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ART 299 VISUAL CULTURE GLOBAL CONTEXT
When you look at a map, be sure
to ask not only “where” but
“when”? Borders and territories
are always changing.
Map of China
Map of Qin archaeological sites
Tomb of Qin Shi Huangdi, c. 211-206 BC
Great Wall of China
Standard Measure
Edict
Diagram of burial pits
Figures in situ
Archaeologists excavating the tomb
Pit 1
Archer
Archer, dtl hair
Archer, dtl foot
Reconstruction of crossbow
arrows
Infantry
The Chinese are known worldwide for their ceramic technology.
Their international reputation for this product is so strong that in
English we call anything made of ceramic “china.” Ceramics are
also potent symbol of Chinese culture within China.
Ai Weiwei


born 1957
Beijing

lives/works
Beijing
Ai, Neolithic Culture Pot with Coca-Cola Logo, 1992
Ai, Neolithic Culture Pot with
Coca-Cola Logo, 1992             Neolithic culture pot

    We try to comprehend the past on its own terms. We
          also view it through the lens of the present.
Ai, Vase with Coca-Cola Mark, 1994
Ai, Tang Dynasty Vase with Coca-Cola Mark, 1997
Ai, Whitewash, 1993-2000, 132 neolithic pots, white paint
Ai, Dropping a Han Dynasty Urn, 1995
Ai, Dropping a Han Dynasty Urn, 1995
Ai, installation photo with Bowls of Pearls
Ai, Dropping a Han Dynasty Urn, 1995
“I don't think humans can ever really control this, and it
has become even less controllable. Circumstances are
now much more complicated than we can predict. For
example until quite recently there was no China or India
and now suddenly they are the factories of the world.
But people are still trying to figure out what this means
in relation to ideology, social and political structure, and
all kinds of other problems, like education and the
environment. I don't think there is a single reaction, at
least for myself that can answer these questions, or put
me at peace.”
 —Ai Weiwei, from a recent interview
Where are we now?
What is our relationship to
         tradition?
Abbreviated list of dynasties

 Qin (220-206 BC)
 Han (206BC-220 AD)
 Tang 618-906
 Song
  Northern Song 960-1127
  Southern Song 1127-1279
Song

 This is one of the “golden ages” of
  Chinese culture.
Map, Northern Song
Map, Southern Song
Map of territories governed by the Southern Song
Types of Song painting

 Fans
   Pleated
   Stiff oval
 Albums (one page is called an album leaf)
 Hanging scroll
 Handscroll
Ren Bonian, Scholar on a Rock, c. 1880,
pleated fan later mounted as a album leaf, 7 1/2 x 21 3/16”
Stiff fan later mounted as an album leaf
Liang Kai, Poet Strolling by a Marshy Bank
9 x 9 9/16 inches
Artist unknown, Ascetic Monk, southern Song, pen and ink,
hanging scroll, 12 x 33 inches
Zhao Mengfu, Twin Pines, Level Distance
ink on paper, Yuan Dynasty
Handscroll
Liang Kai, Sericulture
Sericulture, section 1
Sericulture, Section 2
Sericulture, Section 3
Sericulture, fully extended
Fan Kuan

active
990-1130

Northern
Song
Fan Kuan, Travelers among Mountains and Streams, c. 990
Caspar David Friedrich, Wanderer above the Clouds, 1818
Ma Yuan

active c.
1190-1225
Ma Yuan, Bamboo and Ducks by a Rushing Stream
hanging scroll
Ma Yuan, Composing Poetry on a Spring Outing, section of
handscroll
Ma Yuan, Watching the Deer by a Pine-Shaded Stream,
album leaf on silk
Ma Yuan, The Football Players
Ma Yuan, The Football Players, dtl
Ma Yuan, Drinking in the Moonlight
Ma Yuan, Drinking in the Moonlight, detail
Ma Yuan, Viewing Plum Blossoms by Moonlight
ink on silk, fan mounted as album leaf, 9 x 10 inches
Ma Yuan, Scholar Viewing a Waterfall,
ink on silk, album leaf, 9 7/8 x 10 1/4 inches
Ma Yuan Viewing Plum Blossoms by Moonlight
Caspar David Friedrich, Monk by the Sea, 1809
Ma Yuan, Viewing Plum Blossoms by Moonlight
Asher B. Durand, Kindred Spirits, 1849, oil on canvas, 46 x 36 inches
Ma Lin


son of Ma
Yuan

active during
early 13th c.
Landscape with Flying Geese
Listening to the Wind in the Pines
Listening to the Wind, detail of Figures
Ma Lin, Orchids
Ma Lin, Scholar Reclining and Watching Rising Clouds
Xia Gui
c. 1195-1224



