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Peter McPoland
Official music video for ‘News at 9’
Begins in a
dramatic blue
light which is
repeated
through the
music video
Breaking the 4th wall,
direct address
Eye-level close-up
makes it seem
personal and
reflects the lyrics
which are
suggested to be
about his
childhood and his
parenrs.
The camera slowly zooms
out and red lights begin
to flash like one of a
police car
The artist begins to loses his tie
and has a scared expression on
his face, he seems slightly
unhinged
The artist constantly stares at the
camera making it seem like he’s
singing or speaking to someone
Contrasting colours of
red and blue draw the
attention of the viewers
aware from the artist
and more towards the
boxes with names on
them. These may mean
he’s either moving in or
out. It could also
suggest boxes of
memories. Of his
childhood
Reference to another
song of his called
‘Romeo & Juliet’ on
one of his boxes. This
could suggest
metaphorical storage
of bottled-up
emotions in his mind
The camera moves randomly around the room,
suggests an unplanned and chaotic thought
process. The contrasting colours and random
camera movements also portray uncontrollable
emotions he hasn’t been able to process
The repetition of
locations with
similar blue
lighting creates
an easy flow
through the
video as
everything is
linked
The outer parts of the scene
are slightly darker to draw the
audience’s attention to the
centre of the scene
Wide shot, almost full body shot makes the artist appear
vulnerable. Follows Andrew Goodwin’s theory that the visuals
must fit with the music and the lyrics
Camera circles around the artist reflecting his loud
and chaotic thought processes like the world is
spinning around him
Lighting was darker in front of him and lighter behind
him may connote with turning away from familiarity like
his family
The circulating camera displays more of the rooms which
appears to seem empty apart from a plant and a
beanbag. This suggests moving out of an old bedroom, as
he moves on.
Low canted angle
shows chaos and
despair which is
reinforced by his
emotional
expressions.
Light coming through
the curtains suggests
shunning out the light
Boxes with names
suggests he’s
haunted by the
people of his past
and struggling to let
go so he boxes it up.
Leaving the house
but bringing his
emotions with him-
leaving physically not
mentally suggests
childhood trauma or
an emotional bond
that he doesn’t know
how to let go of.
Close up- eye level
Makes it personal as if
he’s staring right at the
person watching.
Suggests this song was
written directly
towards someone in
particular.
Constant blue lighting
with no red reflects his
scared emotion with
no anger.
Losing the effort to feel
angry, becoming numb.
• Wide shot
• Full body shot
• Silhouette
• Dark colours
Dehumanising image,
it could be anyone in
his situation
Not artificial lighting,
a more natural
representation
reflects a vulnerable
state
Moving the boxes
around showing he
is preparing to
leave
Low eye level shot
reinforces the imagery of
vulnerability as he is
crouching
Red lamp behind
him acts like a red
aura around him
which makes it
seem like he’s
glowing, or that he
is controlling the
lights
Contrast of the white
coming through the
curtains and the shadows
on the floor could infer that
he is falling into a darker
mental state.
This may suggest this room
is like a mind palace and
not a real place, but a
metaphorical one where he
can visualise his emotions
Medium shot with
the artist centred in
the frame
Carrying a box,
metaphorical
baggage, or old
memories he’s
carrying to leave the
house
Shadows
outline the
shot creating a
mysterious
atmosphere
Yellow and green walls
suggest an old home,
which is also shown
through the tiles on
the table and the old
fridge
The strong and
contrasting blues
and reds create a
dramatic frame
as the artist walks
out of the house
The colours may
resemble the
ideology of good
fighting bad
Over the shoulder
mid shot- not being
able to see his face
adds a sense of
vulnerability and a
lack of confidence
Slow zoom-in on the character seems daunting as the room
feels smaller. This makes the artist seem trapped inside this
potentially metaphorical mind palace which shows what he is
really thinking in comparison to a previous scene where he is
carrying a box and walking through the house with a neutral
expression
In comparison to other scenes in this room, it
seems brighter as he is stood up rather than
crouching on the floor. They may resemble a
realisation or sense of empowerment that allows
him to feel lighter and safer when he gets closer
to leaving the house
The constant nervous adjusting of the tie suggests
discomfort for the artist
Dramatic mid shot in
the dark as he walks
out the house but
turns back for
another look
This looks like a final
goodbye, which links
to his lyrics about not
wanting to be called
home again
This shot has no blue
in it, as he is walking
into a more natural
reality with no
artificial lighting
Warm red tones
seems easier to look
at, suggesting that he
feels better now that
he has walked out
Canted angle shows chaos
The camera slowly spins as lights flash from behind him,
the lights are coming from another room as he walks
away from it. This shows that something behind the door
is what is causing the chaos and is the reason why he’s so
distressed
The use of the blue lighting links the hallways to his mind
palace, hinting that he has closed doors in his mind of
things he wishes to forget and leave behind in his house
The camera continues to spin as the artist is leaning
against the source of light, suggesting a conflict
between leaning against it for support but also causes
distress
This could be inferred with an unhealthy relationship
with individuals like parents who were supposed to be
supportive but instead surround him in distorting
flashing lights like a police car
When the artist is fully upside down the light shines a
white/yellow which contrasts the the dark blues and
the music
Circular narrative,
the video ends
with a close up of
the artist looking
into the camera
with a dark blue
lighting
This suggests things
aren’t fully fixed as
he is back where he
started

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Peter McPoland.pptx

  • 1. Peter McPoland Official music video for ‘News at 9’
  • 2. Begins in a dramatic blue light which is repeated through the music video Breaking the 4th wall, direct address Eye-level close-up makes it seem personal and reflects the lyrics which are suggested to be about his childhood and his parenrs.
