Writing about films can help one better understand their own emotional and intellectual reactions to movies. It allows people to analyze themes, characters, and images in films which provides insight into how they view the world. Some benefits of writing about films include gaining a deeper understanding of one's own responses, explaining or introducing aspects of a movie, filmmaker, or genre, and making comparisons between different films or connecting films to other cultural areas.
Assignments1.Read the following worksa.The Br.docxAMMY30
Assignments
1.
Read the following works:
a.
The Bridge of San Luis Rey
by Thornton Wilder
b.
Our Town
by Thornton Wilder
c.
“A Rose for Emily” by William Faulkner
d.
“Hills Like White Elephants” by Ernest Hemmingway
e.
Short Story of your choice by F. Scott Fitzgerald
f.
Five poems of your choice written by Langston Hughes
2.
The last lines of
The Bridge of San Luis Rey
are:
a.
“But soon we shall die and all memory of those five will have left the earth, and we ourselves shall be loved for a while and forgotten. But the love will have been enough; all those impulses of love return to the love that made them. Even memory is not necessary for love. There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning.”
b.
In a 1-2 page essay, explain how this theme is developed in the novel.
3.
Pick one of the following essay prompts to write a 1-2-page essay for each prompt about
The Bridge of San Luis Rey.
a.
Thornton Wilder said that he wrote the novel to ask the follow question, "Is there a direction and meaning in lives beyond the individual's own will?" According to the novel, what conclusion if any does Wilder reach? If he does not reach a conclusion, then why not?
b.
Choose a character from the novel and discuss the nuances that contribute to the character’s development.
c.
Was Brother Juniper an objective researcher? Explain your answer.
d.
Consider the following quote:
i.
Now he discovered that secret from which one never quite recovers, that even in the most perfect love one person loves less profoundly than the other. There may be two equally good, equally gifted, equally beautiful, but there may never be two that love one another equally well.
ii.
Use examples from the book to defend, qualify or challenge this assertion.
4.
Write one 4-5-page essay on the following topic: These works deal with the issues of disillusionment with old ideas and ideals. How do we see this disillusionment in these works?
5.
Watch the movie
The Crucible
(I have a copy that you can borrow – please note this movie is PG-13, and it does have some very brief nudity in it). Then write a 2-3 page essay comparing and contrasting the movies with the play. This essay should address some of the following questions:
a.
How are the themes of the book represented in the movies? How does this enhance, change, or diminish the meaning of the book?
b.
How does the director interpret the book? How do these interpretations enhance, change, or diminish the meaning of the book?
c.
What stylistic choices (lighting, cinematography, music and sound effects, and/or other special effects) did the director make? How do these choices enhance, change, or diminish the meaning of the book?
d.
How were the characters similar to/different from how you interpreted them in the book? How does this enhance, change, or diminish the meaning of the book?
e.
What was added to the movie that was not in the book? What w ...
Acting and Acting StylePrepareAs we have been discussing, .docxnettletondevon
Acting and Acting Style
Prepare
As we have been discussing, the mise en scène of a film is the use of a variety of design elements to create the visual theme. As you prepare to write this discussion, take a few moments to do the following:
· Read any required and recommended reading materials for this week, especially Chapter 5 (Mise en Scene and Actors).
· Review the grading rubric for this discussion.
· Select a full-length film from the AFI 10 Top 10 list.
Reflect
Mise en scène refers to different technical elements used in making a film such as lighting and sound, both of which you have already analyzed in this course. The term also encompasses the role of actors in a film, their physical positioning and movements within the frame, as well as the different styles and types of acting.
You can classify an acting category using only one film as reference, but these categories are subject to change. Each new role helps to clarify or shift an actor’s designation. Do some actors always fall into the same category? How can actors change from category to category? Does genre have any effect on the acting styles present in a given film?
Write(due Thursday, Day 3)
Please view the video Adding Pictures and Video to Discussions and Introductions for guidance on how to integrate multimedia with your response.
Using specific examples from your chosen film, write an initial post of at least 200 words which should
· Identify three actors from your film and classify each according to the acting category listed in your text.
· Explain your reasons for classifying the actors as you do. Use specific references to the film and pay special attention to how these decisions impacted characterization. Also, consider the impact of any realistic or stylized portrayals within the film.
