A Summary Of The Murjeras Muralism

A Summary Of The Murjeras Muralism
The United States is a country built upon freedom but the density of people shaped the country. The
immigrants inspired by the tales of the "American Experience" soon found those tales were falsely
perceived. People of color battled against discrimination and the lack of equality upon arriving to
the United States. Artists such as Kristine Yuki Aono, Romare Bearden, and the Mujeras Muralists
expresses the emotions their culture experienced, living in the United States through their artwork.
The art installation Relics from Camp created by Aono displays twelve boxes with artifacts from a
different internment camp. In Bearden's collage artwork called The Prevalence of Ritual, he intends
to compare the similarities between black and white by combining pictures that relates to humans.
The Murjeras Muralistas consists of Graciela Carillo, Consuelo Mendez, Irene Perez, and Patricia
Rodriguez, who painted the mural Latinoamerica to convey the message of who they were and
where they came from. The three works of art represents the three different cultures living in the
United States, but share the same ideals of oppression. The Japanese–American community suffers
from embarrassment, fear, and angry due to their experiences in the World War II internment camps.
World War II is a time of great repression for the Japanese–American families, by relieving them of
their basic rights. Aono visits ten internment camps to collect dirt and other artifacts from this
atrocious time. Family,
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Romare Bearden's The Train
Romare Bearden, an African American artist, was born in Charlotte, North Carolina, in 1911. As a
child he moved to New York City where his parents were both very involved in the African
American community and the Harlem Renaissance. Bearden attended Lincoln University and then
later transferred to Boston University. He then proceeded with school and began attending New
York University, where he focused more on his art. Later on, Bearden joined the Art Students
League where he studied under George Grosz. Grosz was a German artist who was famous for his
paintings and drawings. However, Grosz also did collage work that later inspired Bearden to begin
creating collage pieces. Although Bearden worked with many different medias, including oils and
water color, he was most known for his collages. In his collages, Bearden would depict African
American life. Bearden would use different pieces from magazines and combine them together with
other media to create a piece that demonstrated a scene of daily African American life. Through his
collages, Bearden became a very well known artist in the ... Show more content on Helpwriting.net
...
There are many things going on and multiple pieces overlapping each other in an unusual way.
There really isn't a place for your eye to rest or focus on. Based off the the title, one can assume that
these are African American people on a train. When speaking about his collage, Bearden said that
"trains could take you away and could also bring you to where you were. And in the little towns it's
the black people who live near the trains". Bearden uses this piece to express how he saw
segregation and how it influenced his life. Living during the Harlem Renaissance and the Great
Migration, Bearden experienced what it is like being in a place that was continuously being populate
by more and more African Americans. African Americans were migrating to the North and West by
train and Bearden's collage is his way of depicting

The Impact Of British Art On The World Of Art And...
British art is respected across the world for it's unique techniques and skills used for painting. A lot
of artist from around the world visit Britain for it's thick culture in the world of art and
opportunities. Almost all 'Minority art' made in Britain falls into one of the two baskets, either it is
created by an artist from an African– American/ Caribbean origin, or by the common people of the
Indian–sub continental background. Despite of the attempts made to accumulate these two
inconsequential groups together, in order to promote, what Britain still identifies as "Black art",
what they bring to the world of art is radically divergent, mostly because of their origin's personal
crisis as well as due to their history of struggle. ... Show more content on Helpwriting.net ...
Otherness in the field of art in some regions is not being identified and appreciated as it should be.
Fixity has now become a way of practicing culture, where racial differences in the discourse of
colonialism, is a incongruous methodology of representation. Fixity gives a feeling of firmness and
an unchanging order as well as disorder, immortality and daemonic repetition of racism in art
naturally.
Similarly, the racial and gender stereotype, that is reflected in the way of art and it's analysis, is a
major rambling blueprint, in the manifestation of identification as well as of consciousness, that
wavers between different opinions of what is conscientiously being repeated, always in a fixed state
and something that has already been known for a long period of time. Therefore, it is the force of
ambivalence that gives racial stereotype it's prevalence, and that shield's it's repeatability in
changing historical events and in it's wandering case.
Art is known to be region based, but a lot of artist now prefer going to a different nation and grasp a
different technique and skills. But when it comes to opportunities, for example; an Indian origin or
South–Asian origin artist may be at a greater disadvantage as compared to the white artist in British
society, mainly because of an unchallenged racial intolerance or partiality, and also because of the
history of British colonies in Asia. History

Summary Of The Piano Lesson By August Wilson
The Piano Lesson is a 1990 play by American dramatist August Wilson. The Piano Lesson is the
fourth play in Wilson's The Pittsburgh Cycle. Wilson started composition this play by playing with
the different answers in regards to the likelihood of "acquiring a feeling of self–esteem by denying
one's past" (Bryer 25) a romare Bearden painting entitled The Piano Lesson roused Wilson to
compose a play offering an in number female character to confront African–American history,
paralleling Troy in prior Fences.[1] However, on completing his play, Wilson discovered the
consummation of stray from the engaged female character and from the inquiry with respect to self–
esteem. What The Piano Lesson at last appears to ask is: "The thing that do you do ... Show more
content on Helpwriting.net ...
Doaker then recounts the account of the piano's history. Eras prior, Sutter, their family's slave–
holder separated a family by offering a mother and kid to pay for the piano which he purchased for
his wife as a commemoration present. The wife was content with the piano yet missed having the
slaves, so Sutter had that family's spouse/father (who was a craftsman and excessively significant,
making it impossible to offer), cut their similarities on the piano. He cut resemblances of his whole
history on the piano. In 1911, Boy Willie's dad stole the piano from the Sutters; in striking back he
was executed. Willie proclaims that these are stories of the past and that the piano ought to now be
put to great utilization. Willie and Lymon endeavor to move the piano to test its weight. When they
attempt to move it, Sutter's phantom is listened. Berniece advises Willie to stop and educates him
that he is offering his spirit for cash. Doaker Charles: The holder of the Charles family; the uncle of
Berniece and Boy Willie. He subsist with his niece Berniece and extraordinary niece Maretha.
Doaker assumes the part of the storyteller, giving

