Youmeatsix Research
•Download as PPTX, PDF•
1 like•197 views
This document summarizes and analyzes the music video for the song "Save It For The Bedroom" by the band Youmeatsix. The video features the band playing various characters on a parody of a reality TV show, with frequent costume changes. It represents the band as unconventional, challenging norms. Near the end, the band destroys the TV set to show they do not take things too seriously. The video stands out through its unique style compared to other bands in the genre.
Report
Share
Report
Share
Recommended
You Me At Six Save It For The Bedroom Analysis
The document summarizes the music video for the song "Save It For The Bedroom" by the band You Me At Six. The original video was filmed by friends before the band was signed and shows the band performing and hanging out. The new professional video features the band portraying different characters and spoofing reality TV shows, similarly to their video for "Blink-182". It emphasizes the band's unconventional nature and individualism through frequent costume changes, destruction of the TV studio set, and promotion of thinking for oneself.
Jaymes - Real Media Research
This document analyzes and summarizes several music videos based on their genre, mise-en-scene, and message. The videos discussed include "False 9 - AJ Tracey", which promotes Tottenham Hotspur's 2017/18 kit through AJ Tracey's performance. "Side to Side - Ariana Grande" features Ariana Grande and Nicki Minaj as commercial exhibitionists promoting the Guess brand. "A-Team - Ed Sheeran" focuses on the narrative of a young girl struggling through life, with Ed Sheeran playing a minor role. "Question Time - Dave" sees Dave performing while addressing various UK political issues through background videos. "May I Have This Dance - Francis & The Lights
Using, Developing and Challenging Conventions of Real Media Products
The document discusses several conventions used in music videos and how the author incorporated or challenged some of those conventions in their own music video. Some of the key conventions included lip syncing to the song, visualizing lyrics through scenes, including a "band scene" of the artists performing, and editing visuals to the pace of the music. However, the author challenged the convention of having the actual artists by instead casting actors to portray the band members.
Music Video Analysis - Radiohead
The music video for Radiohead's "Knives Out" features unconventional elements for a rock music video. It tells the story of a relationship through surreal metaphors and conceptual imagery in a single continuous shot. These metaphors - like an anatomically correct heart replacing a head and cold feet representing relationship doubts - represent both the positive and negative aspects of love. Though challenging to film, the technical aspects of the single shot add to the surreal narrative being portrayed.
Foo Fighters – Walk
The music video for the Foo Fighters song "Walk" was directed by Sam Jones and released in 2011. It was written by Dave Grohl and co-produced by Butch Vig. The video tells the narrative of a man, played by Grohl, stuck in traffic who leaves his car to start over. Various scenes in the video match elements of the song, like crashes and cymbal hits. The video also references the film Falling Down and features performances from the band.
Music video analysis
This document summarizes and analyzes three music videos: Radiohead's "Karma Police", Aphex Twin's "Window Licker", and Beastie Boys' "Sabotage". For "Karma Police", the video is shot from the perspective of a driver chasing a man, with Thom Yorke lip syncing in the backseat. There is mystery around the plot. For "Window Licker", the video parodies conventions by subverting expectations with unusual imagery. "Sabotage" spoofs 1970s cop shows through exaggerated acting and combat roles by the Beastie Boys in a fake trailer for a police program.
Video analysis muse uprising
The video shows the band Muse performing their song "Uprising" while riding on a pickup truck through a model city at night. Teddy bears later terrorize the city but are defeated by fire. The darkly-lit video portrays the band's rebellious image against being controlled. It targets audiences aged 13-35 through its rock genre and lyrics about protest. Visuals of the band in the small-scale city represent their lower power facing opposition from the larger teddy bears.
Genre conventions boy bands 90s.
Boy bands in the 1990s like Boyzone, Backstreet Boys, NSYNC, and Take That had music videos that focused heavily on performance through dancing, lip syncing, and posing. The videos featured numerous costume and set changes to keep viewers engaged. Camerawork included many close-ups of members' faces as well as long shots of full choreography. All portrayed the bands as attractive, cool, and perfect to appeal to their core audience of 14-17 year old girls.
Recommended
You Me At Six Save It For The Bedroom Analysis
The document summarizes the music video for the song "Save It For The Bedroom" by the band You Me At Six. The original video was filmed by friends before the band was signed and shows the band performing and hanging out. The new professional video features the band portraying different characters and spoofing reality TV shows, similarly to their video for "Blink-182". It emphasizes the band's unconventional nature and individualism through frequent costume changes, destruction of the TV studio set, and promotion of thinking for oneself.
Jaymes - Real Media Research
This document analyzes and summarizes several music videos based on their genre, mise-en-scene, and message. The videos discussed include "False 9 - AJ Tracey", which promotes Tottenham Hotspur's 2017/18 kit through AJ Tracey's performance. "Side to Side - Ariana Grande" features Ariana Grande and Nicki Minaj as commercial exhibitionists promoting the Guess brand. "A-Team - Ed Sheeran" focuses on the narrative of a young girl struggling through life, with Ed Sheeran playing a minor role. "Question Time - Dave" sees Dave performing while addressing various UK political issues through background videos. "May I Have This Dance - Francis & The Lights
Using, Developing and Challenging Conventions of Real Media Products
The document discusses several conventions used in music videos and how the author incorporated or challenged some of those conventions in their own music video. Some of the key conventions included lip syncing to the song, visualizing lyrics through scenes, including a "band scene" of the artists performing, and editing visuals to the pace of the music. However, the author challenged the convention of having the actual artists by instead casting actors to portray the band members.
Music Video Analysis - Radiohead
The music video for Radiohead's "Knives Out" features unconventional elements for a rock music video. It tells the story of a relationship through surreal metaphors and conceptual imagery in a single continuous shot. These metaphors - like an anatomically correct heart replacing a head and cold feet representing relationship doubts - represent both the positive and negative aspects of love. Though challenging to film, the technical aspects of the single shot add to the surreal narrative being portrayed.
Foo Fighters – Walk
The music video for the Foo Fighters song "Walk" was directed by Sam Jones and released in 2011. It was written by Dave Grohl and co-produced by Butch Vig. The video tells the narrative of a man, played by Grohl, stuck in traffic who leaves his car to start over. Various scenes in the video match elements of the song, like crashes and cymbal hits. The video also references the film Falling Down and features performances from the band.
Music video analysis
This document summarizes and analyzes three music videos: Radiohead's "Karma Police", Aphex Twin's "Window Licker", and Beastie Boys' "Sabotage". For "Karma Police", the video is shot from the perspective of a driver chasing a man, with Thom Yorke lip syncing in the backseat. There is mystery around the plot. For "Window Licker", the video parodies conventions by subverting expectations with unusual imagery. "Sabotage" spoofs 1970s cop shows through exaggerated acting and combat roles by the Beastie Boys in a fake trailer for a police program.
Video analysis muse uprising
The video shows the band Muse performing their song "Uprising" while riding on a pickup truck through a model city at night. Teddy bears later terrorize the city but are defeated by fire. The darkly-lit video portrays the band's rebellious image against being controlled. It targets audiences aged 13-35 through its rock genre and lyrics about protest. Visuals of the band in the small-scale city represent their lower power facing opposition from the larger teddy bears.
Genre conventions boy bands 90s.
Boy bands in the 1990s like Boyzone, Backstreet Boys, NSYNC, and Take That had music videos that focused heavily on performance through dancing, lip syncing, and posing. The videos featured numerous costume and set changes to keep viewers engaged. Camerawork included many close-ups of members' faces as well as long shots of full choreography. All portrayed the bands as attractive, cool, and perfect to appeal to their core audience of 14-17 year old girls.
