2. PAINTING

3.  The oldest known paintings are at
the Grotte Chauvet in France, claimed by
some historians to be about 32,000 years
old. They are engraved and painted
using red ochre and black pigment and
show horses, rhinoceros, lions, buffalo,
mammoth or humans often hunting. There
are examples of cave paintings all over the
world—in France, India, Spain, Portugal,
China, Australia etc.
How Painting came to be?

4. Possible Meanings of Early Paintings
 Prehistoric men may have painted animals
to "catch" their soul or spirit in order to
hunt them more easily or the paintings
 may represent an animistic vision and
homage to surrounding nature,
 or they may be the result of a basic need of
expression that is innate to human beings,
or
 they could have been for the transmission
of practical information.
How Painting came to be?

5.  Humans have been painting for
about 6 times as long as they
have been using written
language.
 Today, the study is categorized
according to the places
namely….
How Painting came to be?

6. Study of Painting
Eastern Western
Pre-Historic
Painting Painting
Painting in Islamic
Americas Painting
Oceania Africa
How Painting came to be?

7. PAINTING

8. General Reasons to Paint
 To express one’s feelings and
thoughts
 To response to society’s status
 To contribute for the betterment
of the society
 To use as a decoration
Why Paint?

9. PAINTING

10. Painting
is…
 the practice of applying pigment
suspended in a carrier (or medium) and a
binding agent (a glue) to a surface
(support) such as paper, canvas or a wall.
 A mode of
expression. Drawing, composition or
abstraction and other aesthetics may
serve to manifest the expressive and
conceptual intention of the practitioner.
What is
Painting?

11. Painting
is…
 Paintings can be naturalistic and
representational (as in a still
life or landscape
painting), photographic, abstract, be
loaded with narrative
content, symbolism, emotion or
political in nature.
What is
Painting?

12. Painting
is…
A portion of the history of painting in
both Eastern and Western art is
dominated by spiritual motifs and ideas:
 mythological figures on pottery
 Biblical scenes on the interior walls and
ceiling of The Sistine Chapel,
 life of Buddha or other scenes of eastern
religious origin.
What is
Painting?

13. PAINTING

14. Its Components are…
General categories:
 Principles refers to the value of the
painting in terms of its Intensity, Color
and Tone, and Rhythm.
 Elements refers to the components of
the painting expressed as Symbols,
Perspective, Composition, Shapes,
Line, Light, Color, and Distance.
Components of Painting

15. Elements
 Symbols  Line
 Perspective  Light
 Composition  Color
 Shapes  Distance
Components of Painting

16. Elements
 A symbol can be  Artists seriously plan how
defined as something they will arrange elements
which has a special like color, line and
meaning or a special shapes in their paintings.
message. This is called
 Through perspective composition.
artists convey 3-  An artist uses shapes to
dimension space. express ideas. They may
Perspective makes a be circles, triangles,
flat picture look 3- rectangles, ovals, or
dimensional and have squares.
depth.
Components of Painting

18. PAINTING

19.  The oldest known paintings are at
the Grotte Chauvet in France, claimed by
some historians to be about 32,000 years
old. They are engraved and painted
using red ochre and black pigment and
show horses, rhinoceros, lions, buffalo,
mammoth or humans often hunting. There
are examples of cave paintings all over the
world—in France, India, Spain, Portugal,
China, Australia etc.
How Painting came to be?

20. Possible Meanings of Early Paintings
 Prehistoric men may have painted animals
to "catch" their soul or spirit in order to
hunt them more easily or the paintings
 may represent an animistic vision and
homage to surrounding nature,
 or they may be the result of a basic need of
expression that is innate to human beings,
or
 they could have been for the transmission
of practical information.
How Painting came to be?

21.  Humans have been painting for
about 6 times as long as they
have been using written
language.
 Today, the study is categorized
according to the places
namely….
How Painting came to be?

22. Study of Painting
Eastern Western
Pre-Historic
Painting Painting
Painting in Islamic
Americas Painting
Oceania Africa
How Painting came to be?

23. PAINTING

24. General Reasons to Paint
 To express one’s feelings and
thoughts
 To response to society’s status
 To contribute for the betterment
of the society
 To use as a decoration
Why Paint?

