Wearing Emotions by FakePress, presented at the IV10 conference in London, July 2010
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This document discusses representing and visualizing human emotions using wearable technologies. It outlines several existing projects that visualize emotions through wearables, such as devices that detect physiological signals and display emotions visually. The document proposes researching how to recognize, compare, and disseminate emotions in order to visualize them on the body. Example projects are described, such as one where audience emotions online and in-person are aggregated and used to control a dancer's body and multimedia environment. The goal is to better understand how emotions can be published and experienced through the physical body.
![Wearing
Emotions
Physical representation and visualization of human
emotions using wearable technologies
Salvatore Iaconesi [ salvatore.iaconesi@artisopensource.net ]
FakePress [ http://www.fakepress.it ]](https://image.slidesharecdn.com/wearingemotionssifp-presentation-100731021516-phpapp01/85/Wearing-Emotions-by-FakePress-presented-at-the-IV10-conference-in-London-July-2010-1-320.jpg)
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Wearing Emotions by FakePress, presented at the IV10 conference in London, July 2010
- 1. Wearing Emotions Physical representation and visualization of human emotions using wearable technologies Salvatore Iaconesi [ salvatore.iaconesi@artisopensource.net ] FakePress [ http://www.fakepress.it ]
- 3. next step publishing no books multi-author, open-ended, ubiquitous narratives publishing for bodies, objects, architectures, places
- 4. A question: How do you publish EMOTIONS ?
- 5. EMOTIONS
- 6. EMOTIONS physiological physiological arousal psychological conscious experience cultural behaviour
- 7. Stoics Plato Aristotele Descartes EMOTIONS Spinoza Hume Broca James-Lange Cannon Bard Arnold Simon Lazarus Plutchik Zajonc Ekman Panksepp Damasio Solomon Prinz Frijda ...
- 8. EMOTION THEORIES prefrontal cortex somatic James-Lange homeostatic Cannon-Bard neurobiological cognitive perceptual two-factor affective component-process
- 9. EMOTION DISCIPLINES humanistic communication sciences neuroscience psychology economics law anthropology education linguistics design political sciences sociology philosophy robotics computer science artificial intelligence systems theory
- 11. We feel fne (Jonathan Harris & Sep Kamvar)
- 12. JJ, empathic network visualization (Golan Levin)
- 14. Emotionally vague (Orlagh O'Brien)
- 15. Twistory (Amy Hoy, Thomas Fuchs)
- 20. Emotion board (IFE Wearable computing, Zurich)
- 21. Wearable absence (Barbara Layne, Janis Jefferies)
- 22. GER: Galvanic Extimacy Responder (kristin neidlinger)
- 23. Smart Second Skin (Jenny Tillotson)
- 24. The Emotional Wardrobe (Lisa Stead)
- 25. Philips SKIN
- 26. ... and many others
- 32. and culturally dance
- 33. and culturally tattoos
- 34. publishing/visualizing EMOTIONS on/with the BODY
- 35. for ART/AESTHETICS EXPRESSION COMMUNICATION ORGANIZATION SCIENCE CULTURE
- 36. OBJECTIVE: research CONTEXT create GRAMMARS VISUALIZE/EXPERIENCE
- 37. SENSOR COMPARATOR ACTUATOR
- 38. 2 N 1 N remote
- 39. ISSUES How do you recognize emotions?
- 40. ISSUES How do you compare emotions?
- 44. TALKERS PERFORMANCE WEB+ DANCER'S SOCIAL NETS BODY EXPERT SYSTEM LIVE MULTIMEDIA AUDIENCE ENVIRONMENT
- 45. TALKERS PERFORMANCE ● people interact with touch interfaces, social networks and mobile phones ● interfaces are designed to express emotions through music, graphics... ● data is gathered and fed to expert system, to aggregate information ● aggregated emotions are used in groups to be visualized: ● dancer's body interprets information as body electric shocks ● video projection 1 generates representation using Plutchick ● video projection 2 generates interferences on vide input ● Speakers on body of dancer generate words according to monitored emotional state
- 46. ONEAVATAR
- 47. ONEAVATAR
- 48. ONEAVATAR Physical Body connects to the Digital Body of the Avatar SENSES TRANSFORMS ENACTS PHYSICAL DIGITAL BODY BODY ENACTS TRANSFORMS SENSES Interactions transfer emotions across digital/analog boundaries
- 49. ONEAVATAR
- 50. ONEAVATAR
- 51. ONEAVATAR
- 58. THANK YOU