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Contemporary Philippine Art Forms
- 1. Integrative Art as Applied to Contemporary Art Contemporary Philippine Arts from the Regions
- 2. Objectives: Describe various contemporary art forms and their practices in different Regions Demonstrate appreciation of contemporary art forms found in the various regions by understanding the elements and principles Give examples of local art forms found in your town
- 4. WHAT IS ART??? 1.According to Webster, art is “human ingenuity in adapting natural things to man’s use.” 2. Art came from the Latin word “ars” which means skill or craft. These meanings are still primary in other English words derived from ars, such as “artifact” (a thing made by human skill) and “artisan” (a person skilled at making things)
- 5. - arts produced from an indigenous culture - aims to represent reality or realism through narrative - arts produced at the present period of time - More focused on society - Comments or reflects on modern society by using more techniques and materials such as video or new technology TRADITIONAL ART CONTEMPORARY ART
- 6. Characteristics of Contemporary Art Bold strokes, bright colors, abstract Expressionist and Surrealist Art became public Some artist are self taught Different materials were used instead of the traditional ones Originality is not an issue in ConArt Process is important
- 7. Examples of Contemporary Arts in Iloilo
- 8. Contemporary Art Forms FINE ART COMMERCIAL ART PRACTICAL ART CIVIC ART APPLIED OR HOUSEHOLD ART INDUSTRIAL ART BUSINESS ART AGRICULTURAL ART GRAPHIC ART FISHERY ART
- 9. FINE ART Use to describe the art forms created primarily for its appearance rather than its practical use Examples: drawing, painting, sculpture, print, graphic art, calligraphy, architecture
- 11. PRACTICAL ART It is the changing of raw materials for utilitarian purposes and possesses ornaments or artistic qualities to make them useful and beautiful
- 12. INDUSTRIAL ART Changing raw materials into some significant product for human consumption or work Examples: Shell craft, leather craft, bamboo craft, shoe making, pottery making
- 13. APPLIED/HOUSEHOLD ART Refers mostly to household arts such as flower arrangement, interior decoration, dressmaking, home- making embroidery and cooking
- 14. CIVIC ART City or town planning, maintenance and beautification of parks, plazas, roads, bridges, and farms civic, planning, and beautification in order to improve the standards of living.
- 15. COMMERCIAL ART It involves business propaganda in the form of advertisements in newspapers and magazines, sign painting, billboard announcements, leaflets, displays, poster designing and movie illustrations
- 16. GRAPHIC ART Anything printed from raised or sunken reliefs and plane surfaces
- 17. AGRICULTURAL ART Refers to 6. agronomy (crop production) horticulture 7.(garden or orchard cultivation)8.husbandry ( raising of cows, carabaos, poultry and swine
- 18. BUSINESS ART Includes merchandising, accounting, book keeping, typewriting, stenography, salesmanship, and business administration
- 19. FISHERY ART Shallow and deep sea fishing, fish refrigeration and culture, and net weaving
- 20. Art surrounds life Art makes people optimistic about their future Art helps spread a message of inspiration Art can be a form of communication between people to focus on common issues for the betterment of human kind Art influences society Art is often a vehicle for social change
- 21. Contemporary Elements of Art Appropriation Time Performance Hybridity Perspective Destruction Text Assemblage Installation
- 22. Appropriation Appropriation is when an artist creates a new work of art by taking preexisting images from other sources and modifies and/or incorporates those images with new ones.
- 25. Time Time is incorporated into an artwork when the meaning of the work is dependent on the passing of time. Artists today manipulate how moments of time are experienced through the viewing of their artwork.
- 27. Leo Villareal, Multiverse, 2008, light-emitting diodes (LEDs), computer, and electronic circuitry, Gift of Victoria and Roger Sant and Sharon P. and Jay Rockefeller, 2009.115.1
- 28. Performance Performance refers to artwork created by or presented to an audience. Performance as an element can also include the processes used by the artist to create the work. This takes place when the process used to create the artwork is more important than the finished work itself.
- 30. Hybridity Artists use hybridity in their work through the blending of new or unusual materials with traditional mediums. The incorporation of these materials, such as recycled or industrial materials, plays an important role in the meaning of the artwork.
- 31. Angel 2007 GYATSO, Gonkar - Creator
- 33. Perspective Perspective (such as localized, forced, or anamorphic) in contemporary art refers to when an artist works with the real space surrounding the artwork itself. Perspective can play a role in the way the viewer looks at the artwork or even the way the work is perceived.
