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{
{
Robert Klippel 
๏ƒ‘ Born: 19th June 1920, Potts Point, Sydney 
๏ƒ‘ Died: 19th June 2001, on his 81st birthday 
๏ƒ‘ Fields: Sculpture, assemblage, drawing, 
watercolour, ink-work, metal-work, 
carvings & collage. 
๏ƒ‘ Movements: Abstract Expressionism & 
Surrealism 
โ€œRobert Klippelโ€™s indefatigable instinct to make things embraced the 
realms of fantasy, of imagination and whimsy, but at the same time there 
is a sturdy reality in all those reawakened bits and pieces of discarded 
industry and long-lost purpose. 
These works of surprising contemplation and fascinating intrigue are, 
for me, perfect testaments to the contribution of Robert Klippel; that 
independent, somewhat solitary but relentlessly creative spirit." 
~ Edmund Capon 
Director of the Art Gallery of NSW 
Well hey 
there <3
Sculpting Concept: 
Assemblage
Sculpture 
๏ƒ‘ Found industrial objects. 
๏ƒ‘ โ€˜Reassembledโ€™ in a manner that 
gives an organic impression. 
๏ƒ‘ Purpose is removed and replaced. 
Who does that remind you of?
Influences and 
Concepts
Machine-organic 
๏ƒ‘ He was interested in 
correlations between 
mechanical and organic forms, 
what he described as โ€˜machine-organicโ€™ 
inter-relationships. 
Klippel set out to relate the forms of nature to the 
shapes and forms of machinery in an industrial 
society. He made the key statement that he wished 
โ€œto seek the inter-relationship between the cogwheel 
and the bud.โ€ 
~ Robert Klippel 
Sculpture notes (1945-50) 
I drew and 
combined cogs 
and screws 
with insects 
and shells.
Practice 
Techniques Materials 
๏ƒ‘ Drilling 
๏ƒ‘ Gluing 
๏ƒ‘ Nailing 
๏ƒ‘ Welding 
Klippel employed several assistants to 
help with the often awkward and 
arduous manipulation of the forms. 
He continued to rely on spontaneous, 
intuitive procedures for working, but 
the sheer difficulty of screwing, 
nailing and waiting for glue to set 
with large and sometimes heavy 
patterns meant that he couldnโ€™t simply 
work alone. 
I made sure all my 
works were sturdy 
and well joined, 
while still 
appearing fragile. 
๏ƒ‘ Wood 
๏ƒ‘ Bronze 
๏ƒ‘ Metal 
๏ƒ‘ Found objects
{
Klippel 
& the Structural Frame 
๏ƒ‘ Refresh your memoryโ€ฆ What is the Structural Frame? 
๏ƒ‘ So now, try answering the following questionโ€ฆ 
๏ƒ“ Using the Structural Frame, analyse the following artworks.
Klippel 
& the 
Structural 
Frame 
Title 
No. 300 
Other titles: 
Opus 300 
Year 
1972-1974 
Media categories 
Sculpture, Mixed media 
Materials used 
brazed and welded steel, found objects 
Dimensions 
123.0 cm height: 
0 - Whole; 123 cm (48 7/16")
Klippel 
& the 
Structural 
Frame 
Title 
Drawing 
Year 
1950 
Media category 
Drawing 
Materials used 
pen and ink, watercolour 
Dimensions 
27.3 x 24.0

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11VA Theory - Robert Klippel

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  • 3. Robert Klippel ๏ƒ‘ Born: 19th June 1920, Potts Point, Sydney ๏ƒ‘ Died: 19th June 2001, on his 81st birthday ๏ƒ‘ Fields: Sculpture, assemblage, drawing, watercolour, ink-work, metal-work, carvings & collage. ๏ƒ‘ Movements: Abstract Expressionism & Surrealism โ€œRobert Klippelโ€™s indefatigable instinct to make things embraced the realms of fantasy, of imagination and whimsy, but at the same time there is a sturdy reality in all those reawakened bits and pieces of discarded industry and long-lost purpose. These works of surprising contemplation and fascinating intrigue are, for me, perfect testaments to the contribution of Robert Klippel; that independent, somewhat solitary but relentlessly creative spirit." ~ Edmund Capon Director of the Art Gallery of NSW Well hey there <3
  • 5. Sculpture ๏ƒ‘ Found industrial objects. ๏ƒ‘ โ€˜Reassembledโ€™ in a manner that gives an organic impression. ๏ƒ‘ Purpose is removed and replaced. Who does that remind you of?
  • 7. Machine-organic ๏ƒ‘ He was interested in correlations between mechanical and organic forms, what he described as โ€˜machine-organicโ€™ inter-relationships. Klippel set out to relate the forms of nature to the shapes and forms of machinery in an industrial society. He made the key statement that he wished โ€œto seek the inter-relationship between the cogwheel and the bud.โ€ ~ Robert Klippel Sculpture notes (1945-50) I drew and combined cogs and screws with insects and shells.
  • 8. Practice Techniques Materials ๏ƒ‘ Drilling ๏ƒ‘ Gluing ๏ƒ‘ Nailing ๏ƒ‘ Welding Klippel employed several assistants to help with the often awkward and arduous manipulation of the forms. He continued to rely on spontaneous, intuitive procedures for working, but the sheer difficulty of screwing, nailing and waiting for glue to set with large and sometimes heavy patterns meant that he couldnโ€™t simply work alone. I made sure all my works were sturdy and well joined, while still appearing fragile. ๏ƒ‘ Wood ๏ƒ‘ Bronze ๏ƒ‘ Metal ๏ƒ‘ Found objects
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  • 10. Klippel & the Structural Frame ๏ƒ‘ Refresh your memoryโ€ฆ What is the Structural Frame? ๏ƒ‘ So now, try answering the following questionโ€ฆ ๏ƒ“ Using the Structural Frame, analyse the following artworks.
  • 11. Klippel & the Structural Frame Title No. 300 Other titles: Opus 300 Year 1972-1974 Media categories Sculpture, Mixed media Materials used brazed and welded steel, found objects Dimensions 123.0 cm height: 0 - Whole; 123 cm (48 7/16")
  • 12. Klippel & the Structural Frame Title Drawing Year 1950 Media category Drawing Materials used pen and ink, watercolour Dimensions 27.3 x 24.0