Design for the World

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  • + guest25887b0 guest25887b0 2 months ago
    Globalization seems to be on everyone's mind, doesn't it?

    Budgeting,Credit Repair,Resumes: http://www.moneyteachers.org
    Conspiracy Blog: http://deadmanmusings.blogspot.com
  • + guestfc3c48 guestfc3c48 6 months ago
    Excellent!
    I like it very much.
    May i get a copy from you?
    ys_ethene@hotmail.com
    Thanks!
  • + sh1990 H Baghooei 6 months ago
    I like it.Would you please send me the download link at baghooee90@yahoo.co.uk
    Thanks alot :)
  • + np83de np83de 6 months ago
    Excelent work. Congratulations.
  • + Jiangqian Jiangqian 6 months ago
    It's great.Can you send it to me?
    orange_blue023@hotmail.com
  • + guest6df77bd4 guest6df77bd4 6 months ago
    like your PPT design.
    Would you share your PPT for me?
    Email:cym728@gmail.com
  • + phoenix.bits Prakhar Agrawal 7 months ago
    excellent stuff.. can u send me the download link at prakhar.code[at]gmail.com
    thanks a ton in advance .. :)
  • + Bacomplia Bacomplia 7 months ago
    Positive designed)
  • + adhy adhy 7 months ago
    I like it,,,and hopefully i can copy. please send me kaka_he3x@yahoo.co.id,,, thanks very much,,,
  • + guest292ba2 guest292ba2 7 months ago
    jhu. cangerly and pustertly? cornear.

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Design for the World - Presentation Transcript

  1. Gustavo Machado Kimberly Vickrey GR 500 4 Graduate Seminar i Miami University of Art & Design MFA in Graphic Design
    • FACTS
    • Thirty percent of world population ( 2 billion people) go hungry daily
    • 1.5 billion of humans live on less than $2 per day
    • 35,000 children die each day of malnourishment and preventable diseases
    • More than 50 million people are infected with HIV/AIDS
    • FACTS
    • U.S spends $500 billion on arms annually
    • Energy consumption is 38 times more per capita compared to India
    • Every minute, one person is murdered, one dies in armed conflict and another commits suicide
    • FACTS
    • Globalization isn’t helping. In fact it is promoting unequal distribution of wealth, health and knowledge, resulting in widening gaps between the haves and have-nots
  2.  
  3.  
    • QUOTES
    • “ Massive Change is not about the world of design; it’s about the design of the world .”
    • “ For most of us, design is invisible . Until it fails .”
    • In fact, the secret ambition of design is to become invisible , to be taken up into the culture, absorbed into the background. The highest order of success in design is to achieve ubiquity , to become banal .” (Bruce Mau)
    • QUOTES
    • “ Question everything. Ask why . Question answers. Assume nothing . Especially as you consider design’s role in shaping the world.” (Robert L. Peters)
    • “ Just look at the Web designers , they can single-handedly reach the world...” (Tibor Kalman)
    • QUOTES
    • “ Every juncture of information creation, storage, retrieval, distribution and use entails design. If we think about this, it is clear that there should be no profession in higher demand than that of the designer: the potential applications of design skills, and the need for those skills to distinguish and empower any given information commodity, are overwhelming .” (Clement Mok)
    • QUOTES
    • “ Each of us needs to begin practicing with real projects. Find a problem in your community that you care about, pick a cause: education, health, environment, politics, religion, art. Then use your skills to help that cause reach a small or a large goal: design posters, design events, give lectures. Many designers are unaware of the power of the skills they sell: true understanding comes from personal experience. Like any successful project, both sides will win.” (Clement Mok)
    • QUOTES
    • “ Designers help to wield power to change , modify, eliminate, or evolve totally new patterns. Have we educated our clients, our sales force, the public? Have designers attempted to stand for integrity and a better way? Have we try to push forward, not only in the marketplace, but by considering the needs of people?” (Victor Papanek)
    • “ To understand the substance of style we must accept the subjectivity and variety of aesthetic value .” (Virginia Postrel)
    • QUOTES
    • “ One of the first things we have to do to correct these perceptions is to connect our work, our skills and our abilities to the challenges that are truly valuable, from an economic, social, cultural perspective. In other words, not just focus on the æsthetic value with which we want to imbue all our work, but look at the larger task at hand, and then figure out what we can bring to it. ” (Clement Mok)
    • POSSIBILITIES
    • Become a world citizen
    • Assume responsibility for elevating those less fortunate
    • Help to raise awareness of critical issues
    • Act collectively
    • Give a fraction of our time and talent to combat injustice, ignorance, exploitation, hunger and war
    • ORGANIZATIONS
    • Design Altruism Project http://design-altruism-project.org
    • Designers without Borders http://www. designerswithoutborders .org
    • Design for Development http://www. designfordevelopment .org
    • Design for Social Impact http://www.dfsi.org
    • ORGANIZATIONS
    • Design for the World http://www. designfortheworld .org
    • Eco Design Foundation http://www. edf . edu .au
    • New Economics Foundation http://www.neweconomics.org
    • The Graphic Imperative (Posters for Peace, Social Justice, and the Environment http://www.thegraphicimperative.org
    • WORKS CITED
    • Hall, Peter. Tibor Kalman: Perverse Optimist. New York: Princeton Archictectural Press, 1998.
    • Mau, Bruce. Massive Change. London: Phaidon Press, 2004.
    • Mok, Clement. Time for Change. Clement Mok. May 2003. Clement Mok. 16 June 2006 < http://www.clementmok.com/musings/detail.asp?ItemID=12 >
    • WORKS CITED
    • P apanek , Victor . Design for the Real World. Chicago: Academy Chicago Publishers, 1984.
    • Peters, Robert. “Question Everything.” HOW magazine Aug. 2003: 136
    • Postrel, Virginia. The Substance of Style. New York: Harper Collins Publishers, 2003.
  4.  
  5.  

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