25. PAINTING

26. Painting
is…
 the practice of applying pigment
suspended in a carrier (or medium) and a
binding agent (a glue) to a surface
(support) such as paper, canvas or a wall.
 A mode of
expression. Drawing, composition or
abstraction and other aesthetics may
serve to manifest the expressive and
conceptual intention of the practitioner.
What is
Painting?

27. Painting
is…
 Paintings can be naturalistic and
representational (as in a still
life or landscape
painting), photographic, abstract, be
loaded with narrative
content, symbolism, emotion or
political in nature.
What is
Painting?

28. Painting
is…
A portion of the history of painting in
both Eastern and Western art is
dominated by spiritual motifs and ideas:
 mythological figures on pottery
 Biblical scenes on the interior walls and
ceiling of The Sistine Chapel,
 life of Buddha or other scenes of eastern
religious origin.
What is
Painting?

29. PAINTING

30. Its Components are…
General categories:
 Principles refers to the value of the
painting in terms of its Intensity, Color
and Tone, and Rhythm.
 Elements refers to the components of
the painting expressed as Symbols,
Perspective, Composition, Shapes,
Line, Light, Color, and Distance.
Components of Painting

31. General Reasons to Paint
 To express one’s feelings and
thoughts
 To response to society’s status
 To contribute for the betterment
of the society
 To use as a decoration
Why Paint?

32. PAINTING

33. Its Components are…
General categories:
 Principles refers to the value of the
painting in terms of its Intensity, Color
and Tone, and Rhythm.
 Elements refers to the components of
the painting expressed as Symbols,
Perspective, Composition, Shapes,
Line, Light, Color, and Distance.
Components of Painting

34. ELements
 Artists use various types  Artists use colors to
of lines (diagonal, curved, convey feelings and
vertical, and horizontal) moods within their
to express ideas and painting.
feelings in their paintings.  There are three distances
 Light affects the color of to look for in a painting:
the subject and objects in foreground
the painting look real and middleground
solid if the artist shows the
way light falls on them. background
Components of Painting

35. Principles
 Rhythm is important in painting as
well as in music. If one defines rhythm
as "a pause incorporated into a
sequence", then there can be rhythm
in paintings. Free flow of energy, in art
as well as in other forms of "techne",
directly contributes to the esthetical
value.
Components of Painting

37.  Humans have been painting for
about 6 times as long as they
have been using written
language.
 Today, the study is categorized
according to the places
namely….
How Painting came to be?

38. PAINTING

39. General Reasons to Paint
 To express one’s feelings and
thoughts
 To response to society’s status
 To contribute for the betterment
of the society
 To use as a decoration
Why Paint?

40. PAINTING

41. Its Components are…
General categories:
 Principles refers to the value of the
painting in terms of its Intensity, Color
and Tone, and Rhythm.
 Elements refers to the components of
the painting expressed as Symbols,
Perspective, Composition, Shapes,
Line, Light, Color, and Distance.
Components of Painting

42. Elements
 Symbols  Line
 Perspective  Light
 Composition  Color
 Shapes  Distance
Components of Painting

43. Elements
 A symbol can be  Artists seriously plan how
defined as something they will arrange elements
which has a special like color, line and
meaning or a special shapes in their paintings.
message. This is called
 Through perspective composition.
artists convey 3-  An artist uses shapes to
dimension space. express ideas. They may
Perspective makes a be circles, triangles,
flat picture look 3- rectangles, ovals, or
dimensional and have squares.
depth.
Components of Painting

45. PAINTING

46.  The oldest known paintings are at
the Grotte Chauvet in France, claimed by
some historians to be about 32,000 years
old. They are engraved and painted
using red ochre and black pigment and
show horses, rhinoceros, lions, buffalo,
mammoth or humans often hunting. There
are examples of cave paintings all over the
world—in France, India, Spain, Portugal,
China, Australia etc.
How Painting came to be?

47. Possible Meanings of Early Paintings
 Prehistoric men may have painted animals
to "catch" their soul or spirit in order to
hunt them more easily or the paintings
 may represent an animistic vision and
homage to surrounding nature,
 or they may be the result of a basic need of
expression that is innate to human beings,
or
 they could have been for the transmission
of practical information.
How Painting came to be?

48.  Humans have been painting for
about 6 times as long as they
have been using written
language.
 Today, the study is categorized
according to the places
namely….
How Painting came to be?

49. Study of Painting
Eastern Western
Pre-Historic
Painting Painting
Painting in Islamic
Americas Painting
Oceania Africa
How Painting came to be?

