riting About LiteratureGenerally, the essays you write in litera.docxdaniely50
riting About Literature
Generally, the essays you write in literature courses attempt to answer interesting questions about works of literature. These questions are interesting for at least two reasons: a) their answers are not obvious, and b) their answers (or at least the attempt to answer them) can enrich other readers’ understanding and experience of those works of literature. Often works of literature seem to be intentionally posing these questions to us; they require us to do some work to get them to work.
Readers have asked many different types of questions of works of literature, for example:
What did the author want to communicate in this work?
What does the work reveal about the author’s feelings, opinions, or psychology?
What does the work reveal about the society in which it was written?
What can we learn from this work about the issues or topics it deals with?
What motivates the characters in the work to behave as they do?
How are literary devices used in the work?
How does the work create emotional or intellectual experiences for its readers?
Is this work good or bad?
Is this work good or bad for its readers?
Some of these questions require information from outside the text itself; for example, to argue that a work reveals a writer’s psychological condition, it would be helpful to have some other evidence of that condition to corroborate your interpretation of the work of literature. Some of these questions ask about the world outside the work—about the author, his/her society, or our own society, for example—while others try to focus more on the features of the work itself.
Analyses which try to make statements about the work itself
is often called
formalist
criticism: it attends more to the structures and strategies employed in the work. Ultimately, such arguments generally do try to move beyond the work, to claim, for instance, that it is likely to create certain effects in its readers, or that readers will understand the writer’s intent more clearly if they pay attention to its formal characteristic.
In LIT 100, we are going to be paying attention primarily to these formal features of literary works. In fiction, some of these features include tone, point of view, setting, character, etc. We will be paying less attention to extra-textual features, such as the author’s biography or the historical contexts in which the literature was produced and/or read; these elements are not less important than formal features, but they naturally vary greatly from one work to another and often require in-depth study to truly appreciate. To understand how Shakespeare’s social situation in London in the 1590s might have been reflected in his plays would require a whole course in Elizabethan history. On the other hand, the formal features we will be studying in this course can be found in literature of all eras and genres, though they may often be used to different effect by different writers at different times. Almost all fict.
Essay Guidelines For Students In The Year 2022LennonJames1
How to write an effective essay? Get the answer to this question, learn the best guidelines for writing a perfect essay, and score excellent grades in universities by impressing your professors.
For More Related Services:
https://myassignmentdeck.com/
https://myassignmentdeck.com/essay-writing-services/
Myassignmentdeck
riting About LiteratureGenerally, the essays you write in lite.docxjoellemurphey
riting About Literature
Generally, the essays you write in literature courses attempt to answer interesting questions about works of literature. These questions are interesting for at least two reasons: a) their answers are not obvious, and b) their answers (or at least the attempt to answer them) can enrich other readers’ understanding and experience of those works of literature. Often works of literature seem to be intentionally posing these questions to us; they require us to do some work to get them to work.
Readers have asked many different types of questions of works of literature, for example:
· What did the author want to communicate in this work?
· What does the work reveal about the author’s feelings, opinions, or psychology?
· What does the work reveal about the society in which it was written?
· What can we learn from this work about the issues or topics it deals with?
· What motivates the characters in the work to behave as they do?
· How are literary devices used in the work?
· How does the work create emotional or intellectual experiences for its readers?
· Is this work good or bad?
· Is this work good or bad for its readers?
Some of these questions require information from outside the text itself; for example, to argue that a work reveals a writer’s psychological condition, it would be helpful to have some other evidence of that condition to corroborate your interpretation of the work of literature. Some of these questions ask about the world outside the work—about the author, his/her society, or our own society, for example—while others try to focus more on the features of the work itself. Analyses which try to make statements about the work itself is often calledformalist criticism: it attends more to the structures and strategies employed in the work. Ultimately, such arguments generally do try to move beyond the work, to claim, for instance, that it is likely to create certain effects in its readers, or that readers will understand the writer’s intent more clearly if they pay attention to its formal characteristic.
