Collaborative annotation system using vocal comments recorded on mobile phones and audioguides: the Centre Pompidou exhibition

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museums and the web

A Presentation from Museums and the Web 2009. Vincent Puig, Centre Pompidou, France Yves-Marie L'Hour, Centre Pompidou, France Yves-Marie Haussone, Centre Pompidou, France Cécilia Jauniau, Centre Pompidou, France http://web.iri.centrepompidou.fr/traces To enrich the exhibition Traces du sacré (Centre Pompidou, May 7th - August 11th 2008), a new multimedia system has been experimented first to manage contradiction and debate on a controversial theme related to the spiritual dimension in modern and contemporary art. The debate was launched through audio interviews from the curators and a few contradictors from the intellectual and artistic scene accessible both on the audioguide and on a new type of collaborative web site. In the exhibition, visitors were able to record their own comments (vocal and drawings), using the multimedia guide or their mobile phone and afterwards to access them on Internet, modifying, annotating and indexing them, thanks to the software Lignes de temps, before sharing, publishing or podcasting them. This paper is a case study report summarizing a 6 months qualitative study performed with different type of public (professional, amateurs, non-amateurs) and consequently different type of practices and expectations in an unstable and experimental situation. Session: User Feedback / User Content [social media]

Technology Business

Collaborative mobile annotation for the exhibition Traces du Sacré Vincent Puig IRI / Centre Pompidou [email_address]

Outline ,[object Object],[object Object],[object Object],[object Object],[object Object]

Interactor / contributor / amateur SFMOMA, November, 2008-February, 2009

Interactor / contributor / amateur You (SER), ZKM, until August 2009

Interactor / contributor / amateur

Interactor / contributor / amateur Enthusiasts, (White Chapel, April 2005/January 2006)

The Amateur ,[object Object],[object Object],[object Object],[object Object],[object Object]

1 - Instruments of the amateur Shift Space

1 - Instruments of the amateur VoiceThread

Lignes de temps

Signed views

Experimentation on NHK archives

Experimentation on Showa archives, Kawasaki City Museum (Keio/DMC, Pr Junko Iwabuchi) Structure variations : from B&W to color

2 - Traces du sacré exhibition context Centre pompidou (April-August 2008)

2 - Traces du sacré exhibition context Yong Ping Nitsch Oulab

2 - Traces du sacré exhibition context ,[object Object],[object Object],[object Object],[object Object],[object Object]

3 - Technical setup: three ways to contribute

Vocal comments

Drawings

Polymorph Search engine based on pre-tagged content

Tag-based navigation over A/V (video books)

Building “my visit” (Lignes de temps and podcasts)

Collaborative platform

4 -Usage study ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Figures and methodology ,[object Object],[object Object],[object Object],[object Object],[object Object]

General feedback ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Amateurs feedback ,[object Object],[object Object],[object Object],[object Object]

Non-amateurs feedback ,[object Object],[object Object],[object Object],[object Object],[object Object]

Video comment after the projection Dialogue through Lignes de temps synchronized with films or conferences ( Hypervideo blogging ) 5 – Extensions: Cine Lab, comments through video

5.2 - Semantic compass

5.3 - THD project : Live Annotation

Air Tagging : http://tonchidot.com/Sekai_Camera.html

Traces of interaction LIRIS, Alain Mille/Yannick Prié

Multi-touch table experiment

Surface Search engine Gesture grammar Tagging/annotation Using gesture Collaborative : search, annotation, sharing Signed views, installations, … Gesture Enactive Cine

A last issue : Desire ,[object Object],[object Object],[object Object],[object Object]

Further information ,[object Object],[object Object],[object Object],[object Object],[object Object]