Arthur Modley Essay
Like many other Harlem Renaissance artist, Archibald Motley Jr., was not from Harlem. He was
born in New Orleans, Louisiana and spent most of his life in Chicago. Motley's family lived in a
quiet neighborhood on Chicago's Southside in an environment that was easily open– minded.
According to the Area of Design Museum, Motley did not spend much of his time growing up
around blacks, because it was a disconnection throughout the community around him that
established Motley as an outsider. Motley himself was light– skinned and mixed with European
American. (Area of Design)
Motley struggled all of his life with his own racial identity that he grew up not appreciating his
"race". Growing up, Motley always knew that he wanted to be an artist. He ... Show more content
on Helpwriting.net ...
Powell, a professor of art and art history at Duke University, calls Motley a "pioneering
provocateur" who experimented with color and movement while "dealing with subject matter that
might have been considered politically incorrect." (Appleford) The figures in Motley's work were
always hurrying, gesturing, or going someplace. Throughout his career, Motley showed interest in
capturing natural light and producing artificial light, especially in night scenes. His most infamous
painting, "Night Life" depicted the African American culture in his work. It portrayed young,
sophisticated city residents out on town. Nightlife is a distinct view of a dancehall in the Chicago
Southside neighborhood, people are seated around tables on the right and left at a bar. The clock
reads one o'clock, yet the place is still jumping with drinkers and dancers. Two bartenders serve
customers and replace the plentiful display of liquor, and a number of couples dance energetically in
the background to music provided by the jukebox.
"Motley unified the composition through his use of repeated forms and a pervasive burgundy tone
that bathes the entire scene in intense, unnatural light." (Powell 2) The vibrant composition and
sharp colors vividly express the liveliness of the scene, making Nightlife one of Motley's most
celebrated

Jazz Albums as Art Essay
Jazz Albums as Art
In the Process of Completing Research for This Issue, I Realized That What I Want to Say May Be
Divided into Two Sections. Part One Surveys the General Topic of Album Art; Part Two (Outlined
in the Accompanying Sidebar) Considers the Conspicuous Absence of Black Artists from the
Process of Designing Jazz Packages: Covers, Liner Notes Etc. This Second Part Will Be Published
in an Upcoming Issue.––R.G.O'M.
The enclosed portfolio of album cover art springs from my ongoing concern with the emergence in
the United States of a jazz culture that has affected not only virtually all other music, here and
elsewhere, but other forms of expression as well. This influence has been exceedingly potent in the
visual arts ... Show more content on Helpwriting.net ...
It is often produced in unexpected places by designers of things for sale in the marketplace of the
moment which nonetheless have lasting aesthetic value: American vernacular art.
Of course the raison d'etre of the jazz album is to provide listeners with reproductions of jazz
performances. But it is also true that at its best the jazz record––especially the 12–inch LP but
occasionally the early cylinder and the heavy (at first one– sided) pancake platter of yesteryear and
even the 7– or 10–inch recording, and the CD of our own era––can be such a perfect package that it
looks and feels just as jazzy as the music itself. The truth is that sometimes the entire package (cover
art, liner notes, disk, and label) actually outswings the music it is meant to complement. In some
cases one keeps the record only for the sake of its beautiful wrappers and writings! But when all of a
jazz album's artistic values are high, music and package alike, the listener/observer/holder/reader
has access to an aesthetic experience that is deeply and uniquely satisfying.
Prior to the introduction of the 12–inch LP in 1950, 78 rpm jazz records (and records in all
categories) were packaged either in single paper sleeves or in sleeve–pages of "albums" having two
or more platters bundled together. They were "albums" (from Latin albus, "white") in the sense that
they consisted of display pages where items

The Gem Of The Ocean, Joe Turner 's Come And Gone And The...
Myth as a semiological system in August Wilson's
Gem of the Ocean, Joe Turner's Come and Gone and The Piano Lesson
Abstract
Myths are one of the most important elements included in the history of not only African–American
lives but also the lives of each and every one of us. Myths are inevitable human resources at times
when no other idea justifies our being. As Barthes posits, for it is human history which converts
reality into speech, and it alone rules the life and the death of mythical language. Ancient or not,
mythology can only have an historical foundation, for myth is a type of speech chosen by history: it
cannot possibly evolve from the 'nature ' of things. This study looks into the significance of "Myths"
and their determining roles as semiological systems in August Wilson 's dramatic twentieth century
cycle plays; Gem of the Ocean, Joe Turner's Come and Gone and The Piano Lesson. In these plays,
myths take the forms of individuals, rituals and even ancestral objects. It can be observed that each
one of these elements performs the most important role in conveying the significance of the
African–American psyche and delicately portrays the eminent influence of ancestral backgrounds in
shaping the lives of each character. The works of scholars such as Roland Barthes, Henry Gates, as
well as many more, have been employed to better grasp this matter. Key words: Myth, semiological
system, African–American psyche, mythical language, ritual
Introduction

Warm And Cool Colors In She-Ba By Romarrire Bearden
Every situation in life is full of emotions, moods, and even physical sensations. Emotions, are
essential for all human beings and are also part of our world. All emotions are influenced by the
colors that surround us. To initiate discussing about warm and cool colors, we need to define which
color belongs to each group, for the warm colors are red, orange, and yellow, and cool colors are
blue, green and light purple. First example, Romare Bearden's She–ba painting, an African–
American artist born in North Carolina. This is one painting that shows both warm and cool colors.
She–ba, is an art piece that has blocks of color that contrast in areas of red, yellow and orange
combination of cool blues and greens. Without doubt, this artwork reflects

The Representation of Tricksters in the Works of Charles...
Fraud, con–man, and hustler are all modern day terms to describe the age old character in African
American literature known as the trickster. Today's working definition of a trickster is one who
swindles or plays tricks; often a mischievous figure in myth or folklore, who typically makes up for
physical weakness through cunning and subversive humor. In African American literature the role of
the trickster is a reoccurring theme, especially in the time period spanning from post Civil War to
the Harlem Renaissance. During slavery and the years that followed the image of a trickster changed
from a humorous amoral figure to a cunning and socially conscious icon. Charles W. Chesnutt is a
primary example of an author, who faithful employs the ... Show more content on Helpwriting.net ...
Colonel Owens' intentions were to select a slave his son could bring up north, who had proven to be
resistant to abolitionist ideals and the prospect of running away. To Colonel Owens elation,
Grandison's answers not only confirmed his view of a mutually benefits of slavery but went above
and beyond to demonstrate a conceivably genuine appreciation of the resources and lifestyle on the
plantation. He went on questioned Grandison about the fairness of his treatment and the kindness of
his master before promising him a bead necklace for his future wife and deeming him "abolitionist–
proof." Although the interaction described was only a brief portion of the story it proves to be a
pivotal moment in the plot and leaves the audience to assume that Grandison is loyal slave with no
intention of running away. But, as we later find out, Grandison was not at all ignorant to the ideals
of abolitionism and actually aspired to be a free man. He eventually achieves his goal as we see in
the very last chapter but not without an unexpected twist Grandison then goes on to successfully
deceive his young master, Dick Owens, and forges his loyalty several times during their travels to
New York, Boston, and eventually Canada. Throughout the journey, Dick Owens provides the
Grandison with a number of opportunities to

