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(Never Ending)
by
(Haydn Williams)
(Based on a true story)
Name (Dirtee Suzie Production)
Address
Phone Number

FADE IN.
EXT. FOREST. NIGHT
JERRY
JERRY
Where are we ?
SHANE
I haven't got a clue
The music lurking within the back ground is there to help
build the suspense with the diegetic sound.
SHANE
What was that?
JERRY
Nothing calm down, you have being smoking
too much.
SHANE
No I heard something
JERRY
No you’re paranoid.
Loud bang comes into the room and the two boys
dramatically fall on the fall. Jerry falls to the floor
seconds after the bang.
SHANE
Jerry what’s happened????
Jerry, Jerry answer me please!
.2
Shane starts to cry with the realisation his friend is
dead. He turns around to find a dark figure standing
within the distance.
SHANE
who are you?
The figure stands still and continues to stare at the
boy.
Shane, stands up as starts walking towards the figure
figure turns and runs off as the boy gets closer.
fades out to a black screen.
Graphic - 3 weeks after
INT. BOYS BEDROOM. MORNING
Boy lies in bed awake has he stares at the wall in front
of him until the sound of his alarm goes off.
The door knocks and the boys father enters the room.
FATHER
you need to get up you've got counselling
soon
SHANE
I'm not going its not working its a load
of shit.
The father stares at shane with a puzzled look on his
face as his sons personality has changed.
INT. STREET OUTSIDE. DAY
Boy starts walking down the street. This will turn into a
tracking shot where we see the boy zoned out as
everything around him is happening. As he starts to cross
the road a car comes round the corner and slams the
brakes as he avoids the child.
.3
STRANGER
You need to watch where you are going
mate!
The boy continues to stare at the driver and doesn't have
any expression on his face. The driver shakes his head in
disgust and drives off.
Shane starts to look around as people seem to be staring
at him he goes into a state of shock and starts to panic
as he feels like everyone is pointing and laughing at
him.
FADES OUT
INT. SUPPORT ROOM. DAY
A shady room where the boy is sitting on the chair
looking zoned out like the street scene before. His hair
looking un even as he slowly runs his hands through it.
The support worker looking puzzled as the boy stares
right through her and sees the vacant person sitting in
front of her.
SUPPORT WORK
Are you still having the dreams?
silence as the child doesn't respond to what the support
worker is saying to him.
SUPPORT WORKER
Shane you need to talk to me to make
yourself better.
SHANE
What’s the point
SUPPORT WORKER
Because if we talk about what happened
that night then you be able to move on.
.4
SHANE
He will still be dead so why bother
wasting both of our time.
SUPPORT WORKER
No but its not about him its about you
getting over it.
The room remains silent. The atmosphere remains thick and
the awkward silence rises.
SHANE
I Miss him
SUPPORT WORKER
I know you do, this is why we need to
talk to me about it. This will slowly
heal you and you will be able to continue
with your life
SHANE
But I can’t
SUPPORT WORK
Why?, just tell me!
SHANE
I just can’t
SUPPORT WORKER
Why can’t you tell me, You’re meant to
talk to me.
.5
The two look at each other while tears start to roll down
shane face. The support worker goes to say something but
stops her self.
SUPPORT WORKER
Did you see something that night?
Silence as Shane doesn't respond to her and continues to
stare at the wall
SUPPORT WORKER
You need to tell me because it might help
find the person who killed jerry.
SHANE
I cant it wont help at all, it will cause
more issues.
SUPPORT WORK
It will be important for you to share
this with me so I can decide what
treatment you need.
SHANE
I saw the person who killed jerry!
Horror of shock on the support workers face when she
hears this come from shane.
SUPPORT WORKER
Do you reconsign the person who did it
Shane looks at the support worker and goes to respond.
The door opens quickly and Shane dad bursts through the
door.
.6
SHANE’S FATHER
Sorry I thought something had happened
because the session was meant to finish
10 minutes ago.
SUPPORT WORKER
Sorry sir, can you just give us a minute
we are just finishing up.
SHANE’S FATHER
Yeah okay will be out side in the car.
SHANE
No I’ll come now we are finished anyway
I'm starving
SUPPORT WORKER
I think it would benefit you if we were
to finish this session by going over what
we were saying.
SHANE
Na its alright, it was nothing anyway.
SUPPORT WORKER
Shane I don't think it will help you if
we don't finish.
Shane and his father begin to leave the support centre
and walk towards the car.
EXT. INTO THE STREET
SHANE’S FATHER
How did it go?
SHANE
Why would you care?
SHANE’S FATHER
Because I'm your dad, and you have been
through a lot recently.
SHANE
Can we just go home please.
.7
FADE OUT
INT. SHANE’S ROOM. AFTERNOON
Shane’s dad shouts up stairs.
SHANE’S FATHER
I'm just going to the shop for some fags
and crisps. do you want anything?
SHANE
Na I don't want anything.
As the Front door slammed a strange noise came from his
fathers room. Shane moves down stairs to inspect the
sound. As he moves around the hall way he notices a panel
on the wall had come loose next to his fathers room. He
moves closer to the panel and has he move the panel back
into place he notices a strange light behind it. He moves
the panel and notices a strange stair case. he moves
towards the stair case and notices photos on the wall. He
takes a closer look and notices the photos are off Jerry.
FADE OUT