50. PAINTING

51. General Reasons to Paint
 To express one’s feelings and
thoughts
 To response to society’s status
 To contribute for the betterment
of the society
 To use as a decoration
Why Paint?

52. PAINTING

53. Painting
is…
 Paintings can be naturalistic and
representational (as in a still
life or landscape
painting), photographic, abstract, be
loaded with narrative
content, symbolism, emotion or
political in nature.
What is
Painting?

54. Painting
is…
A portion of the history of painting in
both Eastern and Western art is
dominated by spiritual motifs and ideas:
 mythological figures on pottery
 Biblical scenes on the interior walls and
ceiling of The Sistine Chapel,
 life of Buddha or other scenes of eastern
religious origin.
What is
Painting?

55. PAINTING

56. Its Components are…
General categories:
 Principles refers to the value of the
painting in terms of its Intensity, Color
and Tone, and Rhythm.
 Elements refers to the components of
the painting expressed as Symbols,
Perspective, Composition, Shapes,
Line, Light, Color, and Distance.
Components of Painting

57. Elements
 Symbols  Line
 Perspective  Light
 Composition  Color
 Shapes  Distance
Components of Painting

58. Elements
 A symbol can be  Artists seriously plan how
defined as something they will arrange elements
which has a special like color, line and
meaning or a special shapes in their paintings.
message. This is called
 Through perspective composition.
artists convey 3-  An artist uses shapes to
dimension space. express ideas. They may
Perspective makes a be circles, triangles,
flat picture look 3- rectangles, ovals, or
dimensional and have squares.
depth.
Components of Painting

59. Principles
 Rhythm is important in painting as
well as in music. If one defines rhythm
as "a pause incorporated into a
sequence", then there can be rhythm
in paintings. Free flow of energy, in art
as well as in other forms of "techne",
directly contributes to the esthetical
value.
Components of Painting

60. ELements
 Artists use various types  Artists use colors to
of lines (diagonal, curved, convey feelings and
vertical, and horizontal) moods within their
to express ideas and painting.
feelings in their paintings.  There are three distances
 Light affects the color of to look for in a painting:
the subject and objects in foreground
the painting look real and middleground
solid if the artist shows the
way light falls on them. background
Components of Painting

61. Principles
 What enables painting is the perception
and representation of intensity. Every
point in space has different intensity, which
can be represented in painting by black
and white and all the gray shades between.
 Color and tone are the essence of
painting as pitch and rhythm are of music.
Color is highly subjective, but has
observable psychological effects, although
these can differ from one culture to the
next.
Components of Painting

62. Principles
 Rhythm is important in painting as
well as in music. If one defines rhythm
as "a pause incorporated into a
sequence", then there can be rhythm
in paintings. Free flow of energy, in art
as well as in other forms of "techne",
directly contributes to the esthetical
value.
Components of Painting

63. Elements
 Symbols  Line
 Perspective  Light
 Composition  Color
 Shapes  Distance
Components of Painting

64. Elements
 A symbol can be  Artists seriously plan how
defined as something they will arrange elements
which has a special like color, line and
meaning or a special shapes in their paintings.
message. This is called
 Through perspective composition.
artists convey 3-  An artist uses shapes to
dimension space. express ideas. They may
Perspective makes a be circles, triangles,
flat picture look 3- rectangles, ovals, or
dimensional and have squares.
depth.
Components of Painting

65. Principles
 Rhythm is important in painting as
well as in music. If one defines rhythm
as "a pause incorporated into a
sequence", then there can be rhythm
in paintings. Free flow of energy, in art
as well as in other forms of "techne",
directly contributes to the esthetical
value.
Components of Painting

66. ELements
 Artists use various types  Artists use colors to
of lines (diagonal, curved, convey feelings and
vertical, and horizontal) moods within their
to express ideas and painting.
feelings in their paintings.  There are three distances
 Light affects the color of to look for in a painting:
the subject and objects in foreground
the painting look real and middleground
solid if the artist shows the
way light falls on them. background
Components of Painting

67. Principles
 What enables painting is the perception
and representation of intensity. Every
point in space has different intensity, which
can be represented in painting by black
and white and all the gray shades between.
 Color and tone are the essence of
painting as pitch and rhythm are of music.
Color is highly subjective, but has
observable psychological effects, although
these can differ from one culture to the
next.
Components of Painting

