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Film-making completion
- 1. UNIVERSITY OF THE ARMED FORCES CINEMA APPRECIATION UNIT 4: “FILM – MAKING COMPLETION” DAYANA CRISTINA TAMAYO
- 2. 4.1 LITERATURE AND CINEMA LITERATURE CINEMA Temporal development Narration of series of facts Dramatic structures Written or oral expression Visual expression Uses words Uses images and music Inner worlds and great reflections Changes of scenery
- 3. 4.1 LITERATURE AND CINEMA LITERATURE AND CINEMA Adaptation equivalence of meaning signification differences Language same content different shape Visualization conceptual plane objective data Time and space continuity real
- 4. 4.2 CINEMA GENRES Standard of conventions Concrete story Fiction arguments Objective Entertaining an audience In the beginning (comedy and drama) Criterion of the intention Mood accents
- 6. 4.3 COMPLETION EXERCISES 4.3.1 Changing action axis The action axis is a cinematographic operation rigid in relation to the camera and to the performers it is ductile, they create it as they move and change the situation The action axis moves along with the performer
- 7. 4.3 COMPLETION EXERCISES 4.3.2 The Script: Five Essential Questions 1. What is a script ? It is a text in the form of a book which is useful as a starting document for the filming of a movie. It is used by actors, directors and technicians It describes: Details Dialogues Texts Notes for musical band
- 8. 4.3 COMPLETION EXERCISES 4.3.2 The Script: Five Essential Questions 2. What is it used for? Director articulate scene Performer analyze personages’ character Production manager make up a plan Photography director imagine chromatic climates Artistic director construct environments
- 9. 4.3 COMPLETION EXERCISES 4.3.2 The Script: Five Essential Questions 3. How is it written down? decoration to put up performers and “stunts” to be hired dialogues to be pronounced music to be composed and played elements of camera and sound that are required assistants and auxiliary staff transportation means and even insurances to avoid risks 4. What are its limitations? The relation between scriptwriter- director
- 10. 4.3 COMPLETION EXERCISES 4.3.2 The Script: Five Essential Questions 5. Can its technique be learned? Observation of reality and prior work Level the stages for writing exercising Narrative ordering Admit mistakes Original creativity