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Frank Lloyd Wright
ARCHITECTURE
World’s Columbian Exposition
Chicago, 1893
Sullivan’s design for the
Transportation Building was
a repudiation of the white,
neo-classical style chosen
for the Fair’s Court of
Honor. The building stood
apart from the rest of the
huge, white pavilions both
in location and in
appearance. With its
somewhat exotic feel, this
long, low, arcaded box was
richly colored and
ornamented: red, blue,
green and lots of gold,
foliate ornament and angels.
To reduce noise from the street,
Wright eliminated street level
windows in the temple. Instead,
natural light comes from stained
glass windows in the roof
and clerestories along the upper
walls. Because the members of
the parish would not be able to
look outside, Unity Temple's
stained glass was designed with
green, yellow, and brown tones
in order to evoke the colors of
nature.
The main room
has two
balconies for the
seating of the
congregation.
No one person
in the
congregation is
more than
40 feet from
the pulpit. Wright
also designed
the building with
very good
acoustics.
Frank Lloyd Wright Residence
Oak Park, Illinois 1889-1909
Frank Lloyd
Wright’s first
home was his
laboratory where
he experimented
with concepts that
led to the
development of
the Prairie style of
architecture. His
adjacent studio
was the creative
center for
architectural and
design ideas.
Heurtley House
Oak Park, Illinois 1902
William Martin House
Oak Park, Illinois 1903
Nathan G. Moore House
Oak Park, Illinois 1895/Rebuilt 1922
Robie House
Oak Park, Illinois 1910
https://www.youtube.com/watch?v=gmjw_c_T-EM
Edward R. Hills House
Oak Park, Illinois 1906
Frank W. Thomas House
Oak Park, Illinois 1903
Frank W. Thomas House
Oak Park, Illinois 1903
Imperial Hotel
Tokyo, Japan1922
The Frank Lloyd Wright hotel was designed in the Maya Revival Style of architecture.
It incorporates a tall, pyramid-like structure, and also loosely copies Maya motifs in its
decorations. The main building materials are poured concrete, concrete block, and
carved oya stone. The visual effect of the hotel was stunning and dramatic.
September 1, 1923: "Hotel stands undamaged as a monument of your genius.
Hundreds of homeless provided by perfectly maintained service.
Congratulations."
The hotel had several design features that
minimized potential earthquake damage:
• Seismic separation joints, located about
every 66 ft along the building
• Tapered walls, thicker on lower floors,
increasing their strength
• Cantilevered floors and balconies
provided extra support for the floors
• Suspended piping and wiring, instead of
being encased in concrete, as well as
smooth curves, making them more
resistant to fracture
• Use of lightweight, volcanic Oya stone,
for decorative carvings
• A copper roof eliminated the risk of
falling debris created by traditional,
heavy tile roofs
• The reflecting pool provided a source of
water for fire-fighting
• A shallow foundation intended to ‘float’
on the mud of the site
While most of Wright's building was demolished in 1967, the
iconic central lobby wing and the reflecting pool were
disassembled and rebuilt at the Museum Meiji-mura, a
collection of buildings (mostly from the Meiji Era) in Inuyama,
Japan, where they are open to the public.
Interior reconstruction started in November 1983 and was
completed in October 1985, more than 17 years after the
demolition.
Frank Lloyd Wright Architecture
Frank Lloyd Wright Architecture
Frank Lloyd Wright Architecture

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Frank Lloyd Wright Architecture

  • 2.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11. Sullivan’s design for the Transportation Building was a repudiation of the white, neo-classical style chosen for the Fair’s Court of Honor. The building stood apart from the rest of the huge, white pavilions both in location and in appearance. With its somewhat exotic feel, this long, low, arcaded box was richly colored and ornamented: red, blue, green and lots of gold, foliate ornament and angels.
  • 12.
  • 13.
  • 14.
  • 15. To reduce noise from the street, Wright eliminated street level windows in the temple. Instead, natural light comes from stained glass windows in the roof and clerestories along the upper walls. Because the members of the parish would not be able to look outside, Unity Temple's stained glass was designed with green, yellow, and brown tones in order to evoke the colors of nature.
  • 16.
  • 17.
  • 18. The main room has two balconies for the seating of the congregation. No one person in the congregation is more than 40 feet from the pulpit. Wright also designed the building with very good acoustics.
  • 19.
  • 20.
  • 21.
  • 22.
  • 23.
  • 24. Frank Lloyd Wright Residence Oak Park, Illinois 1889-1909
  • 25.
  • 26.
  • 27.
  • 28.
  • 29. Frank Lloyd Wright’s first home was his laboratory where he experimented with concepts that led to the development of the Prairie style of architecture. His adjacent studio was the creative center for architectural and design ideas.
  • 30. Heurtley House Oak Park, Illinois 1902
  • 31. William Martin House Oak Park, Illinois 1903
  • 32. Nathan G. Moore House Oak Park, Illinois 1895/Rebuilt 1922
  • 33. Robie House Oak Park, Illinois 1910
  • 34.
  • 36. Edward R. Hills House Oak Park, Illinois 1906
  • 37.
  • 38. Frank W. Thomas House Oak Park, Illinois 1903
  • 39. Frank W. Thomas House Oak Park, Illinois 1903
  • 40.
  • 41.
  • 42.
  • 43.
  • 44.
  • 45.
  • 46.
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  • 50. The Frank Lloyd Wright hotel was designed in the Maya Revival Style of architecture. It incorporates a tall, pyramid-like structure, and also loosely copies Maya motifs in its decorations. The main building materials are poured concrete, concrete block, and carved oya stone. The visual effect of the hotel was stunning and dramatic.
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  • 57. September 1, 1923: "Hotel stands undamaged as a monument of your genius. Hundreds of homeless provided by perfectly maintained service. Congratulations."
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  • 59. The hotel had several design features that minimized potential earthquake damage: • Seismic separation joints, located about every 66 ft along the building • Tapered walls, thicker on lower floors, increasing their strength • Cantilevered floors and balconies provided extra support for the floors • Suspended piping and wiring, instead of being encased in concrete, as well as smooth curves, making them more resistant to fracture • Use of lightweight, volcanic Oya stone, for decorative carvings • A copper roof eliminated the risk of falling debris created by traditional, heavy tile roofs • The reflecting pool provided a source of water for fire-fighting • A shallow foundation intended to ‘float’ on the mud of the site
  • 60. While most of Wright's building was demolished in 1967, the iconic central lobby wing and the reflecting pool were disassembled and rebuilt at the Museum Meiji-mura, a collection of buildings (mostly from the Meiji Era) in Inuyama, Japan, where they are open to the public. Interior reconstruction started in November 1983 and was completed in October 1985, more than 17 years after the demolition.