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1. Rhythm
•The element of “TIME”.
•The “pulse” of music.
Important aspects of rhythm:
A. Duration
The length of each sound. How long a
sound (or silence) lasts.
B. Tempo
•The speed of the beat.
Largo Adagio Andante Moderato Allegro Presto
C. Meter
•These are “organized beats” that can be
seen/felt through the standard patterns
used by conductors.
D u p l e M e t e r T r i p l e M e t e r Q u a d r u p l e M e t e r
Dynamics
•The loudness and softness of sound.
Very
Soft
Soft Moderately
Soft
Moderately
Loud
Loud Very
Loud
3. Melody
•The lowness or highness of musical
sound.
•What we sing in a sing-along.
•The “original” tone of a song.
If you find yourself
saying “I cant get
that song out of my
4. Harmony
•The chords.
•It can be different voices singing at a time.
Can make the
same song
sound happy,
sad, scary or
5. Timbre (pronounced “TAM-BER”)
•Tone color.
•Thickness and thinness of sounds.
• Lower register produces
“Dark Timber” (these are
the “bass”)
• Higher register produces
“Brilliant and Piercing
Timber” (these are
6. Texture
•The number of individual melodies and
the relationship these lines have to one
another.
One tone sounding at a time
without accompaniment or
harmony (melodyONLY).
2 or more tone sounding at a time
(melody with chordal
accompaniment.)
2 or more independent melodies
sounding at the same time.
7. Form
•The repetition of the melody
Strophic Form – the same tone is used in
every verse (e.g. “Leron-leron Sinta”)
Binary Form – two-tone song repeatedly
(e.g. “Oh kay liit ng Mundo”)
Ternary Form – three-part form (e.g.
Lupang Hinirang)
Rondo Form – also known as “round
song”.
Through-composed– there is no repeat or
return.

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elementsofmusic-200806121407.pptx

  • 1.
  • 2. 1. Rhythm •The element of “TIME”. •The “pulse” of music.
  • 3. Important aspects of rhythm: A. Duration The length of each sound. How long a sound (or silence) lasts.
  • 4. B. Tempo •The speed of the beat. Largo Adagio Andante Moderato Allegro Presto
  • 5. C. Meter •These are “organized beats” that can be seen/felt through the standard patterns used by conductors. D u p l e M e t e r T r i p l e M e t e r Q u a d r u p l e M e t e r
  • 6. Dynamics •The loudness and softness of sound. Very Soft Soft Moderately Soft Moderately Loud Loud Very Loud
  • 7. 3. Melody •The lowness or highness of musical sound. •What we sing in a sing-along. •The “original” tone of a song. If you find yourself saying “I cant get that song out of my
  • 8. 4. Harmony •The chords. •It can be different voices singing at a time. Can make the same song sound happy, sad, scary or
  • 9. 5. Timbre (pronounced “TAM-BER”) •Tone color. •Thickness and thinness of sounds. • Lower register produces “Dark Timber” (these are the “bass”) • Higher register produces “Brilliant and Piercing Timber” (these are
  • 10. 6. Texture •The number of individual melodies and the relationship these lines have to one another. One tone sounding at a time without accompaniment or harmony (melodyONLY). 2 or more tone sounding at a time (melody with chordal accompaniment.) 2 or more independent melodies sounding at the same time.
  • 11. 7. Form •The repetition of the melody Strophic Form – the same tone is used in every verse (e.g. “Leron-leron Sinta”) Binary Form – two-tone song repeatedly (e.g. “Oh kay liit ng Mundo”) Ternary Form – three-part form (e.g. Lupang Hinirang) Rondo Form – also known as “round song”. Through-composed– there is no repeat or return.