This document provides an overview of developmental levels and theories. It begins with an introduction to developmental levels based on the works of Wilber, Beck, and Torbert. It then discusses the explanatory power of developmental theories and provides examples of how they can be applied. Several developmental models and theories are presented, including Maslow's hierarchy of needs, Beck and Cowan's spiral dynamics model, and Wilber's integral model. The document outlines an activity called "Spiralectics" to experience different developmental levels. It discusses caveats and limitations of developmental models, and addresses criticisms around labeling individuals. Finally, it explores the differences between new age, magical, and integral beliefs regarding metaphysical concepts.
This document discusses metanarratives in postmodernism. It covers key concepts such as postmodernism, narratives and metanarratives, simulacra and simulation, and hyperreality. It discusses how postmodernism rejects singular or grand metanarratives and embraces pluralism and local narratives. Metanarratives are no longer seen as objective truths but rather ways of making sense of the world. Knowledge is viewed as plural and contextual rather than universal.
BP 2014: Supporting Deeper Deliberative Dialogue Through Awareness Toolsperspegrity5
This document provides an agenda for a 1.5 hour working session on supporting deep dialogue and deliberation in socio-technological systems. The agenda includes:
1. A 10 minute introduction on the theme of the workshop.
2. Two 20 minute periods for discussion questions and presentations. This includes a 7 minute presentation from Murray on UMass research and a 7 minute presentation from Murray on NCDD resources.
3. A 7 minute presentation from Fry on the Justify system.
4. The remainder of the time is left for an open discussion.
Digital Humanities for Historians: An introductionlibrarianrafia
What is Digital Humanities (DH)?
What is Digital History?
What is Cliometrics?
What is the Spatial Turn?
What goes into creating a Digital Humanities project?
What are some of the resources available for DH?
What are some of the debates in DH?
Attribution-NonCommercial 2.5 Generic (CC BY-NC 2.5) for all original content in presentation.
Approaches to Decolonising Research: Towards the Decolonisation of Cultural H...Javier Pereda
Keynote presentation that discusses and provides examples of decolonial praxis in the heritage sector. This was presented for taught and research postgraduates. The main objective was to present possible pathways to implement decolonial theory and praxis within Design using Cultural Heritage as case studies.
This document provides an overview of developmental levels and theories. It begins with an introduction to developmental levels based on the works of Wilber, Beck, and Torbert. It then discusses the explanatory power of developmental theories and provides examples of how they can be applied. Several developmental models and theories are presented, including Maslow's hierarchy of needs, Beck and Cowan's spiral dynamics model, and Wilber's integral model. The document outlines an activity called "Spiralectics" to experience different developmental levels. It discusses caveats and limitations of developmental models, and addresses criticisms around labeling individuals. Finally, it explores the differences between new age, magical, and integral beliefs regarding metaphysical concepts.
This document discusses metanarratives in postmodernism. It covers key concepts such as postmodernism, narratives and metanarratives, simulacra and simulation, and hyperreality. It discusses how postmodernism rejects singular or grand metanarratives and embraces pluralism and local narratives. Metanarratives are no longer seen as objective truths but rather ways of making sense of the world. Knowledge is viewed as plural and contextual rather than universal.
BP 2014: Supporting Deeper Deliberative Dialogue Through Awareness Toolsperspegrity5
This document provides an agenda for a 1.5 hour working session on supporting deep dialogue and deliberation in socio-technological systems. The agenda includes:
1. A 10 minute introduction on the theme of the workshop.
2. Two 20 minute periods for discussion questions and presentations. This includes a 7 minute presentation from Murray on UMass research and a 7 minute presentation from Murray on NCDD resources.
3. A 7 minute presentation from Fry on the Justify system.
4. The remainder of the time is left for an open discussion.
Digital Humanities for Historians: An introductionlibrarianrafia
What is Digital Humanities (DH)?
What is Digital History?
What is Cliometrics?
What is the Spatial Turn?
What goes into creating a Digital Humanities project?
