3. Wolfgang Staehle, « Empire 24/7 », 1999, videostills da Installazione webcam dilatazione temporale
4. Lo schermo in fotografia e la compressione temporale Hiroshi Sugimoto , ciclo di fotografie anni ‘70
5. Jim Campbell, « Illuminated Average #1 » Hitchcock's Psycho, 2000
6. Suono John Cage, 4’33’’, 1952, concerto for piano http://www.youtube.com/watch?v=gN2zcLBr_VM&feature=related
7. Luce Olafur Eliasson, The Weather Project, Tate Modern, Turbine Hall, 2003 http://www.youtube.com/watch?v=-dFOphuPqMo&feature=related
8.
9. Nam June Paik «Kuba-TV» Interactive installation with TV as part of the «Exposition of Music–Electronic Television» in Wuppertal, 1963. Televisione musico-elettronica. Il suono si vede sullo schermo
21. Valie Export, Tap and Touch Cinema (1968-71) ‘ As usual, the film is ‘shown’ in the dark. But the cinema has shrunk somewhat – only two hands fit inside it. To see (i.e. feel, touch) the film, the viewer (user) has to stretch his hands through the entrance to the cinema. At last, the curtain which formerly rose only for the eyes now rises for both hands. The tactile reception is the opposite of the deceit of voyeurism. For as long as the citizen is satisfied with the reproduced copy of sexual freedom, the state is spared the sexual revolution. ‘Tap and Touch Cinema’ is an example of how re-interpretation can activate the public.’
22. Vito Acconci, Seedbed, 1972 http://dailymotion.virgilio.it/video/x7ygpc_vito-acconci-seedbed-1972_creation Marina Abramovic performing Vito Acconci's Seedbed at the Solomon R. Guggenheim Museum on November 10, 2005. (poi in Seven Easy Pieces )
23. Bill Viola, Reverse television, 1982 http://www.youtube.com/watch?v=4GrIN9m83zw Operazioni concettuali