Illusions of space
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This document discusses various design elements that can create the illusion of space in two-dimensional artwork, including overlapping objects, similar objects decreasing in size with distance, transparency, forced perspective, scale/proportion, atmospheric perspective, and linear perspective converging at a point. It provides examples like a veil that appears transparent, an Op Art painting with progressively smaller squares, and an Escher work that plays with linear perspective rules. The principles can be combined, as in a surrealist painting example that uses transparency, size reduction, and atmospheric techniques.
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This document lists artists grouped under the shapes of circles, squares, and triangles. For circles, artists listed include Bridget Riley, Damien Hirst, Agnes Martin, Andy Goldsworthy, Cara Barer, James Turrell, Ruth Asawa, Robert Mangold, Geneviève Claisse, Marcel Duchamp, Louise Bourgeois, Jasper Johns, Eva Hesse, Giuseppe Randazzo, Eunice Kim, Gabriel Orozco, and Mary Judge. Squares includes Anne Truitt, Piet Mondrian, Tara Donovan, Isamu Noguchi, Rachel Whiteread, Sol Lewitt, Eva Hesse, James Turre
The career search project
Here are the requirements for the Access database:
1. Create two tables:
- Potential Employers
- Application Status
2. Create a form for each table
3. Find and enter data from 10+ job ads
4. Print a report of positions paying $20k+
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Elements of design colour
The primary colors are red, yellow, and blue. Secondary colors are green, purple and orange, created by mixing two primary colors. Tertiary colors mix a primary and secondary, examples being red-orange. Compound colors mix all primaries, like brown. Analogous colors sit beside each other on the color wheel. Complementary colors sit opposite. Warm colors like red and yellow create a warm feeling, while cool colors like blue seem to recede. The CMYK model uses pigments for print and RGB uses light for screens.
Organizing principles of design ART 100
The document discusses several key organizing principles of design that artists use to compose works of art, including repetition, variety, rhythm, balance, unity, emphasis, scale, and proportion. Repetition uses repeating visual elements, variety provides interest through differences. Rhythm enhances elements through variations. Balance refers to the visual weight distribution. Compositional unity holds some elements constant while varying others. Emphasis focuses attention through accentuation. Scale concerns size relationships and proportion refers to size relationships between parts of a whole. These principles are applied intentionally by artists in their compositions.
Warm and Cold colors
The document discusses warm and cold colors. Warm colors like red, yellow and orange tend to come forward and be in the foreground, while cold colors like green, blue and violet tend to recede into the background. During his Blue Period from 1901-1904, Pablo Picasso produced many expressive paintings using shades of blue. The document provides examples of paintings to illustrate the use of warm and cold colors in the foreground and background.
Space powerpoint
This document discusses various artistic techniques used to create the illusion of depth and space in two-dimensional artwork. It describes how artists use size, proportion, overlapping objects, atmospheric perspective, foreground/middleground/background, and linear perspective to make objects appear closer or further away. These techniques allow artists to add the dimensions of distance and depth even on a flat surface.
Art Appreciation, Elements of Art: Value & Space
A brief overview of the elements of value and space, including isometric and linear perspective, within art. Based on Gateways to Art (2012).
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Form and shape can be described in two or three dimensions. Two-dimensional forms have width and height, while three-dimensional shapes also have depth. Forms can also be categorized as organic or geometric. Organic forms are irregular and asymmetrical, often occurring naturally, while geometric forms correspond to regular shapes like squares and circles. Two-dimensional forms use techniques like line, value, hue, texture, and negative space to create the illusion of three-dimensional shapes and spaces.
The elements and principles of design with examples
This document provides an overview of the elements and principles of design presented by Mrs. Cole. It discusses the four categories of art and defines the elements of design as line, shape and form, value, color, space, and texture. It then defines the principles of design as movement and rhythm, balance, proportion, variety and emphasis, harmony and unity. Various artworks are presented and analyzed to demonstrate how artists use these elements and principles in their work.