· Focus on one of the actors you’ve discussed. Based on other films the actor has been in, would this actor always be placed in the same category? If so, what does this say about the category or actor? If not, what can you infer about the flexibility of these categories? Provide evidence (references from other films, including film clips and stills) to support your argument.
You must use at least two outside sources, in any combination of embedded video clips, still photos, or scholarly sources. All sources should be documented in APA style as outlined by the Ashford Writing Center.
Respond to Peers(due Monday, Day 7)
Respond to at least two classmates who chose different actors or different categories than you did. In your responses, reference your initial post and show how your ideas relate to those of your peers. Your responses should be 150 to 175 words each.
Please view the video Accessing Feedback in the Gradebook for guidance on how to review your instructor’s feedback when the post is graded.
The Cinematic Auteur
Prepare
As you prepare to write this discussion, take a few moments to do the following:
· Review the Modeled Discussion.
· Read any required and .
ENG 130 Literature and Comp ENG 130 Argumentative Resear.docxchristinemaritza
ENG 130: Literature and Comp
ENG 130: Argumentative Research Essay
Background:
You have completed research on August Wilson, his life, and his plays.
You have completed reading/viewing Fences by August Wilson.
You have read the resources on Conflict in this unit.
Prompt (what will you be writing about):
Which conflict does Wilson use most to drive (bring forth, move forward) all the other
elements of the story?
Choose ONE that you feel is more apparent and easier to defend than the others.
o Troy vs Society
o Troy vs Himself
o Troy vs Family
o Troy vs Death
Helpful Notes:
Thesis:
o Your thesis is the response to the prompt question plus the supporting areas
that you will be using to defend your argument. Be sure to have a thesis that
clearly states which conflict you feel is the most important and drives the other
conflicts.
o Your thesis could begin with, “In the play, Fences, August Wilson uses the
conflict of __________ to drive the other conflicts and elements of the story as
evidenced by….
Sources and evidence:
o Be sure to use things that you have learned about Wilson’s life and his writings.
For example, if you are analyzing Troy and his father’s conflict, you could bring
in information that you researched about Wilson’s relationship with his own
father.
o Include direct quotations from the play. To cite a direct quote from a play, the
format is:
“quotation” (Wilson,1985, act #, scene #, line #).
OR
As Wilson (1985) writes, “quote” (act#, scene #, line#).
o Use at least three outside sources. Two of them could be from your previous
research essay. Be sure to include all of these in your reference page.
Requirements:
Length and format: 3-4 pages.
The title page and reference page are also required, but they should not be factored
into the 3-4 page length of the essay.
It should also be double spaced, written in Times New Roman, in 12 point font and
with 1 inch margins. Essay should conform to APA formatting and citation style.
Use the third-person, objective voice, avoiding personal pronouns such as “I,” “you,”
“we,” etc.
Use APA format for in-text citations and references when using outside sources and
textual evidence.
Skills to be assessed with this assignment: creating effective thesis statements,
incorporating research, analyzing rhetoric.
Please be cautious about plagiarism. Make sure to use in-text citations for direct
quotes, paraphrases, and new information.
Argumentative Research Essay Rubric
Does Not Meet
Expectations
0-11
Below
Expectations
12-13
Needs
Improvement
14-15
Satisfactory
16-17
Meets
Expectations
18-20
Introduction Introduction is not
present.
Background details
are a random
collection of
information,
unclear, or not
related to the topic.
Introduction is
attempted and
explains the
background, but
may lack detail.
Introdu.
Ashford University ENG225 WEEK 05The week 5 written assi.docxdavezstarr61655
Ashford University | ENG225 WEEK 05
The week 5 written assignment is your final film critique. This is the culmination of the work you have been doing
in this class-- your chance to focus all the techniques and elements we've been studying on the thorough analysis
of one feature-length film. Additionally, you'll be asked to reflect on your own development-- what you've learned
and how you've learned it-- while looking ahead to see how the skills you've mastered here will apply to your
continuing studies and possible career fields.
Make sure to read through the guidelines carefully, noting all the different required elements, and take a look
ahead at the rubric so you know exactly how your work will be assessed. Here are a few key points to keep in
mind as you work on your paper.