- 35. Destruction Destruction refers to when an artist uses methods to show damage in or to their artwork. Many times, this destruction is documented as a process, which, in return, becomes the work itself.
- 36. Decay art
- 37. Text Contemporary artists utilize text in their art to push past the concept that text is only meant to be read. The additional meaning from the text adds another level of depth that cannot be created by shape and color alone.
- 39. Assemblage Assemblage is an artistic form or medium usually created on a defined substrate that consists of three-dimensional elements projecting out of or from the substrate. It is similar to collage, a two-dimensional medium. It is part of the visual arts and it typically uses found objects, but is not limited to these materials.
- 40. 'Music Power No. 2', bronze sculpture by Armand Fernandez (1986), Israel Conservatory of Music, 19 Stricker Street, Tel Aviv
- 41. Angela Haseltine Pozzi is an American artist who works in Portland Oregon. Angela’s evolution as an artist shifted when she noticed immense amounts of plastic pollution on pristine southern Oregon beaches. As she learned more about ocean pollution from plastics and marine debris, she became motivated to do something about it. Thus, the Washed Ashore Project was born. Washed Ashore is a non-profit community art project, founded by Pozzi in 2010.
- 44. Installation art Installation art is a term generally used to describe artwork located in three-dimensional interior space as the word "install" means putting something inside of something else. It is often site-specific - designed to have a particular relationship, whether temporary or permanent, with its spatial environment on an architectural, conceptual, or social level.
- 45. Aftermath Installation, Fosshape®, resin, mixed media; crochet
- 46. References: • Rotilie, Susan. "Elements and Principles of Today’s Art." Art Today. Walker Art Center,http://schools.walkerart.org/arttoday/index.wac?id=2135 • https://www.google.com/search?q=appropriation+art&source=lnms&tbm=isch&sa=X &ved=2ahUKEwiKvZTzmuz5AhWjmlYBHegzBKQQ_AUoAXoECAIQAw&biw=1366& bih=649&dpr=1#imgrc=DbngGETgJdyNnM • www.google.com • https://www.foxboroughartpass.com/blog/assemblage-sculpture-art
Editor's Notes
- Gyatso’s Angel 2007 relates strongly to his ‘Tibetan Idol’ series of 2006, in which various combinations of oil, silkscreen, ink, pencil and stickers on paper, are blended with textual elements and advertising to form the silhouetted image of Buddha — as well as echoing the unsettling image of the Iraqi prisoner tortured by US soldiers at Abu Graib. These works have their roots in Gyatso’s period with the Sweet Tea House group during which he created abstracted, reconfigured images of Buddha as a metaphor for the destruction of Tibetan Buddhist culture and to evade the potentially hostile reception from authorities in Lhasa to more traditionally realised imagery. The central figure in Angel adopts a Buddha like pose, standing on a lotus flower with arms extended in a gesture of openness. While the work references the Buddha and mandala of traditional Tibetan thangka painting, in Gyatso’s hands these symbolic and often heavily detailed forms are reduced to shadowy outlines. Replacing the features traditionally ascribed to Buddha are a swarm of brightly-coloured stickers of popular culture items — such as cars, people and comic book figures. This is a contemporary Buddha filled with the iconography of everyday life, far from romantic and traditional depictions of Tibetan culture and religion. Scattered around Gyatso’s Angel are further references to the bustling nature of contemporary life as texts from advertisements and newspaper articles in both Chinese and English combine with mundane lines such as ‘pie and mash’, ‘popcorn’ and ‘buy now, pay 2008’. On a darker note, small drawings of buses with armed guards, street signs, aeroplanes, Amnesty International icons and graphs litter the foreground, reminding us that Buddhism exists in a world of often unresolved conflict and violence. A large symbol to the left of the Buddha — a circle containing the words ‘cut and keep it with you’, outlined with scissor cut-out marks — suggests both the disposable nature of popular culture, and hints at the effects of the Chinese takeover of Tibet and the violent suppression of Tibetan religion and culture. The same ominous cutting-lines surround the figure of the Buddha. Drawing on his own experiences of dislocation, Gyatso peels away and rebuilds surface details to explore the shifting boundaries and definitions of what it means to be Tibetan in the twenty-first century, developing a unique and multi-faceted visual language. Ruth McDougall, Artlines 4-2009, p.34.