Shape form space
1) Shape refers to a two-dimensional outline or silhouette, while form implies three-dimensionality that occupies space.
2) Artists can use shape, form, and negative space to create the illusion of depth and three-dimensionality in two-dimensional works.
3) Sculptures have form that occupies physical space and shapes the space around them, while also potentially containing internal spaces.
Shape form space
1) Shape refers to a two-dimensional outline or silhouette, while form implies three-dimensionality that occupies space.
2) Artists can use shape, form, and negative space to create the illusion of depth and three-dimensionality in two-dimensional works.
3) Sculptures have form that occupies physical space and shapes the space around them, while also potentially containing internal spaces.
Art Appreciation
This document provides an overview of key artistic elements including line, shape, color, texture and space. It discusses the building blocks of composition in visual art, including the point, line, shape and figure/ground relationships. Specific types of lines such as actual, implied, straight, expressive and calligraphic lines are defined. Positive and negative shapes are described as well as how they create figure/ground relationships within a composition. Artworks like Las Meninas by Velazquez are used to illustrate these concepts.
Space power point
Space exists between, around, and within all objects. There are two types of space: positive space, which are the shapes or forms of interest, and negative space, which is the empty area around objects. Shapes are defined by the negative space surrounding them, and understanding the relationship between objects and space is important for defining forms. Artists can manipulate space to create the illusion of depth on a two-dimensional surface.
La forma
This document discusses the basic elements of visual language, focusing on shapes. It defines different types of shapes, including flat versus volume shapes, positive and negative space, and geometric versus organic shapes. The document also explains how shapes can be represented through outlines, edges, and inside contour lines. It discusses the expressiveness and spatial relationships of shapes, and how shapes are used differently in various art styles like realism, cubism, and abstract art. Activities are suggested to analyze shapes in images by tracing outlines, edges, and drawing inside contours.
The shape
This document discusses the basic elements of visual language, focusing on shape. It defines different types of shapes, including flat versus volume shapes, positive and negative space, and geometric versus organic shapes. The document also explains how shapes can be represented through outlines, edges, and inside contour lines. It discusses the expressiveness of open versus closed shapes and the relationship between shapes in terms of size, overlap, and contrast. Finally, it provides examples of how shapes are used in different art styles such as realism, cubism, and abstract art.
Compositio 2 -_visual_elements[1]
The document discusses the key visual elements that make up images - line, shape, form, tone, color, space and texture. It provides examples of how different visual elements like lines, forms and use of space can impact the mood, meaning and three-dimensionality conveyed by an image. Specific techniques like balancing elements, framing, cropping and aspect ratios are also covered in the context of how they influence the composition of photographs.
Design Principles
The document discusses various design principles including balance, proportion, dominance, direction, harmony, composition, symbolic meaning, variety, contrast, and repetition. For each principle, one or two examples are provided with a brief description of how that principle is demonstrated. Balance is shown through symmetrical and asymmetrical examples. Proportion demonstrates depth and unrealistic elements. Dominance establishes focal points. Direction guides the eye. Harmony uses symmetry, balance, and consistent colors or patterns. Composition determines mood. Repetition forms patterns. Contrast uses light and dark or textures. Variety creates interest. Symbolic meaning derives associations from elements.
Art words for images
I did not create this, this was shared by other other art teachers. A really good resource for teaching art.
Introduction to Art Chapter 5 Finding Meaning 56 Chapter
Introduction to Art Chapter 5: Finding Meaning 56
Chapter 5: Finding Meaning
How We See: Objective and Subjective Means
Up until now we’ve been looking at artworks through the most immediate of visual effects: what
we see in front of our eyes. Now we can begin to break down some barriers to find specific
meaning in art, including those of different styles and cultures. To help in this journey we need to
learn the difference between looking and seeing.
