Wk 5 space in art
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This document discusses the differences between painting and sculpture, and how perspectives and dimensions are depicted in various artworks. It explores illusion and accuracy in 2D versus 3D mediums, from Renaissance paintings to Futurist sculptures. Site-specific installations are highlighted as experiential art that involves the location itself. Works from a range of cultures and eras are examined, showing how artists have portrayed and played with space, dimensions, and viewers' shifting perspectives over time.
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1. The document discusses many aspects of art including definitions of art, theories about art, the elements of art such as line, shape, color, and principles of design.
2. It examines how art serves purposes like religion, narrative, social commentary, and reflecting everyday life. Examples of famous artworks are provided to illustrate different types and styles.
3. The visual elements of art - line, shape, color, light, texture and space - are defined and different types discussed along with principles of unity, variety, balance, emphasis and others.
La nuit au musée
A quick look at the place of artworks in movies and tv series:
The tableau vivant or living picture
The frame within a frame
The fictitious artworks
20 pics a student revised
The document provides historical context for the development of modernist art in the early 20th century. Key events like World War I, advances in science, and the rise of ideologies like Marxism and nationalism led artists to reject observational naturalism. Movements like Expressionism, Cubism, Futurism, Dada, and early abstract painting emerged as artists sought new ways to express themselves and make sense of a changing world. The Armory Show in 1913 introduced modern European art to American audiences and influenced the development of modern photography as an art form.
Dada
The document provides background information on the Dada artistic movement that emerged during and after World War I in protest of militarism and Western culture. It discusses key Dada figures like Tristan Tzara and Jean Arp and their rejection of reason and aesthetics. It also covers Surrealism and figures associated with it like Max Ernst, Salvador Dali, and Joan Miro who incorporated dreamlike imagery and automatism. Andre Breton is discussed as a pioneer of Surrealism who emphasized tapping into the unconscious mind.
KCC Art 141 Chapter 10 Art History
The document provides an overview of different art movements throughout history from ancient cave paintings to contemporary performance art. It describes key characteristics and examples of styles such as Egyptian art featuring twisted perspective, Renaissance art inspired by classical antiquity, Impressionism focused on light and color, Cubism using geometric forms, and Minimalism reacting against emotional abstraction. Performance art emerged in the 1960s combining visual art with other live artistic mediums.
Art movements
The document provides an overview of Renaissance art from the 14th to 17th centuries in Europe. It discusses key characteristics of Renaissance art including a focus on nature, humanism, and individualism. It outlines the major time periods of Renaissance art - Proto-Renaissance, Early Renaissance, High Renaissance, Late Renaissance/Mannerism. It provides examples of major works of painting, sculpture, and architecture from each period and artists like da Vinci, Michelangelo, Raphael, and Brunelleschi. Baroque art of the 17th century is then briefly defined as using complex forms, bold ornamentation, and conveying drama/movement. Influences and characteristics of Baroque art are also summarized.
2d 3d Media
The document provides an overview of various drawing and painting techniques throughout history, from prehistoric cave paintings to contemporary works. It discusses dry and liquid drawing media like pencil, charcoal, ink and techniques like silverpoint. For painting it covers encaustic, fresco, tempera, oil, watercolor and techniques like glazing. It also summarizes printmaking methods like relief, intaglio, lithography and screenprinting. Finally it discusses the history and techniques of photography.
Art From Mannerism Towards Early 20th Century Art
The document provides a whirlwind tour through major art movements from the Baroque period through early 20th century art. It describes key characteristics and examples of works for each major movement including Baroque, Rococo, Neo-Classicism, Romanticism, Realism, Impressionism, and Post-Impressionism. Major artists mentioned include Caravaggio, Bernini, Gainsborough, Fragonard, Boucher, David, Goya, Turner, Delacroix, Millais, Courbet, Manet, Monet, Degas, Seurat, Redon, Cezanne, Gauguin, and Van Gogh.
1.1 Intro Art Since 1945
This document provides an introduction to an art history course on contemporary art since 1945. It discusses how postwar art challenged expectations of what art should look like, moving away from traditional subjects and embracing abstraction. Modernism is defined as favoring non-representational forms and the autonomy of art. However, postmodernism emerged as a reaction against some tenets of modernism, incorporating eclectic styles and questioning notions of progress. The reading explores the development of avant-garde art and its relationship to social and political currents over this period.
Constantin Brâncuși
Constantin Brâncuși was a Romanian sculptor who made his career in France and pioneered modernist sculpture. He is known for his abstract, clean geometric forms that emphasized the essence of his subjects over physical details. Some of his most famous works include Bird in Space, The Kiss, and The Column of the Infinite. Brâncuși's sculptures broke records at auction, with pieces from his Bird in Space series selling for over $27 million. He is considered one of the most influential sculptors of the 20th century.
