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Negative Space Art by Noma Bar
[object Object],[object Object],[object Object]
[object Object],[object Object]
Bomb
Globalization
Burka Ban
Jailed
Pointed sense
Escape the Weather
Forgive Your Enemies
Fatal Attraction
Final Cut
Great Jones Street (D. DeLillo’s novel)
Gun Crime
Hoodies
Hunger
 
 
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Political Cities
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Think Harder
Pensions and Properties
Power to the Individual
Wish You Were Here
Red Riding Hood
Shy Guy
Swimmer
Tea for Two
Book Cover
Charlie Chaplin When Bar works with black and white, he relies on negative space to create forms that allow elements to float. Here, Bar uses one of Charlie Chaplin's most famous on-screen moments to define his face, though there are few actual lines . Inspired by Chaplin's shoe-eating scene in The Gold Rush, Bar turns a shoelace sum spaghetti strand into Chaplin's eye and nose; the shoe works double duty as both moustache and mouth.
Bill Murray As Bar started work on Bill Murray, he was pleased to discover that in profile, Murray's face created a ghoulish figure in the negative space. The Ghostbusters icon for an eye is a rather obvious, but effective choice.
Harry Potter We've all been exposed to the Harry Potter hype. The success of this image is how it speaks directly to the fictional Harry Potter story, as well as the reality of this multi-million dollar industry. The centerpiece of the illustration is the wand, which evokes fanciful magic, as well as the almighty dollar.
George Bush
Uri Geller
William Shakespeare The first face Bar ever published, a full page for Time Out London related to a feature article about a BBC program called 'The Search for Shakespeare.'
Joseph Stalin The hammer and sickle get rearranged into Joseph Stalin's nose and mouth. That these two icons can be taken out of context, but remain in context in that they possess such associative power that the viewer will know who this feature face is, bolsters the effectiveness of Bar's approach to illustration
Bob Dylan A true cultural icon, Bob Dylan is no stranger to being interpreted. Bar keeps this one simple, using three of Dylan's tools of the trade: musical notations, guitar, harmonica. That Bar can invest such age and mystery into a face that is primarily white negative space is yet another example of his ability to see subjects as more than just people -- they are their careers.
Albert Einstein Commissioned by The Economist for a cover story about 100 years of Einstein. Though the illustration was never printed, Bar considers this a perfect example of combining two icons, which results in something that is 'almost like a logo.' Einstein's famously unkempt hair and the atomic symbol, with the molecules as eyes, for this famous face.
Nelson Mandela Many of Bar's subjects become his subjects because of dubious behavior. Nelson Mandela's anti-apartheid activism, however, is a story of incredible strength in the face of imprisonment and injustice that concluded with triumph. Mandela was South Africa's first president to be voted into office in a representative democratic election. Mandela figuratively broke the shackles that imprisoned him for 27 years, and it is this strength that Bar celebrates with this illustration
Kim Jong-Il Known the world over for his cavalier rhetoric about North Korea's nuclear capability, missile contrails make for the glasses of Kim Jong-Il. Commissioned by the Guardian, Bar was under a deadline, and to this day when he looks at this illustration, he wishes he had had the time to use only one missile. Be that as it may, the illustration works, as it looks like Kim and also incorporates what he is known for, weaponry and antagonizing the United States.
Noma Bar & Negative Space A video clip http:// www.youtube.com/watch?v =E7KSvl-dOkc Noma Bar - Printed Interview http://grainedit.com/2010/03/17/noma-bar-interview Noma Bar’s Profile http://www.dutchuncle.co.uk/illustrators/noma-bar/show_profile
Artwork:  All  from the WWW DISCLAIMER: In accordance with Title 17 U.S.C. Section 107, any copyrighted work in this message is distributed under fair use without profit or payment, for non-profit research and educational or criticism purposes only.  *NO COPYRIGHT INFRINGEMENT DONE HERE* 11/2011 Music: Ernesto Cortazar - Red Roses for a Blue Lady Care to comment ? Click here.