9 Shot Analysis: Fall Out Boy - This Ain't A Scene
This document provides a shot-by-shot analysis of a Fall Out Boy music video. It notes that the video establishes the band playing rock music with guitars, drums, and amplifiers. Throughout the video, close-ups of each band member are used to show they each have unique characteristics. Some shots challenge conventions by showing characters associated with rap music or settings like a bedroom that don't align with rock music stereotypes. The video subverts expectations of the rock genre through elements from other genres and iconic aspects of prior Fall Out Boy videos.
Music video analysis – sum 41 – fat lip
This music video for the song "Fat Lip" by Sum 41 uses various camera techniques and editing styles. It depicts the band as typical teenage skater boys of the time through their clothing and surroundings. The video closely follows the lyrics of the song through its imagery, showing scenes related to the lyrics. It presents the band as normal teenage boys pursuing their dreams in the music industry through rapping and performances.
The Magic Numbers
This video uses stop-motion animation to tell a narrative that fits with the song's theme of loss. The video features both animated characters and real clips of the band playing their instruments. It establishes the characters through close-ups and uses their surroundings to relate to the target teenage audience. Throughout the video, comedy is used, such as characters accidentally dropping drums or posters being placed on animals. While the first half is optimistic, the second shows the band's posters being replaced, making the tone sadder. The video ends happily though, with the band performing for loyal fans.
Music video analysis (waiting all night)
This document provides a summary and analysis of scenes from a music video. It describes the narrative of a BMX biker who gets into an accident and loses his leg. Through close-ups and shaky camera work, the video realistically depicts his struggle with his injury and determination to get back to BMX riding. Symbolically, the final scene shows birds flying away as the main character achieves his goal of returning to his passion. Overall, the video uses its story and cinematography to send a message of overcoming hardship.
Tinie tempah 2
Tinie Tempah is an English rapper from South London. His first music video "Wifey" from 2006 became an underground hit, holding the top spot on a chart for 10 weeks. His third single "Written in the Stars" from his 2010 debut album topped the charts upon its release. The two music videos have differences in costumes, locations, and camerawork that reflect Tinie Tempah's growth as an artist from an up-and-coming newcomer to an established star.
Analysis of 3 music videos
This document provides a summary and analysis of the music video for Foo Fighters' song "My Hero". The video tells a narrative of a man rescuing people from a house fire, including babies. It contrasts shots of the band casually performing with the dramatic rescue scenes. The video is shot in a single take to heighten the sense of urgency and match the song. It effectively uses the fire as a backdrop for the band's performance without making them the central focus.
Representation in our music video
Our music video will feature two 18-year-old characters who follow stereotypical trends for their age. They will wear fashionable clothes and use popular technology like iPhones. Their relationship will go through typical hard and good times to relate to our target audience. We will use a variety of camera techniques like slow motion and tracking shots to depict the emotions between the characters, both when together and apart. The video will also challenge stereotypes by showing the characters repeat mistakes and experience sadness through close-ups and slow camera movements during breaks in their relationship.
Film types - Incomplete
This document provides information about film trailers, including what they are, when they are shown, conventions used in trailers, and examples of genres. A film trailer is a marketing tool that shows audiences what to expect from a film and builds anticipation. Trailers aim to attract attention and sell the film. They can be shown before other movies, on TV, or online. Conventions like matching music to the film's pace, cutting scenes together, using dialogue, and adding text are commonly used. Genres like action, drama, and horror are discussed, with the Man of Steel, A Clockwork Orange, and Haunting in Connecticut trailers analyzed as examples.
Eval q 1
The media product challenges conventions of real music videos in several ways. It portrays a darker storyline of bullying rather than resolving conflicts. It uses intertextual references by recreating famous movie scenes to show the protagonist escaping through films. Performance clips advance the narrative rather than just exhibiting the artist. Editing matches the beat but varies in pace across the video to set different moods. The color grading and letterbox format aim to give the video a cinematic feel.
Presentation2
Grime is a genre of music similar to hip hop that originated in London. It focuses on improving life circumstances and is typically filmed in alleyways and streets at night with the artists wearing jeans, coats, tracksuits and trainers. Grime music videos feature a variety of camera shots including close-ups of faces, long shots of individuals or groups walking, and mid-shots, but rarely include female artists.
Codes and conventions of rap videos
Rap music videos often follow certain codes and conventions regarding their content and style. Lyrics typically tell a story about the artist's struggles or life experiences. Videos commonly feature props representing money, luxury items, and sexuality to portray wealth and attract male audiences. Settings are usually run-down neighborhoods to show the artist's origins but also wealth through expensive props. Camerawork is dynamic with quick cuts that match the fast pace of rap music. Mise-en-scene elements like clothing, jewelry, and lighting further emphasize themes of wealth, crime, and mystery through expensive but dark stylistic choices.
Analysis of secion boyz oi
This video analyzes a grime music video from the group Section Boyz-OI. Some key aspects analyzed include:
- The video was filmed in an abandoned car park to portray the gritty streets the artists represent.
- The artists all wear the same clothing brand, Trapstar, because the video was sponsored by the brand to promote it. Product placement and sponsorship is common in grime videos due to limited funds.
- Medium close-ups and fast cuts between artists are used to keep the fast-paced song engaging for viewers and portray the artists on the same level as their audience.
James
The document summarizes survey responses about a music video:
- Most respondents were female between 17-21 years old
- Respondents felt the video suited the song well by portraying the story and lyrics visually
- The main theme was seen as a girl being stalked by a boy, which was easy to follow
- Aspects liked included how it fit the music, professional production, and tense storyline
- Nothing was disliked, though one noted the singer was slightly out of sync
- No changes were recommended and all would recommend the video to others
Conventions
The document discusses conventions found across music videos of the same genre. It notes that the bands are typically portrayed as "heroes" who maintain their individuality. The videos also show the bands as both musicians and ordinary people. precise editing is used to match the pace of the music. The videos generally use a mix of live and fictional shots to depict the professional and personal lives of the band members. While some videos directly relate to the narrative of the song, others interpret the narrative in different ways or do not use the narrative at all.
AJ Tracey music video analysis
This document provides an analysis of the music video for "Leave Me Alone" by AJ Tracey. It discusses various elements of the video that adhere to conventions of the grime music genre. These include the use of dark lighting, urban settings, low camera angles, frequent cuts between shots, and visual references to elements of grime culture like expensive clothing brands. The analysis suggests applying these same genre conventions to create an effective music video that appropriately represents the grime style.
9 frame analysis - Phoenix 'Trying To Be Cool'
The document summarizes and analyzes a music video. It notes that the video is performed live, with numbers counting down between camera shots. It also discusses how the video objectifies women, such as by showing a woman's underwear branded with the band's logo. Towards the end, the video uses a comedic cross-cut to make it seem like the bassist instantly changed outfits while singing in place.
Task 3 music pitch
The document proposes three music video ideas for songs:
1) "Six Billion" by Nothing But Thieves, about a psychopathic male character stalking a woman. Shots would imply loss but reveal his stalking.
2) "No Answers" by Amber Run, about a divorcing couple. Scenes would flip between their angry phone call and memories of their toxic relationship.
3) "Silk" by Wolf Alice, about a depressed woman who loves her friend, but finds out at a meeting the friend is engaged. Shots imply her daily sadness and reaction to the revelation.