In LIT 100, we are going to be paying attention primarily to these formal features of literary works. In fiction, some of these features include tone, point of view, setting, character, etc. We will be paying less attention to extra-textual features, such as the author’s biography or the historical contexts in which the literature was produced and/or read; these elements are not less important than formal features, but they naturally vary greatly from one work to another and often require in-depth study to truly appreciate. To understand how Shakespeare’s social situation in London in the 1590s might have been reflected in his plays would require a whole course in Elizabethan history. On the other hand, the formal features we will be studying in this course can be found in literature of all eras and genres, though they may often be used to different effect by different writers at different times. A ...
COMM 1001 Week 4 Assignment Worksheet(Part 1 of your Week 5 Perce.docxdrandy1
COMM 1001: Week 4 Assignment Worksheet
(Part 1 of your Week 5 Perception Paper)
Directions:
Please save the document to your own computer using the
naming convention "COMMWK4Assgn+last name+first initial" as the Submission Title. The file name identifies you and indicates to your instructor that your worksheet is available to grade. Please fill in the answers in the boxes provided by TYPING in your answers. If you need more space than is provided, the box will expand as you write. So, no need to worry about space.
Do not
write your answers in a separate document because your instructor uses the rubric after each question to grade that section of this worksheet. You may use the rubric as a guide to make sure you completed that question correctly. Then, please submit this worksheet to the regular Week 4 Assignment submission link in the classroom.
Section 1. Introduction
Using the directions in the blue part of each box, write an introduction for your week 5 full paper in the boxes below. Be sure to follow the directions in each box.
First write a sentence (or more if needed) to gradually introduce your reader to the topic of perception. Try to be creative and original. For instance, you could tell a brief story about how perception played a role in a situation from your own life.
The second part of a proper introduction is a thesis or purpose statement. In this worksheet, we will give you
the thesis. In your paper next week, you may choose to use this thesis or write your own. A possible thesis
for this paper would be:
This paper will help me to understand how perception works through doing an analysis of what three observers
declared were their perceptions of a photograph.
Finally, write a sentence or two that previews what your three main points for this paper will be. You have already been given the three main points. They are:
1) Explanation of the steps of the perception process.
2) Description of your observers and how their background might affect their perception of the world.
3) Analysis of the observers’ descriptions of the photo.
Here is an example of a good preview of these three main points:
In this paper, first I will explain the three step process of perception; second, I will provide a description of my three observers complete with an explanation as to how their backgrounds might affect their perceptions of the world. Finally, I will delve deeper into what these observers had to say about the photograph I showed them by analyzing their perceptions.
In space below, write a preview of main points in your own words.
For instructor use only.
Section 1 Comments
15 Points Total
·
Did the opening clearly introduce the reader to the topic of the paper in a creative and original way? ______/5 points
·
Was the preview sentence clear and did it follow the correct main points and order given? ______/5 points
·
Were the parts of the introduction orderly and written in complete sentences? ______/5 p.
COMM 1001 Week 4 Assignment Worksheet(Part 1 of your Week 5 Perce.docxcargillfilberto
COMM 1001: Week 4 Assignment Worksheet
(Part 1 of your Week 5 Perception Paper)
Directions:
Please save the document to your own computer using the
naming convention "COMMWK4Assgn+last name+first initial" as the Submission Title. The file name identifies you and indicates to your instructor that your worksheet is available to grade. Please fill in the answers in the boxes provided by TYPING in your answers. If you need more space than is provided, the box will expand as you write. So, no need to worry about space.
Do not
write your answers in a separate document because your instructor uses the rubric after each question to grade that section of this worksheet. You may use the rubric as a guide to make sure you completed that question correctly. Then, please submit this worksheet to the regular Week 4 Assignment submission link in the classroom.
Section 1. Introduction
Using the directions in the blue part of each box, write an introduction for your week 5 full paper in the boxes below. Be sure to follow the directions in each box.
