2. Sherlock (Crime drama, UK, 2010-)
• In one scene of this crime drama, a woman confronts Sherlock in her parlour while nude
to grab the detective’s attention in an overpowering manner. After instructing her to
be clothed, they discuss a recent murder.
• The set and arrangement of this scene has been carefully arranged in such a way to draw
the viewers to the characters as they discuss a crime scene. All three characters are
wearing black or dark colours, which set up the seriousness of the scenario as black is
considered a very negative colour in European culture.
• This is clashed against a brightly coloured set with whites and creams for the walls and
furnishings and crystal lights and lamps. All this is with intention of drawing attention
to the characters while they are in discussion. Because white and earthy tones are
considered positive colours in European culture, this contrasts strongly against the
serious scenario being portrayed.
• The female character also wears red lipstick to give a sense of danger to her appearance,
as red often used in western culture to signify danger. This sense of danger also
enhances her empowering nature over Sherlock and creates a slightly antagonistic
presence and probable foreshadowing.
3. Star Wars Rebels (Sci-fi/animated, USA,
2014-)
• In this scene, a group of rebels is escaping an enemy fortress. After finding their spaceship, they are
confronted by Darth Vader and an army of Stormtroopers.
• The location is moderately lit and is darker than what the viewer is most use to in the real world. This sets
off an unsettling feeling towards the viewer, especially since it is within an enemy fortress. The docking
bay in which the scene takes place also has numerous physical dangers, emphasised by the cluttered
environment. As it is a docking bay, there is also a small portion that leads out of the fortress, showing the
potential for freedom.
• Colour orientation plays an important role in this scene, as is the case with most ‘Star Wars’ media. The
heroes are in a variety of colours. While standing out against the dim background, it also sends a positive
message to the viewer and even has a pro-diversity message, which is very suitable for this contemporary
age.
• Darker, monochrome colours are used for villains, which blends into the background effectively and creates
unease for the viewer. With this in mind, black for the central antagonist stands out effectively among all
else, especially since black is considered negative in Western and European culture.
• There is also the use of polar opposition. The use of blue for the heroes and red for the villains is a common
method, but it works effectively. Blue is a cool colour, which is relaxing and creates a sense of security,
whereas red is a warm colour, which excites and creates a sense of danger.