Inspiration
This document discusses inspiration from several music videos for the creator's own music video project. It summarizes shots from videos by Foster the People, Green Day, Catfish and the Bottlemen, Kaiser Chiefs, The Killers, Stereophonics, and Coldplay that the creator finds interesting including close-ups, high and low angles, quick cuts, silhouettes, diagonal shots, colorful backgrounds, retro filters, and kaleidoscope effects. The creator notes techniques like adjusted focus, logo inserts, red lighting, and non-traditional band member positioning that could be replicated.
Tool – the pot
The video for the Tool song "Pot A Lot" uses stop-motion animation and surreal, dark imagery that is visually experimental like their music but unrelated to the lyrics. Oomph's "augen auf" video references horror films and depicts disturbing images of demonic children to contrast the innocent lyrics while setting a dark mood. 30 Seconds to Mars' "Kings and Queens" cuts between the band and a narrative of many people biking together to represent the harmonious lyrics, using rich dark colors and epic cinematography of LA at night for their newly released single.
Analysis of camera shots
The document analyzes camera shots from three music videos:
1) Coldplay's "The Scientist" uses unusual shots like spinning camera shots and shots of the singer laying down to create unique visual effects. It also uses fades between shots.
2) Stereophonics' "Handbags and Gladrags" uses moving camera shots and the rule of thirds composition. It includes close-ups of band members and shots framed between colored lights.
3) Foster the People's "Pumped Up Kicks" uses a variety of shots like silhouettes, sped-up walking shots, and close-ups. It also uses out-of-focus and low-angle light
You Me At Six Save It For The Bedroom Analysis
The document summarizes the music video for the song "Save It For The Bedroom" by the band You Me At Six. The original video was filmed by friends before the band was signed and shows the band performing and hanging out. The new professional video features the band portraying different characters and spoofing reality TV shows, similarly to their video for "Blink-182". It emphasizes the band's unconventional nature through frequent costume changes, destruction of the TV studio set, and pushing back against stereotypes.
Blink182 all the small things analysis
The document provides an analysis of the music video for the Blink-182 song "All The Small Things" in 4 paragraphs. It notes that the video emphasizes how unconventional the band is for their genre by showing them playing to a large audience. It also analyzes how the video uses costumes, dance moves, locations, and camera angles to mock more conventional bands like the Backstreet Boys and establish Blink-182's identity as a band that disregards conventions. Darker colors are used in scenes where the band is playing seriously, while brighter colors represent a more playful side. Overall, the video aims to position Blink-182 as a band that follows its own rules rather than genres conventions.
More Related Content
What's hot
9 Shot Analysis: Fall Out Boy - This Ain't A Scene
This document provides a shot-by-shot analysis of a Fall Out Boy music video. It notes that the video establishes the band playing rock music with guitars, drums, and amplifiers. Throughout the video, close-ups of each band member are used to show they each have unique characteristics. Some shots challenge conventions by showing characters associated with rap music or settings like a bedroom that don't align with rock music stereotypes. The video subverts expectations of the rock genre through elements from other genres and iconic aspects of prior Fall Out Boy videos.
Music video analysis – sum 41 – fat lip
This music video for the song "Fat Lip" by Sum 41 uses various camera techniques and editing styles. It depicts the band as typical teenage skater boys of the time through their clothing and surroundings. The video closely follows the lyrics of the song through its imagery, showing scenes related to the lyrics. It presents the band as normal teenage boys pursuing their dreams in the music industry through rapping and performances.
The Magic Numbers
This video uses stop-motion animation to tell a narrative that fits with the song's theme of loss. The video features both animated characters and real clips of the band playing their instruments. It establishes the characters through close-ups and uses their surroundings to relate to the target teenage audience. Throughout the video, comedy is used, such as characters accidentally dropping drums or posters being placed on animals. While the first half is optimistic, the second shows the band's posters being replaced, making the tone sadder. The video ends happily though, with the band performing for loyal fans.
Music video analysis (waiting all night)
This document provides a summary and analysis of scenes from a music video. It describes the narrative of a BMX biker who gets into an accident and loses his leg. Through close-ups and shaky camera work, the video realistically depicts his struggle with his injury and determination to get back to BMX riding. Symbolically, the final scene shows birds flying away as the main character achieves his goal of returning to his passion. Overall, the video uses its story and cinematography to send a message of overcoming hardship.
Tinie tempah 2
Tinie Tempah is an English rapper from South London. His first music video "Wifey" from 2006 became an underground hit, holding the top spot on a chart for 10 weeks. His third single "Written in the Stars" from his 2010 debut album topped the charts upon its release. The two music videos have differences in costumes, locations, and camerawork that reflect Tinie Tempah's growth as an artist from an up-and-coming newcomer to an established star.
Analysis of 3 music videos
This document provides a summary and analysis of the music video for Foo Fighters' song "My Hero". The video tells a narrative of a man rescuing people from a house fire, including babies. It contrasts shots of the band casually performing with the dramatic rescue scenes. The video is shot in a single take to heighten the sense of urgency and match the song. It effectively uses the fire as a backdrop for the band's performance without making them the central focus.
Representation in our music video
Our music video will feature two 18-year-old characters who follow stereotypical trends for their age. They will wear fashionable clothes and use popular technology like iPhones. Their relationship will go through typical hard and good times to relate to our target audience. We will use a variety of camera techniques like slow motion and tracking shots to depict the emotions between the characters, both when together and apart. The video will also challenge stereotypes by showing the characters repeat mistakes and experience sadness through close-ups and slow camera movements during breaks in their relationship.
Film types - Incomplete
This document provides information about film trailers, including what they are, when they are shown, conventions used in trailers, and examples of genres. A film trailer is a marketing tool that shows audiences what to expect from a film and builds anticipation. Trailers aim to attract attention and sell the film. They can be shown before other movies, on TV, or online. Conventions like matching music to the film's pace, cutting scenes together, using dialogue, and adding text are commonly used. Genres like action, drama, and horror are discussed, with the Man of Steel, A Clockwork Orange, and Haunting in Connecticut trailers analyzed as examples.
Eval q 1
The media product challenges conventions of real music videos in several ways. It portrays a darker storyline of bullying rather than resolving conflicts. It uses intertextual references by recreating famous movie scenes to show the protagonist escaping through films. Performance clips advance the narrative rather than just exhibiting the artist. Editing matches the beat but varies in pace across the video to set different moods. The color grading and letterbox format aim to give the video a cinematic feel.
Presentation2
Grime is a genre of music similar to hip hop that originated in London. It focuses on improving life circumstances and is typically filmed in alleyways and streets at night with the artists wearing jeans, coats, tracksuits and trainers. Grime music videos feature a variety of camera shots including close-ups of faces, long shots of individuals or groups walking, and mid-shots, but rarely include female artists.
Codes and conventions of rap videos
Rap music videos often follow certain codes and conventions regarding their content and style. Lyrics typically tell a story about the artist's struggles or life experiences. Videos commonly feature props representing money, luxury items, and sexuality to portray wealth and attract male audiences. Settings are usually run-down neighborhoods to show the artist's origins but also wealth through expensive props. Camerawork is dynamic with quick cuts that match the fast pace of rap music. Mise-en-scene elements like clothing, jewelry, and lighting further emphasize themes of wealth, crime, and mystery through expensive but dark stylistic choices.
Analysis of secion boyz oi
This video analyzes a grime music video from the group Section Boyz-OI. Some key aspects analyzed include:
- The video was filmed in an abandoned car park to portray the gritty streets the artists represent.
- The artists all wear the same clothing brand, Trapstar, because the video was sponsored by the brand to promote it. Product placement and sponsorship is common in grime videos due to limited funds.
