Martha Kellogg Smith

Information needs and uses of art museum visitors: implications for descriptive vocabularies ,[object Object],[object Object],[object Object],[object Object],[object Object]

[object Object],[object Object],[object Object]

Overview of talk today ,[object Object],[object Object],[object Object],[object Object]

Art museum audiences: expectations of art museums and their information ,[object Object],[object Object],[object Object],[object Object],[object Object]

Art museum visitor studies: empirical evidence and theoretical constructs ,[object Object],[object Object]

Subject access to artworks and vocabularies of description ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Evidence from artwork tagging projects ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Henry Farrer (American, 1843–1903) Winter Scene in Moonlight , 1869 Watercolor and gouache on white wove paper 11 7/8 x 15 1/8 in. Accession no. 1999.19

Evidence from artwork tagging projects ,[object Object],[object Object],[object Object],[object Object],[object Object],Henry Farrer Winter Scene in Moonlight , 1869

Evidence from artwork tagging projects ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Henry Farrer Winter Scene in Moonlight , 1869

Visual observation and verbal description skills of beginning, non-specialist art viewers ,[object Object],[object Object],[object Object],[object Object],[object Object]

Non-specialists say they need: context and explanations of specialized terms ,[object Object],[object Object],encounter difficulties with unfamiliar art historical and foreign language vocabulary terms

Non-specialists and specialized vocabulary ,[object Object],[object Object],[object Object]

Conceptual framework of art interpretation and information use ,[object Object],[object Object],[object Object]

Erwin Panofsky’s iconographic theory and art object/image indexing ,[object Object],[object Object],[object Object]

Pre-iconographic Iconographic Iconological human female Athena Promachos [Attic Greek, Black-figure] competition horse, hunt, pond Shah Jahan [Mughal] virility, power still life, flowers, butterfly Vanitas [Baroque] beauty, death, soul, transience, Resurrection

Conclusions and research directions ,[object Object],[object Object],[object Object]

Pictures and References ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Martha Kellogg Smith

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Martha Kellogg Smith