Stage 1 of the paper asks you to choose a film to analyze from AFI's 10 Top 10 list. Stick to those lists and pick a
film you are familiar with or have easy access to, as you will probably need to watch it several times to hone your
points. Remember the lessons you've learned throughout this course. For example, you'll be called upon to
explain the difference between story and plot in the particular film you've chosen.
You'll also look at specific aesthetic choices. While we've discussed those throughout the class, you'll have to
explain them and apply them to the film you've chosen. Don't forget to get specific. Whether you're talking about
lighting, or editing, or any other cinematic techniques, be sure to drill down and reference specific scenes or shots
to help make your point.
Here are a few more tips to remember. Stage 1 asks you to consider the social or personal impact of a specific
film. The guidelines scaffold some different ways to think about this, but be sure to think broadly. This is an
important part of the paper, one where outside resources might be especially helpful.
Stage 2 is all about reflection. And this is different from talking about the personal impact of the specific film you've
chosen for this paper. The guidelines provide some questions for you to think about, so be sure to provide specific
examples as you formulate your response. This grounds the reflection with a practical understanding.
See the sample paper we've uploaded in the assignment prompt. This is a model of good student work-- what
your professors are looking for and the type of comments we will make. Also, keep in mind that the titles of films
should be italicized. Click into the Ashford Library English 225 study guide. It's a portal dedicated to the kinds of
articles, essays, and books that will be most helpful resources as you work on your written assignment.
Try to budget your time so that you can take advantage of the various resources offered by the Ashford Writing
Center to ensure that your paper is written and polished. Remember, the week 5 written assignment is a chance
to really apply your understanding of the concepts and skills we've be.
Normal Labour/ Stages of Labour/ Mechanism of LabourWasim Ak
Normal labor is also termed spontaneous labor, defined as the natural physiological process through which the fetus, placenta, and membranes are expelled from the uterus through the birth canal at term (37 to 42 weeks
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Safalta Digital marketing institute in Noida, provide complete applications that encompass a huge range of virtual advertising and marketing additives, which includes search engine optimization, virtual communication advertising, pay-per-click on marketing, content material advertising, internet analytics, and greater. These university courses are designed for students who possess a comprehensive understanding of virtual marketing strategies and attributes.Safalta Digital Marketing Institute in Noida is a first choice for young individuals or students who are looking to start their careers in the field of digital advertising. The institute gives specialized courses designed and certification.
for beginners, providing thorough training in areas such as SEO, digital communication marketing, and PPC training in Noida. After finishing the program, students receive the certifications recognised by top different universitie, setting a strong foundation for a successful career in digital marketing.
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
2. What can writing about film can do for us?
Understand your own response better
3. What can writing about film can do for us?
Understand your own response better
Explain or introduce something about a
movie, filmmaker or a group of movies
4. What can writing about film can do for us?
Understand your own response better
Explain or introduce something about a
movie, filmmaker or a group of movies
Make comparisons and contrasts between
films
5. What can writing about film can do for us?
Understand your own response better
Explain or introduce something about a
movie, filmmaker or a group of movies
Make comparisons and contrasts between
films
Make connections between a film and other
areas of culture that produce it
6. “Perhaps more than any other arts and
entertainment, the movies frequently elicit a strong
emotional or intellectual reaction.”
7. “Perhaps more than any other arts and
entertainment, the movies frequently elicit a strong
emotional or intellectual reaction.”
“Analyzing our reactions to themes, characters or
images…can be a way not only of understanding a
movie better but also of understanding better how
we view the world and the cultures we live in.”
Timothy Corrigan~
8. Critical Analysis
Assume your audience or reader is familiar with the
film you are writing about, this means there is no
need to give a full plot summary.
9. Each Response Question is a mini-critical analysis
that asks you to focus your response by providing
evidence to support a claim.
10. Each Response Question is a mini-critical analysis
that asks you to focus your response by providing
evidence to support a claim.
It’s not about whether you liked or disliked a film.
The Response Questions allow you to analyze a
particular element in a film and write about it from
an objective, third person, point of view.
Forget about terms like GOOD/BAD or
LIKED/DISLIKED
11. Taking notes is an essential component of writing a
critical analysis.
12. Taking notes is an essential component of writing a
critical analysis.
Consider which question you wish to answer and
then take notes.
13. Taking notes is an essential component of writing a
critical analysis.