Mending Wall Negative Barriers
Sadly, we often choose to conform to what people and society tells us we should be (Maggie &
Barrie Gunter n.p.)" Mending wall is a good example of the statement above. It shows that we all at
times compelled to do what the society expects from us no matter what we feel about it. In some
situations, having some strong foundation of self–love can prevent us from being victims of societal
expectations of us thus decreasing the high levels of hypocrisy in the society. Living in the world
today there are so many people who aim to break our self–esteem and bring us down (Maggie &
Barrie Gunter n.p.). The best weapon to combat this type negative criticism is to have an abundance
of self–love. As longs we have this we are always going get up time after time whenever we are
brought down. Having a lot of self–love and self–esteem is not a guarantee that we won't be brought
downtime to time but as a way to always bring us up after everytime we fall. These two pieces have
a link between them that are very different yet so similar. They both talk of relationships both at the
individual level and at the society level. They both show effects of low self–love and how people
are a bend do the will of others. According to the song pretty hurts the persona narrates on how she
goes to great pains and distress trying to be pretty for others and so that they can see her as pretty
and like her yet after all the pains she has to go and face self–criticism. What is the point of trying to
earn

Art Critiques
Critiques
Chapter 1: 1. Mona Lisa is one of the most famous pieces of art work in the world. Leonardo da
Vinci used a light and dark contrast in this portrait to achieve the emphasis of her mysterious facial
expression. (Page 2). 2. The artwork of the "Kenyan woman" there was a variety of colors. The
colors in this work portrayed the beauty in different cultures. The smile of the Kenyan woman
shows that happiness is beauty. (Page 3). 3. This picture is of the Column of Trajan in Rome, Italy.
The spirals on this piece of architecture portray the victories of Napoleon Bonaparte. The history
and antiqueness of this column makes this picture beautiful. (Page 8).
Chapter 2: 1. Sol LeWitt's "Lines from four corners to points ... Show more content on
Helpwriting.net ...
This image portrays the lava pouring out of a volcano as it explodes. (Page 129). 2. "Still Life,
Tulips" is a watercolor painting done on paper by artist Emil Nolde. This painting represents the
beauty of nature. The colors in this picture help express how beautiful nature can really be and that
people really need to take the time to enjoy nature. (Page 131). 3. "Arcadia Revisted" is a spray
paint on canvas done by artist Crash (John Matos). This piece of artwork looks very graffiti like.
This picture portrays the energy of the era. (Page 132).
Chapter 7: 1. Artist Chen Xuhai's artwork known as "Golden Autumn" seems very complex. This
piece of artwork seems to be of an aging face. The lines on the face represent the wrinkles on a
person's face. (Page 138). 2. "The Mothers" done by artist Käthe Kollwitz emphasizes a mother's
love their child after a war. The facial expressions of the mothers and children seem to be very
depressing, which gives this piece of artwork creates a sense of sorrow. (Page 145). 3. Edgar
Degas's masterpiece known as "The Ballet Master" shows a man teaching a woman ballet. It seems
as if he is directing her as to what to do. This image seems to be a unique piece of art. (Page 147).
Chapter 8: 1. "Young Lady with an Umbrella" shows a woman enjoying the presence of nature. This
photography really captures the beauty in nature with the beautiful fall leaves. (Page 155). 2. "The
Brown

August Wilson
August Wilson: Poet, Playwright, and So Much More August Wilson is a man who, outside of the
theatrical world, is not very well known. Yet there are those, like Paul Carter Harrison, who would
rank him in "the same 'artistic continuum' as Langston Hughes, Toni Morrison, and Thelonius
Monk."1 When I began research on August Wilson I asked myself, so what? So what if he's won
awards and recognition? What has he done to merit them? What makes this man important enough
to do a research paper on? Why not Langston Hughes or Martin Luther King, Jr.? What makes this
man matter in this society? As I continued my research I realized that, throughout my entire life, I
had been deprived of knowing about such a man as August Wilson. I ... Show more content on
Helpwriting.net ...
He didn't have the money for bus fare so he hauled it to his apartment and plunked it down on his
rickety old table. He first thing he wanted to do was to type his name, but he didn't write Frederick
August Kittel, instead he wrote: August Wilson. This was in effect to discard his father's absent
history and to adopt that of his nurturing mother. So, on April 1, 1965, August Wilson celebrated his
birth as a poet.w Continuing his daily excursions to the library Wilson made a few friends and
together they started "the Centre Avenue Poets Theatre Workshop, which sponsored readings and
published small poetry magazines."6 Doing this he was encouraged to write poetry of his own and
was soon being published by Black World and Black Lines. In 1965, Wilson stumbled across some
old 78–rpm records and bought a few for a nickel apiece, one of which was Bessie Smith's Nobody
in Town Can Bake a Jelly Roll Like Mine. When he got home he was so impressed with it he played
it 22 times.l This was the first major influence on Wilson's life, and jazz continued to exert a
profound influence on him and his career as a playwright through recurring images in his plays of
the black musician. "Bessie Smith may very well be figured as Wilson's mother, for she gave birth
to Wilson as what Houston Baker would call a 'blues detective, who is able to decipher black

Child Study Examples
My child study was inspired by the richly textured collages of Romare Bearden. I created an
appropriate lesson plan for the developmental level of a third grade student. The student that I
worked with was Leanna, she goes to PS.29. She is eight years old, and she loves to to dance and be
creative. As a third grade student, Leanna does not have art class. Arts and crafts are done
sporadically throughout the school year and sometimes during lunch. As a lover of the arts, Leanna
really doesn't like that her school doesn't offer her art classes. When asked, she said her favorite
form of art is origami. She loves to create origami hearts for valentine's day. It is really unfortunate
for creative students, like Leanna to be deprived from applying their creativity in art classes.
After presenting the lesson to Leanna, she knew what she wanted to create. Once I gave her the
supplies, she took the magazines and started flipping through them right away. She chose a brown
construction paper ... Show more content on Helpwriting.net ...
I wanted Leanna to create and show either a picture or memory through her collage but I wasn't sure
how to word it. In the end, we looked through the Romare Bearden: Collage of Memories book to
infer what inspired Bearden to create his collages. This book proves great visuals and illustrations of
the collages Bearden has created. It also includes information about him and his artwork. Showing
Leanna, the diversity of Bearden's collages really helped her get inspired to create her own collage.
It also inspired me to create a fun and appropriate lesson plan for Leanna. This teaching experience
showed me the importance of art in public schools. If more schools provide students of all ages with
art classes students will be more inspired and ready to learn. Art classes are therapeutic and
beneficial to students and after two hours of math, creating art would be