What are some of the resources available for DH?
What are some of the debates in DH?
Attribution-NonCommercial 2.5 Generic (CC BY-NC 2.5) for all original content in presentation.
Approaches to Decolonising Research: Towards the Decolonisation of Cultural H...Javier Pereda
Keynote presentation that discusses and provides examples of decolonial praxis in the heritage sector. This was presented for taught and research postgraduates. The main objective was to present possible pathways to implement decolonial theory and praxis within Design using Cultural Heritage as case studies.
This document outlines challenges and opportunities for decolonizing digital humanities. It discusses how digital humanities has traditionally focused on Western texts and excluded work by marginalized groups. It also notes concerns around a lack of diversity in who conducts digital humanities research and receives funding. The document advocates for recent efforts like #transformDH that center issues of race, class, gender and disability. It provides an example project on digitizing Chinese Canadian histories that highlights opportunities for community engagement and more inclusive digital scholarship.
This document discusses different perspectives on digital humanities. It partitions digital humanities into four areas: traditional scholarship about digital things, data analysis using digital tools, data representation using digital tools, and making digital tools. Each area is then briefly described, with examples provided. The document also discusses how digital tools and techniques are being applied in humanities research processes and outputs.
Estado arte de las Humanidades Digitales. Algunos proyectos de investigaciónGimena Del Rio Riande
Digital humanities projects and research from around the world are summarized. Key points:
- The document discusses the state of digital humanities, including conferences, participants, topics of interest.
- A history of digital humanities and related fields like humanist computing is provided, tracing work from the 1940s through present day.
- Examples of digital humanities centers, projects, resources and debates are outlined to illustrate the breadth and interdisciplinary nature of the field.
Are you interested in finding and using digital tools to enhance your research? In this workshop, Rafia Mirza from the UT Arlington Central Library will introduce you to the many different tools that are available to help you gather, process, and present your research.
What are the Digital Humanities and how do we study technology and technology...Kabren Levinson
This document discusses the field of digital humanities. Digital humanities involves studying technology and its impact on humanity through an interdisciplinary lens that incorporates fields like philosophy, history, social science, and more. It explores how technology has changed human communication, community, and the dissemination of knowledge. Digital humanities introduces analytical and critical thinking into the study of technology to understand both its benefits like increased innovation, as well as its potential drawbacks like a lack of analysis and critique. The goal is to understand how technology affects what it means to be human both now and in the future through knowledge making and new forms of scholarly work.
2014 E&PDE Keynote by Peter Paul Verbeekerikbohemia
This document discusses the philosophy of technology and its application to design for society. It addresses how technologies mediate human experiences and actions, sometimes going too far (hubris). The author proposes an approach called "ascetic design" to shape technologies and account for their moral impacts, by anticipating how they will mediate human-world relations, assessing these mediations, and designing them to allow for human autonomy and self-reflection. The goal is to design technologies and human-technology relations in a way that considers humans' mediated experiences and roles.
This document provides an overview of Roger Frank Malina's background and career. It discusses how he came from a family of scientists and engineers but also pursued art. Malina helped found NASA's Jet Propulsion Laboratory and the journal Leonardo, which combines art, science, and technology. The document outlines Malina's work researching across disciplines and cultures, as well as his goal of redesigning science through greater integration with fields like art and design.
Comment construire une Technoculture - Marcel O’GormanIRI
This document discusses building a technoculture through digital studies that combines care, curation, and curriculum. It addresses tensions between technological production driven by economic imperatives versus critical assessment from an academic perspective. It argues for developing a model of knowledge work that combines digital media techniques with traditional humanities cognitive modes. It discusses curating digital data and developing curriculum using digital media to critique digital media. The document provides examples of projects from the Critical Media Lab that take interdisciplinary research-creation approaches to investigate technology's impact and invent new technologies and media artifacts.