Southern Song
Xia Gui, Pure and Remote View of Streams and Hills, handscroll
Xia Gui, Pure and Remote View of Streams and Hills, handscroll
Xia Gui, Pure and Remote View of Streams and Hills, handscroll
Xia Gui, Pure and Remote View of Streams and Hills, handscroll
Xia Gui, Pure and Remote View of Streams and Hills, handscroll
Xia Gui, Pure and Remote View of Streams and Hills, handscroll
Xia Gui, Pure and Remote View of Streams and Hills, handscroll
Xia Gui, Pure and Remote View of Streams and Hills, handscroll
Xia Gui, Pure and Remote View of Streams and Hills, handscroll
Xia Gui, Pure and Remote View of Streams and Hills, handscroll
Xia Gui, Pure and Remote View of Streams and Hills, handscroll
Xia Gui, Pure and Remote View of Streams and Hills, handscroll
Xia Gui, Pure and Remote View of Streams and Hills, handscroll
Liang Kai
southern Song dynasty

1201-4 painter-in-
attendance at the Song
painting academy in
Hangzhou

later relinquished that
position to live and
paint at a Chan (or
Zen, in Japanese)
Buddhist temple
Liang Kai, Hui Neng, Chopping Bamboo at the Moment of
Enlightenment, pen and ink, hanging scroll, 12 x 29 inches
Liang Kai, detail of Hui Neng
Liang Kai, Li Bo Chanting a Poem
ink on paper, 12 x 31 inches
Detail of Li Bo
Liang Kai, Poet Strolling by a Marshy Bank
Liang Kai, Poet Strolling by a Marshy Bank
Georges Seurat, Sunday Afternoon on the Island of La Grande Jatte, 1884-6
Mu Qi

active c. 1269

Yuan dynasty
Mu Qi, Six Persimmons
Alcove in Japanese temple, Kyoto, displaying Mu Qi’s Six
Persimmons
Mu Qi, Temple in the Evening Mist
Temple in the Evening Mist, detail
Entrance to Forbidden City, Tianamen Square, Beijing, China
Gavril Gorelovich, Demonstration in Red Square, 1936
Soviet painting of Red Square, 1936; depiction of
              Tianamen Square, 1989
“Fight the Foreign Imperialists!” 1920s poster
Re-opening the door to Western influence
Nadezdha Kashina, Happy Childhood, 1931
Irina Shtange, Commune of Factory Youth, 1937
Aleksandr Deineka, V.I. Lenin out for a Drive with Children, 1938
Ekaterina Zhernova, Collective Farmers Greeting a Tank, 1937
Greeting a Tank, 1937; Defying a Tank, 1989
Chairman Mao Goes to Anyuan, 1967
1980 photograph with Mao mural
Preparing for National Day celebration, 1984
Statue of Mao in Wuhan Province, 1957
Andy Warhol, Mao, 1972
“Family Planning,” 1988 poster
Ma Lin, Scholar Reclining and Watching Rising Clouds, mid 13th c.
Stuart Franklin, Students Hunger Striking, Tianamen Square, 1989
Fang Lijun

1963    born Handun,
Hebei province, China

1989      Graduate, Print
Dept., Central Institute of Fine
Arts, Beijing, China

2005     Professor, Hebei
Training University Art
College, China

Lives/works Beijing
Fang Lijun, Group Two, No. 2, 1993, oil on canvas 78 3/4 x 78 3/4
         Edvard Munch, The Scream, 1893, oil on canvas
Fang Lijun, Group Two, No. 2, 1993, oil on canvas 78 3/4 x 78 3/4
          Francis Bacon, Self-Portrait, 1970, 14 x 12 inches
Fang Lijun, Group Two, No. 2, 1993, oil on canvas 78 3/4 x 78 3/4
                     Chinese Poster, c. 1960
Zhang Huan, To Add 1 Meter to an Unknown Mountain, 1995
c-print
Zhang Huan, To Add 1 Meter, 1995
      Great Wall of China
How would you compare and contrast the relationship
 between humans and the natural world in the work of
            Fan Kuan and Zhang Huan?
http://museums.cnd.org/cr/old/maobadge/

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