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TYPES OF LISTENING
Competency: Judge the validity of the evidence listened to.
• Listening is very important in our
everyday living since it is when we
listen that we are able to give
feedback or respond accordingly.
• Listening is giving one's attention to a
sound.
• There are two types of listening:
active and passive.
• Active listening is when you fully
focus and understand the message
of what is being said or listened to.
• Involves responses, feedback, or
questions.
• Passive listening is when you
hear someone or something
without paying full attention.
Oftentimes effortless, and does
not give response.
Quiz: Sorry, Wrong Number!
• The next slide contains the transcript of the radio
drama play Sorry, Wrong Number by Lucille
Fletche.
• Practice active listening and try to figure out
words in the play by arranging the underlined
jumbled letters in the text.
• Write your answers in a separate paper.
• (Sound: Number being dialed on phone; busy signal.)
• Mrs. Stevenson: (a querulous, self-centered neurotic) Oh – dear! (Slams
down receiver. Dials operator.)
• Operator: Your call, please?
• Mrs. Stevenson: Operator? I’ve been 1.DAIILNG 212-7799 now for the
last three-quarters of an hour, and the line is always busy. But I don’t
see how it could be busy that long. Will you try it for me, please?
• Operator: 212-7799? One moment, please.
• Mrs. Stevenson: I don’t see how it could be busy all the time. It’s my
husband’s office. He’s working late tonight, and I’m all alone here in the
house. My health is very poor – and I’ve been feeling so 2.NEORUVS all
day –
• Operator: Ringing 212-7799.
• (Sound: Phone buzz. It rings three times. Receiver is picked up at the
other end.)
• Man: Hello.
• Mrs. Stevenson: Hello? (a little puzzled) Hello. (louder) Hello.
• Man: (into phone, as though he had not heard) Hello. (louder) Hello.
• Second Man: (slow, heavy quality, faintly foreign accent) Hello.
• First Man: Hello. George?
• George: Yes, sir.
• Mrs. Stevenson: (louder and more imperious, to phone) Hello. Who’s
this? What 3.NBEMUR am I calling, please?
• First Man: We have heard from our 4.CEILNT. He says the coast is clear
for tonight.
• George: Yes, sir.
• First Man: Where are you now?
• George: In a 5.PHNOE booth.
• First Man: Okay. You know the 6.ADDERSS. At eleven o’clock, the private
patrolman goes around to the bar on Second Avenue for a beer. Be sure that
all the lights downstairs are out. There should be only one light visible from
the street. At eleven fifteen a subway train crosses the bridge. It makes a
noise in case her window is open and she should 7.SACERM.
• Mrs. Stevenson: (shocked) Oh – hello! What number is this, please?
• George: Okay, I understand.
• First Man: Make it quick. As little blood as possible. Our client does not wish
to make her 8.SEFFUR long.
• George: A knife okay, sir?
• First Man: Yes, a knife will be okay. And remember – remove the rings and
bracelets, and the jewelry in the 9.BAERUU drawer. Our client wishes it to
look like simple 10.RBBEORY.

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Types of listening

  • 1. TYPES OF LISTENING Competency: Judge the validity of the evidence listened to.
  • 2. • Listening is very important in our everyday living since it is when we listen that we are able to give feedback or respond accordingly. • Listening is giving one's attention to a sound. • There are two types of listening: active and passive.
  • 3. • Active listening is when you fully focus and understand the message of what is being said or listened to. • Involves responses, feedback, or questions. • Passive listening is when you hear someone or something without paying full attention. Oftentimes effortless, and does not give response.
  • 4.
  • 5. Quiz: Sorry, Wrong Number! • The next slide contains the transcript of the radio drama play Sorry, Wrong Number by Lucille Fletche. • Practice active listening and try to figure out words in the play by arranging the underlined jumbled letters in the text. • Write your answers in a separate paper.
  • 6. • (Sound: Number being dialed on phone; busy signal.) • Mrs. Stevenson: (a querulous, self-centered neurotic) Oh – dear! (Slams down receiver. Dials operator.) • Operator: Your call, please? • Mrs. Stevenson: Operator? I’ve been 1.DAIILNG 212-7799 now for the last three-quarters of an hour, and the line is always busy. But I don’t see how it could be busy that long. Will you try it for me, please? • Operator: 212-7799? One moment, please. • Mrs. Stevenson: I don’t see how it could be busy all the time. It’s my husband’s office. He’s working late tonight, and I’m all alone here in the house. My health is very poor – and I’ve been feeling so 2.NEORUVS all day – • Operator: Ringing 212-7799.
  • 7. • (Sound: Phone buzz. It rings three times. Receiver is picked up at the other end.) • Man: Hello. • Mrs. Stevenson: Hello? (a little puzzled) Hello. (louder) Hello. • Man: (into phone, as though he had not heard) Hello. (louder) Hello. • Second Man: (slow, heavy quality, faintly foreign accent) Hello. • First Man: Hello. George? • George: Yes, sir. • Mrs. Stevenson: (louder and more imperious, to phone) Hello. Who’s this? What 3.NBEMUR am I calling, please? • First Man: We have heard from our 4.CEILNT. He says the coast is clear for tonight. • George: Yes, sir.
  • 8. • First Man: Where are you now? • George: In a 5.PHNOE booth. • First Man: Okay. You know the 6.ADDERSS. At eleven o’clock, the private patrolman goes around to the bar on Second Avenue for a beer. Be sure that all the lights downstairs are out. There should be only one light visible from the street. At eleven fifteen a subway train crosses the bridge. It makes a noise in case her window is open and she should 7.SACERM. • Mrs. Stevenson: (shocked) Oh – hello! What number is this, please? • George: Okay, I understand. • First Man: Make it quick. As little blood as possible. Our client does not wish to make her 8.SEFFUR long. • George: A knife okay, sir? • First Man: Yes, a knife will be okay. And remember – remove the rings and bracelets, and the jewelry in the 9.BAERUU drawer. Our client wishes it to look like simple 10.RBBEORY.