Varakristlik kunst

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Merille Hommik

Education Spiritual

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Art History 131 Early Christian Map of Early Christian influence c. 600 CE Timeline: History of Early Christianity Early Christian (c. 325-550 CE)catacombs:era: “Period of Persecution”function: burial ritetheme: eternal lifesignificance: new symbolic contentgreat circle  Dome of HeavenCross  basic symbol of faithChrist the Good Shepherdgesture  “orant”figures: modeling resembles Roman prototypescomposition: compartmentalized & simplified “The Good Shepherd” Catacomb of Saints Peter & Marcellinus c. 325 CE Early Christian sculpture secondary rolebiblically prohibited by Second Commandment no “cult” statuesfreestanding objects linked w/ false gods of pagansscale: anti-monumentalmonumental scale increasingly uncommonshallow spatial depthlacelike surface decorationsarcophogus:forms: evolved from pagan sarcophagi function: funerary resting place for important members of Christian Churchstyle: superimposed Classicismdoll-like bodieslarge headsthemes:broad range of Old & New Testamentpassive scenes calling for dramatic action Sarcophagus of the Good Shepherd (c. 350 CE) (top) Roman Late Empire Ludovisi Sarcophagus (c. 250 CE) vs. (bottom) Early Christian Sarcophagus of the Good Shepherd (c. 350 CE) Sarcophagus of Junius Bassus (c. 350 AD) Early Christian: sculptureSarcophagus of Junius Bassuspatron: senatorhistory: originally placed in or under Old St. Peter's Basilicarediscovered in 1597relief: high iconography:embraces Old and New Testamentscomposition:two (2) registersfive compartments eacheach framed by columnsnarratives:Christ placed at center of each registerenthroned in heavensits above personification of sky god Early Christian: sculpture Christ as the Good Shepherd date: c. 350 CEscale: approx. 3’iconography: appropriated from pagan Mediterraneanaesthetic: Classicalpose: contrappostodrapery: naturalisticRoman tunic & sandalsfalls according to laws of gravityclings to body; reveals weight, mass & volume of figure Early Christian Good Shepherd (c. 350 CE) vs. Archaic Greek Calf-Bearer (c. 550 BCE) Christ as the Good Shepherd from the Mausoleum Galla Placidia (c. 425-50 CE) Detail from mosaic of Christ as the Good Shepherd Early Christian: mosaic The Parting of Lot & Abrahamdate: c. 450 CEsite: nave of Sta. Maria Maggiore (Rome) subject: OT (Genesis)composition:cleaved along CVAfigural groupings assigned by shorthand device of “head cluster”narrative: assisted by gesture, glance & simplified motionposes: attempt @ contrapposto Early Christian: Illuminated Manuscriptsrole: disseminating religious imagerymodels for wall paintingsderived from mosaics material: parchment (vellum) vs. papyrus form: “codex”strong enough to be creased w/out breakingreplaced the roll permitted use of rich colors, including gold Early Christian: Illuminated Manuscripts Vatican Vergil (c. 425 CE) Early Christian: illuminated manuscripts.

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