Romare Bearden Uptown Looking Downtown Analysis
"Uptown Looking Downtown," created by Romare Bearden, is a mixed medium collage made in
1965. Romare Bearden was born in Charlotte, North Carolina, but he moved to New York City
when he was three years old. This is a very busy piece, but using the 4 Steps of Art Criticism, also
known as the Feldman Method, describing, analyzing, interpreting, and coming up with a decision
and overall judgment of this piece will be much easier to do. First, to describe "Uptown Looking
Downtown," I glanced over the entire artwork and noticed that it is a large city with a busy road
extending horizontally, which seems to take place downtown. Initially, my eyes were drawn to the
large eye located at the top, center of the piece, in between very large buildings. This eye seems to
be a large clock, due to the "little hand" and "big hand" extending out of the pupil. Many old
fashioned cars and faces of Caucasian people fill the busy road. Right in front of the busy traffic, on
the bottom, left side of the artwork, there are three Caucasian men who are dressed up, wearing hats
and nice suits. One man is holding a newspaper, the second is holding what seems to be a magazine
or a mug, and the man with a very mean expression, on the left, is holding a brief case.
In between two of the ... Show more content on Helpwriting.net ...
To start off with the title, I already assumed this piece had something to do with hierarchy taking
place downtown. Moving on to the actual artwork, seeing the old–fashion cars and clothing of the
people reminded that this piece may be represented in the late 50's, 60's or sometime during the
Renaissance. The three Caucasian men being positioned to where they are a bit higher above the two
African–American guys, also reminded me of back in the day when racism and discrimination was
an issue. They are looking down at the two men with curiosity and what seems to be

Analysis Of Emma Amos's 'Sandy And Her Husband'
Emma Amos seems like your typical woman with the household duties she upholds. Amos grew up
in Atlanta, where she was surrounded by middle class African Americans. As a mother, she focused
on sewing, weaving, and quilting. Her artwork displays the issues she struggled with as being a
black artist. The artwork "Sandy and her Husband" portray Emma Amos tuck in the painting
overlooking a man and a woman embracing each other's body in a living room. Amos's artwork
wanted people to see a story being shared. Even though she was a black female artist, her paintings
expressed the concerns of politics, gender, race, and cultural history. Emma's artwork was very
impressive. She was invited to be apart of the Spiral collective. The spiral ... Show more content on
Helpwriting.net ...
In the article Emma Amos: Art as Legacy by Lisa E. Farrington composes of Amos's life as an artist,
how she got there, and what she wanted to accomplish as an individual. The spiral collective which
was mentioned earlier was a "black and white" group started by Woodruff, Romare Bearden and
other eye–catching African American artists. Despite the fact that this movement did not last long, it
still shaped a movement. Two years after being found, they decided to put up an art exhibit. Amos
composed a naked portrait of a woman. This portrait was interpreted "as a woman without beauty
but with confrontational power." Regardless of that the spiral collective was successful it did result
with international philosophical conflicts. People also argued whether the group should be
interracial or not. When talking about color in art it is a very important tool. In the article it states
"Color has a very personal significance for all African–American people and this significance also
underlies Amos's work."This is a true statement, because Amos uses vibrant or bold colors in most
of her paintings. On the other hand, Amos does not like to be known as a woman of color. When
Amos came to New York City she realized that New York artists were for males. Even though she
worked with male artists in spiral she still felt downgraded. After spiral ended she decided to go on
her own path. Her style in her artwork was very interesting because

Relic From Camp Summary
Relic From Camp, an art installation, was created by Kristine Anon. Relic From Camp is made up of
twelve little squares. In each squares, there is a layer of soil, the soil was collected by Kristine from
each of ten Japanese American Internment Camp. Upon the soil, Kristine placed internees' relic. She
visited and interviewed each of internees' family, and she borrowed the relic from them. We can see
the testaments she collected: "photographs, dolls, zoris (sandals), tools, articles of clothing, and
various other items"(1) She wanted to show that Japanese Americans still enjoyed their life's simple
pleasures even though they were surrounded by abatis and armed guards. That is because Japanese
Americans were grabbed to the Japanese American

Analysis Of Spectrum Properties And Property Management
I. xecutive Summary
Spectrum Properties is a leasing and property management company that has been around for over
30 years with a vision to be a family of boutique companies. The company prides itself on focusing
on result–based relationships with their clients. By being versatile and implementing creative plans
our experienced leaders have made successful real estate deals and making a positive difference in
our communities. A new and inspiring office complex is being developed in Downtown Charlotte
known as 300 South Tryon. This development will be a 25‐story, 21st century workplace built on
the best remaining site on Tryon Street. The property, being developed by Spectrum Properties and
Cornerstone Real Estate Advisers, will achieve a ... Show more content on Helpwriting.net ...
However, now that this is no longer a concern within this specific industry other organizations have
made progressions quicker than Spectrum due to the size of their companies. Therefore the objective
of this marketing plan is to broaden Spectrum's new business market by assessing a strategic plan
with their newest development, 300 South Tryon.
II. Company Overview
By constructing a marketing plan for 300 South Tryon, Spectrum Properties can market to a higher
class of prospective tenants that will complement the buildings Class A features. The project is
located at the corner of Tryon Street and Third Street, in the heart of Downtown. The site is located
between the Wells Fargo, Duke Energy, and Bank of America campuses. Tenants working in the
building can enjoy more than seventy‐five restaurant choices and numerous hotel choices within
three blocks of the building. The site is also adjacent to the new Romare Bearden Park and the new
BB&T Ballpark – a fun linear park provides a dynamic connection to these amenities from Tryon
Street.
With the development of 300, Spectrum will successfully enhance their edge that sets them apart
from other organizations. The purpose of the marketing plan is to implement a change initiative to
redefine Spectrum's boutique company vision as a larger corporation so that the goals of the
company coincide with the current market

Similarities Between The Odyssey And The Test Of The Great...
Throughout time "The Test of the Great Bow" has been interpreted in many different ways. Through
Homer's 21 book of The Odyssey, Thomas O'Grady's poem "The Test of the Bow", and Romare
Bearden's painting The Bow of Odysseus. All three share the same story of Odysseus' journey to go
home, string his bow, and win back his beloved wife Penelope. All of the authors interpretations
have similarities and differences shown through tone, conflict and theme through each piece. The
readers are given three very different ideas of tone through each interpretation. Both Homer's 21
book of The Odyssey, and the poem "The Test of the Bow" have very similar tones. They both have
a powerful and revitalizing tones. This is because they both focus on Odysseus' ... Show more
content on Helpwriting.net ...
Once you know your own strengths anything is possible and don't doubt the underdog. "The Contest
with Odysseus' Bow" shows this by having the suitors think Odysseus is a poor, irrelevant beggar.
However, he proves himself to be the strongest when he "did not miss, not even a single top on all
the axe heads."(Homer 65–66) In "The Test of the Bow" once Odysseus knew his strengths and
what he could do "he proved himself the master of them all."(O'Grady 15) Bearden's painting shows
not to doubt the underdog. Bearden made it appear that the suitors were not paying any attention to
Odysseus in the slightest. They had no faith in him and didn't think much of