Consider which question you wish to answer and
then take notes.
for example: In what ways might the character of Joe
Gillis be considered an Anti-hero?
14. First consider the definition of an anti-hero
anti-hero
protag. who lacks traditional heroic attributes
(courage, idealism, etc.)
instead has opposite attributes (ineptness,
stupidity, dishonesty, etc.)
An anti-hero acts heroically, yet in an
underhanded and deceitful way
17. Joe is an anti-hero because
He lies to Norma
He uses Norma for
the security and
material
possessions she
gives him
18. Joe is an anti-hero because
He lies to Norma
He uses Norma for
the security and
material
possessions she
gives him
He goes after his
friend’s fiancé.
19. Joe is an anti-hero because
He lies to Norma
He uses Norma for
the security and
material
possessions she
gives him
He goes after his
friend’s fiancé.
He lies to Betty
about his situation
with Norma
20. As you begin to construct your Response Paper
it is important to use proper format.
21. As you begin to construct your Response Paper
it is important to use proper format.
Type the question you are answering
completely at the top of the page and begin
your response in a new paragraph
22. Be specific in the first sentence of your response
Do not begin with a
vague sentence like,
“Joe Gillis is an anti-
hero for many
reasons.”
Your introduction
should be strong
and set up your
response.
23. In what ways might the character of Joe Gillis be
considered an Anti-hero?
Unlike the prototypical hero or good guy Joe
Gillis embodies the quintessential characteristics of
an anti-hero.
26. 10 questions to ask yourself
1. Do you understand the film?
1. Are your notes clear and
complete?
27. 10 questions to ask yourself
1. Do you understand the film?
1. Are your notes clear and
complete?
2. Does your introduction lead to a
specific thesis that anticipates
the main points of the
argument?
28. 10 questions to ask yourself
1. Do you understand the film?
1. Are your notes clear and
complete?
2. Does your introduction lead to a
specific thesis that anticipates
the main points of the
argument?
3. Does your topic sentence reflect
a logical development of the
thesis?
29. 10 questions to ask yourself
1. Do you understand the film?
1. Are your notes clear and
complete?
2. Does your introduction lead to a
specific thesis that anticipates
the main points of the
argument?
3. Does your topic sentence reflect
a logical development of the
thesis?
4. Are there smooth transitions
between paragraphs and
sentences?
30. 10 questions to ask yourself
1. Do you understand the film?
1. Are your notes clear and
complete?
2. Does your introduction lead to a
specific thesis that anticipates
the main points of the
argument?
3. Does your topic sentence reflect
a logical development of the
thesis?
4. Are there smooth transitions
between paragraphs and
sentences?
6. Do paragraphs cohere, usually
around a single idea?
31. 10 questions to ask yourself
1. Do you understand the film?
1. Are your notes clear and
complete?
2. Does your introduction lead to a
specific thesis that anticipates
the main points of the
argument?
3. Does your topic sentence reflect
a logical development of the
thesis?
4. Are there smooth transitions
between paragraphs and
sentences?
6. Do paragraphs cohere, usually
around a single idea?
7. Is the meaning of each sentence
clear and are the sentences
varied?
32. 10 questions to ask yourself
1. Do you understand the film?
1. Are your notes clear and
complete?
2. Does your introduction lead to a
specific thesis that anticipates
the main points of the
argument?
3. Does your topic sentence reflect
a logical development of the
thesis?
4. Are there smooth transitions
between paragraphs and
sentences?
6. Do paragraphs cohere, usually
around a single idea?
7. Is the meaning of each sentence
clear and are the sentences
varied?
8. Are general or abstract
observations supported with
concrete example?
33. 10 questions to ask yourself
1. Do you understand the film?
1. Are your notes clear and
complete?
2. Does your introduction lead to a
specific thesis that anticipates
the main points of the
argument?
3. Does your topic sentence reflect
a logical development of the
thesis?
4. Are there smooth transitions
between paragraphs and
sentences?
6. Do paragraphs cohere, usually
around a single idea?
7. Is the meaning of each sentence
clear and are the sentences
varied?
8. Are general or abstract
observations supported with
concrete example?
9. Did you proof read your paper?
34. 10 questions to ask yourself
1. Do you understand the film?
1. Are your notes clear and
complete?
2. Does your introduction lead to a
specific thesis that anticipates
the main points of the
argument?
