Roman buildings developed from Greek and Etruscan precedents and were found across the Roman Empire. Distinctive public building types included amphitheaters, baths, theaters, and basilicas which served urban culture. Houses ranged from apartments to palaces and villas. Roman engineering created dramatic interior spaces through arched vaults and domes, and used durable concrete. Cities followed an orthogonal grid plan with civic buildings like forums and temples.
Separation of Lanthanides/ Lanthanides and Actinides
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Chapter Five: The Roman World
1. Buildings across Time, 4th Edition
Chapter Five: The Roman World
Introduction
Roman buildings, developed from Greek and Etruscan precedent, are found
over the wide geographic range of the Roman empire. Distinctive public
building types, including amphitheaters, baths, theaters, stadia, basilicas, and
temples, were created to serve a complex urban culture. Houses ranged from
multi-story apartments to elegant palaces and rural villas.
Roman engineering was exceptional. Public works, from water supply to
sewers, roads and bridges, supported cities across the empire. Roman builders
exploited the arch, vault, and dome to create dramatic interior spaces, and they
used concrete (known in Ancient Rome as pozzolana) as an economical,
durable, and versatile construction material.
2. Etruscan Architecture
Marzabotta
Plan of the Etruscan
town of Marzabotta,
showing an
orthogonal grid of
blocks.
The primary north-
south avenue was
known as the cardo
and the primary
east-west route was
the decumanus.
3. Etruscan Architecture
Etruscan Temple
Drawing of an Etruscan temple
based on descriptions of
Vitruvius. Compare this to the
plans of Greek temples. Note
that the colonnades extend only
across the front to create a
portico, while the cella
(sanctuary room) has been
expanded to consist of several
chambers, set the full width of
the temple.
The freestanding buildings of the
Greeks, meant to be viewed on
all sides, has been transformed
into a design meant to be viewed
from one direction, as part of a
city setting.
4. Etruscan Architecture
Perugia Gate
The Arch of Augustus at
Perugia was constructed
by the Etruscans. Note the
use of the true arch, as
well as Greek architectural
components (triglyphs
and metopes), used in an
atypical way. The later
Romans exploited the
structural possibilities of
the arch in their
architecture.
5. Etruscan Architecture
Perugia Gate
The True Arch:
• Supports Openings
• Comprised of a series of
identical voussoirs, or
wedge-shaped stone pieces
• Held in compression – each
voussoir tightly presses
against its neighbors
• Channels gravity load from
above down either side of the
opening
• An extruded arch is a vault
or barrel vault
True Arch
6. Roman Construction
Arch and Vault
The
semicircular
or Roman
arch and
barrel
vault.
Notice the
wedge-
shaped
voussiors
that form
the arch.
7. Roman Construction
Arch and Vault
Pont du Gard,
Nimes, France.
Arched Roman
aqueducts
spanned valleys
and brought
water from the
surrounding
mountains to
Ancient Rome.
8. Roman Construction
Arch and Vault
Water from the
Tiber River in
Rome was
unsuitable for
drinking, so
aqueducts were
constructed to
supply the city.
12. Roman City Planning
Pompeii
Plan of the city of Pompeii (6th
century B.C.E.) During the
Roman period, Pompeii was
greatly enlarged to the outlines
seen here.
The forum is the major civic
center in the original
settlement (comparable to the
Greek agora). An
amphitheater (the Roman
combination of two half
theaters), and a palestra (large
exercise facility) are all
included.
The city is comprised of large
rectangular blocks, which
contrast with the
checkerboard-like form of later
Roman colonial cities.
FORUM
AMPI-
THEATER
PALESTRA
13. Roman City Planning
Pompeii
Enlarged plan of the Forum
(Roman civic center place)
at Pompeii. The various
buildings flanking the open
space were unified with
colonnades. The Basilica, a
public assembly building
used for legal, commercial,
and social purposes, can be
seen in the lower left.
BASILICA
15. Roman City Planning
Timgad
Plan of Timgad, Algeria,
founded ca. 100 C.E. This is
generally cited as the textbook
example of a Roman city
because of the great regularity
of its plan. Laid-out like a
checkerboard, it is orthogonal
to a degree seldom found in
other Roman colonial cities.
While Roman colonial cities
were planned according to an
orthogonal grid system, the
city of Rome, itself, was not
laid-out this way and appears
much more chaotic.
17. Roman City Planning
Rome
Map of ancient
Rome showing the
fabled seven hills:
Quirinal Hill
Esquiline Hill
Capitoline Hill
Palatine Hill
Caelian Hill
Aventine Hill
Viminal Hill
19. Roman City Planning
Forum of Trajan
Plan of the imperial fora at Rome, showing the great Forum of Trajan.
Of this vast project, only the markets and Trajan’s columns (located
between the two library buildings) have survived.
22. Roman City Planning
Trajan’s Market
Axonometric drawing of
Trajan’s markets, Rome
100-114 CE. The
markets are built into
the hillside in a series of
shops that form a
semicircle. Further up
the hill is the vaulted
market hall.
24. Roman Temples
Pantheon
Elevation and plan of the
Pantheon. The concrete
walls are up to 20 feet thick
in places, but as the plan
shows, they are not a solid
mass; instead, they’re
broken up by shallow
chambers, thus reducing the
mass of concrete that
needed to cure without
diminishing the effective
strength of the wall.
25. Roman Temples
Pantheon
Axonometric section of the
Pantheon, looking up from
the floor level. It shows part
of the plan and the arched
construction behind the
internal marble veneers.