68. Principles
 Rhythm is important in painting as
well as in music. If one defines rhythm
as "a pause incorporated into a
sequence", then there can be rhythm
in paintings. Free flow of energy, in art
as well as in other forms of "techne",
directly contributes to the esthetical
value.
Components of Painting

70. PAINTING

71.  The oldest known paintings are at
the Grotte Chauvet in France, claimed by
some historians to be about 32,000 years
old. They are engraved and painted
using red ochre and black pigment and
show horses, rhinoceros, lions, buffalo,
mammoth or humans often hunting. There
are examples of cave paintings all over the
world—in France, India, Spain, Portugal,
China, Australia etc.
How Painting came to be?

72. Possible Meanings of Early Paintings
 Prehistoric men may have painted animals
to "catch" their soul or spirit in order to
hunt them more easily or the paintings
 may represent an animistic vision and
homage to surrounding nature,
 or they may be the result of a basic need of
expression that is innate to human beings,
or
 they could have been for the transmission
of practical information.
How Painting came to be?

73.  Humans have been painting for
about 6 times as long as they
have been using written
language.
 Today, the study is categorized
according to the places
namely….
How Painting came to be?

74. Study of Painting
Eastern Western
Pre-Historic
Painting Painting
Painting in Islamic
Americas Painting
Oceania Africa
How Painting came to be?

75. PAINTING

76. General Reasons to Paint
 To express one’s feelings and
thoughts
 To response to society’s status
 To contribute for the betterment
of the society
 To use as a decoration
Why Paint?

77. ELements
 Artists use various types  Artists use colors to
of lines (diagonal, curved, convey feelings and
vertical, and horizontal) moods within their
to express ideas and painting.
feelings in their paintings.  There are three distances
 Light affects the color of to look for in a painting:
the subject and objects in foreground
the painting look real and middleground
solid if the artist shows the
way light falls on them. background
Components of Painting

78. Principles
 Rhythm is important in painting as
well as in music. If one defines rhythm
as "a pause incorporated into a
sequence", then there can be rhythm
in paintings. Free flow of energy, in art
as well as in other forms of "techne",
directly contributes to the esthetical
value.
Components of Painting

80.  Humans have been painting for
about 6 times as long as they
have been using written
language.
 Today, the study is categorized
according to the places
namely….
How Painting came to be?

81. Study of Painting
Eastern Western
Pre-Historic
Painting Painting
Painting in Islamic
Americas Painting
Oceania Africa
How Painting came to be?

82. PAINTING

83. General Reasons to Paint
 To express one’s feelings and
thoughts
 To response to society’s status
 To contribute for the betterment
of the society
 To use as a decoration
Why Paint?

84. Painting
is…
 Paintings can be naturalistic and
representational (as in a still
life or landscape
painting), photographic, abstract, be
loaded with narrative
content, symbolism, emotion or
political in nature.
What is
Painting?

85. Painting
is…
A portion of the history of painting in
both Eastern and Western art is
dominated by spiritual motifs and ideas:
 mythological figures on pottery
 Biblical scenes on the interior walls and
ceiling of The Sistine Chapel,
 life of Buddha or other scenes of eastern
religious origin.
What is
Painting?

86. PAINTING

87. Its Components are…
General categories:
 Principles refers to the value of the
painting in terms of its Intensity, Color
and Tone, and Rhythm.
 Elements refers to the components of
the painting expressed as Symbols,
Perspective, Composition, Shapes,
Line, Light, Color, and Distance.
Components of Painting

88. Elements
 Symbols  Line
 Perspective  Light
 Composition  Color
 Shapes  Distance
Components of Painting

89. Elements
 A symbol can be  Artists seriously plan how
defined as something they will arrange elements
which has a special like color, line and
meaning or a special shapes in their paintings.
message. This is called
 Through perspective composition.
artists convey 3-  An artist uses shapes to
dimension space. express ideas. They may
Perspective makes a be circles, triangles,
flat picture look 3- rectangles, ovals, or
dimensional and have squares.
depth.
Components of Painting

91. PAINTING

92.  The oldest known paintings are at
the Grotte Chauvet in France, claimed by
some historians to be about 32,000 years
old. They are engraved and painted
using red ochre and black pigment and
show horses, rhinoceros, lions, buffalo,
mammoth or humans often hunting. There
are examples of cave paintings all over the
world—in France, India, Spain, Portugal,
China, Australia etc.
How Painting came to be?