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A presentation from Museums and the Web 2010. Acknowledging that the only constant in technology is change, this paper proposes ways of ‘thinking outside the audio tour box’ in developing mobile interpretation programs in museums: instead of making mobile interpretation a question of which device, platform, or app the museum should invest in, it puts the focus on cross-platform content and experience design.Putting audiences at the center of museums’ mobile content and experience designs make it possible to engage them through the media consumption practices and platforms that they already use outside of the museum. Based on research conducted at the Smithsonian American Art Museum, the Indianapolis Museum of Art, and with the principals of SmartHistory.org, this paper offers a ‘question-based’ methodology for developing an interpretive strategy that starts with mapping visitors’ queries in the galleries. From this conceptual map we can derive a matrix of platforms, media, and narrative voices that work cross-platform. The traditional audio tour, with its analog ‘linear’ content and random access ‘stops’, offers important paradigms for ‘mobile 2.0’ content design: on the one hand, conceptual overviews and immersive ‘soundtracks’ provide a ‘score’ for the museum experience, and on the other hand, ‘soundbites’ in a range of media (audio, multimedia, or text) can be searched, saved, shared and favorited in multiple contexts. From social media, we can also learn how to integrate links, apps and user-generated content into the mobile mix. Finally, the paper considers how content style impacts shelf-life. What is the enduring legacy of creating ‘quick & dirty’ interpretive ‘snacks’ versus investing in more nutritional fare? How can museums best allocate their mobile content budgets in this light? Session: Mobiles: A Panel [mobile] see http://www.archimuse.com/mw2010/abstracts/prg_335002342.html

MW2010: N. Proctor, The Museum Is Mobile: Cross-platform content design for a...

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museums and the web

A presentation from Museums and the Web 2010. We present the results of a case study testing Open Museum’s Mobile service in partnership with the Hood Museum of Art at Dartmouth College. We explore preferences, challenges, and barriers to use for the various participants (including visitors, our museum partners and Open Museum itself) and look at the lessons learned about the technical, content, and social aspects of a mobile Web access project in museums. Session: Mobiles: A Panel [mobile] see http://www.archimuse.com/mw2010/abstracts/prg_335002271.html

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A presentation from Museums and the Web 2010. The proliferation of iPhones, Smart-Phones and now “Super-Phones” continues to expand the tools available to museums for mobile interpretation and raise the expectations of their audiences. This paper provides a survey of recent trends in the museum industry to adapt to new audience expectations, and, more broadly, to assess the effect of mobile devices, the ubiquitous Internet and social networking on visitor expectations. Addressed from the industry perspective, it looks at the movement of the industry to multi-platform and media experiences as well as the challenges institutions face in developing and launching these new mobile features into the gallery experience. Are these efforts enough? Specifically, how closely aligned are museums’ objectives and their vision of mobile interpretation with the quickly evolving expectations and needs of their audience? Presented in this paper are the results of two pieces of research. The first set is on cultural and art professionals and focuses on how their institutions have implemented mobile interpretations and how they plan to execute mobile guide strategies in the future. The second is a set of visitor surveys and guide evaluations completed at major US and European museums and historic sites over the past three years. Session: Mobiles: A Panel [mobile] see http://www.archimuse.com/mw2010/abstracts/prg_335002210.html

MW2010: M. Petrie + L. Tallon, The iPhone effect?: Comparing visitors’ and mu...

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museums and the web

Museums face many challenges when building on-line collaborative networks to engage diverse knowledge communities. In this paper we explore the emergence of one such system, the Reciprocal Research Network (RRN), launched in March of 2010. During development, the RRN team explored and tested methods to overcome challenges commonly faced by museums undertaking similar projects. Here we discuss how the RRN is affecting research, why it is having this effect, and what course the development process followed. The RRN creates an on-line research community, allowing geographically dispersed users to collaborate while studying cultural objects held in institutions around the world. Museums and other cultural institutions are contributing their data to the RRN in order to facilitate this research. Diverse user groups, including indigenous communities, share their own perspectives and knowledge with the people and institutions that make up the RRN community. The Reciprocal Research Network was co-developed by three First Nations communities, the Musqueam Indian Band, the Stó:lō Nation/Tribal Council, and the U’mista Cultural Society, along with the Museum of Anthropology (MOA) at the University of British Columbia. A dozen museums also participated in the development process. Session: Multi-Institutional Collaboration: Process [organizations] see http://www.archimuse.com/mw2010/abstracts/prg_335002329.html