4.1 junk assemblage
This document provides an overview of the emergence of junk sculpture and assemblage art in the late 1950s and early 1960s. Younger artists who were dissatisfied with Abstract Expressionism's detachment from reality began incorporating everyday, mass-produced materials into their works as a way to make art more grounded. Artists like John Chamberlain and Richard Stankiewicz pioneered this approach by sculpting crushed automobile parts and other found objects. Their works challenged formalist ideas about color and materials in art. Assemblage and junk sculpture became widespread enough that the Museum of Modern Art held an exhibition on the subject in 1961.
de Beaufort AA ch22
The document provides an overview of early 20th century art movements including Fauvism, Expressionism, Cubism, and Futurism. It summarizes that Fauvism used bright, unnatural colors and simplified forms to convey emotion over realistic depiction. Cubism broke from traditional perspectives by depicting objects from multiple angles simultaneously. Futurism celebrated modern technology and motion through abstracted, overlapping forms that conveyed speed and energy. These early 20th century movements explored new expressive techniques and rejected academic traditions.
Painitng Art Movements
The document provides information on the Impressionist and Pointillist art movements:
- Impressionism developed in 19th century Paris and focused on depicting natural light and color through loose brushstrokes. Pointillism was influenced by Impressionism and involved applying small dots of pure color that blend together when viewed from a distance.
- Key Impressionists included Monet, Renoir, and Sisley who painted scenes of middle class life. Pointillism was pioneered by Seurat and Signac who were fascinated by color theory and used divisionism to optically blend colors on the canvas.
- While Impressionism focused on light and color, Pointillism placed more emphasis on
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Wk 5 space in art
- 1. SPACE in art &ART in space Three-dimensionality in Art
- 2. What is the difference between painting & sculpture? RaphaelThe Betrothal of the Virgin 1504Oil on panel170 x 118 cmBrera, Milan Henry Moore Large Reclining Figure, 1984
- 3. Which one attracts your attention?
- 4. What creates the illusion? Western Painting: the illusion “Linear Perspective”
- 5. The Ideal City by Pierodella Francesca (Renaissance) (It is said that the architect Brunelleschi discovered “linear perspective”)
- 6. Architectural View. Wall painting from a villa at Boscoreale, near Naples. 1st C B.C. The Metropolitan Museum of Art, N.Y. Rogers Fund, 1903. <--- painted columns --->
- 7. Scenes of a Dionysiac Mystery Cult. Wall painting frieze. 50 B.C. Villa of the Mysteries. Pompeii.
- 8. Mosaic: The Unswept Floor mosaic variant of a 2nd c. AD painting
- 9. Madonna Enthroned Cimabue, 1280-90 Giotto, 1310
- 10. Is it really “accurate”? Kirby's Perspective, published 1754by William Hogarth
- 11. Dead Christ Andrea Mantegna (1431-1506)
- 12. EDGAR DEGAS. Foyer of the Dance, 1872. Oil on canvas, !2r x 18".
- 15. Space is after all, relative! Rene Magritte, The Listening Room, 1952
- 17. MaharanaAmar Singh II, Prince Sangram Singh, and Courtiers Watch the Performance of an Acrobat and Musicians
- 20. Cezanne, still life, Sainte-victoire
- 21. What interesting element is included in our aspect of “seeing” when the shifting of viewpoints is involved?
- 22. Futurism – the “fourth dimension” GiacomoBalla – Dynamism of a Dog on a Leash Boccioni, Synthesis of Human Dynamism, 1912 'Unique Forms of Continuity in Space', bronze sculpture by Umberto Boccioni, 1913, Museum of Modern Art (New York City)
- 23. Logical Conclusions… http://nathanabels.blogspot.com/2011/04/minmal-abstraction-old-and-new.html
- 25. Rodin The Kiss 1888 – 1889 Marble 18.5 x 112.3 x 117 cm
- 26. http://www.youtube.com/watch?v=rKy3fI3dYrU&feature=relatedhttp://www.youtube.com/watch?v=PUOeIODEc_E
- 27. Giacometti, Alberto The Nose 1947. Metal, cord, and painted plaster 32 3/8 x 16 5/8 x 16 in. (82 x 42 x 40.5 cm) Kunstmuseum Basel
- 28. How would you describe the “sculptural” Experience?What is involved when you “experience” the work?
- 29. The Location Itself... Installation & Site-specific
- 30. carlandre hot rolled steel 1967
- 32. larry bell 6x8x4, 1996
- 33. http://www.youtube.com/watch?v=umVSGErfg8E http://www.youtube.com/watch?v=Du8dNvfY1bo “self-generated” AnishKapoor, Svayambh, 2007. Installation view HausderKunst. © Jens Weber, Munich
- 34. Mona Hatoum (born in Lebanon 1975) Light Sentence, 1992
- 35. Matthew Ngui Matthew Ngui Walks Through a Chair, 1997Installation, Video
- 36. Dead Dad, Ron Mueck