93. Possible Meanings of Early Paintings
 Prehistoric men may have painted animals
to "catch" their soul or spirit in order to
hunt them more easily or the paintings
 may represent an animistic vision and
homage to surrounding nature,
 or they may be the result of a basic need of
expression that is innate to human beings,
or
 they could have been for the transmission
of practical information.
How Painting came to be?

94.  Humans have been painting for
about 6 times as long as they
have been using written
language.
 Today, the study is categorized
according to the places
namely….
How Painting came to be?

95. Study of Painting
Eastern Western
Pre-Historic
Painting Painting
Painting in Islamic
Americas Painting
Oceania Africa
How Painting came to be?

96. PAINTING

97. General Reasons to Paint
 To express one’s feelings and
thoughts
 To response to society’s status
 To contribute for the betterment
of the society
 To use as a decoration
Why Paint?

98. PAINTING

99. Painting
is…
 Paintings can be naturalistic and
representational (as in a still
life or landscape
painting), photographic, abstract, be
loaded with narrative
content, symbolism, emotion or
political in nature.
What is
Painting?

100. Painting
is…
A portion of the history of painting in
both Eastern and Western art is
dominated by spiritual motifs and ideas:
 mythological figures on pottery
 Biblical scenes on the interior walls and
ceiling of The Sistine Chapel,
 life of Buddha or other scenes of eastern
religious origin.
What is
Painting?

101. PAINTING

102. Its Components are…
General categories:
 Principles refers to the value of the
painting in terms of its Intensity, Color
and Tone, and Rhythm.
 Elements refers to the components of
the painting expressed as Symbols,
Perspective, Composition, Shapes,
Line, Light, Color, and Distance.
Components of Painting

103. Elements
 Symbols  Line
 Perspective  Light
 Composition  Color
 Shapes  Distance
Components of Painting

104. Elements
 A symbol can be  Artists seriously plan how
defined as something they will arrange elements
which has a special like color, line and
meaning or a special shapes in their paintings.
message. This is called
 Through perspective composition.
artists convey 3-  An artist uses shapes to
dimension space. express ideas. They may
Perspective makes a be circles, triangles,
flat picture look 3- rectangles, ovals, or
dimensional and have squares.
depth.
Components of Painting

105. Principles
 Rhythm is important in painting as
well as in music. If one defines rhythm
as "a pause incorporated into a
sequence", then there can be rhythm
in paintings. Free flow of energy, in art
as well as in other forms of "techne",
directly contributes to the esthetical
value.
Components of Painting

106. ELements
 Artists use various types  Artists use colors to
of lines (diagonal, curved, convey feelings and
vertical, and horizontal) moods within their
to express ideas and painting.
feelings in their paintings.  There are three distances
 Light affects the color of to look for in a painting:
the subject and objects in foreground
the painting look real and middleground
solid if the artist shows the
way light falls on them. background
Components of Painting

107. Principles
 What enables painting is the perception
and representation of intensity. Every
point in space has different intensity, which
can be represented in painting by black
and white and all the gray shades between.
 Color and tone are the essence of
painting as pitch and rhythm are of music.
Color is highly subjective, but has
observable psychological effects, although
these can differ from one culture to the
next.
Components of Painting

108. Principles
 Rhythm is important in painting as
well as in music. If one defines rhythm
as "a pause incorporated into a
sequence", then there can be rhythm
in paintings. Free flow of energy, in art
as well as in other forms of "techne",
directly contributes to the esthetical
value.
Components of Painting

109. PAINTING

110. Painting
is…
 the practice of applying pigment
suspended in a carrier (or medium) and a
binding agent (a glue) to a surface
(support) such as paper, canvas or a wall.
 A mode of
expression. Drawing, composition or
abstraction and other aesthetics may
serve to manifest the expressive and
conceptual intention of the practitioner.
What is
Painting?

111. Painting
is…
 Paintings can be naturalistic and
representational (as in a still
life or landscape
painting), photographic, abstract, be
loaded with narrative
content, symbolism, emotion or
political in nature.
What is
Painting?