Hall Of Bull Analysis
Lascaux p.434 Main hall (Hall of Bull"), was found in Lascaux france by children exploring an
extensive cave.The artwork has been dated to 15,00 B.C.E. The artist would create and outline, by
either using fur, feathers, moss , sticks, or fingers with natural minerals. Then to color they may
have used powder blown through tubes of bone.The paintings contain rare painting of owls, hyenas,
and panthers and engravings of the silhouettes of birds and large mammals that are now extinct. One
theory behind the purpose of these cave drawings were to ensure success in the hunt. These cave
paintings represent the earliest confirmed uses of visual signs to represent form and meaning.
Machu Picchu Stone gateway p.386 Peru,c 1500. This gateway contains

War Series: The Letter By Jacob Lawrence
Jacob Lawrence, an African American artist, produces two best–known collections like the
Migration Series and War Series. Showing in the website, fourteen over sixteen panels are the War
Series. Jacob's War Series described his experiences that he joined the gallery during World War II.
Jacob Lawrence painted the War Series when he received a Guggenheim Fellowship in 1964.
Drawing the outline of an object and filling in some uniform color, he was exposing the signified of
situation and people's feeling. War Series: The Letter is an art works I like the best. The picture
shows a letter on a black table and a man who presses the black table by his hands. The man is
lower his head. I can feel that after he reads the letter, he is very sad. Perhaps,

The Pursuit Of Happiness
The Pursuit of Happiness A true basis of what it means to be an American can be thoroughly argued
on the grounds of what constitutes an American, is an American born or is an American made. The
collective identity of the American populace is the shared characteristics, the same drive, which
ultimately results in oneness. The unique American cultural identity is the shared revolutionary
nature, which drives Americans toward progressive social changes in the pursuit of personal
happiness. The original thirteen colonies faced a rather odd situation in their nascent years. Far
enough away from Britain to not completely live under their control, the colonies began to form a
new way of defining themselves. Rather than simply being British colonies they wanted to act as a
sovereign nation in their own right. Fearful of the colonies gaining too much power the British
government implemented a set of Acts, such as the Intolerable Act and Tea Stamp Act, with the
intention of them limiting the colonies freedom and smothering any chance of rebellion. However,
the colonist took this as an act of oppression instead and rose above it in order to regain their
personal freedoms. They felt that their society had plateaued into mediocrity under the rule of King
George as they didn't have protected rights (The American Pageant, 126–133). In the hopes of
ridding the colonies of the British rule war broke out, the crude colonist soldiers fighting against the
well–polished British army,

Cultural Identity In Betty Friedan's The Feminine Mystique
Elizabeth Thompson Phyllis Bazzari AP Language and Composition 26 May 2016 America's
Cultural Identity In 1775 the then American colonies of Great Britain began fighting a revolutionary
war. This war, and the winning result of independence, led to many changes within American
society. Since then, America's capitalist economy and social progressive efforts have fueled an ever–
changing, revolutionary, and reformist cultural identity. One way this cultural identity is expressed
is through art. Jackson Pollock was a revolutionary in the art industry. Pollock is known for making
it possible for American paintings to compete with their European opposition. Pollock introduced
many new styles to the art world three of which were known as "drip ... Show more content on
Helpwriting.net ...
Of Plymouth Plantation. New York: Capricorn, 1962. Print. Colman, Penny. Elizabeth Cady Stanton
and Susan B. Anthony: A Friendship That Changed the World. New York: Henry Holt, 2011. Print.
Early, Gerald. "Jazz and the African American Literary Tradition, Freedom's Story, TeacherServe®,
National Humanities Center." Jazz and the African American Literary Tradition, Freedom's Story,
TeacherServe®, National Humanities Center. Web. 24 May 2016. Freeman, Lucy. "'The Feminine
Mystigue'" The New York Times. 7 Apr. 1963. Web. 25 May 2016. Geber, Henry. "The Society for
Human Rights—1925." The Society for Human Rights—1925. Web. 28 May 2016. Geiling, Natasha.
"The Confusing and At–Times Counterproductive 1980s Response to the AIDS Epidemic."
Smithsonian. 4 Dec. 2013. Web. 23 May 2016. Goldstein, Gary. "How the Stonewall Riots Changed
History." Los Angeles Times. Los Angeles Times, 20 June 2010. Web. 28 May 2016. History.com
Staff. "The Roaring Twenties." History.com. A&E Television Networks, 2010. Web. 25 May 2016.
Imbornoni, Ann–Marie. "Women's Rights Movement in the U.S." Infoplease. Infoplease. Web. 23
May 2016. Jackson Pollock. 2011. Web. 23 May

The No Child Left Behind Act Essay
O Art, Art, Wherefort art Thou Art? Who are Raphael, Leonardo, Michelangelo and Donatello?
Present this question to a room full of children (as well as teenagers) and you are only going to
receive references to the Teenage Mutant Ninja Turtles as responses, nearly without a shred of
doubt. Though those guys are great, as someone in my mid–twenties I have some nostalgic
attachment to them as well, this fictional presentation, with its' fictional responses which is actually
not related to those fictional characters at all, presents a prime example of the large void in the level
of insight of what the education system has instilled in our youths. At the turn of the century, there
seemed to be a shift. And that shift is due, in part, to the introduction of the No Child Left Behind
Act, a federal public education act that forces schools to follow certain policies and meets standards
in order to receive federal funding. It is believed by many that No Child Left Behind has assisted in
the marginalization of arts education in public schools by way of prioritizing core subjects. This
thinking, and by conjecture this act, have been a detriment to the development of children.
Therefore, I propose that if this act is to be in place, in order for public schools to provide the best
possible education for the future of this country, they must also implement benchmark testing for
fine arts classes identical to those of the core subjects.
Given that No Child Left Behind is often cited as

Aspects Of A Negro Life Essay
Aspects Of A Negro Life
Through his political activism and his artwork, Douglas dramatically changed the way other artists
viewed African Americans. Politically, he helped found and served as president for the activist
organization that drastically assisted with employing thousands of artists.
he 1920s and 1930s brought drastic changes to the lives of many African Americans.
Geographically, they migrated toward the urban, industrialized North, not only to escape racial
prejudices and economic hardships, but also to attain higher social and economic status. This "Great
Migration" transformed the streets of Harlem, New York, and gave rise to cultural changes of the
New Negro movement. As this movement gradually gained popularity, ... Show more content on
Helpwriting.net ...
Through his political activism and artwork, Douglas was able to reveal the ideas and values
exemplified during the Harlem Renaissance, despite significant criticism of his style.
With this rebirth of traditional African culture, the number of African American artists rapidly
increased. It became difficult for these artists to gain employment, even with the assistance of
government work–relief programs, such as the Works Progress Administration (WPA). Set up by
President Roosevelt as part of his New Deal program, the WPA offered jobs to thousands of
unemployed artists, in an attempt to boost the nation's morale, as well as stimulate the depressed
economy. Despite its good intentions, the government program was unable to pay decent wages and
failed to provide employment for nearly five million artists (American). In response to this failure,
the Harlem Artist Guild, founded in 1928, aggressively began to work alongside the WPA to ensure
the success of African American artists. Led by its first president, Aaron Douglas, the activist
organization played an influential role in helping artists attain the recognition necessary to qualify
them for the WPA work projects (Bearden 131). With the assistance of Douglas, the Harlem Artist
Guild, and the WPA, millions of African American artists succeeded in gaining employment despite
the hard times of the 1930s (Artnoir's).
In his own works, Aaron Douglas used a strong,

