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TOSCANA: Loggia dei Lanzi in Piazza della Signoria, Firenze
The Piazza della Signoria has been the center of political life
in Florence since the 14th century. It was the scene of great
triumphs, such as the return of the Medici Family in 1530
as well as the Bonfire of the Vanities instigated by
Savonarola, who was then himself burned at the stake here
in 1498 after he was denounced by the Inquisition as a
heretic. A marble circle inscription on the piazza shows the
location where he was burned.
The sculptures in Piazza della Signoria bristle with political
connotations, many of which are fiercely contradictory.
The David (the original is in the Galleria dell'Accademia) by
Michelangelo was placed outside the Palazzo Vecchio as a
symbol of the Republic's defiance of the tyrannical Medici.
Bandinelli's Hercules and Cacus (1534) to the right of the
David was appropriated by the Medici to show their
physical power after their return from exile.
The Nettuno (1575) by Ammannati celebrates the Medici's
maritime ambitions and Giambologna's equestrian statue
of Duke Cosimo I (1595) is an elegant portrait of the man
who brought all of Tuscany under Medici military rule.
The graceful Loggia dei Lanzi, which functions as an open-
air sculpture gallery, was designed by Orcagna in 1376. Its
curved arches foretell Renaissance classicism.
The statue of Perseo holding Medusa's head, by Cellini (1554), is a stark
reminder of what happened to those who crossed the Medici, and along
with Giambologna's Rape of the Sabines, are two of many beautiful
sculptures found under the arches of the Loggia dei Lanzi.
Right behind the Loggia dei Lanzi is the Galleria degli Uffizi, also known as
the Uffizi Gallery.

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Loggia dei Lanzi sculptures in Piazza della Signoria, Florence

  • 1. TOSCANA: Loggia dei Lanzi in Piazza della Signoria, Firenze The Piazza della Signoria has been the center of political life in Florence since the 14th century. It was the scene of great triumphs, such as the return of the Medici Family in 1530 as well as the Bonfire of the Vanities instigated by Savonarola, who was then himself burned at the stake here in 1498 after he was denounced by the Inquisition as a heretic. A marble circle inscription on the piazza shows the location where he was burned. The sculptures in Piazza della Signoria bristle with political connotations, many of which are fiercely contradictory. The David (the original is in the Galleria dell'Accademia) by Michelangelo was placed outside the Palazzo Vecchio as a symbol of the Republic's defiance of the tyrannical Medici. Bandinelli's Hercules and Cacus (1534) to the right of the David was appropriated by the Medici to show their physical power after their return from exile. The Nettuno (1575) by Ammannati celebrates the Medici's maritime ambitions and Giambologna's equestrian statue of Duke Cosimo I (1595) is an elegant portrait of the man who brought all of Tuscany under Medici military rule. The graceful Loggia dei Lanzi, which functions as an open- air sculpture gallery, was designed by Orcagna in 1376. Its curved arches foretell Renaissance classicism. The statue of Perseo holding Medusa's head, by Cellini (1554), is a stark reminder of what happened to those who crossed the Medici, and along with Giambologna's Rape of the Sabines, are two of many beautiful sculptures found under the arches of the Loggia dei Lanzi. Right behind the Loggia dei Lanzi is the Galleria degli Uffizi, also known as the Uffizi Gallery.