MW2010: Building an online research community: The Reciprocal Research Network

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A presentation from Museums and the Web 2010. Europeana, Europe's multimedia on-line library, museum and archive, currently grants access to the cultural holdings of Europe's twenty-seven member states. It includes more than 5.5 million books, maps, recordings, photographs, archival documents, paintings, and films from national libraries and cultural institutions. Europeana’s goal is to open up new ways of exploring Europe's heritage through free access to the collections and treasures via a single Web portal that is available in all the official EU languages (http://ec.europa.eu/information_society/ doc/factsheets /071-europeana-en.pdf). Europeana is currently in prototype; the full service will launch later in 2010. The operational Europeana portal will provide improved search functionality and access to over 10 million objects. A follow-up release in 2011 will showcase multilingual and semantic Web features. ATHENA's role is to harvest holdings from Europe's museums and similar collections across the cultural sector, and to facilitate their integration into Europeana. This paper will discuss this ambitious project from the point of view of the organizational strategies required to coordinate the pan-European, ATHENA Network, as well as the thesauri and multilingual developments that the partners are currently dealing with towards the integration of digital content. Session: Multi-Institutional Collaboration: Process [organizations]

MW2010: S. Hazan et al., ATHENA: A Mechanism for Harvesting Europe's Museum H...

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museums and the web

A presentation from Museums and the Web 2010. The Now and Then community heritage wiki was initiated to research the potential of Web 2.0 technologies to engage and sustain interest in local history and heritage collections. The aim of this action research project is to explore whether wikis can provide a low-cost, sustainable way of increasing interest and participation in the preservation, interpretation and enjoyment of local history and heritage collections. The target organisations to use the wiki are generally very small and are often staffed solely by volunteers. The pilot implementation in a small rural community has been well received and is generating significant levels of interest and participation. This paper aims to share the learning from this project about the potential and implications of wikis as the basis for sustainable knowledge communities around local history and heritage. It explores how collaborative knowledge-making practices such as crowdsourcing present new challenges and opportunities for museums, their information management paradigms, and their relationships with communities. Session: Wikis for Content Management [content] see http://www.archimuse.com/mw2010/abstracts/prg_335002330.html

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Collaborative annotation system using vocal comments recorded on mobile phones and audioguides: the Centre Pompidou exhibition

1. Collaborative mobile annotation for the exhibition Traces du Sacré Vincent Puig IRI / Centre Pompidou [email_address]

2.

3. Interactor / contributor / amateur SFMOMA, November, 2008-February, 2009

4. Interactor / contributor / amateur You (SER), ZKM, until August 2009

5. Interactor / contributor / amateur

6. Interactor / contributor / amateur Enthusiasts, (White Chapel, April 2005/January 2006)

7.

8. 1 - Instruments of the amateur Shift Space

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11. Signed views

12. Experimentation on NHK archives

13. Experimentation on Showa archives, Kawasaki City Museum (Keio/DMC, Pr Junko Iwabuchi) Structure variations : from B&W to color

14. 2 - Traces du sacré exhibition context Centre pompidou (April-August 2008)

15. 2 - Traces du sacré exhibition context Yong Ping Nitsch Oulab

16.

17. 3 - Technical setup: three ways to contribute

18.

19. Vocal comments

21.

22. Polymorph Search engine based on pre-tagged content

23. Tag-based navigation over A/V (video books)

24.

25.

26. Building “my visit” (Lignes de temps and podcasts)

27. Collaborative platform

28.

29.

30.

31.

32.

33. Video comment after the projection Dialogue through Lignes de temps synchronized with films or conferences ( Hypervideo blogging ) 5 – Extensions: Cine Lab, comments through video

34. 5.2 - Semantic compass

35. 5.3 - THD project : Live Annotation

36. Air Tagging : http://tonchidot.com/Sekai_Camera.html

37. Traces of interaction LIRIS, Alain Mille/Yannick Prié

38. Multi-touch table experiment

39. Surface Search engine Gesture grammar Tagging/annotation Using gesture Collaborative : search, annotation, sharing Signed views, installations, … Gesture Enactive Cine

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41.