To look is to get an objective overview of our field of vision. Seeing speaks more to
understanding. When we use the term “I see” we communicate that we understand what
something means. There are some areas of learning, particularly psychology and biology, that
help form the basis of understanding how we see. For example, the fact that humans perceive
flat images as having a "reality" to them is very particular. In contrast, if you show a dog an
image of another dog, they neither growl nor wag their tail, because they are unable to perceive
flat images as containing any meaning. So, you and I have actually developed the ability to "see"
images.
In essence, there is more to seeing than meets the eye. We need to take into account a cultural
component in how we perceive images and that we do so in subjective ways. Seeing is partly a
result of cultural biases. For example, when many of us from industrialized cultures see a
parking lot, we can pick out each car immediately, while others from remote tribal cultures (who
are not familiar with parking lots) cannot.
Gestalt is the term we use to explain how the brain forms a whole image from many component
parts. For instance, the understanding of gestalt is, in part, a way to explain how we have
learned to recognize outlines as contours of a solid shape. In art for example, this concept allows
us to draw "space" using only lines.
The sites below have some fun perceptual games from psychology and science about how we
see, along with some further explanations of gestalt:
Scientific Psychic
Visual Illusions Gallery
The First Level of Meaning: Formal
So, after we see an object, we can understand its form: the physical attributes of size, shape
and mass. With art, this may at first appear to be simple: we can separate out each artistic
element and discover how it is used in the work. The importance of a formal level of meaning is it
allows us to look at any work of art from an objective view.
The invention of the photograph has greatly changed our ideas about what looks ‘correct’. A
good example of this idea can be seen looking at the two images below: the first is a digital
photo of a foggy landscape and the second a painting by the color field painter Mark Rothko
(click the hyperlink here to view his work).
http://www.scientificpsychic.com/graphics/
http://dragon.uml.edu/psych/illusion.html
https://www.nga.gov/collection/art-object-page.67512.html
Introduction to Art Chapter 5: Finding Meaning 57 ...
Elements of art
The document discusses the key elements of art - line, value, shape, form, color, texture, and space. It provides examples and definitions for each element. Line is defined as the path of a moving point and can be used to guide the eye. Value refers to the lightness or darkness of tones. Shape is two-dimensional while form is three-dimensional. Color can be used to convey emotion and is influenced by surrounding colors. Texture can be real, implied, or tactile. Space refers to the area around objects and the relationship between positive and negative space.
Shape, space and form
Shapes are defined by their outlines and edges. Common shapes include silhouettes, reflections and shadows. Form refers to two and three dimensional shapes that can be enhanced through tone and color to add depth. Space is the area surrounding an object or objects that helps define the object and create focus. Space and form work together to provide dimensionality and context.
Roy lichtenstein
Roy Lichtenstein was an influential American pop artist known for his paintings that copied the style of comic strips and advertisements. His work changed the course of modern art by bringing popular culture imagery into fine art. Some key aspects of Lichtenstein's style included using dots or directional lines to represent tones, focusing on primary colors, and flattening forms with bold outlines. His large-scale paintings, such as "Whaam!" from 1963, had dots that blurred together from a distance to create tonal effects. Lichtenstein's work provided inspiration for mark-making techniques that the document's author wanted to experiment with in their own practice.
KCC Art 141 Chapter 5 Space
The document discusses various techniques used in visual art to create the illusion of depth and space on a two-dimensional surface, including overlapping objects, using size and vertical placement to show distance, and linear perspective with converging parallel lines. It provides examples of how artists depict a foreground, middle ground and background to establish a sense of three-dimensional space. Specific techniques covered are overlapping, linear perspective with its vanishing point(s) and horizon line, as well as how depth of field is simulated.
Symmetrical shapes
1. The document discusses different types of shapes including natural shapes found in nature, intelligent or artificial shapes designed by humans, and basic geometric shapes used in art like triangles, squares, and circles.
2. It describes how shapes can have different levels of likeness to reality from low degree in abstract art to high degree in photographs.
3. Key parts of shapes are identified as the contour, silhouette, and how shapes can be regular with equal sides and angles or irregular.