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‏ Negative space art - Noma Bar

  • 1. Negative Space Art by Noma Bar
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  • 13. Great Jones Street (D. DeLillo’s novel)
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  • 19. IBM : In India Tiny Loans Can Make a Difference
  • 20. IBM; Now Food Can Tell How Fresh it is
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  • 24. Spock
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  • 31. Power to the Individual
  • 38. Charlie Chaplin When Bar works with black and white, he relies on negative space to create forms that allow elements to float. Here, Bar uses one of Charlie Chaplin's most famous on-screen moments to define his face, though there are few actual lines . Inspired by Chaplin's shoe-eating scene in The Gold Rush, Bar turns a shoelace sum spaghetti strand into Chaplin's eye and nose; the shoe works double duty as both moustache and mouth.
  • 39. Bill Murray As Bar started work on Bill Murray, he was pleased to discover that in profile, Murray's face created a ghoulish figure in the negative space. The Ghostbusters icon for an eye is a rather obvious, but effective choice.
  • 40. Harry Potter We've all been exposed to the Harry Potter hype. The success of this image is how it speaks directly to the fictional Harry Potter story, as well as the reality of this multi-million dollar industry. The centerpiece of the illustration is the wand, which evokes fanciful magic, as well as the almighty dollar.
  • 43. William Shakespeare The first face Bar ever published, a full page for Time Out London related to a feature article about a BBC program called 'The Search for Shakespeare.'
  • 44. Joseph Stalin The hammer and sickle get rearranged into Joseph Stalin's nose and mouth. That these two icons can be taken out of context, but remain in context in that they possess such associative power that the viewer will know who this feature face is, bolsters the effectiveness of Bar's approach to illustration
  • 45. Bob Dylan A true cultural icon, Bob Dylan is no stranger to being interpreted. Bar keeps this one simple, using three of Dylan's tools of the trade: musical notations, guitar, harmonica. That Bar can invest such age and mystery into a face that is primarily white negative space is yet another example of his ability to see subjects as more than just people -- they are their careers.
  • 46. Albert Einstein Commissioned by The Economist for a cover story about 100 years of Einstein. Though the illustration was never printed, Bar considers this a perfect example of combining two icons, which results in something that is 'almost like a logo.' Einstein's famously unkempt hair and the atomic symbol, with the molecules as eyes, for this famous face.
  • 47. Nelson Mandela Many of Bar's subjects become his subjects because of dubious behavior. Nelson Mandela's anti-apartheid activism, however, is a story of incredible strength in the face of imprisonment and injustice that concluded with triumph. Mandela was South Africa's first president to be voted into office in a representative democratic election. Mandela figuratively broke the shackles that imprisoned him for 27 years, and it is this strength that Bar celebrates with this illustration
  • 48. Kim Jong-Il Known the world over for his cavalier rhetoric about North Korea's nuclear capability, missile contrails make for the glasses of Kim Jong-Il. Commissioned by the Guardian, Bar was under a deadline, and to this day when he looks at this illustration, he wishes he had had the time to use only one missile. Be that as it may, the illustration works, as it looks like Kim and also incorporates what he is known for, weaponry and antagonizing the United States.
  • 49. Noma Bar & Negative Space A video clip http:// www.youtube.com/watch?v =E7KSvl-dOkc Noma Bar - Printed Interview http://grainedit.com/2010/03/17/noma-bar-interview Noma Bar’s Profile http://www.dutchuncle.co.uk/illustrators/noma-bar/show_profile
  • 50. Artwork: All from the WWW DISCLAIMER: In accordance with Title 17 U.S.C. Section 107, any copyrighted work in this message is distributed under fair use without profit or payment, for non-profit research and educational or criticism purposes only. *NO COPYRIGHT INFRINGEMENT DONE HERE* 11/2011 Music: Ernesto Cortazar - Red Roses for a Blue Lady Care to comment ? Click here.