- Medium close-ups and fast cuts between artists are used to keep the fast-paced song engaging for viewers and portray the artists on the same level as their audience.
James
The document summarizes survey responses about a music video:
- Most respondents were female between 17-21 years old
- Respondents felt the video suited the song well by portraying the story and lyrics visually
- The main theme was seen as a girl being stalked by a boy, which was easy to follow
- Aspects liked included how it fit the music, professional production, and tense storyline
- Nothing was disliked, though one noted the singer was slightly out of sync
- No changes were recommended and all would recommend the video to others
Conventions
The document discusses conventions found across music videos of the same genre. It notes that the bands are typically portrayed as "heroes" who maintain their individuality. The videos also show the bands as both musicians and ordinary people. precise editing is used to match the pace of the music. The videos generally use a mix of live and fictional shots to depict the professional and personal lives of the band members. While some videos directly relate to the narrative of the song, others interpret the narrative in different ways or do not use the narrative at all.
AJ Tracey music video analysis
This document provides an analysis of the music video for "Leave Me Alone" by AJ Tracey. It discusses various elements of the video that adhere to conventions of the grime music genre. These include the use of dark lighting, urban settings, low camera angles, frequent cuts between shots, and visual references to elements of grime culture like expensive clothing brands. The analysis suggests applying these same genre conventions to create an effective music video that appropriately represents the grime style.
9 frame analysis - Phoenix 'Trying To Be Cool'
The document summarizes and analyzes a music video. It notes that the video is performed live, with numbers counting down between camera shots. It also discusses how the video objectifies women, such as by showing a woman's underwear branded with the band's logo. Towards the end, the video uses a comedic cross-cut to make it seem like the bassist instantly changed outfits while singing in place.
Task 3 music pitch
The document proposes three music video ideas for songs:
1) "Six Billion" by Nothing But Thieves, about a psychopathic male character stalking a woman. Shots would imply loss but reveal his stalking.
2) "No Answers" by Amber Run, about a divorcing couple. Scenes would flip between their angry phone call and memories of their toxic relationship.
3) "Silk" by Wolf Alice, about a depressed woman who loves her friend, but finds out at a meeting the friend is engaged. Shots imply her daily sadness and reaction to the revelation.
Inspiration
This document discusses inspiration from several music videos for the creator's own music video project. It summarizes shots from videos by Foster the People, Green Day, Catfish and the Bottlemen, Kaiser Chiefs, The Killers, Stereophonics, and Coldplay that the creator finds interesting including close-ups, high and low angles, quick cuts, silhouettes, diagonal shots, colorful backgrounds, retro filters, and kaleidoscope effects. The creator notes techniques like adjusted focus, logo inserts, red lighting, and non-traditional band member positioning that could be replicated.
Tool – the pot
The video for the Tool song "Pot A Lot" uses stop-motion animation and surreal, dark imagery that is visually experimental like their music but unrelated to the lyrics. Oomph's "augen auf" video references horror films and depicts disturbing images of demonic children to contrast the innocent lyrics while setting a dark mood. 30 Seconds to Mars' "Kings and Queens" cuts between the band and a narrative of many people biking together to represent the harmonious lyrics, using rich dark colors and epic cinematography of LA at night for their newly released single.
Analysis of camera shots
The document analyzes camera shots from three music videos:
1) Coldplay's "The Scientist" uses unusual shots like spinning camera shots and shots of the singer laying down to create unique visual effects. It also uses fades between shots.
2) Stereophonics' "Handbags and Gladrags" uses moving camera shots and the rule of thirds composition. It includes close-ups of band members and shots framed between colored lights.
3) Foster the People's "Pumped Up Kicks" uses a variety of shots like silhouettes, sped-up walking shots, and close-ups. It also uses out-of-focus and low-angle light
What's hot (20)
9 Shot Analysis: Fall Out Boy - This Ain't A Scene
9 Shot Analysis: Fall Out Boy - This Ain't A Scene
Similar to Youmeatsix Research
You Me At Six Save It For The Bedroom Analysis
The document summarizes the music video for the song "Save It For The Bedroom" by the band You Me At Six. The original video was filmed by friends before the band was signed and shows the band performing and hanging out. The new professional video features the band portraying different characters and spoofing reality TV shows, similarly to their video for "Blink-182". It emphasizes the band's unconventional nature through frequent costume changes, destruction of the TV studio set, and pushing back against stereotypes.
Blink182 all the small things analysis
The document provides an analysis of the music video for the Blink-182 song "All The Small Things" in 4 paragraphs. It notes that the video emphasizes how unconventional the band is for their genre by showing them playing to a large audience. It also analyzes how the video uses costumes, dance moves, locations, and camera angles to mock more conventional bands like the Backstreet Boys and establish Blink-182's identity as a band that disregards conventions. Darker colors are used in scenes where the band is playing seriously, while brighter colors represent a more playful side. Overall, the video aims to position Blink-182 as a band that follows its own rules rather than genres conventions.
Question1
This document discusses various conventions of music videos and how the media product described in Question 1 does or does not use these conventions. It identifies conventions such as showing the band performing, a link between lyrics and visuals, close-ups of artists, references to looking, intertextual references, shaky camera work. It then analyzes how the media product in question either employs these conventions, challenges them, or provides examples of other music videos that exemplify the conventions.
Music videos basics
The document discusses different categories of music videos including performance, conceptual, and narrative styles. Performance videos focus on the artist performing, conceptual videos are based on an idea rather than performance, and narrative videos tell a story. Popular genres like pop often use narrative styles while rock may use conceptual or performance. Examples are provided for each category to illustrate their distinguishing characteristics.
Conventions Of Music Videos
The document analyzes music videos from the same genre and finds several conventions. All the videos portray the bands as individuals who maintain their uniqueness despite external pressures. They also represent the bands as both professional musicians and ordinary people. The editing in all the videos precisely matches the pace of the music. The videos end with a montage and zooming out as the song fades. They use both live and fictional shots to show the bands' professional and personal lives. While some videos directly relate to the song's narrative, others interpret it differently or don't use the narrative at all.
Theories
The document discusses several theories related to music videos and their narratives, stereotypes, and gender representations. It analyzes the music video for "Howler – Back of Your Neck" using theories by Mittell about genre conventions, Metz about typical genre cycles, and O'Sullivan about stereotypes commonly portrayed in bands. It also examines the gender representations and masculine point of view in "Mr. Brightside" based on theories by Mulvey.
Mv assignment (not theory) pro forma
The document provides guidance for a music video assignment. It includes sections for idea generation, research, potential songs, techniques, and conventions. For task 1 on idea generation, one group proposed a narrative idea about someone escaping an isolating tribe and being chased. A second idea involved a live performance in a run-down pub that transforms the mood. A third was simply lip syncing while walking around the city. Potential techniques discussed were using outfits, setting and color to change mood, editing to the beat, and a narrative.
I’m not okay – my chemical romance
The music video for "I'm Not Okay" by My Chemical Romance uses a narrative structure to illustrate the song's lyrics about feeling like an outcast in high school. It portrays the band members as stereotypical nerds who are bullied by jocks. Throughout the video, quick cuts are used to match the fast-paced punk rock music. The video also draws in the teenage audience by depicting relatable high school bullying experiences. It establishes the band's punk rock genre through the members' dark clothing styles and energetic live performance shots spliced into the narrative.
Music video analysis supersonic
This document analyzes the music video for "Supersonic" by Oasis. It summarizes that the black and white video focuses primarily on the lead singer, Liam Gallagher, through various shots including mid-shots, low angles, and high angles. It also notes that the gritty, working-class location on a building rooftop helps create a connection with audiences. Overall, the video uses its visual style and focus on the singer to portray the band as down-to-earth and relatable.