First write a sentence (or more if needed) to gradually introduce your reader to the topic of perception. Try to be creative and original. For instance, you could tell a brief story about how perception played a role in a situation from your own life.
The second part of a proper introduction is a thesis or purpose statement. In this worksheet, we will give you
the thesis. In your paper next week, you may choose to use this thesis or write your own. A possible thesis
for this paper would be:
This paper will help me to understand how perception works through doing an analysis of what three observers
declared were their perceptions of a photograph.
Finally, write a sentence or two that previews what your three main points for this paper will be. You have already been given the three main points. They are:
1) Explanation of the steps of the perception process.
2) Description of your observers and how their background might affect their perception of the world.
3) Analysis of the observers’ descriptions of the photo.
Here is an example of a good preview of these three main points:
In this paper, first I will explain the three step process of perception; second, I will provide a description of my three observers complete with an explanation as to how their backgrounds might affect their perceptions of the world. Finally, I will delve deeper into what these observers had to say about the photograph I showed them by analyzing their perceptions.
In space below, write a preview of main points in your own words.
For instructor use only.
Section 1 Comments
15 Points Total
·
Did the opening clearly introduce the reader to the topic of the paper in a creative and original way? ______/5 points
·
Was the preview sentence clear and did it follow the correct main points and order given? ______/5 points
·
Were the parts of the introduction orderly and written in complete sentences? ______/5 p.
This Power Point I made for my students to review before their final exam. The do’s and don’ts of writing an opinion composition. Giving them tips in what to include and not include. How they can brainstorm on paper before actually writing. There is also an example of an essay.
This guide aims to answer these questions. It provides concrete strategies for writing and telling your personal story, the foundation of any advocacy effort. The guide is intended for patients, families, caregivers, and other individuals who want to create a personal story to support a specific health care intervention. We focus here on telling a condensed, five-minute version of your personal story for your meeting or written communication with a decision-maker (e.g., your provincially elected representative). In many ways, constructing a
five-minute story is more difficult than telling your entire story. After all, your five-minute story needs to compel your decision-maker to act on your one “ask” just as your longer story would, but without the context, your longer story can provide. This guide will walk you through how to construct, revise, and present your five-minute personal story.
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
More Related Content
Similar to Writing Week 3- Walker.pptxffffffgfgfgfgfg
riting About LiteratureGenerally, the essays you write in litera.docxdaniely50
riting About Literature
Generally, the essays you write in literature courses attempt to answer interesting questions about works of literature. These questions are interesting for at least two reasons: a) their answers are not obvious, and b) their answers (or at least the attempt to answer them) can enrich other readers’ understanding and experience of those works of literature. Often works of literature seem to be intentionally posing these questions to us; they require us to do some work to get them to work.
Readers have asked many different types of questions of works of literature, for example:
What did the author want to communicate in this work?
What does the work reveal about the author’s feelings, opinions, or psychology?
What does the work reveal about the society in which it was written?
What can we learn from this work about the issues or topics it deals with?
What motivates the characters in the work to behave as they do?
How are literary devices used in the work?
How does the work create emotional or intellectual experiences for its readers?
Is this work good or bad?
Is this work good or bad for its readers?
Some of these questions require information from outside the text itself; for example, to argue that a work reveals a writer’s psychological condition, it would be helpful to have some other evidence of that condition to corroborate your interpretation of the work of literature. Some of these questions ask about the world outside the work—about the author, his/her society, or our own society, for example—while others try to focus more on the features of the work itself.
Analyses which try to make statements about the work itself
is often called
formalist
criticism: it attends more to the structures and strategies employed in the work. Ultimately, such arguments generally do try to move beyond the work, to claim, for instance, that it is likely to create certain effects in its readers, or that readers will understand the writer’s intent more clearly if they pay attention to its formal characteristic.