Symmetrical shapes
1. The document discusses different types of shapes including natural shapes found in nature, intelligent or artificial shapes designed by humans, and basic geometric shapes used in graphic art like triangles, squares, and circles.
2. It describes how shapes can have different levels of likeness to the original subject from low to high degrees of likeness, and how graphic elements like lines are used to define shapes.
3. Key shape characteristics are discussed such as regular versus irregular shapes, positive versus negative spaces, and the three parts that make up a shape - the contour, silhouette, and enclosed space.
Shape, Form & Space
The document discusses various sculptures and images that demonstrate shape, form, and space through different artistic techniques. Several sculptures use spheres, circles, and negative space to create optical illusions and the sensation of movement. Perspective is also used to make flat images appear three-dimensional or to distort perceptions of an object's scale. Both exterior and interior architectural designs employ shape, form, and space. Shadows, light, and pavement art are additional methods discussed for manipulating shapes and transforming spaces.
The principles of design 1
The document discusses the principles of design in art, which are techniques artists use with the elements of art to create compositions. It outlines 11 principles: balance, contrast, emphasis, variety, unity/harmony, proportion, rhythm, movement, pattern, and repetition. Each principle is defined and an example artwork is described to illustrate how that principle is applied.
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The elements and principles of design with examples
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Illusions of space
- 1. The Illusion of Space Design elements in creating space in two dimensions
- 2. Overlapping- involves one shape obscuring another or shapes overlapping each other. This is a more traditional form of overlapping. You can tell that the objects that you see completely, are closest to the viewer, in front. The objects that are overlapped by other objects are understood to be further away. The lipstick overlaps the Marilyn Monroe photograph. The lipstick is closer. Notice that where the colors overlap each other, to create letters, they change color. Doesn’t it seem that we are looking at layers of transparent paper?
- 3. Similar objects getting smaller The people in the photograph are similarly shaped and get smaller. We automatically understand that the smaller people are further away. Op Art painting by Bridget Riley, 1960’s. This painting is creating the illusion of space with progressively smaller squares.
- 4. Transparency The veil is transparent. Notice how her skin color is different when seen through the transparent veil. We have no problem determining that the fabric passes in front of her face. Dale Chihuly, glass blowing artist. This wall is made of glass. It is easy to see, because the colors change when they overlap transparently, which ones are forward and which ones are in the background.
- 5. Forced or Exaggerated Perspective This photograph was taken from underneath the child looking up. Her feet are huge and her head is very small in comparison. She seems like a giant in size. MC Escher, Globe, 1900s. The shape of the globe distorts its reflected environment thus making us aware of its spherical form.
- 6. Scale or proportion Ron Mueck, sculptor, 2000s This is an example of scale. The man’s face is a large scale version of a normal face. Because it is a real three dimensional object it changes our sense of space, by its presence. This is an example of proportion. The woman on the left is the real person. The image on the right is an image of how she would look if she was a Barbie doll; small waist, long legs, large bust.
- 7. Atmospheric Perspective Changes in the atmosphere create a sense of depth. Notice how, in this landscape, the closer areas ( to the viewer) have more color and detail. The farther the distance the more neutral, bluer and grayer, and less detailed the mountains become.
- 8. Linear perspective Linear perspective deals with lines converging at a point in the distance. The picture on the left is an example of that. The image on the right is by MC Escher. He loves to play with the rules of linear perspective. He has created a maze of steps and entrances.
- 9. Shapes, at the top of the picture plane, are understood to be further away in space.
- 10. Final Notes or not: Like the Principles of Design, there are usually more than one of these principles in play in any one, two dimensional design or artwork. This painting is by George Gris. It is an example of surrealism. Surrealism is a style of art that has a dreamlike quality to it. Itemploys several of the principles of creating the illusion of space; It uses transparency ( the bubble), shapes at the top of the page are further away, atmospheric perspective ( grayer, less detailed in the background) , similar objects getting smaller ( trees) .