N:\Missing You Pitch
The document is a pitch for a student media production project remaking the music video for the song "Missing You" by the girl group The Saturdays. The pitch discusses the pop genre and style influences of girl groups. It outlines the narrative structure of the video, which will include location changes and cutbacks telling a story of a dysfunctional relationship. It also describes the ancillary tasks of a digipack and magazine advertisement that will be created to promote the song. The students decided on equal team roles in filming, editing, styling, and directing extras in the production.
Advanced Portfolio
The document discusses the creation of a music video for an indie rock band called Funnel. It describes researching conventions of music videos within the genre to incorporate close-ups, location shots, and a relationship between the music and visuals. Challenges included synchronizing lip syncing and filming from a high angle without a tall tripod. Feedback was positive about the quirky style matching the song and using creative micro-elements, though some found the lip syncing inconsistent at times.
Advanced Portfolio
The document discusses the creation of a music video for an indie rock band called Funnel. It describes researching conventions of music videos within the genre to incorporate close-ups, location shots, and a storyline linked to the music. Feedback on the final video was positive, praising the chosen location, quirky style, and creative elements that matched the song and appealed to the target audience. Areas for improvement included occasional out-of-sync lip syncing and needing more location variety.
Task 1 - Goodwin's Theory
The document analyzes six music videos using Goodwin's theory of six elements: illustration, amplifying, contradicting, iconography, voyeurism, and intertextuality. For each element, a different music video is discussed and analyzed in terms of how it uses that element. The summaries provide the music video analyzed and a brief description of how it fits the given element. For example, for illustration the video analyzed is "Riptide" by Vance Joy, which directly depicts the lyrics through short clips.
Evaluation Question One.
The document discusses conventions in media products such as music videos and their genres. It provides examples of conventions commonly found in general music videos, such as promoting the artist, using a narrative, and creative editing and camera techniques. It then focuses specifically on conventions of alternative rock music videos, such as darker clothing, unique camera shots, and themes of love and social issues. It provides examples of how various music videos adhere to or develop these generic conventions. The document aims to help identify conventions used and how they were developed or challenged in the reader's own media product.
Media evaluation question
The document discusses how the student's media product for a music video covering the Madness song "Baggy Trousers" uses and develops conventions of the ska-pop genre. It identifies conventions for costumes, editing/camerawork, locations, mise-en-scene, and album artwork/posters. While mimicking conventions like suits and hats, quick cuts, and inclusion of instruments, it also challenges some norms by using color photography and varying shot types/lengths. The goal was to appeal to audiences familiar with the genre while making the video more fun and engaging.
Preliminary - Analysis of a music video
This document provides an analysis of the music video for "Emperor's New Clothes" by Panic! At The Disco. It examines various elements of the video including the lyrics, music, mise-en-scene, camerawork, editing, intertextuality, narrative/performance, star image/branding, and voyeurism. The lyrics illustrate the singer taking control and power. Stylistically, it is an alternative pop track with dark lighting and costuming to portray the singer's transformation into a demon-like figure. Camerawork focuses closely on the singer, and editing maintains pace without disrupting the narrative.
Analysis of a music video
This document provides an analysis of the music video for "Emperor's New Clothes" by Panic! At The Disco. It examines various elements of the video including the lyrics, music, mise-en-scene, camerawork, editing, intertextuality, narrative/performance, star image/branding, and voyeurism. The lyrics illustrate the singer taking control and power. Stylistically, it is an alternative pop track with dark lighting and costuming to portray a transformation from human to demon. Camerawork focuses closely on the lead singer, and editing maintains a consistent pace without mirroring the music's beat.
Music videos analysis
This document provides reviews and analysis of four music videos:
1) Fall Out Boy's "The Take Over, The Breaks Over" which tells a narrative story through a dog's dream with unusual elements like dancing postmen.
2) Foo Fighters' "The Pretender" which shows the band battling riot police in a simple, effective video that relates to the song lyrics.
3) All Time Low's "I Feel Like Dancing" which parodies typical music video tropes like product placement, sex, and copying other artists in a humorous way through the band's discomfort.
4) Overall analyses are provided on the videos' narrative structures, representations of gender, uses of camera shots and
Textual Analysis
This document provides a textual analysis of three music videos: Fall Out Boy's "Thnks Fr Th Mmrs", Arctic Monkeys' "When the Sun Goes Down", and Foo Fighters' "Everlong". It analyzes the camera work, mise-en-scene, sound, and editing techniques used in each video and how they contribute to conveying the narrative, tone, and themes. Camera angles, lighting, costumes, props, diegetic/non-diegetic sound, jump cuts, and other techniques are discussed for each video.
Music Video Analysis
- The document analyzes and summarizes three 1990s British music videos: Oasis's "Champagne Supernova", Blur's "Parklife", and Pulp's "Babies".
- Key lessons learned include incorporating visual variety, matching editing pace to the song, and using a two-segment structure switching between band performance and a narrative related to the lyrics.
- Shooting in a 4:3 aspect ratio can help situate the video aesthetically in the 1990s when the featured band Pulp was active.
Similar to Youmeatsix Research (20)
More from Greenshaw High School
How Did You Use Media Technologies?
The group used various media technologies throughout the construction, research, planning, and evaluation stages of their project. They maintained a group blog to track progress and tasks. They researched conventions and opinions online. They filmed with a video camera and tripod, took photos with a digital camera, and edited using iMovie on Macs. They shared the final video on YouTube and Facebook to gather feedback.
You Me At Six - Take Off Your Colours Analysis
The You Me At Six album cover uses simple colors and design to portray the band as focused on their music rather than promotion. Beige and brighter colors were chosen to represent the band's sound and rebellion against industry conventions. While striving to appear disinterested in promotion, the album design strategically appeals to fans and sells records through this portrayal. The back cover, CD inlay, and spine continue this minimalistic aesthetic and message of the band prioritizing their art over commercialism.
Planning Costume
The document discusses costume planning for a music video. Guests at the party will wear bright neon colors, stereotypical rave clothing like leg warmers and shorts, and glow-in-the-dark body spray. This will fit the techno music genre and title. The band's costumes will be less specific to allow their individual personalities to show, as in other similar music videos, while still fitting the teenage house party setting.
Planning - Props
The document discusses planning props for a party scene in a music video. It outlines that empty bottles, food packets, and other items will be used to make surfaces look realistically cluttered. The labels on bottles will be removed and windows will be blacked out to control lighting. Outdoor shots will include a backdrop with the band name in glow paint, with artificial lighting used to control the paint and audience visibility. Lighting will also properly illuminate the band for the live performance shots. Outdoor filming will take place under shelter for all weather conditions and lighting space.
Fall Out Boy - Folie A Deux Analysis
The album cover uses simplistic colors like red, brown, and white to emphasize hidden meanings and distance the band from the album's themes of madness. The front cover features two characters - one dressed as a bear carrying the other - representing the "madness shared by two" described by the album's title, Folie à Deux. Throughout the album packaging, the use of font, color schemes, and imagery continue connecting elements to the idea of a madness that is spreading and taking over.
Representation of the Band
Costumes are an important aspect of representing a band in music videos, as they can visually convey the band's personalities and ideas to viewers. Bands are usually portrayed in a positive light in their own music videos because the videos serve as advertisements for their new singles. If a band was shown negatively, it would be less likely to promote sales of the single. When creating his own music video, the author will need to carefully choose costumes to represent his chosen band in the best light possible to maximize sales of the promoted single.