112. Painting
is…
A portion of the history of painting in
both Eastern and Western art is
dominated by spiritual motifs and ideas:
 mythological figures on pottery
 Biblical scenes on the interior walls and
ceiling of The Sistine Chapel,
 life of Buddha or other scenes of eastern
religious origin.
What is
Painting?

113. PAINTING

114. Its Components are…
General categories:
 Principles refers to the value of the
painting in terms of its Intensity, Color
and Tone, and Rhythm.
 Elements refers to the components of
the painting expressed as Symbols,
Perspective, Composition, Shapes,
Line, Light, Color, and Distance.
Components of Painting

115. Elements
 Symbols  Line
 Perspective  Light
 Composition  Color
 Shapes  Distance
Components of Painting

116. Elements
 A symbol can be  Artists seriously plan how
defined as something they will arrange elements
which has a special like color, line and
meaning or a special shapes in their paintings.
message. This is called
 Through perspective composition.
artists convey 3-  An artist uses shapes to
dimension space. express ideas. They may
Perspective makes a be circles, triangles,
flat picture look 3- rectangles, ovals, or
dimensional and have squares.
depth.
Components of Painting

118. PAINTING

119.  The oldest known paintings are at
the Grotte Chauvet in France, claimed by
some historians to be about 32,000 years
old. They are engraved and painted
using red ochre and black pigment and
show horses, rhinoceros, lions, buffalo,
mammoth or humans often hunting. There
are examples of cave paintings all over the
world—in France, India, Spain, Portugal,
China, Australia etc.
How Painting came to be?

120. Possible Meanings of Early Paintings
 Prehistoric men may have painted animals
to "catch" their soul or spirit in order to
hunt them more easily or the paintings
 may represent an animistic vision and
homage to surrounding nature,
 or they may be the result of a basic need of
expression that is innate to human beings,
or
 they could have been for the transmission
of practical information.
How Painting came to be?

121.  Humans have been painting for
about 6 times as long as they
have been using written
language.
 Today, the study is categorized
according to the places
namely….
How Painting came to be?

122. Study of Painting
Eastern Western
Pre-Historic
Painting Painting
Painting in Islamic
Americas Painting
Oceania Africa
How Painting came to be?

123. PAINTING

124. General Reasons to Paint
 To express one’s feelings and
thoughts
 To response to society’s status
 To contribute for the betterment
of the society
 To use as a decoration
Why Paint?

125. PAINTING

126. Painting
is…
 Paintings can be naturalistic and
representational (as in a still
life or landscape
painting), photographic, abstract, be
loaded with narrative
content, symbolism, emotion or
political in nature.
What is
Painting?

127. Painting
is…
A portion of the history of painting in
both Eastern and Western art is
dominated by spiritual motifs and ideas:
 mythological figures on pottery
 Biblical scenes on the interior walls and
ceiling of The Sistine Chapel,
 life of Buddha or other scenes of eastern
religious origin.
What is
Painting?

128. PAINTING

129. Its Components are…
General categories:
 Principles refers to the value of the
painting in terms of its Intensity, Color
and Tone, and Rhythm.
 Elements refers to the components of
the painting expressed as Symbols,
Perspective, Composition, Shapes,
Line, Light, Color, and Distance.
Components of Painting

130. Elements
 Symbols  Line
 Perspective  Light
 Composition  Color
 Shapes  Distance
Components of Painting

131. Elements
 A symbol can be  Artists seriously plan how
defined as something they will arrange elements
which has a special like color, line and
meaning or a special shapes in their paintings.
message. This is called
 Through perspective composition.
artists convey 3-  An artist uses shapes to
dimension space. express ideas. They may
Perspective makes a be circles, triangles,
flat picture look 3- rectangles, ovals, or
dimensional and have squares.
depth.
Components of Painting

132. Principles
 Rhythm is important in painting as
well as in music. If one defines rhythm
as "a pause incorporated into a
sequence", then there can be rhythm
in paintings. Free flow of energy, in art
as well as in other forms of "techne",
directly contributes to the esthetical
value.
Components of Painting

133. ELements
 Artists use various types  Artists use colors to
of lines (diagonal, curved, convey feelings and
vertical, and horizontal) moods within their
to express ideas and painting.
feelings in their paintings.  There are three distances
 Light affects the color of to look for in a painting:
the subject and objects in foreground
the painting look real and middleground
solid if the artist shows the
way light falls on them. background
Components of Painting