In LIT 100, we are going to be paying attention primarily to these formal features of literary works. In fiction, some of these features include tone, point of view, setting, character, etc. We will be paying less attention to extra-textual features, such as the author’s biography or the historical contexts in which the literature was produced and/or read; these elements are not less important than formal features, but they naturally vary greatly from one work to another and often require in-depth study to truly appreciate. To understand how Shakespeare’s social situation in London in the 1590s might have been reflected in his plays would require a whole course in Elizabethan history. On the other hand, the formal features we will be studying in this course can be found in literature of all eras and genres, though they may often be used to different effect by different writers at different times. Almost all fict.
Essay Guidelines For Students In The Year 2022LennonJames1
How to write an effective essay? Get the answer to this question, learn the best guidelines for writing a perfect essay, and score excellent grades in universities by impressing your professors.
For More Related Services:
https://myassignmentdeck.com/
https://myassignmentdeck.com/essay-writing-services/
Myassignmentdeck
riting About LiteratureGenerally, the essays you write in lite.docxjoellemurphey
riting About Literature
Generally, the essays you write in literature courses attempt to answer interesting questions about works of literature. These questions are interesting for at least two reasons: a) their answers are not obvious, and b) their answers (or at least the attempt to answer them) can enrich other readers’ understanding and experience of those works of literature. Often works of literature seem to be intentionally posing these questions to us; they require us to do some work to get them to work.
Readers have asked many different types of questions of works of literature, for example:
· What did the author want to communicate in this work?
· What does the work reveal about the author’s feelings, opinions, or psychology?
· What does the work reveal about the society in which it was written?
· What can we learn from this work about the issues or topics it deals with?
· What motivates the characters in the work to behave as they do?
· How are literary devices used in the work?
· How does the work create emotional or intellectual experiences for its readers?
· Is this work good or bad?
· Is this work good or bad for its readers?
Some of these questions require information from outside the text itself; for example, to argue that a work reveals a writer’s psychological condition, it would be helpful to have some other evidence of that condition to corroborate your interpretation of the work of literature. Some of these questions ask about the world outside the work—about the author, his/her society, or our own society, for example—while others try to focus more on the features of the work itself. Analyses which try to make statements about the work itself is often calledformalist criticism: it attends more to the structures and strategies employed in the work. Ultimately, such arguments generally do try to move beyond the work, to claim, for instance, that it is likely to create certain effects in its readers, or that readers will understand the writer’s intent more clearly if they pay attention to its formal characteristic.
In LIT 100, we are going to be paying attention primarily to these formal features of literary works. In fiction, some of these features include tone, point of view, setting, character, etc. We will be paying less attention to extra-textual features, such as the author’s biography or the historical contexts in which the literature was produced and/or read; these elements are not less important than formal features, but they naturally vary greatly from one work to another and often require in-depth study to truly appreciate. To understand how Shakespeare’s social situation in London in the 1590s might have been reflected in his plays would require a whole course in Elizabethan history. On the other hand, the formal features we will be studying in this course can be found in literature of all eras and genres, though they may often be used to different effect by different writers at different times. A ...
COMM 1001 Week 4 Assignment Worksheet(Part 1 of your Week 5 Perce.docxdrandy1
COMM 1001: Week 4 Assignment Worksheet
(Part 1 of your Week 5 Perception Paper)
Directions:
Please save the document to your own computer using the
naming convention "COMMWK4Assgn+last name+first initial" as the Submission Title. The file name identifies you and indicates to your instructor that your worksheet is available to grade. Please fill in the answers in the boxes provided by TYPING in your answers. If you need more space than is provided, the box will expand as you write. So, no need to worry about space.
Do not
write your answers in a separate document because your instructor uses the rubric after each question to grade that section of this worksheet. You may use the rubric as a guide to make sure you completed that question correctly. Then, please submit this worksheet to the regular Week 4 Assignment submission link in the classroom.
Section 1. Introduction
Using the directions in the blue part of each box, write an introduction for your week 5 full paper in the boxes below. Be sure to follow the directions in each box.
