According to k12 LM Music & Arts 8 For project purposes in school.

2. Wayang Kulit and Nang
Shadow Puppets
Music and Arts Presentation by Gamma

3. WAYANG KULIT
Indonesia

4. What is Wayang
Kulit?
Super Semar

5. How to make it?
Wayang Kulit StarWars

6. Wayang
 Wayang refer to kinds of puppet
theaters, sometimes the puppet itself
is referred to as wayang.
 Performances of shadow puppet
theaters are accompanied by a
Gamelan orchestra in Java, and by
Gender Wayang in Bali.

7. Wayang Kulit
 Wayang Kulit,
or shadow
puppets, are
without a doubt
the best known
of the
Indonesian
Wayang.

8. Wayang Kulit
 Kulit means
skin, and refers
to the leather
construction of
the puppets that
are carefully
shaped with very
fine tools and
supported with
carefully shaped
buffalo horn
handles and
control rods.

9. Wayang Kulit
 It was given recognition as a
Masterpiece of Oral and Intangible
Heritage of Humanity on November 7,
2003 by UNESCO and required
Indonesians to preserve their heritage.

10. Epics Used in Wayang Kulit
 Ramayana-the journey of Rama
 Mahabharata-the great tale of the
Bhārata dynasty
 Serak Menak-the heroism of Amir
Hamza

11. Some Wayang Kulit Characters
Bima (Ramayana)
Arjuna
(Mahabharata)

12. Setting
 Wayang Kulit
Performance
consists of
shadow cast on
a cotton screen
and an oil lamp.
Behind the
Scenes→

13. Making the Wayang Kulit
Figure
 1. They start from
master models
(typically on paper)
which are traced
out onto skin or
parchment,
providing the
figures with an
outline and with
indications of any
holes that will need
to be cut (such as

14.  2. The figures are
then smoothed,
usually with a
glass bottle, and
primed. The
structure is
inspected and
eventually the
details are worked
through. A further
smoothing follows
before individual
painting, which is
undertaken by yet

15.  3. Finally, the
movable parts
(upper arms,
lower arms with
hands, and the
associated sticks
for manipulation)
are mounted on
the body, which
has a central
staff by which it
is held.

16. Elements of Performance
(Stage)
Kelir
Blencong
Puppet
Gawang
Gedebo
g
Cempal
a
Kothak
Dhalang

17. Elements of Performance
Dhalang-puppeteer Cempala-hammer

18. Elements of Performance
Kepyak-metal plates Gamelan-orchestra

19. Elements of Performance
Wayang Kulit
puppets
Blencong-light
source

20. Elements of Performance
Pesindhen-female
singers
Penggerong-male
chorus

21. Elements of Performance
Gawang-frame Kelir-screen

22. Elements of Performance
Gedebog-banana
log
Kothak-puppet box

23. NANG SHADOW
PUPPETS
Thailand

24. Nang Shadow Puppets
 Shadow puppet
(Thai: Nang) was
one form of public
entertainment in
the south of
Thailand.
 It is usually
performed during
the country's dry
season (February
to August).

25. Nang Shadow Puppets
 It is still very
popular at
village festivals,
temple fairs,
and
celebrations
such as
marriages.
 Its characters
are made from
intricately cut
out and

26. Nang Shadow Puppets
 They are
delicately
colored, but this
does not show
during a
performance.
 They are
manipulated with
rods that control
movements of
the arms and

27. Performances
 Has a religious theme or has an
episode from the Ramayana epic
which contains dozens of individual
stories. They may also be specially
written to include reflections, songs,
and poems about local events.
 There are hundreds of characters
each with a distinctive shadow, but the
show will almost always include a
comedian who are great favorites with
the fun - loving audiences.

28. Common Themes in Nang
 Family conflict
 Adventures of a
hero
 Romantic tales
 Magic
 People seeking
lost loved ones

29. Message
 The Nang attempts
to relay to the
audience the
importance of Thai
ideologies in a
changing world,
however, historical
events remain
fundamental in
performances.
 The association with
Karma act as

30. Two Types of Nang
Nang Talung Nang Yai

31. Two Types of Nang
Nang Talung Nang Yai
 Made with leather
 Each characters
are separated
 Has movable,
jointed arm
 50 centimeters
high
 Made of cowhide
and/or rattan
 May have
decorated scenes
 Doesn’t have
jointed arms
 Two meters high

32. Theater Troupe
 Consists of 5-10 puppeteers and
musicians
 Nai Nang-teachers and presenters of
Nang Talung
 Nai Nangs hide themselves in
wooden/bamboo shelters

33. Characters
 Gods and
goddesses
 Kings and
queens
 Magical figures
 Comedians

34. GAMMA
G8-P2
 Pam Ferranco
 Nico Gutierrez Ignacio
 Jasper Kit D. Isidro
 Honey Joy Maglinao
 Jan Danielle Mariano
 Keith R Mesa
 Mia Milanes
 Gellica Naval
 Josel Nelmida
 Jhayron Nolledo
 Kristiana Ocon