134. Principles
 What enables painting is the perception
and representation of intensity. Every
point in space has different intensity, which
can be represented in painting by black
and white and all the gray shades between.
 Color and tone are the essence of
painting as pitch and rhythm are of music.
Color is highly subjective, but has
observable psychological effects, although
these can differ from one culture to the
next.
Components of Painting

135. Principles
 Rhythm is important in painting as
well as in music. If one defines rhythm
as "a pause incorporated into a
sequence", then there can be rhythm
in paintings. Free flow of energy, in art
as well as in other forms of "techne",
directly contributes to the esthetical
value.
Components of Painting

136. Painting Media
Oil Gouache
Pastel Fresco
Acrylic Enamel
Watercolor SprayPaint
Ink Tempera
Hot wax
Components of Painting

137. Painting Media
 Oil painting is the process of painting
with pigments that are bound with a medium of
drying oil—especially in early
modern Europe, linseed oil.
 Pastel is a painting medium in the form of a
stick, consisting of pure powdered pigment and
a binder.
 Acrylic paint is fast drying paint containing
pigment suspension in acrylic polymer emulsion.
Acrylic paints can be diluted with water, but
become water-resistant when dry.
Components of Painting

138. Painting Media
 Watercolor is a painting method in which
the paints are made of pigments suspended in
a water soluble vehicle.
 Ink paintings are done with a liquid that
contains pigments and/or dyes and is used to
color a surface to produce an image, text,
or design.
 Encaustic painting, also known as hot wax
painting, involves using heated beeswax to
which colored pigments are added.
Components of Painting

139. Painting Media
 Fresco is any of several
related mural painting types, done
on plaster on walls or ceilings.
 Gouache is a type of paint consisting
of pigment suspended in water.
 Enamels are made by painting a
substrate, typically metal, with frit, a
type of powdered glass.
Components of Painting

140. Painting Media
 Aerosol paint (also called spray paint) is a
type of paint that comes in a sealed
pressurized container and is released in a
fine spray mist when depressing
a valve button.
 Tempera, also known as egg tempera, is a
permanent, fast-drying painting medium
consisting of colored pigment mixed with a
water-soluble binder medium (usually a
glutinous material such as egg yolk or some
other size).
Components of Painting

144. PAINTING

145. Its is associated with prehistoric
times and was interpreted as an
expression of concepts.
Artist: Ägyptischer Maler um 1360 v. Chr.
Definition: Mural of El-Amanar
Scene: two daughters of Amenophis IV.

146. It established the classic tradition
which is refinement in entasis
or correction of optical
illusion.
Artist: Python (potter) and Douris (painter)
Definition: Heracles and Athena. Tondo of an
Attic red-figure kylix, 480–470 BC. From Vulci.

147. It depicted casual and relaxed
figures reflecting ideal
beauty of the leisurely,
educated, and well-bred life.
Artist: Pompejanischer
Maler um 60 v. Chr.
Definition:Bacchante an
d started dancing.

148. This is characterized by the tendency
towards spiritualization and by
progressive abandonment of the
imitation of nature.
Artist: Giotto
Definition: This painting by early Renaissance
painter Giotto depicts the scene where Jesus
appears before Mary Magdalene.

149. This style is based upon
intellectual Greek
concepts rather than
upon purely emotional
apprehension.
Artist: Meister von Nerezi
Definition: Frescoes in the
Church of Nerezi scene:
Lamentation of Christ

150. The artist capitalized
on the use of
expensive colors
and rhythmic
composition in
order to stir up
religious emotions. ARTIST: Unknown
Definition: St. Albans Psalter,
The Three Magi following the
star

151. This painting was
instructional in
nature and
preserved in
miniature form.
Artist: Simone Martini
Definition: The Miracle of the
child falling from the balcony

152. This started on 14th
century and is
characterized by
the rebirth in the
interest and
concern for life
towards
discovery.
Artist: Titian
Definition: Sacred and
Profane Love.