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Rough

  • 1. (Never Ending) by (Haydn Williams) (Based on a true story) Name (Dirtee Suzie Production) Address Phone Number

  • 2. FADE IN. EXT. FOREST. NIGHT JERRY JERRY Where are we ? SHANE I haven't got a clue The music lurking within the back ground is there to help build the suspense with the diegetic sound. SHANE What was that? JERRY Nothing calm down, you have being smoking too much. SHANE No I heard something JERRY No you’re paranoid. Loud bang comes into the room and the two boys dramatically fall on the fall. Jerry falls to the floor seconds after the bang. SHANE Jerry what’s happened???? Jerry, Jerry answer me please!
  • 3. .2 Shane starts to cry with the realisation his friend is dead. He turns around to find a dark figure standing within the distance. SHANE who are you? The figure stands still and continues to stare at the boy. Shane, stands up as starts walking towards the figure figure turns and runs off as the boy gets closer. fades out to a black screen. Graphic - 3 weeks after INT. BOYS BEDROOM. MORNING Boy lies in bed awake has he stares at the wall in front of him until the sound of his alarm goes off. The door knocks and the boys father enters the room. FATHER you need to get up you've got counselling soon SHANE I'm not going its not working its a load of shit. The father stares at shane with a puzzled look on his face as his sons personality has changed. INT. STREET OUTSIDE. DAY Boy starts walking down the street. This will turn into a tracking shot where we see the boy zoned out as everything around him is happening. As he starts to cross the road a car comes round the corner and slams the brakes as he avoids the child.
  • 4. .3 STRANGER You need to watch where you are going mate! The boy continues to stare at the driver and doesn't have any expression on his face. The driver shakes his head in disgust and drives off. Shane starts to look around as people seem to be staring at him he goes into a state of shock and starts to panic as he feels like everyone is pointing and laughing at him. FADES OUT INT. SUPPORT ROOM. DAY A shady room where the boy is sitting on the chair looking zoned out like the street scene before. His hair looking un even as he slowly runs his hands through it. The support worker looking puzzled as the boy stares right through her and sees the vacant person sitting in front of her. SUPPORT WORK Are you still having the dreams? silence as the child doesn't respond to what the support worker is saying to him. SUPPORT WORKER Shane you need to talk to me to make yourself better. SHANE What’s the point SUPPORT WORKER Because if we talk about what happened that night then you be able to move on.
  • 5. .4 SHANE He will still be dead so why bother wasting both of our time. SUPPORT WORKER No but its not about him its about you getting over it. The room remains silent. The atmosphere remains thick and the awkward silence rises. SHANE I Miss him SUPPORT WORKER I know you do, this is why we need to talk to me about it. This will slowly heal you and you will be able to continue with your life SHANE But I can’t SUPPORT WORK Why?, just tell me! SHANE I just can’t SUPPORT WORKER Why can’t you tell me, You’re meant to talk to me.
  • 6. .5 The two look at each other while tears start to roll down shane face. The support worker goes to say something but stops her self. SUPPORT WORKER Did you see something that night? Silence as Shane doesn't respond to her and continues to stare at the wall SUPPORT WORKER You need to tell me because it might help find the person who killed jerry. SHANE I cant it wont help at all, it will cause more issues. SUPPORT WORK It will be important for you to share this with me so I can decide what treatment you need. SHANE I saw the person who killed jerry! Horror of shock on the support workers face when she hears this come from shane. SUPPORT WORKER Do you reconsign the person who did it Shane looks at the support worker and goes to respond. The door opens quickly and Shane dad bursts through the door.
  • 7. .6 SHANE’S FATHER Sorry I thought something had happened because the session was meant to finish 10 minutes ago. SUPPORT WORKER Sorry sir, can you just give us a minute we are just finishing up. SHANE’S FATHER Yeah okay will be out side in the car. SHANE No I’ll come now we are finished anyway I'm starving SUPPORT WORKER I think it would benefit you if we were to finish this session by going over what we were saying. SHANE Na its alright, it was nothing anyway. SUPPORT WORKER Shane I don't think it will help you if we don't finish. Shane and his father begin to leave the support centre and walk towards the car. EXT. INTO THE STREET SHANE’S FATHER How did it go? SHANE Why would you care? SHANE’S FATHER Because I'm your dad, and you have been through a lot recently. SHANE Can we just go home please.
  • 8. .7 FADE OUT INT. SHANE’S ROOM. AFTERNOON Shane’s dad shouts up stairs. SHANE’S FATHER I'm just going to the shop for some fags and crisps. do you want anything? SHANE Na I don't want anything. As the Front door slammed a strange noise came from his fathers room. Shane moves down stairs to inspect the sound. As he moves around the hall way he notices a panel on the wall had come loose next to his fathers room. He moves closer to the panel and has he move the panel back into place he notices a strange light behind it. He moves the panel and notices a strange stair case. he moves towards the stair case and notices photos on the wall. He takes a closer look and notices the photos are off Jerry. FADE OUT