Professional Voice Analysis
In the text, Professional Voice is how we adapt to the values and distinctive voices in our chosen
discipline. There are several ways to accomplish this, one of those ways is to look the part, in other
words dress for the role. Secondly, when we communicate within our discipline, understanding how
to speak and write the language of your profession is essential. However, we need balance in our
communication skills, verbal and written, not too complex or simple, but effective enough to
communicate with a distinctive professional voice. In my disciplines (Social Work and Art
Education), there are several different levels; one of those is learning to speak the language of
scholarly art educators such as, having knowledge of the different art

American Identity And American Identity
Ever since our ancestors began to migrate to this country, we have been in conflict with each other.
Facing off against each other through slavery, the civil war, and even against the Harlem
Renaissance. Although our country has gone through this turmoil and faced ethnic issues, our true
identity shines through with our fight for freedom, the ability to create our own–and america's– path
through american ingenuity even in times of great distress. Through the workings of Jackson
Pollock, showing how not to conform, and through the Jazz evolution; the american identity has
always shown its fight for freedom and independence the country contains. Ever since the Puritans
landed on this continent, the american identity was established, ... Show more content on
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This split in the american identity severed many ties between the south and the north, but both sides
fought for what they saw was the best path for America. So, even though the sides fought against
each other, they were fighting for one collective idea: the right path for America. Nothing has been
more important in American history than immigration. All americans came from a different descent,
whether it was African, European, or Asian, every american is different. The mixing of culture and
countries is what makes america uniquely great. Beginning with Christopher Columbus finding
parts of the Caribbean, and ever since then many more explorers came to seek refuge in the vast
continent of America. The melting pot that the immigrants created when they landed in America
added to the american ingenuity. Many immigrants had to take jobs in coal mills, factories, and
many other low collar jobs just to make a living . Many of these immigrants came from Ireland and
Germany, facing famines and hard working conditions in Europe these immigrants saw a beacon of
hope in America. Exhibiting perseverance, these immigrants illustrated great american identity by
continuing to work hard and fight for their own path in american history. Although these immigrants
struggles were great, nothing was greater than the

Romare Bearden : Art Criticism
Romare Bearden: Art Criticism Romare Bearden's art exhibition "Vision and Activism" portrayed
his perception of society and the need to put in motion social change. The Black History Museum is
where I observed his art collection. The set up of the pieces were by category and was not congested
because there was a moderate amount of space between each piece. For first impressions the two art
pieces titled "Noah and the Seventh Day (Prevalence of ritual series)" and "The Family" is highly
detailed and the use of tone exhibits dramatic traits in the first piece while the second piece has
tranquility. The subject matter for "Noah and the Seventh Day" is culture and for "The Family" is a
focus on African American lifestyle. Intently scrutinizing "Noah and The Seventh Day" the setting is
outside among the sea and animals are on a boat. The color is subtle, slightly vibrant, and uses cool
tertiary colors. The texture has a grainy and hard effect as if he stippled using a paint brush. The
shapes are organic but the water had strong emphasis where the lines gradually got deeper and
broader away from the horizon. On the contrary, "The Family" setting took place inside of a house
with women gathered at the table preparing food. The colors are subtle, earthy, and include warm
tertiary colors. The background texture has a fine and smooth appearance. He included recognizable
shapes such as cylinders, rectangles, and squares. By Bearden applying cross contour, pointillism,
and cross

W. E. B. Dubois During The Harlem Renaissance
African–American people have endured many struggled throughout US history. According to the
Trans–Atlantic Slave Trade Database, over ten million slaves were forcibly brought from Africa to
the States. Even after slavery was abolished, black people were not treated as full Americans. They
did not receive political or cultural equality, as white supremacist regimes continued to control
society. Jim Crow laws in the south made it politically clear that blacks were to be treated as lesser
than their white counterparts. Even though slavery was technically made illegal, many blacks
continued to be exploited as sharecroppers. Between 1910–1920, large numbers of black
southerners migrated to northern urban areas in The Great Migration in order to flee the oppressive
institutionalized racism in the south. Many African Americans settled in ... Show more content on
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Forming a community within the big city allowed African–Americans keep their cultural identity in
a white dominated society. It was in this context that blacks aimed to bridge the gap between what
W.E.B DuBois coined as double–consciousness, the battling identities of what it means to be black
and American. In this bridging, the Harlem Renaissance occurred. The Harlem Renaissance was a
time when the African–American community asserted its place in US culture. The artistic
community in Harlem flourished and produced a lot of work in a short amount of time. They were
encouraged to take pride in themselves and their cultures and to shed light on the African–American
experience through artistic expression. Writers like Langston Hughes, Zora Neal Hurston and
Countee Cullen drew on the rhythms of African American music and their experiences of alienation.
Musicians such as Louis Armstrong, Duke Ellington and Bessie Smith developed swing and jazz

Barrymore Theater Play Julius Caesar Essay
1. The Hill District: The Hill District is a historic African American collection of neighborhoods in
the city of Pittsburgh, Pennsylvania. Many Pittsburghers refer to it as "The Hill". August Wilson was
raised in The Hill district until his family moved to Hazelwood, which consisted of mostly white
people. The Hill District was the setting for nine of the plays in August Wilson's 10– play Pittsburgh
Cycle. 2. Barrymore Theatre: The (Ethel) Barrymore theatre is a Broadway theatre located at 243
West 47th street in Midtown–Manhattan, named after actress Ethel Barrymore. The Barrymore
Theatre, designed by Herbert J. Krapp opened on the night of December, 20th, 1928. August Wilson
play Joe Turner's come and gone. Opened at the Ethel Barrymore theatre in New York on March,
26th, 1988. 3. Lloyd Richards: Lloyd Richards was the first black director of the Broadway play,
Raisin in the Sun, in 1959. He helped boost the careers of actors Sidney Poiter and James Earl
Jones. He spent 12 years as ... Show more content on Helpwriting.net ...
Caesar is giving this advice to Black Mary. The significance of the advice in relation to the play is;
Caesar is a man of color which is supposed to be a disadvantage, yet he is more successful than
other man of color because he made the most of what he had, like selling hoecakes off the back of a
wagon, and cooking them over coal, and when got beans he'd sell them right out the pot. Even when
trouble hit and police ran him out of the corner because he did not have a license, but he did not let
that stop him, so he got a license. He did everything he needed to do , to be as successful as he is
now. He did not let the color of his skin hold him back. Caesar himself only has one good eye,
which is a disability to people who have two good eyes but a privilege to people who are blind. The
quote is trying to convey the idea that a person that is not capable can gain respect among people
that are less capable than

