to bed wi’ the sun And with him rises weeping: these are flowers Of middle summer, and I think they are given To men of middle age. You’re very welcome.

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Horticulture And William Shakespeare

  • 1. Lecture 37 Horticulture and Literature: Shakespeare William Shakespeare (1660-1616) Elizabethan playwright and poet Considered greatest writer in English, if not in any language Writes historical plays, romances, and comedies; still performed Sonnets still read by lovers (although many addressed to a man) Writes on the human condition
  • 2. Amazing knowledge of horticulture, agriculture, seamanship, law, fishing, hunting, history, classics, etc. On this basis some claim Shakespeare’s work actually written by Edward de Vere, 17 th Earl of Oxford (1550-1604) Greatest vocabulary of any writer Many English words have first usage in works Many expressions have become clichĂŠs Something is rotten in the state of Denmark Hamlet There’s small choice in rotten apples Taming of the Shrew
  • 3. Shakespeare uses the world of imagery: simile, metaphor, analogy to paint verbal pictures May be key to understanding Shakespeare (Caroline Spurgeon 1931) Sources: Bookish facts: classics, bible Real world: nature, sports, everyday life, horticulture
  • 4. Horticultural Information (Richer in horticulture than general farming) Plant growth and plan, seeding Pruning and training Manuring and weeding Ripeness and decay Gardens and gardening Premise A study of horticultural imagery in Shakespeare's leads us to both an appreciate of his works as literature and an understanding of horticulture in the Elizabethan period as well as today
  • 5. Plant References So we grew together, Like to a double cherry, seeming parted, But yet a union in partition; Two lovely berries moulded on one stem Midsummer Night’s Dream ,III(2)139 O, had the monster seen those lily hands Tremble, like aspen leaves upon a lute Titus Andronicus, II(4)44 Mine eyes smell Onions, I shall weep anon: All’s Well that Ends Well, V(3) 321 And most dear actors, eat no onions nor garlic, for we are to utter sweet breath Midsummer Night’s Dream, IV(2) 42
  • 6. Medicinals Not Poppy, nor mandragora, Nor all the drowsy syrups of the world, Shall ever medicine thee to that sweet sleep Which thou owedst yesterday Othello, III,(3)330 Root of hemlock digg’d I’ the dark Macbeth, IV(1)25 I have convey’d aboard; and I have brought The oil, the balsamum and aqua-vitae Comedy of Errors, IV(1)187
  • 7. Flowers and Flowering When I have pluck’d the rose, I cannot give it vital growth again. It must needs wither: I’ll smell it on the tree Othello,V(2)86. Though other things grow fair against the sun, Yet fruits that blossom first will first be ripe Othello, II(3) 382
  • 8. The summer’s flower is to the summer sweet, Though to itself it only live and die; But if that flower with base infection meet, The basest weed outbraves his dignity: For sweetest things turn sourest by their deeds; Lilies that fester smell far worse than weeds. Venus and Adonis, (1079)
  • 9. Gardens and Gardeners ‘ Tis in ourselves that we are thus or thus. Our bodies are our gardens, to the which our wills are gardeners: so that if we will plant nettles, or sow lettuce, set hyssop and weed up thyme, supply it with one gender of herbs, or distract it with many, either to have it sterile with idleness, or manured with industry, why, the power and corrigible authority of this lies in our wills Othello, I(3)322 Come, my spade. There is no ancient gentlemen but gardeners, ditchers, and grave-makers: they hold up Adam’s profession Hamlet, V(1)34.
  • 10. Pruning But, poor old man, thou prunest a rotten tree, That cannot so much as a blossom yield In lieu of all thy pains and husbandry As You Like It, II(3)63 Go, bind thou up yon dangling apricocks, Which, like unruly children, make their sire Stoop with oppression of their prodigal weight: Give some supportance to the bending twigs. Go thou, and like an executioner, Cut off the heads of too fast growing sprays, That look too lofty in our commonwealth: All must be even in our government Richard II, III(4)
  • 11. Her vine, the merry cheerer of the heart, Unpruned dies; her hedges even-pleach’d, Like prisoners wildly overgrown with hair, Put forth disorder’d twigs… And as our vineyards, fallows, meads, and hedges, Defective in their natures, grow to wildness, Even so our houses and ourselves and children Have lost, or do not learn for want of time, The sciences that should become our country… Henry V, V(2)
  • 12. Manuring As gardeners do with ordure (dung) hide those roots That shall first spring and be most delicate Henry V, II(2), 4
  • 13. Grafting Her royal stock graft with ignoble plants Richard III, III(7) 127 Noble stock Was graft with Crab-tree slip 2nd Henry VI, III(2)213 Nay, you shall see my orchard, where, in an arbour, we will eat a last year’s pippin of my own graffing, with a dish of caraways, and so forth. 2nd Henry IV, V(3).
  • 14. You see, sweet maid, we marry A gentle scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race: this is an art Which does mend nature, change it rather, but The art itself is nature. Winter’s Tale. IV(4)81.