Representation of the Band
Costumes are an important aspect of representing a band in music videos, as they can visually convey the band's personalities and ideas to viewers. Bands are usually portrayed in a positive light in their own music videos because the videos serve as advertisements for their new singles. If a band was shown negatively, it would be less likely to successfully promote and sell their single. When creating his own music video, the author will need to carefully choose costumes that represent his band in the best light possible to promote his single's sales.
Media Technologies
The group used various media technologies throughout the construction, research, planning, and evaluation stages of their project. They maintained a group blog to track progress and tasks. They researched conventions and audience feedback online. They filmed their music video using a video camera and tripod, and took photos with a digital camera to plan lighting and locations. They edited the video footage and created additional marketing materials using iMovie and Photoshop on Mac computers.
Evaluation Pt3. What Have You Learned From Your Audience Feedback?
The document discusses gathering audience feedback on a music video by uploading it to YouTube and Facebook. Uploading to YouTube resulted in poor video quality and limited feedback. Facebook provided more feedback as more of the target audience had accounts. Qualitative feedback from questionnaires and a focus group provided positive feedback on the video and band. Limitations included the time required for qualitative data collection.
Evaluation Pt2. Combination of Main and Ancillary Products
The document discusses ensuring consistency across a band's main product and ancillary texts to increase the chance of success. It focuses on using the same font, colors, graphics, costumes, and prominence of the lead singer to clearly link the album, single, and music video. This creates a cohesive marketing campaign and makes it obvious that all three products were created for the same band.
Forms and Conventions
The document discusses the forms and conventions of music videos and how the author's media product both uses and challenges some of these conventions. It explains that the product sticks to conventions like setting the video at a house party, using props associated with partying, and synchronous editing. However, it also challenges conventions by letting the band portray themselves authentically rather than how a record label would want, including mistakes in lyrics, and shooting at night rather than day.
Primary Audience Research
The document discusses research conducted for a music video targeting a primary audience. It describes deciding to use mainly qualitative questions in the questionnaire to get detailed opinions. Some quantitative questions would be used upfront to screen participants. While most audience members wanted multiple locations or a narrative in the video, the researchers decided on a single location of a house party/live gig to keep costs low as an emerging band and best represent the genre.
You Me At Six Save It For The Bedroom Analysis
The document provides an analysis of the music video for the song "Poppin' (Champagne)" by the band All Time Low. It summarizes that the video portrays the band enjoying a lavish party lifestyle but uses unconventional costumes and maintains a relatable camera angle to show that their personalities have not changed with fame. While the song is about the dangers of fame, the video balances this message with fun, colorful visuals that allow the band to showcase their identities.
You Me At Six Save It For The Bedroom Analysis
The document provides an analysis of the music video for the song "Poppin' (Champagne)" by the band All Time Low. It summarizes that the video portrays the band enjoying a lavish party lifestyle but uses unconventional costumes and maintains a relatable camera angle to show that their personalities have not changed with fame. While the song is about the dangers of fame, the video balances this message with fun, colorful visuals that allow the band to showcase their identities.
You Me At Six Save It For The Bedroom Analysis
The document provides an analysis of the music video for the song "Poppin' (Champagne)" by the band All Time Low. It summarizes that the video portrays the band enjoying a lavish party lifestyle but uses unconventional costumes and maintains a relatable camera angle to show that their personalities have not changed with fame. While the song is about the dangers of fame, the video balances this message with fun, colorful visuals that allow the band to showcase their identities.
All Time Low Poppin (Champagne) Analysis
The document provides an analysis of the music video for the song "Poppin' (Champagne)" by the band All Time Low. It summarizes that the video portrays the band enjoying a lavish party lifestyle but uses unconventional costumes and maintains a relatable camera angle to show that they have not lost their sense of individuality to fame. It also notes that location and color changes in the video reinforce the message that the celebrity lifestyle could change people in a negative way.
Blink 182 All The Small Things Analysis
The music video for "All The Small Things" by Blink 182 challenges conventions of the alternative pop/rock genre in several ways. It features costume and location choices that mock other mainstream bands. Throughout the video, the band mimics the style of more conventional bands like Backstreet Boys to emphasize how they disregard genre norms. The use of bright colors and large audiences in the video also subvert expectations for an alternative band.
Planning Props
The document discusses plans for props and lighting for a party music video. Props inside the house will include empty alcohol bottles and food packets littered around to look realistic. Windows will be blacked out to control lighting and improve the glow effect. Outside shots will feature the band playing live for an audience in front of a glow paint backdrop reading "Crisis Journey", with artificial lighting used to properly light the band, paint, and audience. Outside filming will be under shelter for all weather conditions and lighting space.
Planning Costume
The document discusses costume planning for a music video. Guests at the party in the video will wear bright neon colors, stereotypical rave clothing like leg warmers and shorts, and glow-in-the-dark body spray. The spray will be on guests' hands to make them visible in the dark scenes without distracting from the band. For the band, the dress code will be less specific to allow them to express their individual personalities through their costumes, as seen in similar music videos that show the band's true selves rather than who media wants them to be. However, the band will not wear face paint to maintain a professional appearance for the purpose of the video.
Planning Props
The document discusses plans for props and lighting for a party music video. Props inside the house will include empty alcohol bottles and food packets strewn about to look realistic. Window will be blacked out for lighting control and to enhance glow paint effects. Outside shots will feature a band playing live for guest audiences, with a glow paint backdrop and artificial lighting to control paint and band visibility during filming. Outdoor scenes will also be filmed under shelter for all weather filming and lighting space.
More from Greenshaw High School (20)
Evaluation Pt3. What Have You Learned From Your Audience Feedback?
Evaluation Pt3. What Have You Learned From Your Audience Feedback?
Evaluation Pt2. Combination of Main and Ancillary Products
Evaluation Pt2. Combination of Main and Ancillary Products
Recently uploaded
Chennai Call Girls 8824825030 High Calass Call Girl Chennai
Chennai Call Girls 8824825030 High Calass Call Girl Chennai
The Midnight Sculptor.pdf writer by Ali alsiad
The city of Ravens burg was known for its gothic architecture, fog-covered streets, and an eerie silence that seemed to hang over the town like a shroud.
Sara Saffari: Turning Underweight into Fitness Success at 23
Uncover the remarkable journey of Sara Saffari, whose transformation from underweight struggles to being recognized as a fitness icon at 23 underscores the importance of perseverance, discipline, and embracing a healthy lifestyle.
SERV - Fun Things To Do In Overland Park
SERV is the ideal spot for savory food, refreshing beverages, and exciting entertainment. Each visit promises an unforgettable experience with daily promotions, live music, and engaging games such as pickleball. Offering five distinct food concepts inspired by popular street food, as well as coffee and dessert options, there's something to satisfy every taste. For more information visit our website: https://servfun.com/
一比一原版(UCSF毕业证)旧金山分校毕业证如何办理
原件一模一样【微信：95270640】【旧金山分校毕业证UCSF学位证成绩单】【微信：95270640】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：95270640】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：95270640】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份【微信：95270640】
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理旧金山分校毕业证UCSF学位证毕业证offer【微信：95270640 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
Tom Cruise Daughter: An Insight into the Life of Suri Cruise
Tom Cruise is a name that resonates with global audiences for his iconic roles in blockbuster films and his dynamic presence in Hollywood. But, beyond his illustrious career, Tom Cruise's personal life. especially his relationship with his daughter has been a subject of public fascination and media scrutiny. This article delves deep into the life of Tom Cruise daughter, Suri Cruise. Exploring her upbringing, the influence of her parents, and her current life.
