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UNIVERSITY OF THE ARMED FORCES
CINEMA APPRECIATION
LEARNING ACTIVITY 1.2
DAYANA CRISTINA TAMAYO
UNITH 1:
ESTHETICS AND
ART
1.1 OBSERVATION OF ART AND THE ART OF
OBSERVATION
ART: It’s a sensitive expression form of the vision of the world
Work of Art: It’s the experience of an artist that is translated to an
object
Esthetics: It’s the beauty of a subjective results
Aspects of the Art:
 Raw materials
 Imaginative ability
 Background and shape
 Abstraction
 Stylization
UNITH 1:
ESTHETICS AND
ART
1.2 CREATIVE ABILITIES
CREATIVE
ABILITIES
IMAGINATION
INTELLIGENCE
INTUITION
EMOTIONS AND FEELINGS
CREATIVITY
SENSITIVITY
UNITH 1:
ESTHETICS AND
ART
1.3 FUNDAMENTAL PRINCIPLES OF THE ARTISTIC
SHAPE
• process of repetition
• unity of whole work
THEME
UNITY
• continuous repetition in equal time
• rhythmic shapeRHYTHM
• different esthetics resources
• no monotonyVARIETY
• second topic
• surpriseCONTRAST
UNITH 1:
ESTHETICS AND
ART
1.3 FUNDAMENTAL PRINCIPLES OF THE ARTISTIC
SHAPE
• increasing interest
• piece in progress
PROGRESSIVE
DEVELOPMENT
• whole unit
• dramatic plan
THE TOTAL
CYCLE
• unique
• progress
CLIMAX
• spatial
• movements
TIME-SPACE
UNITH 1:
ESTHETICS AND
ART
1.4 FOR A THEORY OF FILM-MAKING
REALIZATION
THE SUBJECTIVE INTERVENTION
• Peculiarity of expression
• Higher objectivity
• Cultural relationship
• Figurative contribution of an
instrument
• Mimetic nature
• Semiotic constitutive elements
• Expressive structure
In
Making
a Film
UNITH 1:
ESTHETICS AND
ART
1.4 FOR A THEORY OF FILM-MAKING
REALIZATION
ILLUTION OF SIMILARITY
• Fictitious nature of the image
• Similarity with physical existence
• Pictures in motion
• Constancy of dimension
• Constancy of shape
• Relationship between eye and
objective reality
In
Making
a Film
UNITH 1:
ESTHETICS AND
ART
CONCLUSION
Cinema appreciation allows to people to understand a
film, interpret and analyze all sources used to create a
piece of art.
The term art has a wide meaning according to the
interpretation that each person has about the world
and the concept of esthetics over the objects.

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Cinema Appreciation

  • 1. UNIVERSITY OF THE ARMED FORCES CINEMA APPRECIATION LEARNING ACTIVITY 1.2 DAYANA CRISTINA TAMAYO
  • 2. UNITH 1: ESTHETICS AND ART 1.1 OBSERVATION OF ART AND THE ART OF OBSERVATION ART: It’s a sensitive expression form of the vision of the world Work of Art: It’s the experience of an artist that is translated to an object Esthetics: It’s the beauty of a subjective results Aspects of the Art:  Raw materials  Imaginative ability  Background and shape  Abstraction  Stylization
  • 3. UNITH 1: ESTHETICS AND ART 1.2 CREATIVE ABILITIES CREATIVE ABILITIES IMAGINATION INTELLIGENCE INTUITION EMOTIONS AND FEELINGS CREATIVITY SENSITIVITY
  • 4. UNITH 1: ESTHETICS AND ART 1.3 FUNDAMENTAL PRINCIPLES OF THE ARTISTIC SHAPE • process of repetition • unity of whole work THEME UNITY • continuous repetition in equal time • rhythmic shapeRHYTHM • different esthetics resources • no monotonyVARIETY • second topic • surpriseCONTRAST
  • 5. UNITH 1: ESTHETICS AND ART 1.3 FUNDAMENTAL PRINCIPLES OF THE ARTISTIC SHAPE • increasing interest • piece in progress PROGRESSIVE DEVELOPMENT • whole unit • dramatic plan THE TOTAL CYCLE • unique • progress CLIMAX • spatial • movements TIME-SPACE
  • 6. UNITH 1: ESTHETICS AND ART 1.4 FOR A THEORY OF FILM-MAKING REALIZATION THE SUBJECTIVE INTERVENTION • Peculiarity of expression • Higher objectivity • Cultural relationship • Figurative contribution of an instrument • Mimetic nature • Semiotic constitutive elements • Expressive structure In Making a Film
  • 7. UNITH 1: ESTHETICS AND ART 1.4 FOR A THEORY OF FILM-MAKING REALIZATION ILLUTION OF SIMILARITY • Fictitious nature of the image • Similarity with physical existence • Pictures in motion • Constancy of dimension • Constancy of shape • Relationship between eye and objective reality In Making a Film
  • 8. UNITH 1: ESTHETICS AND ART CONCLUSION Cinema appreciation allows to people to understand a film, interpret and analyze all sources used to create a piece of art. The term art has a wide meaning according to the interpretation that each person has about the world and the concept of esthetics over the objects.