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La videoarte
 

La videoarte

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Corso di Estetica dei New Media, A.A. 2010-11 Accademia di Belle Arti di Palermo

Corso di Estetica dei New Media, A.A. 2010-11 Accademia di Belle Arti di Palermo
Prof. Federica Timeto
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    La videoarte La videoarte Presentation Transcript

    • La videoarte Estetica dei nuovi media Prof. Federica Timeto , A.A. 2010-2011
    • Uso artistico manipolatorio del cinema
      • Man Ray, Le retour à la raison (1923)
      • http://www.ubu.com/film/ray_retour.html
      • Fernand Léger, Ballet Mécanique (1924) http://www.youtube.com/watch?v=b5RVBIm_muc
      • Hans Richter, Rhytmus 21 (1921) http://www.ubu.com/film/richter_rhythmus.html
      • Andy Wahrol, Kiss , 1963 o Empire , 1964
      • http://www.youtube.com/watch?v=qZL-kwp40so
    • Wolfgang Staehle, « Empire 24/7 », 1999, videostills da Installazione webcam dilatazione temporale
    • Lo schermo in fotografia e la compressione temporale Hiroshi Sugimoto , ciclo di fotografie anni ‘70
    • Jim Campbell, « Illuminated Average #1 » Hitchcock's Psycho, 2000
    • Suono John Cage, 4’33’’, 1952, concerto for piano http://www.youtube.com/watch?v=gN2zcLBr_VM&feature=related
    • Luce Olafur Eliasson, The Weather Project, Tate Modern, Turbine Hall, 2003 http://www.youtube.com/watch?v=-dFOphuPqMo&feature=related
    • Aspetti del video
      • Autoproduzione – democratizzazione del mezzo
      • > 1965: Nam June Paik usa il primo videoregistratore portatile Sony Portapak
      • a) enfasi sul mezzo > interesse per gli aspetti ambientali e percettivi, o manipolazione del codice
      • b) Estetica del documentare > accentuazione degli aspetti narrativi, video come microdramma
      • c) Atteggiamento critico-decostruttivo > recupero della dimensione esperienziale
    • Nam June Paik «Kuba-TV» Interactive installation with TV as part of the «Exposition of Music–Electronic Television» in Wuppertal, 1963. Televisione musico-elettronica. Il suono si vede sullo schermo
      • Dall’uso del televisore come oggetto per installazioni o happening si passa all’intervento a livello di trasmissione dei dati (il primo è Nam June Paik)
    •   Wolf Vostell «Television Décollage» 1963
    • Nam June Paik, «TV-Buddha», 1974
    • 1969, Gerry Schum, Fernsehgalerie (Television Gallery) Lo schermo come spazio espositivo
      • La videosfera
      • La televisione come strumento
      • di produzione e distribuzione
      • Connettività diffusa
      • L’esperienza del vedersi e
      • le sue implicazioni psicologiche
      • - Il processo feedback
    • Forma Steina & Woody Vasulka, Calligrams, 1970 http://www.ubu.com/film/vasulka_calligrams.html
    • Video e performance
      • Black Mountain College, North Carolina (anni ’50)
      • Happenings di Allan Kaprow (anni ’50)
      • Judson Dance Theater, NY, 1962-4 (Trisha Brown, Lucinda Childs, Yvonne Rainer, Carolee Schneemann)
      • Joan Jonas, Vertical Roll, 1972 http://www.youtube.com/watch?v=-oqJZOFzbfA&feature=related
    • Videoarte come documentazione della performance Shoot, Chris Burden, 1971 http://www.youtube.com/watch?v=26R9KFdt5aY
    • Chris Burden, «TV Hijack», 1972
    • Marina Abramovic e Ulay
      • Relation in Space, 1976
      • http://www.medienkunstnetz.de/works/relation-in-space/
      • Expanding in Space, 1977
      • http://www.youtube.com/watch?v=HEQUC0-AlUo
      • Relation In time, 1977
      • http://www.youtube.com/watch?v=1sRSoGAc3H0
      Art Must Be Beautiful, Artist Must Be Beautiful 1975
    • Bruce Nauman
      • Frammenti di performances 1968-9
      • http://www.youtube.com/watch?v=JXieUZ_RNG4&feature=related
    • Valie Export, Tap and Touch Cinema (1968-71) ‘ As usual, the film is ‘shown’ in the dark. But the cinema has shrunk somewhat – only two hands fit inside it. To see (i.e. feel, touch) the film, the viewer (user) has to stretch his hands through the entrance to the cinema. At last, the curtain which formerly rose only for the eyes now rises for both hands. The tactile reception is the opposite of the deceit of voyeurism. For as long as the citizen is satisfied with the reproduced copy of sexual freedom, the state is spared the sexual revolution. ‘Tap and Touch Cinema’ is an example of how re-interpretation can activate the public.’
    • Vito Acconci, Seedbed, 1972 http://dailymotion.virgilio.it/video/x7ygpc_vito-acconci-seedbed-1972_creation Marina Abramovic performing Vito Acconci's Seedbed at the Solomon R. Guggenheim Museum on November 10, 2005. (poi in Seven Easy Pieces )
    • Bill Viola, Reverse television, 1982 http://www.youtube.com/watch?v=4GrIN9m83zw Operazioni concettuali
    • Stan Douglas, Monodramas, 1991 http://www.youtube.com/watch?v=R8e4tJo183E
    • Anticipazioni della realtà virtuale Alfons Schilling, «Video-Head-Set», 1973
    • La videosorveglianza nelle prime videoperformance
      • Vito Acconci, Following Piece , 1969
      • Yoko Ono & John Lennon, Rape , 1968
      • Bruce Nauman, Video Corridor , 1970 http://www.medienkunstnetz.de/works/live-taped-video-corridor/video/1/
      • Dan Graham, Time Delay Room 1974
      • http://www.medienkunstnetz.de/works/time-delay-room/video/1/