The United States ' Collective Identity
A true basis of what it means to be an American can be thoroughly argued on the grounds of what
constitutes an American, is an American born or is an American made? The collective identity of the
American populace is the shared characteristics, the same drive, which ultimately results in oneness.
The unique American cultural identity is the shared revolutionary nature, which drives Americans
toward progressive social changes. The original thirteen colonies faced a rather odd situation in their
nascent years. Far enough away from Britain to not completely live under their control, the colonies
began to form a new way of defining themselves. Rather than simply being British colonies they
wanted to act as a sovereign nation in their own right. Fearful of the colonies gaining too much
power the British government implemented a set of Acts, such as the Intolerable Act and the Stamp
Act, with the intention of them limiting the colonies' freedoms and smothering any chance of
rebellion. However, the colonist took this as an act of oppression instead and rose above it in order
to regain their personal freedoms. They felt that their society had plateaued into mediocrity under
the rule of King George as they didn't have protected rights (The American Pageant, 126–133). In
the hopes of ridding themselves of the British rule war broke out, the crude colonist soldiers fighting
against the well–polished British army, something revolutionary all in itself as it has never been
done

Influence Of African American And European Artists Since...
Influence of African Art on Modern American and European Artists since the 19th Century
The little that is known of the history of the African people comes from the stories that the Africans
pass down from one generation to another. These stories have been changed or confirmed by the
studies of archaeologists, who have found evidence doing so. The biggest problem for
archaeologists is that most of the artwork and other remnants of the African culture has been
destroyed over the years due to natural elements (Jirousek, para.1). This is because they were made
of organic materials, which decompose easily in the environmental conditions of Africa (Jirousek,
para.1). Even though there is not many examples of historical African Art archaeologists ... Show
more content on Helpwriting.net ...
The Baule people of this area made mask that consisted of heart shaped faces which were elongated.
These faces also had small mouths that were "placed low on the face" (Murrell, para. 8). Modigliani
would go on to adapt this style for a number of his paintings such as "Reclining Nude". This led to a
number of other artists such as Constantin Brancusi, who was responsible for the wood carving
"Bird in Space" utilizing the concepts of African Art into their artworks. The artist Max Weber
helped to bring African influenced art to American after visiting Picasso while he was studying
"painting with Matisse" in Paris. After his exposure Weber's paintings started portraying masked
forms that were done in an abstract

Personal Narrative: My Trip To The Mint Museum
I'm Jacob Boger, most would say I'm outgoing, helpful and funny. I took art at Piedmont IB in the
6th and 7th grade. I never signed up for an Art class in high school until my Junior year. I chose to
take an art class because it was required to attend a four year college. While I was a student at
Piedmont, we visited museums like the Harvey B. Gantt center and The Mint Museum. While
visiting the Mint Museum we saw pieces from Romare Bearden, Sculptures from Downtown
Charlotte, and many more fascinating paintings. My Uncle David is a photographer and photo
editor. When I look back on the projects we did in Ceramics the Sgraffito tile was the most
challenging, I had different sized circles that weren't easy to finish. The most interesting project in
Ceramics was the mask, your ... Show more content on Helpwriting.net ...
When making the mask first I made a platform for my mask to sit on, then I rolled out a Slab of clay
on the Slab Roller, then I cut the slab with a needle tool to fit the platform. I used a template of a
face to mark out the nose line, hairline, mouth, eye line and chin of the mask with a loop tool. Then
I made the pit of the eyes with my thumbs, I filled the pit of the eyes with eyeballs. Then I added
eyebrows, I scored the eyebrows to create a hair's texture. I made a mouth by putting a mound of
clay on the base of the mask and carved the lips and teeth out. I created an Orc's teeth by making a
fang, then I scored the teeth with a needle tool. I chose the hairstyle dreads because I wanted a
challenge, I made the dreads by rolling out thin coils of clay and adding texture by scoring the coils.
I placed the dreads over dreads to imitate movement. Lastly, I added body adornments like piercings
and then I cleaned up any rough areas. Then, Ms. Wadsworth fired the masks in a Kiln. Challenges
while making the mask where not that hard because I learned from mistakes on previous projects.
My final product turned out great but I should've made the mask

The Intersection Of Social Movements And Art
The intersection of social movements and Art is one that can be observed throughout the civil right
movements of America in the 1960's and early 1970's. The sixties in America saw a substantial
cultural and social change through activism against the Vietnam war, women's right and against the
segregation of the African – American communities. Art became a prominent method of activism to
advocate the civil rights movement. It was a way to express self–identity as well as the struggle that
people went through and by means of visual imagery a way to show political ideals and forms of
resistance. To examine how a specific movement can have a profound effects on the visual art, this
essay will focus on the black art movement of the 1960s and ... Show more content on
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Secondly, observing the work of Emma Amos who was the only women within the spiral group.
Romare Bearden, started his artistic career being an abstractionist, however the civil right
movement had an impact on his art which lead him to the creation of the group called spiral. With
the help of other black artists, Bearden sought to reflect how they could portray their connection to
the civil right movement through their arts as a racial group minority. Ralph Ellison (1977),
mentions the anachronism of the American social experience of minority artists which could then be
used to understand the motivation behind the art of Bearden. This anachronism refers to; "The
imbalance in American society which leads to a distorted perception of social reality, to a stubborn
blindness to the creative possibilities of cultural diversity, to the prevalence of negative myth, racial
stereotypes and dangerous illusion about art, humanities and society." (Ellison: 1977 : pp.673) It is
then argued that many artists are often majorly influenced by the power of this anachronism, as their
culture as well as the freedom of representing their self identity through aesthetic technique of self
expression that are already existing. This, then restrict their attempt to seek change of the complex
social situation they experience. Meanwhile, it is said that Bearden attempt not to follow the
anachronism in is art by transforming it into a component of art as a mean of personal vision
(Ellison:

