Roland Barthes identified 5 codes that are woven into texts to create meaning: 1) Cultural/Referential Code refers to outside knowledge, 2) Semantic Code refers to additional meanings/connotations, 3) Symbolic Code organizes meanings into deeper sets through opposing ideas, 4) Hermeneutic/Enigma Code refers to unexplained elements that keep the audience guessing, 5) Proairetic/Action Code builds tension by indicating something will happen next. These codes underpin our understanding of texts and keep audiences engaged.

1. Bathes 5 Codes

2.  Linguist Roland Barthes (1915-1980) was interested in semiotics
(the meanings of signs) and the structures that underpin our
understanding of the world (Structuralism).
 Barthes said that texts may be:
 'open' (unravelled in a lot of different ways)
 or 'closed' (there is only one obvious thread to pull on).
 Barthes described Five Codes which are woven into any text to
create meaning:
 The Cultural (Referential) Code
 The Symbolic Code
 The Semantic Code
 The Hermeneutic (Enigma) Code
 The Proairetic (Action) Code

3. The Cultural (Referential) Code
 This code refers to any external body of knowledge held by the
audience. Directors rely on the audience having this knowledge
present in order to make sense of the text.
 Typically this involves either science or religion, although other banks
of knowledge, such as magical truths, may be used in fantasy
stories.

4. Example
 This sequence contains
referential codes, as the
audience extracts meaning
by referring to their external
knowledge of the stereotype
of black urban youths
speaking and acting in a
certain manner.

5. The Semantic Code
 This code refers to connotations (additional meanings beyond the
literal) within the narrative that give additional meaning to the basic
denotative meaning of the text.

6. Example
 This image uses semantic
codes, as it refers to the
connotations beyond the literal,
in this case the board shorts
signify that the person on the
right is on holiday, this is
juxtaposed with the fact the
hotel seems to be quite “high-
class”, as shown by the fact that
the other man (who works
there) is in a suit.

7. The Symbolic Code
 This is very similar to the Semantic Code, but acts at a wider level,
organizing semantic meanings into broader and deeper sets of
meaning.
 This is typically done in the use of antithesis, where new meaning
arises out of opposing and conflict ideas.

8. Example
 The two chefs represent two
conflicting cultures and
personalities, as one is
stereotypically English and the
other is stereotypically French
(though both are nigh on
caricatures). This provides a
juxtaposition between the two
and within the context of the
scene tries to use this as a
way of exploring the
relationship between the two
characters.

9. The Hermeneutic (Enigma) Code
 The Hermeneutic Code refers to any element of the story that is not
fully explained and hence becomes a mystery to the reader.
 The purpose of the director in this is typically to keep the audience
guessing, arresting the enigma, until the final scenes when all is
revealed and all loose ends are tied off and closure is achieved.
 Unanswered enigmas can be frustrating for the audience.

10. Example
 This a good example of an
enigma code as it appears
out of nowhere and provides
a great deal of intrigue on the
behalf of the audience and it
isn’t fully resolved by the end
of the

11. The Proairetic (Action) Code
 The Proairetic Code builds tension. It refers to any sequential action
or events that indicate something else is going to happen, and
which hence gets the viewer guessing as to what will happen next.
 The Hermeneutic and Proairetic Codes work as a pair to develop
the story's tensions and keep the viewer interested.

12. Example
 The shot of the blade creates
tension of the connotations
that are associated with the
blade (that being of stabbings
and violent crime), in the
context of the scene the
audience are aware of these
connotations and thus assume
the worst, but are unsure as to
what will happen next,
creating tension.