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Sam Smith – ‘Stay with Me’ 
Representation- 
The narrative of the music video is about a ‘one night stand’. I believe it to be 
under the genre of ‘Pop’ however split into the sub genres of ‘singer-songwriter’ 
and ‘soul’. We see him leaving the woman in bed as he escaped 
the house without disturbing her. However the sensitivity of his conscience 
and reaction towards the situation is apparent through emphasis on emotion 
and facial expressions; not being able to keep eye contact. Again we see his 
emotion playing on his mind as he is walking down the middle of the road, 
showing the world passing by, he is barely acknowledging it. This not only 
disconnects the viewer from the video but also shows that he is disconnected 
from the real world, so caught up in his own troubled mind. The reaction from 
him challenges the stereotype of masculinity in the music industry, compared 
to someone like Justin Timberlake, Usher or Drake who are very much 
sexualizing women and show complete insensivity towards girls feelings, 
lacking conscience. 
The juxtaposition of the flashbacks showing the bed sheets show he is still 
thinking about the past night, suggesting inner conflict within himself. There is 
a shot of his earing, which is a cross; again evoking a sense of conflict within 
his own troubled mind, reflecting on his previous choices. The light piercing 
through behind him into his dimly lit flat evokes a sense of hope upon him, 
freeing his soul of guilt. The dimly lit flat reflects his unsettled blurry 
conscience, and the light frees his guilt just for a second. 
The plain walls and backgrounds of the rooms in his flat are used to again 
emphasis to show his emotion, as the lack of décor around him prove how 
strong he is feeling and how his mind is full, leaving no room for accessories. 
The religious connotations of the gospel choir and light in the chapel shift this 
music video and song into the soul genre. It also suggests his mind and 
thoughts being lifted by God, leaving him a free man.
Sam Smith – ‘Stay with Me’ 
Media Language: 
Editing- 
The editing fits perfectly with the rhythm, structure and connotations of the song. It is 
slow, steady, same length cuts with no quick, short dramatic cuts. This reflects the style 
of the song. The steady pace on continuity editing as he walks down the street forces 
the viewer to relate because it is so natural, making our eye follow. 
Camera Shots- 
The music video opens with an establishing shot of London, it showed everyday activity; 
expressing how the world still goes on although he feels like his ‘world’ has stopped due 
to the circumstances of his inner emotion and guilt. 
The panning close-up shot o the bed sheets implies the ‘one night stand’. This continues 
when we see a close of his clothes, and shoes on the floor, as he picks them up and 
dresses to sneak out of the house evoking ‘role reversal’. Normally in typical sexualized 
videos the man is not depicted as ‘sensitive’ and ‘vulnerable’ however in this specific 
video these typical views are challenged by different shots and representation. 
The extreme long shot of him leaving the house, finalizes what we already knew, as well 
and showing him to be reflecting and regretting his decision to leave. 
There is a tracking shot, following him down the road, exaggerating the fact he is caught 
up in his emotion, completely oblivious to the world going on around him. The constant 
and frequent close-ups and extreme close-ups of the facial expressions, cause us to feel 
a great amount of empathy and feel sympathetic towards him as we see how troubled he 
is. There is a shot of a mirror behind him as he is in his flat; to me this created a sense of 
reflection upon himself, as he doubted and questioned how his behavior influenced who 
he was. 
Body language is a key factor in this video in portraying his feelings to us as an 
audience; there are multiple medium shots, suggesting he cannot stand tall, holding 
pride and greatness. The emphasis on the hand holding the chest shows he is self-conscience 
and feeling vulnerable, almost physically torn apart from the stress of guilt 
and upset. Although there is a contrast at the end of the video, when he is in the chapel, 
signing with the choir. He seems to be standing under light, beaming through above the 
choir, achieved by a tiled shot, showing superior and authority. This suggested that his 
mind was freed from guilt and troubled emotion, possibly because he was voicing his 
problems through music to be heard in a way that made him feel satisfied. 
For me I think this is what making your own music, like singer-songwriters do is all about, 
freeing your emotion through lyrics and not words. 