American Dream Identity
The American identity has evolved throughout centuries of oppression and obligation. Race and
cultural differences rip through the seams of the meaning of American identity, while it has
inevitably been forged from its true origins. An evolution of jazz, art and influencers portray the true
meaning of what it is to be an American. Idealisms and morals have drastically changed over the
past few centuries, and they continue to evolve every single day. Every person has an individual and
unique meaning of what it is to be an American, even though many of us do not share the same traits
and beliefs. In America today, the 'American Dream' has changed drastically. We strive for
individualism as well as wealth and prosperity throughout our entire community, although we do
still have salient matters to work on. It was not always like this, though, because as a nation we
grew together through slavery, racism, and immense violence/protest. Slavery has been dated back
to as early as 1619, when the first African Americans were brought to Jamestown, Virginia to assist
in the growth of tobacco and crops. The American identity was struck from its original meanings
when this began, as it started to become evident that "there is not a country in world history in
which racism has been more important, for so long a time, as the United States," (Zinn, 35). We
were no longer a country of one, while we were harshly separated after "the color line" (Zinn, 35)
became

Analyzing Romare Bearden's 'The Family'
Khari Vanderbilt
Mr.Inguito
English 1C
October 13, 2014 Romare Bearden's "The Family" (1941) & "The Family (1975) Comparisons
Romare Bearden, a great artist that expresses many feelings throughout his photos. He expresses
different types of feelings and meanings through colors, background, character demeanor, and even
the posture of the characters in the picture. My favorite painting by Romare Bearden has to be "The
Family"(1941) due to the fact that I had a personal connection to the picture. I never knew of
Romare Bearden's other painting that related to this one which is "The Family"(1975). This is a
similar picture but the family isn't as depressed as the family in the first picture. This family doesn't
seem to be struggling and ... Show more content on Helpwriting.net ...
His frustration is visible in the expression on his face. He appears tired of her bothering him about
it, hence the hand. The child is showing a lot of white which can represent faith, I think the artist did
this to say that the baby is giving the family faith because they are trying to provide for their child
and in order to do that they need to be able to put food on the table which won't just only help the
baby but them as a whole. The woman may also symbolize strength that's why the artist made her
dress and lipstick red; she's fiery. She may help the husband maintain his sanity no matter how many
problems they are going through as a family. In the second picture, "The Family" (1975), it seems as
if it could be a picture of the same family but they are living a better life. In the previous picture
they only had a slice of bread on the table; in this picture they have a whole table of food. It appears
like they have a loaf a bread in which the man who is probably the father is cutting. The family also
has plates and cups at the table, when in the previous picture; all they had was a plate and a fork.
This may mean that the family has become more financially stable and are able to provide for the
family that was once struggling. The colors in this picture are brighter and more joyful than the first
picture. The first picture had dark colors such as dark blue, grey, black, which often

Romare Bearden’s Collection Essay
Featured and organized by the Metropolitan Museum of Art, Romare Bearden's collection is one
that appreciates and depicts life for what it really is. Bearden did not like abstract expressionism.
Instead, he made many collages depicting life with different perspectives, allowing the viewer to see
reality, but also try to figure out the true meaning that Bearden meant to portray in the collage that
was not directly seen by just looking at the picture. These collages were made by "Cut and pasted
printed, colored and metallic papers, photostats, pencil, ink marker, gouache, watercolor, and pen
and ink on Masonite" (MET Museum). Bearden liked telling narratives within these collages
involving Harlem life. Whether it was on the streets, inside ... Show more content on
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He took his imagery from both the everyday rituals of African American rural life in the south and
urban life in the north, melding those American experiences with his personal experiences and with
the themes of classical literature, religion, myth, music and daily human ritual" (Ruth Fine).
The exhibition held at the Metropolitan Museum of Art featured one of Bearden's best works called
The Block. It is part of a celebration of Bearden's birth. According to the Museum, "The Block, an
eighteen–foot–long collage, celebrates the Harlem neighborhood in New York City that nurtured
and inspired so much of the artist's life and work. Bearden's elaborate and colorful cut–paper
collages elevated this genre to a major art form through its unusual materials, expressionist color,
abstracted forms, flattened shapes and spaces, and shifts in perspective and scale–all the while
maintaining focus on the human narrative being told within a single city block" (Met Museum). The
block depicts Lenox Avenue between 132nd and 113rd street, in New York City's Harlem
neighborhood. The placement or arrangement of the visual elements in this collage is structured by
what we usually see on a normal city block. This includes apartments, store fronts, and groups of
people gathering. Bearden also includes a liquor store, a funeral parlor, a church, and a barbershop.
You can see how people live and where they

American Cultural Identity
From out colonial roots in the Chesapeake colonies, to the growth and expansion of thousands of
cities, America has grown in many ways. New ideas, new leaders, immense diversity, and different
culture all come together to form a collected identity. Some of the most outstanding characteristics
of this American cultural identity are the pursuit for freedom, a relentless spirit in times of conflict,
and the ability to create community despite our differences. One root characteristic of the American
cultural identity is the pursuit of freedom, especially in times of suppression. This pursuit of
freedom was first planted by the English colonists in Jamestown, Virginia on April 26, 1607
(Taylor,130). Englishmen sought freedom from many social injustices like poverty, vagrancy, and
crime in London (Taylor, 120). Although these colonists suffered from the physical demands of
beginning a new life in a strange area, they were able to make a statement of freedom from Europe.
North from the Chesapeake Colonies, settlement began in New England by a certain religious
group, the Puritans. The Puritans were a group of religious reformers that left England to be free of
the Anglican church. Puritans sought to recover the original and pure church of Christ by rejecting
the involvement of ceremonial sacraments in the church and by urging Church goers to read their
Bible. The Puritans sought the new lands to be free of a sinful England and its social and economic
problems (History.com Staff).

Jacob Lawrence: Progress In African American Communities
Progress in African American Communities. Two hundred and forty years of economic struggles
and crisis, racial discrimination, police brutality, political wars, relentless political leaders, almost
fair judiciary system, faith, fear, love, and compassion are some of the spices that made United
States of America the greatest nation in the world today. Our founding fathers fought and thrived to
make the USA a nation of togetherness, a nation without prejudices, a nation where dreams come
true, a nation free from strict laws and culture, our fathers fought with all their might to bring us
together and to make us stay together. Nevertheless, with all its glory and title has the greatest
nation on earth, United Sates of America is still a nation ... Show more content on Helpwriting.net ...
The train in Prevalence of Ritual represent time and freedom but it also depicts slavery, poverty,
inequality, lack of education, division and under civilization in the African American community.
Braeden wrote about Prevalence of Ritual "I use the train as a symbol of the other civilization, the
white civilization and its encroachment upon the lives of the black. The train was always something
that could take you away and could bring you where you were. And in little towns its black that live
near the trains" (Pohl 515). Our book agrees with Bearden and stated that "musicians also use train
to represent movement of time and space" (Pohl 515) and possibility of freedom that might not be
achievable because of segregation, racism, police brutality, poverty, lack of equal access education,
and inequality.
Although Prevalence of Ritual shows ritual and religious histories of African Americans, its
similarity to She felt the sting of slavery cannot be overemphasized. Both artworks (30years apart)
shows the struggles of African Americans through slavery, instability, inequality, fear, pain,
dejection, rejection poverty and

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