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Long & Short of Displaying Art: Permanent Collections & Temporary Exhibitions

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Long & Short of Displaying Art: Permanent Collections & Temporary Exhibitions

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There are advantages and disadvantages for the visiting public when art museums mount temporary exhibitions. This slide show accompanies a paper of the same name available for view on www.deborahfeller.com. Click on "Art Historian."

There are advantages and disadvantages for the visiting public when art museums mount temporary exhibitions. This slide show accompanies a paper of the same name available for view on www.deborahfeller.com. Click on "Art Historian."

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Long & Short of Displaying Art: Permanent Collections & Temporary Exhibitions

  1. 1. The Long and Short of Displaying Art: Permanent Collections And Temporary Exhibitions © Deborah Feller April 1, 2017
  2. 2. Figure 1: Line to enter Treasures of Tutankhamun exhibition, 1977, Field Museum, Chicago.
  3. 3. Figure 2: Lehman wing during Manus & Machina exhibition—old masters paintings in background on left. Metropolitan Museum of Art, New York. Photo © D. Feller. Figure 3: Lehman wing during Manus & Machina exhibition— viewers worshipping fashion. Metropolitan Museum of Art, New York. Photo © D. Feller.
  4. 4. Figures 4 and 5: Asian Art galleries during China: Through the Looking Glass exhibition--eclipsing the art. Metropolitan Museum of Art, New York. Photo courtesy of the museum.
  5. 5. Figure 11: Valentin de Boulogne: Beyond Caravaggio, 2016. Title gallery view with The Lute Player on the right. Metropolitan Museum of Art, New York. Photo by Corrado Serra for Arts Summary. Figure 9: Valentin de Boulogne, The Lute Player, in Painting Music in the Age of Caravaggio, 2015. Metropolitan Museum of Art, New York. Photo by Allison Meier for Hyperallergic. Figure 6: Valentin de Boulogne, The Lute Player, ca. 1625-26. Metropolitan Museum of Art, New York. Figure 10: Valentin de Boulogne: Beyond Caravaggio, 2016. Title gallery view with Jusepe de Ribera's Denial of Saint Peter. Metropolitan Museum of Art, New York. Photo by Corrado Serra for Arts Summary. Figure 7: Caravaggio Gallery. Metropolitan Museum of Art. Photo © D. Feller. Figure 8: Poussin Gallery. Metropolitan Museum of Art. Photo © D. Feller.
  6. 6. Figure 12: Leon Levy and Shelby White Court, Greek and Roman galleries, Metropolitan Museum of Art. Figure 13: Greek and Roman galleries, central corridor. Metropolitan Museum of Art.
  7. 7. Figure 14: View of the Crypt Gallery for Byzantine Art of Egypt, under the Great Staircase, showing underside of stairs on right. Metropolitan Museum of Art. Figure 15: Crypt Gallery for Byzantine Art of Egypt, under the Great Staircase. Metropolitan Museum of Art.
  8. 8. Figure 16: Moroccan craftsman working on arch for new galleries of Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia. Metropolitan Museum of Art. Figure 17: Moroccan Court of galleries of Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia. Metropolitan Museum of Art.
  9. 9. Figure 18: Nineteenth-Century European Paintings galleries (1979), Metropolitan Museum of Art. Figure 19: Nineteenth-Century European Paintings galleries (1993). Metropolitan Museum of Art. Figure 20: Nineteenth-Century European Sculpture galleries (1993). Metropolitan Museum of Art. Figure 21: Nineteenth-Century European Paintings galleries (2007), Metropolitan Museum of Art.
  10. 10. Figure 22: Publicity photo, Ribera, Maestro del dibujo. Museo Nacional del Prado. November 22, 2016 – February 19, 2017. Figure 23: Long view into final gallery, Between Heaven and Hell: The Drawings of Jusepe de Ribera. The Meadows Museum, March 12 - June 11, 2017. Photo © D. Feller Figure 24: View of final gallery, Between Heaven and Hell: The Drawings of Jusepe de Ribera. The Meadows Museum. Photo © D. Feller.
  11. 11. Figure 24: Jusepe de Ribera, Apollo and Marsyas (1637, pen and brown ink, 4 x 4f in. [10 x 12.4 cm]). Istituto Centrale per la Grafica, Rome. Figure 25: Jusepe de Ribera, Apollo and Marsyas (1637, oil on canvas, 6 x 7b ft. [182 x 232 cm]). Museo Nazionale di Capodimonte, Naples. Figure 24: Relative in size to painting.

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