I also think we can see his emotion has been freed at the 
end because there is a long shot of just his face, showing 
eye contact with the audience, making it personal, 
allowing the viewer’s mind to be at rest as well.

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Sam smith

  • 1. Sam Smith – ‘Stay with Me’ Representation- The narrative of the music video is about a ‘one night stand’. I believe it to be under the genre of ‘Pop’ however split into the sub genres of ‘singer-songwriter’ and ‘soul’. We see him leaving the woman in bed as he escaped the house without disturbing her. However the sensitivity of his conscience and reaction towards the situation is apparent through emphasis on emotion and facial expressions; not being able to keep eye contact. Again we see his emotion playing on his mind as he is walking down the middle of the road, showing the world passing by, he is barely acknowledging it. This not only disconnects the viewer from the video but also shows that he is disconnected from the real world, so caught up in his own troubled mind. The reaction from him challenges the stereotype of masculinity in the music industry, compared to someone like Justin Timberlake, Usher or Drake who are very much sexualizing women and show complete insensivity towards girls feelings, lacking conscience. The juxtaposition of the flashbacks showing the bed sheets show he is still thinking about the past night, suggesting inner conflict within himself. There is a shot of his earing, which is a cross; again evoking a sense of conflict within his own troubled mind, reflecting on his previous choices. The light piercing through behind him into his dimly lit flat evokes a sense of hope upon him, freeing his soul of guilt. The dimly lit flat reflects his unsettled blurry conscience, and the light frees his guilt just for a second. The plain walls and backgrounds of the rooms in his flat are used to again emphasis to show his emotion, as the lack of décor around him prove how strong he is feeling and how his mind is full, leaving no room for accessories. The religious connotations of the gospel choir and light in the chapel shift this music video and song into the soul genre. It also suggests his mind and thoughts being lifted by God, leaving him a free man.
  • 2. Sam Smith – ‘Stay with Me’ Media Language: Editing- The editing fits perfectly with the rhythm, structure and connotations of the song. It is slow, steady, same length cuts with no quick, short dramatic cuts. This reflects the style of the song. The steady pace on continuity editing as he walks down the street forces the viewer to relate because it is so natural, making our eye follow. Camera Shots- The music video opens with an establishing shot of London, it showed everyday activity; expressing how the world still goes on although he feels like his ‘world’ has stopped due to the circumstances of his inner emotion and guilt. The panning close-up shot o the bed sheets implies the ‘one night stand’. This continues when we see a close of his clothes, and shoes on the floor, as he picks them up and dresses to sneak out of the house evoking ‘role reversal’. Normally in typical sexualized videos the man is not depicted as ‘sensitive’ and ‘vulnerable’ however in this specific video these typical views are challenged by different shots and representation. The extreme long shot of him leaving the house, finalizes what we already knew, as well and showing him to be reflecting and regretting his decision to leave. There is a tracking shot, following him down the road, exaggerating the fact he is caught up in his emotion, completely oblivious to the world going on around him. The constant and frequent close-ups and extreme close-ups of the facial expressions, cause us to feel a great amount of empathy and feel sympathetic towards him as we see how troubled he is. There is a shot of a mirror behind him as he is in his flat; to me this created a sense of reflection upon himself, as he doubted and questioned how his behavior influenced who he was. Body language is a key factor in this video in portraying his feelings to us as an audience; there are multiple medium shots, suggesting he cannot stand tall, holding pride and greatness. The emphasis on the hand holding the chest shows he is self-conscience and feeling vulnerable, almost physically torn apart from the stress of guilt and upset. Although there is a contrast at the end of the video, when he is in the chapel, signing with the choir. He seems to be standing under light, beaming through above the choir, achieved by a tiled shot, showing superior and authority. This suggested that his mind was freed from guilt and troubled emotion, possibly because he was voicing his problems through music to be heard in a way that made him feel satisfied. For me I think this is what making your own music, like singer-songwriters do is all about, freeing your emotion through lyrics and not words. I also think we can see his emotion has been freed at the end because there is a long shot of just his face, showing eye contact with the audience, making it personal, allowing the viewer’s mind to be at rest as well.