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Evolution of film
posters...
1920’s
Film posters have
been in
production since
the years of
1920. The two
posters you can
see and hand
made as there
were no
technologies
available at this
time. Posters in
the 1920’s usually
depicted scenes
from the film and
were hand drawn
to show a very
traditional poster.
1930’s
In the 1930’s
posters were
still hand drawn
but now they
focused more
on the faces of
the characters
rather than clips
from the film.
To make the
posters more
interesting
bolder
typography also
came into use
with more eye
catching
colours.
1940’s
In the 1940’s
character
illustrations
became a very
common theme
on posters, again
with much
experimentation
of fonts and
layouts. Scene
depictions were
not very often
used any more as
setting, colours
and character
became more
attractive to the
audiences.
1950’s
In 1950’s posters
began to use
different
conceptual ideas,
such as the ‘Love in
the afternoon’
poster which
includes no
characters, just
different colours
and fonts which are
partnered with
subtle clues as to
what the film may
be about. This
could be the basis
of the evolution for
the now known
teaser poster.
Other posters were
still being hand
drawn as in singing
in the rain.
1960’s
In the 1960’s,
posters started
focusing on
the
typography on
the poster
rather than
the images.
Images were
still illustrated
and included,
but the style
of fonts and
their layout on
the page
become a
much more
prominent
feature than
the image.
1970’s
In the 1970’s,
because of the
fast movement
in the design
industry,
photographs
made their first
appearance on
some film
posters. They
began to take up
the majority of
the poster and
the text began to
play a less
dominant role
on the page.
1980’s
In the 1980’s
posters began to
look a lot like we
see them today,
with a good
balance of picture
and writing, a large
photographic
background, a
common colour
scheme, and iconic
imagery of fonts
used on the page.
Photographs had
now become very
popular on posters
but illustrations
were still used.
1990’s
The 1990’s were a
time where posters
become quite
structured. They had
simple or
photographic
background, with
slogans and/or actors
names at the top of
the page or above
the title of the film.
Now photographs in
posters were pretty
much always used
and there was a big
experimentation of
iconic fonts. Writing
began to suit the
page much more by
experimenting with
styles, layouts and
sizes.
2000’s
• The 2000’s was a
time when image
manipulation came
into play, with
programs such as
Photoshop evolving,
so did movie posters.
Although images and
fonts progressed a lot,
the layouts often
remained the same as
in the 80’s and 90’s.
Designers now know
what works and don’t
work on movie
posters and therefore
the progression has
not been so much in
layout but more so in
evolution of fonts and
technology.
What I learnt...
Seeing the progression of these posters have
made me realise that the image itself is going to
be the most effective piece on my page.
Therefore I will have to have an iconic picture
with correct/effective cinematography use. The
text will also be very important; seeing the
previous posters I like it when there is just one or
two fonts used and they are placed in a position
that does not take the shine away from the image
but contributes to an effective layout.

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Evolution of film posters

  • 2. 1920’s Film posters have been in production since the years of 1920. The two posters you can see and hand made as there were no technologies available at this time. Posters in the 1920’s usually depicted scenes from the film and were hand drawn to show a very traditional poster.
  • 3. 1930’s In the 1930’s posters were still hand drawn but now they focused more on the faces of the characters rather than clips from the film. To make the posters more interesting bolder typography also came into use with more eye catching colours.
  • 4. 1940’s In the 1940’s character illustrations became a very common theme on posters, again with much experimentation of fonts and layouts. Scene depictions were not very often used any more as setting, colours and character became more attractive to the audiences.
  • 5. 1950’s In 1950’s posters began to use different conceptual ideas, such as the ‘Love in the afternoon’ poster which includes no characters, just different colours and fonts which are partnered with subtle clues as to what the film may be about. This could be the basis of the evolution for the now known teaser poster. Other posters were still being hand drawn as in singing in the rain.
  • 6. 1960’s In the 1960’s, posters started focusing on the typography on the poster rather than the images. Images were still illustrated and included, but the style of fonts and their layout on the page become a much more prominent feature than the image.
  • 7. 1970’s In the 1970’s, because of the fast movement in the design industry, photographs made their first appearance on some film posters. They began to take up the majority of the poster and the text began to play a less dominant role on the page.
  • 8. 1980’s In the 1980’s posters began to look a lot like we see them today, with a good balance of picture and writing, a large photographic background, a common colour scheme, and iconic imagery of fonts used on the page. Photographs had now become very popular on posters but illustrations were still used.
  • 9. 1990’s The 1990’s were a time where posters become quite structured. They had simple or photographic background, with slogans and/or actors names at the top of the page or above the title of the film. Now photographs in posters were pretty much always used and there was a big experimentation of iconic fonts. Writing began to suit the page much more by experimenting with styles, layouts and sizes.
  • 10. 2000’s • The 2000’s was a time when image manipulation came into play, with programs such as Photoshop evolving, so did movie posters. Although images and fonts progressed a lot, the layouts often remained the same as in the 80’s and 90’s. Designers now know what works and don’t work on movie posters and therefore the progression has not been so much in layout but more so in evolution of fonts and technology.
  • 11. What I learnt... Seeing the progression of these posters have made me realise that the image itself is going to be the most effective piece on my page. Therefore I will have to have an iconic picture with correct/effective cinematography use. The text will also be very important; seeing the previous posters I like it when there is just one or two fonts used and they are placed in a position that does not take the shine away from the image but contributes to an effective layout.