3. Does your topic sentence reflect
a logical development of the
thesis?
4. Are there smooth transitions
between paragraphs and
sentences?
6. Do paragraphs cohere, usually
around a single idea?
7. Is the meaning of each sentence
clear and are the sentences
varied?
8. Are general or abstract
observations supported with
concrete example?
9. Did you proof read your paper?
10. If you have sources are they
supported with proper MLA
format
36. Do the following 10 things to earn full credit
1. Type the Question you are
responding to at the top of the
page
37. Do the following 10 things to earn full credit
1. Type the Question you are
responding to at the top of the
page
2. Double Space your word
document
38. Do the following 10 things to earn full credit
1. Type the Question you are
responding to at the top of the
page
2. Double Space your word
document
3. Put the film title in italics and
capitalized the first letter of each
word
39. Do the following 10 things to earn full credit
1. Type the Question you are
responding to at the top of the
page
2. Double Space your word
document
3. Put the film title in italics and
capitalized the first letter of each
word
4. Write in the 3rd person objective
and AVOID using pronouns as
subjects, "You can see" or "Our
protagonist”
40. Do the following 10 things to earn full credit
1. Type the Question you are
responding to at the top of the
page
2. Double Space your word
document
3. Put the film title in italics and
capitalized the first letter of each
word
4. Write in the 3rd person objective
and AVOID using pronouns as
subjects, "You can see" or "Our
protagonist”
5. Does paper have an introduction
(with a thesis sentence), a body
and a conclusion?
41. Do the following 10 things to earn full credit
1. Type the Question you are
responding to at the top of the
page
2. Double Space your word
document
3. Put the film title in italics and
capitalized the first letter of each
word
4. Write in the 3rd person objective
and AVOID using pronouns as
subjects, "You can see" or "Our
protagonist”
5. Does paper have an introduction
(with a thesis sentence), a body
and a conclusion?
6. Is your paper AT LEAST a half
page (10-12 lines) long?
42. Do the following 10 things to earn full credit
1. Type the Question you are
responding to at the top of the
page
2. Double Space your word
document
3. Put the film title in italics and
capitalized the first letter of each
word
4. Write in the 3rd person objective
and AVOID using pronouns as
subjects, "You can see" or "Our
protagonist”
5. Does paper have an introduction
(with a thesis sentence), a body
and a conclusion?
6. Is your paper AT LEAST a half
page (10-12 lines) long?
7. Have you used MLA format in-
text citations for sources?
43. Do the following 10 things to earn full credit
1. Type the Question you are
responding to at the top of the
page
2. Double Space your word
document
3. Put the film title in italics and
capitalized the first letter of each
word
4. Write in the 3rd person objective
and AVOID using pronouns as
subjects, "You can see" or "Our
protagonist”
5. Does paper have an introduction
(with a thesis sentence), a body
and a conclusion?
6. Is your paper AT LEAST a half
page (10-12 lines) long?
7. Have you used MLA format in-
text citations for sources?
8. Did you use film grammar
and terminology properly?
44. Do the following 10 things to earn full credit
1. Type the Question you are
responding to at the top of the
page
2. Double Space your word
document
3. Put the film title in italics and
capitalized the first letter of each
word
4. Write in the 3rd person objective
and AVOID using pronouns as
subjects, "You can see" or "Our
protagonist”
5. Does paper have an introduction
(with a thesis sentence), a body
and a conclusion?
6. Is your paper AT LEAST a half
page (10-12 lines) long?
7. Have you used MLA format in-
text citations for sources?
8. Did you use film grammar
and terminology properly?
9. Have you proof read your paper?
45. Do the following 10 things to earn full credit
1. Type the Question you are
responding to at the top of the
page
2. Double Space your word
document
3. Put the film title in italics and
capitalized the first letter of each
word
4. Write in the 3rd person objective
and AVOID using pronouns as
subjects, "You can see" or "Our
protagonist”
5. Does paper have an introduction
(with a thesis sentence), a body
and a conclusion?
6. Is your paper AT LEAST a half
page (10-12 lines) long?
7. Have you used MLA format in-
text citations for sources?
8. Did you use film grammar
and terminology properly?
9. Have you proof read your paper?
10. Did you write about the action
(plot) of the film in the
PRESENT tense?