153. The characteristics
of this style is that
there is a strong
dose of realism and
elongated figures.
Artist: Rembrandt Van Rijn
Title: The Night Watch

154. From French word
“rocaille”
meaning
artificial art
work and
pierced shell
work and are of
elegant designs. Artist: Antoine Watteau
Title: Pilgrimage on the Isle of
Cythera (1717)

155. Revival of classical
ideals and forms
in art whose
theme is about
heroic subjects
and about
sacrifice for a
noble cause. Artist: Jacques-Louis David
Title: The Oath of the Horatii

156. Art works
presenting idyllic
landscapes,
stylized designs,
and fluid sky.
Artist: Théodore Chassériau
Title: Othello and Desdemona in
Venice

157. Supports the
doctrine that
material
objects exist
and are
actual facts.
Artist: Vincent Van Gogh
Title: The Potato Eaters

158. Started by Gustave
Courbet. A painter
should paint
according to what is
seen in everyday life.
Should portrays
objects or events
seen or experienced
first – hand with
emphasis on the Artist: Thomas Anshutz
Title: “The Ironworkers”
sordid.
Noontime

159. Aim to bring out the
effects of
experience upon
the consciousness
of the artist and
audience.
Concerned with
the technique of
suggesting light and
color not the Artist: Clause Monet
subject matter. Title: Impression Sunrise

160. Art production
represents ideas
by means of
symbols, thus
giving meanings
to objects,
events or
conditions. Artist: Mikalojus Konstantinas
Čiurlionis
Title: Sonata of the Sea

161. Refers to the
study of the
meaning and
interpretation
of symbols and
allegories.
Artist: Hans Holbein the
Younger
Title: The Ambassadors

162. Using brilliant
colors in favor
of color
illumination on
subjects like
pictures of
comfort, joy or
leisure.
Artist: Henri Mattise
Title: Woman with a Hat

163. Form of abstraction
wherein objects
are first reduced
to cubes and then
flattened into two
dimensional
shapes.
Artist: Pablo Picasso
Title: Le guitarist or Guitarist

164. Derived from
cubism where
structure is a
development of
decorative,
individualistic,
and personal
expressiveness.
Edvard Munch (1863-1944)
The Scream

165. Peculiar
abstraction
where
structure is
subordinated
to surface
Artist: Kasimir Malevich
arrangement. Title:Suprematism
(Supremus No.
58), Krasnodar

166. Opposite of
abstraction, a
modern art that
attempts to portray
the subconscious
mind through
unconventional
means.
Artist: Max Ernst
Title: The Elephant
Celebes

167. A technique of painting
in which small, distinct
dots of pure color are
applied in patterns to
form an image. Georges
Seurat developed the
technique in 1886,
branching
from Impressionism.
Sunday Afternoon on the Island of La
Grande Jatte (Un dimanche après-midi à
l’Ile de la Grande Jatte), Georges Seurat,
1884-1886.

168. It emphasized and
glorified themes
associated with
contemporary concepts
of the future, including
speed, technology,
youth and violence, and
objects such as the car,
the airplane and the Artist: Giacomo Balla,
industrial city.
Title: Abstract Speed +
Sound,

169. PAINTING

170.  By nature, Filipinos are imaginative
and creative.
 Yet all artworks were eventually lost
due to two reasons:
a) The primitive art had a very short life
span.
b) The colonizing countries especially
Spain left no choice but to accept
their culture.

171. Still the Filipinos had been able to preserved
some valuable forms of arts namely:
Ethnic Art – means native or indigenous
Philippine Design. The ethnic art has
curvilinear and linear patterns.
Folk Art – means peoples’ art as well as
handicrafts.
Three Motif Art – these are Serpent-Demon
of Art, Sarimanok, and Burak.

172. Tattoo Art – is prevalent among the mountain
tribes.
a) Women have tattoos which for them it
enhances their beauty.
b) Men have tattoos to mark age, bravery,
tribal sincerity, and prestige gained from
head-hunting expeditions.
Moreover, the development of Philippine
painting was divided into several periods
namely, Spanish, American, and Modern.

173. PAINTING

174. NATIONAL ARTIST….
 National Artist of the Philippines is
a title given to a Filipino who has
been given the highest recognition for
having made significant contributions
to the development of Philippine arts.
 The first award was posthumously
conferred on Filipino painter
Fernando Amorsolo.

175. National Artists
 Federico Aguilar Alcuaz
 Fernando C. Amorsolo
 Benedicto Cabrera
 Victorio C. Edades
 Carlos V. Francisco
 Jose T. Joya
National Artists

176. National Artists
 Ang Kiukok
 Cesar Legaspi
 Arturo R. Luz
 Vicente S. Manansala
 J. Elizalde Navarro
 Hernando R. Ocampo
National Artists