Follow us on: Pinterest
Introduction: The Fame Surrounding Tom Cruise Daughter
Suri Cruise, the daughter of Tom Cruise and Katie Holmes, has been in the public eye since her birth on April 18, 2006. Thanks to the media's relentless coverage, the world watched her grow up. As the daughter of one of Hollywood's most renowned actors. Suri has had a unique upbringing marked by privilege and scrutiny. This article aims to provide a comprehensive overview of Suri Cruise's life. Her relationship with her parents, and her journey so far.
Early Life of Tom Cruise Daughter
Birth and Immediate Fame
Suri Cruise was born in Santa Monica, California. and from the moment she came into the world, she was thrust into the limelight. Her parents, Tom Cruise and Katie Holmes. Were one of Hollywood's most talked-about couples at the time. The birth of their daughter was a anticipated event. and Suri's first public appearance in Vanity Fair magazine set the tone for her life in the public eye.
The Impact of Celebrity Parents
Having celebrity parents like Tom Cruise and Katie Holmes comes with its own set of challenges and privileges. Suri Cruise's early life marked by a whirlwind of media attention. paparazzi, and public interest. Despite the constant spotlight. Her parents tried to provide her with an upbringing that was as normal as possible.
The Influence of Tom Cruise and Katie Holmes
Tom Cruise's Parenting Style
Tom Cruise known for his dedication and passion in both his professional and personal life. As a father, Cruise has described as loving and protective. His involvement in the Church of Scientology, but, has been a point of contention and has influenced his relationship with Suri. Cruise's commitment to Scientology has reported to be a significant factor in his and Holmes' divorce and his limited public interactions with Suri.
Katie Holmes' Role in Suri's Life
Katie Holmes has been Suri's primary caregiver since her separation from Tom Cruise in 2012. Holmes has provided a stable and grounded environment for her daughter. She moved to New York City with Suri to start a new chapter in their lives away from the intense scrutiny of Hollywood.
Suri Cruise: Growing Up in the Spotlight
Media Attention and Public Interest
From stylish outfits to everyday activities. Suri Cruise has been a favorite subject for tabloids and entertainment news. The constant media attention has shaped her childhood. Despite this, Suri has managed to maintain a level of normalcy, thanks to her mother's efforts.
定制(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书原版一模一样
原版定制【微信:bwp0011】《(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
原版制作(MUN毕业证书)纽芬兰纪念大学毕业证PDF成绩单一模一样
学校原件一模一样【微信：741003700 】《(MUN毕业证书)纽芬兰纪念大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Taylor Swift: Conquering Fame, Feuds, and Unmatched Success | CIO Women Magazine
From country star to global phenomenon, delve into Taylor Swift's incredible journey. Explore chart-topping hits, feuds, & her rise to billionaire status!
Abraham Laboriel Records ‘The Bass Walk’ at Evergreen Stage
A legendary musician records an intricate song designed to show off his expert bass guitar chops at a historical Los Angeles studio.
HD Video Player All Format - 4k & live stream
Discover the best video playback experience with HD Video Player. Our powerful, user-friendly app supports all popular video formats and codecs, ensuring seamless playback of your favorite videos in stunning HD and 4K quality. Whether you're watching movies, TV shows, or personal videos, HD Video Player provides the ultimate viewing experience on your device. 🚀
欧洲杯买球-欧洲杯买球哪里可以投注-欧洲杯买球买球投注官网|【网址🎉ac123.net🎉】
【网址🎉ac123.net🎉】欧洲杯买球 Sports 与其他博彩公司相比，其独特之处在于欧洲杯买球 Sports 基于低利润和高营业额的独一无二的体育博彩模式，该模式可以为玩家开出最高的赔率。欧洲杯买球的优势在于中文界面友好，接受人民币投注。他们的开户奖金和实时体育投注界面是大陆玩家的首选。
Enhance Your Viewing Experience with Gold IPTV- Tips and Tricks for 2024.pdf
In the ever-evolving landscape of digital entertainment, IPTV (Internet Protocol Television) has emerged as a popular alternative to traditional cable and satellite TV services. Offering unparalleled flexibility, a vast selection of channels, and affordability, IPTV services like Gold IPTV have revolutionized the way we consume television content. This comprehensive guide will delve into everything you need to know about Gold IPTV, its features, benefits, setup process, and how it can enhance your viewing experience.
How OTT Players Are Transforming Our TV Viewing Experience.pdf
The advent of Over-The-Top (OTT) players has brought a seismic shift in the television industry, transforming how we consume media. These digital platforms, which deliver content directly over the internet, have outpaced traditional cable and satellite television, offering unparalleled convenience, variety, and personalization. Here’s an in-depth look at how OTT players are revolutionizing the TV viewing experience.
一比一原版(AUT毕业证)奥克兰理工大学毕业证如何办理
AUT毕业证假文凭【微信95270640】购买（奥克兰理工大学毕业证成绩单硕士学历）Q微信95270640代办AUT学历认证留信网伪造奥克兰理工大学学位证书精仿奥克兰理工大学本科/硕士文凭证书补办奥克兰理工大学 diplomaoffer,Transcript购买奥克兰理工大学毕业证成绩单购买AUT假毕业证学位证书购买伪造奥克兰理工大学文凭证书学位证书,专业办理雅思、托福成绩单，学生ID卡，在读证明，海外各大学offer录取通知书，毕业证书，成绩单，文凭等材料:1:1完美还原毕业证、offer录取通知书、学生卡等各种在读或毕业材料的防伪工艺（包括 烫金、烫银、钢印、底纹、凹凸版、水印、防伪光标、热敏防伪、文字图案浮雕，激光镭射，紫外荧光，温感光标）学校原版上有的工艺我们一样不会少，不论是老版本还是最新版本，都能保证最高程度还原，力争完美以求让所有同学都能享受到完美的品质服务。
办国外奥克兰理工大学奥克兰理工大学毕业证文凭证书教育部学历学位认证留信认证大使馆认证留学回国人员证明修改成绩单信封申请学校offer录取通知书在读证明offer letter。
快速办理高仿国外毕业证成绩单：
1奥克兰理工大学毕业证+成绩单+留学回国人员证明+教育部学历认证（全套留学回国必备证明材料给父母及亲朋好友一份完美交代）;
2雅思成绩单托福成绩单OFFER在读证明等留学相关材料（申请学校转学甚至是申请工签都可以用到）。
3.毕业证 #成绩单等全套材料从防伪到印刷从水印到钢印烫金高精仿度跟学校原版100%相同。
专业服务请勿犹豫联系我！联系人微信号：95270640诚招代理：本公司诚聘当地代理人员如果你有业余时间有兴趣就请联系我们。
国外奥克兰理工大学奥克兰理工大学毕业证文凭证书办理过程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。蜿蜒小溪一直都是山娃和小伙伴们盛夏的天然泳场水不深碎石底石缝里总有摸不尽的鱼虾活蹦乱跳的还有乌龟和王八贼头贼脑的倒也逗人喜爱日上三竿时山娃总爱窜进自家瓜棚里跟小伙伴们坐着聊天聊着聊着便忍不住往瓜田里逡巡一番抱起一只硕大的西瓜用石刀劈开抑或用拳头砸开每人抱起一大块就啃啃得满嘴满脸猴屁股般的红艳大家一个劲地指着对方吃吃地笑瓜裂得古怪奇形怪状却丝毫不影响瓜味甜丝丝的满嘴生津遍地都是瓜横七竖八的活像掷满这
欧洲杯赌球-欧洲杯赌球竞猜官网-欧洲杯赌球竞猜网站|【网址🎉ac10.net🎉】
【网址🎉ac10.net🎉】欧洲杯赌球是独立的博彩公司。该公司最初专门从事在线体育博彩，现在合并了在线娱乐场。该公司最初成立时以其前董事长Victor Chandler的名字命名，之后更名为欧洲杯赌球。欧洲杯赌球现由商人和赛马主，迈克尔·塔博尔拥有，运营总部设在直布罗陀。平台拥有体育博彩（沙巴）、真人娱乐场、电子游戏、金融投注等游戏项目，支持手机投注，优惠活动很丰富。
From Teacher to OnlyFans: Brianna Coppage's Story at 28
At 28, Brianna Coppage left her teaching career to become an OnlyFans content creator. This bold move into digital entrepreneurship allowed her to harness her creativity and build a new identity. Brianna's experience highlights the intersection of technology and personal branding in today's economy.
