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BOOK OF ELI 
OPENING TECHNIQUES
LIGHTING
The opening shot shows a darkly lit 
wood with a mysterious green glow. 
This creates a sense of horror to the 
film and sets the narrative to be 
quite dark and negative.
The faint green glow is seen 
throughout various shots in the film 
which shows continuity. Other lighting 
aspects also appear to show a very 
gritty and grey image, suggesting the 
narrative contains violence.
MISE EN SCENE
The ‘Mise en scene’ in this shot shows the 
masses of stacked up cars inside the 
abandoned scrap yard set which is darkly 
lit. The actor is also visible wearing a 
long dark coat holding a bag as a prop. 
These factors suggest the film wont have a 
positive/happy narrative.
EDITING
The editing of this shot shows the 
camera focusing on the arrowhead 
which emphasises the sharpness and 
danger of the arrow. It has blurred 
the actor in the background as if to 
suggest he is less important.
The editing of this scene shows an 
arrow pass through the air in slow 
motion. This exaggerates the movement 
of the arrow as it cuts through the 
air on its path to kill an animal, 
creating tension for the viewer.
This edit shows a transition of two 
shots. The first shot fades out as the 
seconds shot gradually appears. The 
close up shot of him walking shows his 
clothing whereas the extreme long shot 
shows he is alone.
ESTABLISHMENT OF 
NARRATIVE
This extreme long shot establishes 
that the narrative is negative. It 
suggests that he is a lonely man with 
not many acquaintances and that he is 
the protagonist of the film.
SPECIAL EFFECTS
The special effects in this scene, 
overlap with the editing technique. 
It shows an arrow pass through the 
air in slow motion which contrasts 
with the high speeds the arrow is 
travelling at.

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Dark Opening Techniques of Book of Eli

  • 1. BOOK OF ELI OPENING TECHNIQUES
  • 3. The opening shot shows a darkly lit wood with a mysterious green glow. This creates a sense of horror to the film and sets the narrative to be quite dark and negative.
  • 4. The faint green glow is seen throughout various shots in the film which shows continuity. Other lighting aspects also appear to show a very gritty and grey image, suggesting the narrative contains violence.
  • 6. The ‘Mise en scene’ in this shot shows the masses of stacked up cars inside the abandoned scrap yard set which is darkly lit. The actor is also visible wearing a long dark coat holding a bag as a prop. These factors suggest the film wont have a positive/happy narrative.
  • 8. The editing of this shot shows the camera focusing on the arrowhead which emphasises the sharpness and danger of the arrow. It has blurred the actor in the background as if to suggest he is less important.
  • 9. The editing of this scene shows an arrow pass through the air in slow motion. This exaggerates the movement of the arrow as it cuts through the air on its path to kill an animal, creating tension for the viewer.
  • 10. This edit shows a transition of two shots. The first shot fades out as the seconds shot gradually appears. The close up shot of him walking shows his clothing whereas the extreme long shot shows he is alone.
  • 12. This extreme long shot establishes that the narrative is negative. It suggests that he is a lonely man with not many acquaintances and that he is the protagonist of the film.
  • 14. The special effects in this scene, overlap with the editing technique. It shows an arrow pass through the air in slow motion which contrasts with the high speeds the arrow is travelling at.