  • 15. Weeds and Insects How weary, stale, flat, and unprofitable, Seem to me all the uses of this world! Fie on’t! ah fie! ‘tis an unweeded garden, That grows to seed; things rank and gross in nature Possess it merely Hamlet, I(2)133 Now ‘tis the spring, and weeds are shallow-rooted; Suffer them now, and they’ll o’ergrow the garden And choke the herbs for want of husbandry 2nd Henry VI, III(1)31
  • 16. Thus are my blossoms blasted in the bud And caterpillars eat my leaves away 2nd Henry VI, III(1)89 She never told her love, But let concealment, like a worm i’ the bud, Feed on her damask cheek Twelfth Night, II (4)113
  • 17. Frost Death lies on her like an untimely frost Upon the sweetest flower of the field Romeo and Juliet, IV(5)58 This is the state of man: to-day he puts forth The tender leaves of hopes, to-morrow blossoms, And bears his blushing honours thick upon him; And third day comes a frost, a killing frost, And, when he thinks, good easy man, full surely His greatness is a-ripening, nips his root, And then he falls, as I do Henry VIII, III(2)70
  • 18. Horticultural Seasons For never-resting time leads summer on To hideous winter, and confounds him there; Sap check’d with frost and lusty leaves quite gone, Beauty o’ersnow’d, and bareness everywhere; Then, were not summer’s distillation left, A liquid prisoner pent in walls of glass, Beauty’s effect with beauty were bereft, Nor it, nor no remembrance what it was; But flowers distill’d, though they with winter meet, Leese but their show; their substance still lives sweet. Sonnet 5
  • 19. Shall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date; Sometime too hot the eye of heaven shines, And often is his gold complexion dimm’d, By chance or natures’s changing course untrimm’d Sonnet 18
  • 20. Marketing I cannot do’t without counters. Let me see what am I to buy for our sheep-shearing feast? Three pound of sugar, five pound of currants, rice - what will this sister of mine do with rice?…..She hath made me four and twenty nose-gays for the shearers….I must have saffron to colour the warden pies; mace; dates? – none, that’s out of my note; nutmegs, seven; a race or two of ginger, but that I may beg; four pound of prunes, and as many of raisins o’ the sun. The Winter’s Tale, IV(3)
  • 21. Garden Scene from Richard II Gardener Go, bind thou up yon dangling apricocks, Which, like unruly children, make their sire Stoop with oppression of their prodigal weight; Give some supportance to the bending twigs. Go thou, and like an executioner, Cut off the heads of too fast growing sprays, That look too lofty in our commonwealth: All must be even in our government. You thus employed, I will go root away The noisome weeds, which without profit suck The soil’s fertility from wholesome flowers.
  • 22. Man Why should we in the compass of a pale Keep law and form and due proportion, Showing, as in a model, our firm estate, When our sea-walled garden, the whole land, Is full of weeds, her fairest flowers chok’d up, Her fruit-trees all unprun’d, her hedges ruin’d, Her knots disordered and her wholesome herbs Swarming with caterpillars?
  • 23. Gardener Hold thy peace. He that hath suffered this disordered spring Hath now himself met with the fall of leaf. The weeds which his broad-spreading leaves did shelter, That seem’d in eating him to hold him up, Are pluck’d up root and all by Bullingbrook, I mean the Earl of Wiltshire, Bushy, Green. Man What, are they dead?
  • 24. Gardener They are; and Bullingbrook Hath seiz’d the wasteful king. O, what pity is it That he had not so trimm’d and dress’d his land As we this garden! We at time of year Do wound the bark, the skin of our fruit-trees, Lest, being over-proud in sap and blood, With too much riches it confound itself; Had he done so to great and growing men, They might have lived to bear and he to taste Their fruits of duty. Superfluous branches We lop away, that bearing boughs may live; Had he done so, himself had borne the crown, Which waste of idle hours hath quite thrown down.
  • 25. Sheep Sheering Party from A Winter’s Tale Perdita Give me those flowers there, Dorcas. Reverend sirs, For you there’s rosemary and rue; these keep Seeming and savor all the winter long. Grace and remembrance be to you both, And welcome to our shearing!
  • 26. Polixenes Shepherdess, A fair one are you, well you fit our ages With flow’rs of winter. Perdita Sir, the year growing ancient, Not yet on summer’s death, nor on the bir Of trembling winter, the fairest flowers o’ the season Are our carnations and streak’d gillyvors Which some call nature’s bastards: of that kind Our rustic garden’s barren; and I care not To get slips of them.
  • 27. Polixenes Wherefore, gentle maiden, Do you neglect them? Perdita For I have heard it said There is an art which in their piedness shares With great creating nature.
  • 28. Polixenes Say there be; Yet nature is made better by no mean But nature makes that mean: so, over that art Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race: this is an art Which does mend nature, change it rather, but The art itself is nature. Perdita So it is.
  • 29. Polixenes Then make your garden rich in gillyvors, And do not call them bastards. Perdita I’ll not put The dibble in earth to set one slip of them; No more than were I painted I would wish This youth should say ‘twere well and only therefore Desire to breed by me. Here’s flowers for you; Hot lavender, mints, savory, marjoram; The marigold, that goes to bed wi’ the sun And with him rises weeping: these are flowers Of middle summer, and I think they are given To men of middle age. You’re very welcome.