The 27-foot diameter
opening at the top is known
as the oculus.
29. Public Buildings
Basilica Nova
Plan of the Basilica Nova
(Basilica of Constantine) in
Rome, C.E. 307-315. This
large vaulted building had
barrel vaults over the aisles
and groin vaults
(intersecting barrel vaults)
over the central space. The
curved end sections are
known as apses.
Illumination was provided
by large clerestory
windows above the aisles.
30. Public Buildings
Basilica Nova
Plan of the Basilica Nova
(Basilica of Constantine) in
Rome, C.E. 307-315. This
large vaulted building had
barrel vaults over the aisles
and groin vaults
(intersecting barrel vaults)
over the central space. The
curved end sections are
known as apses.
Illumination was provided
by large clerestory
windows above the aisles.Groin Vault
31. Public Buildings
Basilica Nova
Basilicas were buildings that housed legal activities, as well as
serving as a place for social and commercial functions.
Unlike the exterior colonnade of a Greek stoa, the colonnade in a
basilica defined the building’s long central space.
32. Public Buildings
Caracalla
Plan of the Baths of
Caracalla in Rome, 212-
216 C.E. The large bath
building was set in
extensive grounds that
afforded bathers the
opportunity to exercise
and relax in the outdoors.
Water supplying the baths
and flushing the latrines
came from an aqueduct
indicated at the top of the
plan.
33. Public Buildings
Caracalla
Reconstruction view of
the frigidarium of the
Baths of Caracalla. The
central hall was groin-
vaulted and lit by
clerestory windows. Its
brick-faced concrete
structure was finished
with elegant marble
veneers.
34. Public Buildings
Diocletian
Plan of the Baths of
Diocletian in Rome,
298-306 C.E. A
worthy companion to
the Baths of Caracalla,
this building has the
same elements in a
slightly different
arrangement.
36. Public Buildings
Forum Baths
The forum baths at Pompeii.
This is a small facility with
separate but unequal
sections for men and women
sharing a common service
area (dark shading) for
heating water. Shops
occupy most of the street
frontage, since there was no
need for an impressive street
presence. Ordinary Roman
baths were closer in
appearance to this building
than to the grand complexes
of Caracalla or Diocletian.
37. Public Buildings
Theater of Marcellus
Plan of the Theater of Marcellus
in Rome, 11-13 B.C.E. Roman
theaters were based on designs
already perfected by the
Greeks, a hemicycle (half-
circular layout) of seats focused
on the orchestra, backed by a
proscenium building. The
difference here is that support
for the seats depends not on a
convenient hillside but rather on
a supporting vaulted structure
of cut stone and concrete.
The capacity of this theater is
roughly the same as in the
Theater at Epidauros.
38. Public Buildings
Theater of Marcellus
Perspective section cut
through the Theater of
Marcellus, showing the
ramps and stairs
needed to allow patrons
to reach their seats.
The lower two stories
have survived,
reworked as housing.
The upper tier,
constructed on a
wooden structure, has
vanished.
40. Public Buildings
Pompeii Amphitheater
The Amphitheater at
Pompeii, ca. 80
B.C.E. This oval-
shaped arena was
used for gladiatorial
contests, of which,
the Romans were
exceedingly fond.
Part of its seating is
supported on arched
construction and part
is built into the rising
slope of the ground.
41. Public Buildings
Colosseum
The Colosseum (Flavian Amphitheater) in Rome, 80 C.E. The grandest of
the Roman arenas, the Colosseum was built to provide seating for 50,000
spectators.
42. Public Buildings
Colosseum
The stacking of the orders, Doric on the bottom with Ionic and Corinthian
above, was to prove influential to later architects looking for classical
precedents.
43. Public Buildings
Colosseum
Perspective sections of the
Colosseum, showing its
internal circulation and
construction. On the
topmost wall section were
supports for a canopy, or
velarium, to provide sun
shading for portions of the
arena, a feature that
provided relief from the
intense Italian sun.
The upper deck had
standing room for those who
could not afford seats.
45. Roman Residences
House of the Surgeon
Plan of the House of the
Surgeon at Pompeii, second
century B.C.E. This is an
example of an atrium plan: this
house is organized around a
central open space or atrium
that admitted fresh air and light
to surrounding rooms. A
portico or porch at the rear
opened into a small garden.
Positioned between these two
elements was the tablinium, the
main reception room, which was
reserved for the reception of
guests and dining in pleasant
weather.
ATRIUM
TABLINIUM
PORTICO
46. Roman Residences
House of Pansa
Plan of the House of Pansa.
Whereas most blocks contain
multiple houses, the House of
Pansa is so extensive that it
occupies virtually an entire block
by itself and includes a spacious
walled garden at the rear. The
atrium, peristyle (colonnade
around a courtyard), and rear
garden provided this elegant
dwelling with multiple public
rooms suitable for dining. The
impluvium is the sunken part of
the atrium in a Roman house,
designed to collect and carry
away rainwater coming through
the roof opening.
IMPLUVIUM
PERISTYLE
ATRIUM
WALLED
GARDEN
47. Roman Residences
Hadrian’s Villa
Hadrian’s Villa at Tivoli, 117-138 CE. The complexity of this sprawling collection
of buildings covers twice as much area as the city of Pompeii. Emperor Hadrian’s
architects exploited the structural possibilities of concrete to build unprecedented
forms and compositions around water features.