Unlocking the Secrets of IPTV App Development_ A Comprehensive Guide.pdf
With IPTV apps, you can access and stream live TV, on-demand movies, series, and other content you like online. Viewers have more flexibility and customization of content to watch. To develop the best IPTV app that functions, you must combine creative problem-solving skills and technical knowledge. This post will look into the details of IPTV app development, so keep reading to learn more.
Audio Video equipment supplier in Gurgaon
Explore our website for the latest audio visual equipment. From projectors to
speakers, we have everything you need to elevate your audio and visual setup.
Leading audio visual equipment supplier in Gurgaon offering a wide range of
high-quality products for all your audio and visual needs.
Gladiator 2 (Action, Adventure, Drama Movie)
Details about the highly anticipated Gladiator 2 movie, including plot, cast, production, and release information.
Recently uploaded (20)
Chennai Call Girls 8824825030 High Calass Call Girl Chennai
Chennai Call Girls 8824825030 High Calass Call Girl Chennai
Sara Saffari: Turning Underweight into Fitness Success at 23
Sara Saffari: Turning Underweight into Fitness Success at 23
Tom Cruise Daughter: An Insight into the Life of Suri Cruise
Tom Cruise Daughter: An Insight into the Life of Suri Cruise
Taylor Swift: Conquering Fame, Feuds, and Unmatched Success | CIO Women Magazine
Taylor Swift: Conquering Fame, Feuds, and Unmatched Success | CIO Women Magazine
Abraham Laboriel Records ‘The Bass Walk’ at Evergreen Stage
Abraham Laboriel Records ‘The Bass Walk’ at Evergreen Stage
Enhance Your Viewing Experience with Gold IPTV- Tips and Tricks for 2024.pdf
Enhance Your Viewing Experience with Gold IPTV- Tips and Tricks for 2024.pdf
How OTT Players Are Transforming Our TV Viewing Experience.pdf
How OTT Players Are Transforming Our TV Viewing Experience.pdf
From Teacher to OnlyFans: Brianna Coppage's Story at 28
From Teacher to OnlyFans: Brianna Coppage's Story at 28
Unlocking the Secrets of IPTV App Development_ A Comprehensive Guide.pdf
Unlocking the Secrets of IPTV App Development_ A Comprehensive Guide.pdf
Youmeatsix Research
- 1. Youmeatsix This is a still image taken from the Youmeatsix music video ‘Save It For The Bedroom’. Youmeatsix is classed as a pop/punk band. The band originally released this song as their debut and created their own music video before being signed and having the video being professionally directed. In the original video, viewers witness the band in their comfort zones being themselves and also on stage at a small gig. All filming in the first production of this video was done by friends of the band with simple hand held camera. However, the new music video for this song is very different.
- 2. Youmeatsix Similarly to the Blink 182 video that I have analysed, the song and the video by Youmeatsix do not seem to be linked in any way. For example, the song is about how the singers girlfriend has been going behind his back and being unfaithful and this can be seen by the lyric ‘Well I sussed you good, you knew I would.’ Whereas, the video is based on reality TV shows and features many problems that all surround the idea of fame hungry families; for example, ‘I think my husband is having an affair... With the dog’. The video also tackles the idea of challenging conventions and rules, for example, the lead singer can be seen in an express yourself t-shirt and underneath him on screen is the line; Our son refuses to be an intolerant bigot and brings shame on our family with his liberal thinking!
- 3. Youmeatsix Also similarly to the Blink video, this video represents the unconventional nature of this band as it shows the band completely destroying the set of the TV programme as the video comes to a close. Again, similarly to the Blink video, there are many different costumes used throughout this video. For example, the band play all the characters featured in the video so there is a constant costume change and a lot of cross dressing. This again shows how the band do not want to be conventional, but would rather just be teenage boys who have fun with their friends.
- 4. Youmeatsix I also believe that this video would again be a good idea to look in to as it really emphasises the idea that the band is unconventional and completely individual from other bands in the same genre; it will cause the band to stand out from the rest.
- 5. Youmeatsix – Save It For The Bedroom Radial Analysis Costume The costume featured in this video, similarly to the Blink 182 video, also changes frequently. During the video the band members can be seen to be dressed as parents, stereotypical teenagers and women. However, on the live shots the band are shown wearing their own clothes. Again the idea of frequent costume changes has been used to represent both the band’s serious and childish sides. On the other hand, it has also been used again to make fun of a certain group of people. For example the video mainly makes fun of people who take their problems to television chat shows. The costumes used in this still are not what is conventionally expected for a band of this genre to wear. Again this anchors the idea that they are not classed as alternative because they are stereotypical of that genre but rather because they are individual and unique. This Is also emphasised by the fact that the costumes they are wearing in this still do not match. For example the lead singer can frequently be seen wearing an ‘express yourself’ or ‘real’ t-shirt. This costume connotes the idea that we should all be individual and have our own opinions instead of following what others say and do.
- 6. Youmeatsix– Save It For The Bedroom Radial Analysis Setting The location in this video does not change at all throughout this video. From beginning to end the video is shot in what appears to be a television studio, where they are trying to film a chat show. The way the set has been constructed emphasises the idea that the band are making fun of people who enjoy or appear on these shows as It is very similar to that of the’ Jeremy Kyle Show’ in a layout and design sense. Near the end of the video, just before this still, the band can be seen destroying the set. For example, one member can be seen jumping through one of the walls. This has been done to represent the idea that not everything in life as serious as it may seem at first glance. However, the destruction of a main part of the video also show how the band’s music is just as important as the point they are trying to make.
- 7. Youmeatsix– Save It For The Bedroom Radial Analysis Colours The colours used in this video are consistently quite vibrant. This can be seen in the still due to the bright red and pink background colour. However the costume the band is wearing is generally dark or neutral colours, as seen in the still. By using this huge contrast in colours the video begins to contradict the song and the rest of the video. This is because both the song and the rest of the video portray the idea of being individual, not following others and not following rules such as political correctness. On the other hand, the band is now shown to be as a whole not individuals and the background colours are a lot more individual and unique than the colours the band are wearing.
- 8. Youmeatsix – Save It For The Bedroom Radial Analysis Camera Angles The camera angles used within this video are generally very similar; all seem to be at about eye level with the audience and also seem to show most of the characters with in the shot. This may have been done as it represents the idea that the band don’t feel that they are better than anyone else, but rather they feel that they are individual from others. In this still, the camera also appears to be slightly tilted up. This may have been done as this still was taken just after the band demolished the surrounding studio and therefore, this still would anchor the idea that the band have overcome or destroyed stereotypes and conventions and are instead being their own people; this makes them superior.