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CINEMATOGRAPHY
• The camera movement here is the most significant. It follows him,
simulating his movements by keeping at a slow, steady speed
when he walks and then speeding up at the end when he moves
faster. This immerses the audience in the scene, as if they are
walking along with him.
• The unstable handheld camera reflects his confusion and unease
at being in prison.
• High angles are used to demonstrate his inferiority and
vulnerability.
• Close-ups help to make the emotion more intense and thus
heighten them, building suspense and creating an unsettled
atmosphere.
MISE-EN-SCENE
• The location is bleak and bare,
conventional of a prison in the use of
brick walls, lots of windows and
concreted open space.
• The lighting is dim, making all the
colours dark and washed out – even
the bright orange of his hoodie is
dulled.
• The costumes are conventional to the
point of cliché – using the
stereotypical hoodie and beanie to
identify him as a young criminal. Most
of the prisoners are dressed the
same, implying they are all in the
same position and also suggesting
that their individualism has been
removed.
EDITING
• Fairly long shot lengths, which are
conventionally used in this genre to build
suspense.
• Whilst continuity editing is present, this scene
also uses jump cuts. This further disorientates
the audience, forcing them to experience the
emotions of the protagonist.
• Appears as thought colours and lighting may
have been dimmed in post-production, although
this could have been done during production
too.
SOUND
• Symbolic use of silence to show his isolation and
build tension.
• The silence then emphasises the effect of the
sound when it does happen, making it seem
louder and more shocking.
• The noise of the wind remains a constant in the
background, perhaps reflecting the hopeless,
unchangeable nature of his situation.
• The soft way the lines are delivered contrast with
the violent words being said and the violent
actions happening, forcing contradictory ideas
together to highlight the differences and
therefore exaggerate each extreme.

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Cinematography Captures Prisoner's Perspective

  • 2. • The camera movement here is the most significant. It follows him, simulating his movements by keeping at a slow, steady speed when he walks and then speeding up at the end when he moves faster. This immerses the audience in the scene, as if they are walking along with him. • The unstable handheld camera reflects his confusion and unease at being in prison. • High angles are used to demonstrate his inferiority and vulnerability. • Close-ups help to make the emotion more intense and thus heighten them, building suspense and creating an unsettled atmosphere.
  • 4. • The location is bleak and bare, conventional of a prison in the use of brick walls, lots of windows and concreted open space. • The lighting is dim, making all the colours dark and washed out – even the bright orange of his hoodie is dulled. • The costumes are conventional to the point of cliché – using the stereotypical hoodie and beanie to identify him as a young criminal. Most of the prisoners are dressed the same, implying they are all in the same position and also suggesting that their individualism has been removed.
  • 6. • Fairly long shot lengths, which are conventionally used in this genre to build suspense. • Whilst continuity editing is present, this scene also uses jump cuts. This further disorientates the audience, forcing them to experience the emotions of the protagonist. • Appears as thought colours and lighting may have been dimmed in post-production, although this could have been done during production too.
  • 8. • Symbolic use of silence to show his isolation and build tension. • The silence then emphasises the effect of the sound when it does happen, making it seem louder and more shocking. • The noise of the wind remains a constant in the background, perhaps reflecting the hopeless, unchangeable nature of his situation. • The soft way the lines are delivered contrast with the violent words being said and the violent actions happening, forcing contradictory ideas together to highlight the differences and therefore exaggerate each extreme.