First write a sentence (or more if needed) to gradually introduce your reader to the topic of perception. Try to be creative and original. For instance, you could tell a brief story about how perception played a role in a situation from your own life.
The second part of a proper introduction is a thesis or purpose statement. In this worksheet, we will give you
the thesis. In your paper next week, you may choose to use this thesis or write your own. A possible thesis
for this paper would be:
This paper will help me to understand how perception works through doing an analysis of what three observers
declared were their perceptions of a photograph.
Finally, write a sentence or two that previews what your three main points for this paper will be. You have already been given the three main points. They are:
1) Explanation of the steps of the perception process.
2) Description of your observers and how their background might affect their perception of the world.
3) Analysis of the observers’ descriptions of the photo.
Here is an example of a good preview of these three main points:
In this paper, first I will explain the three step process of perception; second, I will provide a description of my three observers complete with an explanation as to how their backgrounds might affect their perceptions of the world. Finally, I will delve deeper into what these observers had to say about the photograph I showed them by analyzing their perceptions.
In space below, write a preview of main points in your own words.
For instructor use only.
Section 1 Comments
15 Points Total
·
Did the opening clearly introduce the reader to the topic of the paper in a creative and original way? ______/5 points
·
Was the preview sentence clear and did it follow the correct main points and order given? ______/5 points
·
Were the parts of the introduction orderly and written in complete sentences? ______/5 p.
COMM 1001 Week 4 Assignment Worksheet(Part 1 of your Week 5 Perce.docxcargillfilberto
COMM 1001: Week 4 Assignment Worksheet
(Part 1 of your Week 5 Perception Paper)
Directions:
Please save the document to your own computer using the
naming convention "COMMWK4Assgn+last name+first initial" as the Submission Title. The file name identifies you and indicates to your instructor that your worksheet is available to grade. Please fill in the answers in the boxes provided by TYPING in your answers. If you need more space than is provided, the box will expand as you write. So, no need to worry about space.
Do not
write your answers in a separate document because your instructor uses the rubric after each question to grade that section of this worksheet. You may use the rubric as a guide to make sure you completed that question correctly. Then, please submit this worksheet to the regular Week 4 Assignment submission link in the classroom.
Section 1. Introduction
Using the directions in the blue part of each box, write an introduction for your week 5 full paper in the boxes below. Be sure to follow the directions in each box.
First write a sentence (or more if needed) to gradually introduce your reader to the topic of perception. Try to be creative and original. For instance, you could tell a brief story about how perception played a role in a situation from your own life.
The second part of a proper introduction is a thesis or purpose statement. In this worksheet, we will give you
the thesis. In your paper next week, you may choose to use this thesis or write your own. A possible thesis
for this paper would be:
This paper will help me to understand how perception works through doing an analysis of what three observers
declared were their perceptions of a photograph.
Finally, write a sentence or two that previews what your three main points for this paper will be. You have already been given the three main points. They are:
1) Explanation of the steps of the perception process.
2) Description of your observers and how their background might affect their perception of the world.
3) Analysis of the observers’ descriptions of the photo.
Here is an example of a good preview of these three main points:
In this paper, first I will explain the three step process of perception; second, I will provide a description of my three observers complete with an explanation as to how their backgrounds might affect their perceptions of the world. Finally, I will delve deeper into what these observers had to say about the photograph I showed them by analyzing their perceptions.
In space below, write a preview of main points in your own words.
For instructor use only.
Section 1 Comments
15 Points Total
·
Did the opening clearly introduce the reader to the topic of the paper in a creative and original way? ______/5 points
·
Was the preview sentence clear and did it follow the correct main points and order given? ______/5 points
·
Were the parts of the introduction orderly and written in complete sentences? ______/5 p.
This Power Point I made for my students to review before their final exam. The do’s and don’ts of writing an opinion composition. Giving them tips in what to include and not include. How they can brainstorm on paper before actually writing. There is also an example of an essay.