  • 3. The camera slowly zooms out and red lights begin to flash like one of a police car The artist begins to loses his tie and has a scared expression on his face, he seems slightly unhinged The artist constantly stares at the camera making it seem like he’s singing or speaking to someone
  • 4. Contrasting colours of red and blue draw the attention of the viewers aware from the artist and more towards the boxes with names on them. These may mean he’s either moving in or out. It could also suggest boxes of memories. Of his childhood Reference to another song of his called ‘Romeo & Juliet’ on one of his boxes. This could suggest metaphorical storage of bottled-up emotions in his mind The camera moves randomly around the room, suggests an unplanned and chaotic thought process. The contrasting colours and random camera movements also portray uncontrollable emotions he hasn’t been able to process
  • 5. The repetition of locations with similar blue lighting creates an easy flow through the video as everything is linked The outer parts of the scene are slightly darker to draw the audience’s attention to the centre of the scene Wide shot, almost full body shot makes the artist appear vulnerable. Follows Andrew Goodwin’s theory that the visuals must fit with the music and the lyrics
  • 6. Camera circles around the artist reflecting his loud and chaotic thought processes like the world is spinning around him Lighting was darker in front of him and lighter behind him may connote with turning away from familiarity like his family The circulating camera displays more of the rooms which appears to seem empty apart from a plant and a beanbag. This suggests moving out of an old bedroom, as he moves on.
  • 7. Low canted angle shows chaos and despair which is reinforced by his emotional expressions. Light coming through the curtains suggests shunning out the light Boxes with names suggests he’s haunted by the people of his past and struggling to let go so he boxes it up. Leaving the house but bringing his emotions with him- leaving physically not mentally suggests childhood trauma or an emotional bond that he doesn’t know how to let go of.
  • 8. Close up- eye level Makes it personal as if he’s staring right at the person watching. Suggests this song was written directly towards someone in particular. Constant blue lighting with no red reflects his scared emotion with no anger. Losing the effort to feel angry, becoming numb.
  • 9. • Wide shot • Full body shot • Silhouette • Dark colours Dehumanising image, it could be anyone in his situation Not artificial lighting, a more natural representation reflects a vulnerable state Moving the boxes around showing he is preparing to leave
  • 10. Low eye level shot reinforces the imagery of vulnerability as he is crouching Red lamp behind him acts like a red aura around him which makes it seem like he’s glowing, or that he is controlling the lights Contrast of the white coming through the curtains and the shadows on the floor could infer that he is falling into a darker mental state. This may suggest this room is like a mind palace and not a real place, but a metaphorical one where he can visualise his emotions
  • 11. Medium shot with the artist centred in the frame Carrying a box, metaphorical baggage, or old memories he’s carrying to leave the house Shadows outline the shot creating a mysterious atmosphere Yellow and green walls suggest an old home, which is also shown through the tiles on the table and the old fridge
  • 12. The strong and contrasting blues and reds create a dramatic frame as the artist walks out of the house The colours may resemble the ideology of good fighting bad Over the shoulder mid shot- not being able to see his face adds a sense of vulnerability and a lack of confidence
  • 13. Slow zoom-in on the character seems daunting as the room feels smaller. This makes the artist seem trapped inside this potentially metaphorical mind palace which shows what he is really thinking in comparison to a previous scene where he is carrying a box and walking through the house with a neutral expression In comparison to other scenes in this room, it seems brighter as he is stood up rather than crouching on the floor. They may resemble a realisation or sense of empowerment that allows him to feel lighter and safer when he gets closer to leaving the house The constant nervous adjusting of the tie suggests discomfort for the artist
  • 14. Dramatic mid shot in the dark as he walks out the house but turns back for another look This looks like a final goodbye, which links to his lyrics about not wanting to be called home again This shot has no blue in it, as he is walking into a more natural reality with no artificial lighting Warm red tones seems easier to look at, suggesting that he feels better now that he has walked out
  • 15. Canted angle shows chaos The camera slowly spins as lights flash from behind him, the lights are coming from another room as he walks away from it. This shows that something behind the door is what is causing the chaos and is the reason why he’s so distressed The use of the blue lighting links the hallways to his mind palace, hinting that he has closed doors in his mind of things he wishes to forget and leave behind in his house
  • 16. The camera continues to spin as the artist is leaning against the source of light, suggesting a conflict between leaning against it for support but also causes distress This could be inferred with an unhealthy relationship with individuals like parents who were supposed to be supportive but instead surround him in distorting flashing lights like a police car When the artist is fully upside down the light shines a white/yellow which contrasts the the dark blues and the music
  • 17. Circular narrative, the video ends with a close up of the artist looking into the camera with a dark blue lighting This suggests things aren’t fully fixed as he is back where he started