Modern Languages Approaches to Digital CultureRenata Brandão
This document discusses approaches to analyzing digital culture and issues that arise. It notes that the digital requires rethinking existing frameworks as digital forms have blurred boundaries. It emphasizes studying paratexts as much as the core text and following how content flows across platforms. Finally, it stresses the importance of ethics when studying user-generated content, considering issues like informed consent and protecting people's privacy and autonomy.
This document provides an overview of digital humanities (DH), including brief definitions and history, examples of DH projects and tools, and the role of libraries in supporting DH. Some key points include:
- DH uses computational methods to study the humanities and involves activities like digitization of collections, text analysis, and data visualization.
- It has roots in earlier humanities computing projects from the 1940s-1970s and grew with text encoding standards, digital libraries and DH centers in the 1990s-2000s.
- Example projects include Mapping the Republic of Letters, digital archives of WWI poetry, and datasets on the transatlantic slave trade.
- Libraries support DH through digitization, technical skills, project
Class 1 - Introduction to the Semiotics of Digital Interactions.
Originally run at University of Tartu for Undergraduates and up.
Audience: anyone with an interest in the meaning and philosophy behind our interaction with the technological world around us.
This document discusses how digital technologies are changing concepts of materiality, identity, and cognition. It explores how the immaterial can be made material through design, production and cultural innovation processes. New technologies are blurring the boundaries between mind and world, and between reality and play. Our identities are shaped through "identity work and play" using digital tools and virtual environments. The ubiquity of technologies and their integration into many aspects of life are transforming human experience and relationships in complex ways.
1) Roger Malina discusses how entering an era of "big data" has changed astronomy and the scientific method, discovering dark matter and relying more on data analysis and simulations than physical experiments.
2) He argues that our tools and data are reshaping our understanding of the world in fundamental ways, and we need new metaphors to conceptualize these changes, such as "networks of networks" or an "age of entanglement."
3) Malina's ArtSciLab at UT Dallas explores multi-modal representations of large datasets through projects like sonifying brain network data and creating "data forests" interactive visualizations to develop new understandings of data.
Digital Engagement, Challenging Histories - Dr James Stark; University Academ...RCAHMW
Mae datblygiadau diweddar ym maes offer ymgysylltu digidol wedi creu amgylchedd grymus ar gyfer ail-ddehongli treftadaeth. O ymchwil hanesyddol mynediad agored i gasgliadau wedi’u digido amgueddfeydd ac archifdai, erbyn hyn mae gan ymchwilwyr, grwpiau cymunedol a sefydliadau treftadaeth doreth o adnoddau gwreiddiol, a oedd yn anodd eu cyrraedd gynt, y gallant eu cyrchu drwy wefannau, catalogau a safleoedd trydydd parti. Un newydd-ddyfodiad i’r farchnad brysur hon yw Yarn, llwyfan adrodd storïau digidol sy’n dwyn ynghyd gasgliadau amgueddfeydd ac archifdai ac archifau a deunyddiau hanesyddol y defnyddwyr eu hunain.
Recent developments in digital engagement tools have created a dynamic environment for the reinterpretation of heritage. From open access historical research to digitised museum and archive collections, researchers, community groups and heritage organisations are now blessed with an abundance of previously hard-to-reach primary resources, accessible through websites, catalogues and third party sites. One relative newcomer in this busy marketplace is Yarn, a digital storytelling platform designed to bring the collections of museums and archives together with users’ own archives and historic materials.
The area of Digital Humanities has emerged as a transformational force in the Information Age, when digital technology permeates practically every aspect of our life. When technology meets the liberal arts, you get digital humanities, or DH for short. It's a wide-ranging discipline that uses computers to study, interpret, and produce new forms of cultural knowledge. In this blog, we will investigate Digital Humanities and to learn more about it you can pay someone to do my assignment writing assignments and discuss its value, practical uses, obstacles, and potential in the years to come.