This guide aims to answer these questions. It provides concrete strategies for writing and telling your personal story, the foundation of any advocacy effort. The guide is intended for patients, families, caregivers, and other individuals who want to create a personal story to support a specific health care intervention. We focus here on telling a condensed, five-minute version of your personal story for your meeting or written communication with a decision-maker (e.g., your provincially elected representative). In many ways, constructing a
five-minute story is more difficult than telling your entire story. After all, your five-minute story needs to compel your decision-maker to act on your one “ask” just as your longer story would, but without the context, your longer story can provide. This guide will walk you through how to construct, revise, and present your five-minute personal story.
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
Normal Labour/ Stages of Labour/ Mechanism of LabourWasim Ak
Normal labor is also termed spontaneous labor, defined as the natural physiological process through which the fetus, placenta, and membranes are expelled from the uterus through the birth canal at term (37 to 42 weeks
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
MATATAG CURRICULUM: ASSESSING THE READINESS OF ELEM. PUBLIC SCHOOL TEACHERS I...NelTorrente
In this research, it concludes that while the readiness of teachers in Caloocan City to implement the MATATAG Curriculum is generally positive, targeted efforts in professional development, resource distribution, support networks, and comprehensive preparation can address the existing gaps and ensure successful curriculum implementation.
3. OBJECTIVES
Standard 3 – I can write narratives that establish a situation
and introduce characters.
4. Activator
All of last week, we were working on our roll-a-story. We rolled our characters, our
setting time, setting place and our conflict. Once we had each one chosen, we
began filling out our organizers. It is now time to look at how we can put those
ideas into writing a story!
5. Concept Development- I Do:
Standard 3 – I can write narratives that establish a situation and introduce
characters.
When we are thinking about a
story, we need to remember
what each part of the story is
and why it is important. What
do we work on introducing in
the Beginning of the story?
6. Concept Development- I Do:
Standard 3 – I can write narratives that establish a situation and introduce
characters.
In the beginning of the story,
we want to introduce the
characters and both of the
settings! The time and place
where the story is being told!
7. Guided Practice- We Do:
Standard 3 – I can write narratives that establish a situation and introduce
characters.
Now we need to look at my
organizer, from last week!
o How can we start to put the
beginning of my story into an
introduction?
o How should we hook the readers?
With dialogue or with a sound? Or
maybe with both?
8. Transition
Standard 3 – I can write narratives that establish a situation and introduce
characters.
Before we go back to writing on
our own, I want you to turn and
talk to your partner about your
characters, setting’s and how
you want to start off your story!
9. Independent Practice- You Do:
Standard 3 – I can write narratives that establish a situation and introduce characters.
On your own, you are going to
work on writing out your
introduction to your imaginative
narrative. Remember: Our
introduction has lots of details to
pull in the reader. It has
interesting things that happen
and tells us about where the story
takes place and who the main
character of the story is.
** If you finish early, re read over your writing to check for errors, or
fix sentences. Then quietly read a book.**
10. Closure
Standard 3 – I can write narratives that establish a situation and introduce
characters.
Who would like to share the
introduction that you just wrote?
14. Concept Development- I Do:
Standard 3 – I can write narratives that establish a situation and introduce
characters.
When we are thinking about a story, we need
to remember what each part of the story is and
why it is important.
After the introduction, comes
the middle of the story or it is
called the body. In the body of
the story, we introduce the
problem of the story. To do
that, we have to explain it in
details.
15. Guided Practice- We Do:
Standard 3 – I can write narratives that establish a situation and introduce
characters.
Now we need to look at my
organizer, from last week!
o Let’s take a look at my organizer. I
have introduced the characters &
settings, now we need to talk about
the problem.
o What was the problem of my story?
o How can I introduce the problem of
the story?
16. Transition
Standard 3 – I can write narratives that establish a situation and introduce
characters.
