2. Clodion (Claude Michel). Intoxication of Wine (Nymph and Satyr Carousing). c. 1780–90.
Terracotta. Height 23-1∕4" (59.1 cm).
The Metropolitan Museum of Art, New York. Art Resource/Scala, Florence. [Fig. 11-2]
4. Rosalba Carriera. A Young Lady with a Parrot. c. 1730.
Pastel on blue laid paper. 23-2∕3" × 19-2∕3" (60 × 50 cm).
The Art Institute of Chicago. Bridgeman Art Library. [Fig. 11-4]
8. Balthasar Neumann. Interior of the Pilgrimage Church of the Vierzehnheiligen.
Near Bamberg, Germany. 1743–1772. AKG-images/Erich Lessing. [Fig. 11-8]
9. Balthasar Neumann. Ground plan (preparatory design) of the Church of the
Vierzehnheiligen. 1743.
Private Collection, L/L. [Fig. 11-9]
10. Thomas Gainsborough. Mrs. Richard Brinsley Sheridan. 1785–1787.
Oil on canvas. 7' 2-5∕8" × 5' (2.2 × 1.5 m).
Mellon Collection, National Gallery of Art, Washington, D.C.
Bridgeman Art Library, London. [Fig. 11-10]
11. Joseph Wright. Experiment with an Air Pump. 1768.
Oil on canvas. 5' 11-5∕8" × 7" 11-3∕4" (1.82 × 2.43 m).
National Gallery, London. [Fig. 11-1]
14. Ned Ward. The CoffeeHous Mob, frontispiece to Part IV of Vulgus Britannicus, or the
British Hudibras (London. 1710).
British Library. Hulton Archive/Getty Images. [Fig. 11-14]
15. Joseph Lange. Mozart at the Pianoforte. 1789.
Oil on canvas. 13-6∕8 × 11-13∕16" (35 × 30 cm).
Mozart Museum, Salzburg. Scala, Florence. [Fig. 11-15]
16. Utagawa Kunisada, scene from Sukeroku. c. 1835.
Woodblock print (detail). Whole block 8-1∕2 × 22-1∕2" (21.6 × 57.2 cm).
Private collection.
Digital Image Museum Associates/LACMA/Art Resource NY/Scala, Florence. [Fig. 11-16]
Clodion (Claude Michel). Intoxication of Wine (Nymph and Satyr Carousing). c. 1780–90.Terracotta. Height 23-1∕4" (59.1 cm).The Metropolitan Museum of Art, New York. Art Resource/Scala, Florence. [Fig. 11-2]
Rosalba Carriera. A Young Lady with a Parrot. c. 1730.Pastel on blue laid paper. 23-2∕3" × 19-2∕3" (60 × 50 cm).The Art Institute of Chicago. Bridgeman Art Library. [Fig. 11-4]
Marie-Élisabeth-Louise Vigée-Lebrun. Self-portrait in a Straw Hat. 1782.Oil on canvas. 38-1∕2" × 27-3∕4" (97.8 × 70.5 cm).National Gallery, London. Scala, Florence. [Fig. 11-7]
Balthasar Neumann. Interior of the Pilgrimage Church of the Vierzehnheiligen.Near Bamberg, Germany. 1743–1772. AKG-images/Erich Lessing. [Fig. 11-8]
Balthasar Neumann. Ground plan (preparatory design) of the Church of the Vierzehnheiligen. 1743.Private Collection, L/L. [Fig. 11-9]
Thomas Gainsborough. Mrs. Richard Brinsley Sheridan. 1785–1787.Oil on canvas. 7' 2-5∕8" × 5' (2.2 × 1.5 m).Mellon Collection, National Gallery of Art, Washington, D.C.Bridgeman Art Library, London. [Fig. 11-10]
Joseph Wright. Experiment with an Air Pump. 1768.Oil on canvas. 5' 11-5∕8" × 7" 11-3∕4" (1.82 × 2.43 m).National Gallery, London. [Fig. 11-1]
Ned Ward. The CoffeeHous Mob, frontispiece to Part IV of Vulgus Britannicus, or the British Hudibras (London. 1710).British Library. Hulton Archive/Getty Images. [Fig. 11-14]
Joseph Lange. Mozart at the Pianoforte. 1789.Oil on canvas. 13-6∕8 × 11-13∕16" (35 × 30 cm).Mozart Museum, Salzburg. Scala, Florence. [Fig. 11-15]
Utagawa Kunisada, scene from Sukeroku. c. 1835.Woodblock print (detail). Whole block 8-1∕2 × 22-1∕2" (21.6 × 57.2 cm).Private collection.Digital Image Museum Associates/LACMA/Art Resource NY/Scala, Florence. [Fig. 11-16]
Typical seating plan for a modern symphony orchestra.[Fig. 11-17]