2. WWhhaatt tthhee ttiittlleess ssaayy
● Some of the titles are just simply the title of the
movie. Like in 'Gimme Shelter'. It's to leave an
imprint on the audience so that they remember the
name.
● Sometimes they will have a subtitle to question
the audience and leave enigma and intensify
the climax like in the 'Final Girl'.
● Or they can have the company they worked with.
Like in 'How I Live Now' the company is the first title
to appear.
3. TTiimmiinngg
● Trailers are normally 2-3 minuets long. They are not
aloud to be longer because then the institution will be
revealing to much it their oblivious and anxious
audiences.
In solo the time is
2:23 minuets
long.
In Obvious
child its
3:02
minuets
long.
4. RRaattiinngg
● Most of the trailers should
have this green band as it
allows all types of
audiences to watch the
trailer. Like in 'If I Stay'.
● The trailers are rated 'U' for
universal to have a wider
amount of mass audience
engage with the trailer and
make it popular in order for
it to gain its success.
● As children from all ages
are exposed to the internet
they make the trailers
universal but limit what the
put in the trailers.
5. EEddiittiinngg
● Depending on what genre the trailer is, it will have a
specific type of editing to make it recognisable from
all the other genres.
● In action and thriller trailers the editing is fast pace to
pick up the climax and have the audiences on their
feet.
● If it was a horror the pace goes from slow and speeds
up and is usually quiet dark and mysterious.
● In romance they tend to be between medium and
slow pace to emphasise the romance between the
characters.
6. TTiimmiinngg ooff ttiittlleess
● Some of the titles take about 2 seconds between the
trailers. The reason for this is to not take to much
attention away from the trailer itself.
● Sometimes the titles are animated in a pace to give it
more affect. They mostly have animate titles to thriller
and horror based trailers. The animation will either
bang on the screen with a sound affect to startle the
audience or it will slowly creep up to have the
audience anxiously thinking something is going to
happen.