Before we go back to writing on
our own, I want you to turn and
talk to your partner about your
problem/ conflict that you have.
How can you introduce it? What
idea’s do you have about it?
17. Independent Practice- You Do:
Standard 3 – I can write narratives that establish a situation and introduce characters.
o On your own, you are going to
work on writing out your body
paragraph to your imaginative
narrative.
o Remember: Our body/ middle
has introduced the problem
and said how it is a problem, it
then talks about the things that
led up to the problem.
** If you finish early, re read over your writing to check for errors, or
fix sentences. Then quietly read a book.**
18. Closure
Standard 3 – I can write narratives that establish a situation and introduce
characters.
Who would like to share the
paragraph that you just wrote?
22. Concept Development- I Do:
Standard 3 – I can write narratives that establish a situation and introduce
characters.
When we are thinking about a
story, we need to remember
what each part of the story is
and why it is important. What
do we work on in the closing of
the story? How should we end
it?
23. Concept Development- I Do:
Standard 3 – I can write narratives that establish a situation and introduce
characters.
To end our story, we have to
discuss the resolution or solution
to the problem. How was the
problem solved? Should we
simply just state that the problem
was solved? Or should we tell the
reader how the problem was
solved and in what way it was able
to be solved.
24. Guided Practice- We Do:
Standard 3 – I can write narratives that establish a situation and introduce
characters.
Now we need to pull the
information from the organizer
and add more details to our story.
Can you help me do this? How
should we solve my conflict?
What ideas do you have for me?
25. Transition
Standard 3 – I can write narratives that establish a situation and introduce
characters.
Before we go back to writing on
our own, I want you to turn and
talk to your partner about your
problem/ conflict that you have.
How did you introduce it
yesterday? Now how can you
solve that problem? What can
you do to solve it? Who is going
to solve it?
26. Independent Practice- You Do:
Standard 3 – I can write narratives that establish a situation and introduce characters.
o On your own, you are going to
work on writing out your last
paragraph to your imaginative
narrative.
o Remember: Our closing/
ending has a way that the
problem was resolved, then
talks about the things helped
in solving the problem.
** If you finish early, re read over your writing to check for errors, or
fix sentences. Then quietly read a book.**
27. Closure
Standard 3 – I can write narratives that establish a situation and introduce
characters.
Who wants to read their rough
draft of their story?
30. Concept Development- I Do:
Standard 3 – I can write narratives that establish a situation and introduce
characters.
Before we can write a final draft, we
have to revise and edit our stories!
Today I would like you to help me
edit the story first. What am I looking
for when I am editing the story?
31. Concept Development- I Do:
Standard 3 – I can write narratives that establish a situation and introduce
characters.
Before we can write a final draft, we
have to revise and edit our stories!
Today I would like you to help me
revise the story first. What am I
looking for when I am revising the
story?
32. Guided Practice- We Do:
Standard 3 – I can write narratives that establish a situation and introduce
characters.
Now, using these different words,
can you guys help me edit my
story first?
Do I use capital letters?
Do my words flow together in the
same way?
Did I use punctuation where it
needs to go?
Did I spell words correctly?
33. Guided Practice- We Do:
Standard 3 – I can write narratives that establish a situation and introduce
characters.
Now, using these different words,
can you guys help me revise my
story next?
o Do I need to add in any information in
my story?
o Do I need to remove any words or
sentences that don’t make sense??
o Did I need to move a sentence for it to
make sense??
o Do I need to switch out any words to
make it sound better?
34. Independent Practice- You Do:
Standard 3 – I can write narratives that establish a situation and introduce characters.
o On your own, you are going to
work on revising and editing.
o Remember: Our chart for
revising & editing.
o ARMS & CUPS!!
o While you are working on
editing, once you finish & have
met with me, you will begin
your final copy
** If you finish early, turn it in. Then quietly read a book.**
35. Closure
Standard 3 – I can write narratives that establish a situation and introduce
characters.
Who wants to read their final
draft?