Digital Humanities 101, ENGL 206, January 27, 2015Elizabeth Skene
This document provides an overview of digital humanities. It discusses definitions of digital humanities from various sources, noting that it is not a unified field but involves using digital tools and technologies to study humanities subjects. Key aspects identified include working with digitized information, metadata, preservation of digital materials, and open access. Values emphasized include public engagement, inclusiveness, and empowering diverse voices. Concerns are raised that digital archives could repeat power imbalances and privileging of certain voices over others.
Workshop 1
Gender, Education and New Technologies: Assessing the evidence
Led by Michael Peters
Workshop 2
Girls, Social Media & Social Networking: Harnessing the talent
Led by Tina Besley
This document outlines a research study on the social media use of creative and cultural workers. It will examine how expertise is performed on Twitter among creative professionals in Birmingham, England. The study aims to understand how social media is used in their everyday lives and work. It will analyze tweets using discourse analysis and interview workers. Findings will relate to the nature of the creative economy and how cultural intermediaries position themselves as experts. The research will provide novel insights into creative workers' social media use and how it connects to the broader creative industries context.
This document outlines challenges and opportunities for decolonizing digital humanities. It discusses how digital humanities has traditionally focused on Western texts and excluded work by marginalized groups. It also notes concerns around a lack of diversity in who conducts digital humanities research and receives funding. The document advocates for recent efforts like #transformDH that center issues of race, class, gender and disability. It provides an example project on digitizing Chinese Canadian histories that highlights opportunities for community engagement and more inclusive digital scholarship.
This document discusses different perspectives on digital humanities. It partitions digital humanities into four areas: traditional scholarship about digital things, data analysis using digital tools, data representation using digital tools, and making digital tools. Each area is then briefly described, with examples provided. The document also discusses how digital tools and techniques are being applied in humanities research processes and outputs.
Estado arte de las Humanidades Digitales. Algunos proyectos de investigaciónGimena Del Rio Riande
Digital humanities projects and research from around the world are summarized. Key points:
- The document discusses the state of digital humanities, including conferences, participants, topics of interest.
- A history of digital humanities and related fields like humanist computing is provided, tracing work from the 1940s through present day.
- Examples of digital humanities centers, projects, resources and debates are outlined to illustrate the breadth and interdisciplinary nature of the field.
Are you interested in finding and using digital tools to enhance your research? In this workshop, Rafia Mirza from the UT Arlington Central Library will introduce you to the many different tools that are available to help you gather, process, and present your research.
What are the Digital Humanities and how do we study technology and technology...Kabren Levinson
This document discusses the field of digital humanities. Digital humanities involves studying technology and its impact on humanity through an interdisciplinary lens that incorporates fields like philosophy, history, social science, and more. It explores how technology has changed human communication, community, and the dissemination of knowledge. Digital humanities introduces analytical and critical thinking into the study of technology to understand both its benefits like increased innovation, as well as its potential drawbacks like a lack of analysis and critique. The goal is to understand how technology affects what it means to be human both now and in the future through knowledge making and new forms of scholarly work.
2014 E&PDE Keynote by Peter Paul Verbeekerikbohemia
This document discusses the philosophy of technology and its application to design for society. It addresses how technologies mediate human experiences and actions, sometimes going too far (hubris). The author proposes an approach called "ascetic design" to shape technologies and account for their moral impacts, by anticipating how they will mediate human-world relations, assessing these mediations, and designing them to allow for human autonomy and self-reflection. The goal is to design technologies and human-technology relations in a way that considers humans' mediated experiences and roles.
This document provides an overview of Roger Frank Malina's background and career. It discusses how he came from a family of scientists and engineers but also pursued art. Malina helped found NASA's Jet Propulsion Laboratory and the journal Leonardo, which combines art, science, and technology. The document outlines Malina's work researching across disciplines and cultures, as well as his goal of redesigning science through greater integration with fields like art and design.
Comment construire une Technoculture - Marcel O’GormanIRI
This document discusses building a technoculture through digital studies that combines care, curation, and curriculum. It addresses tensions between technological production driven by economic imperatives versus critical assessment from an academic perspective. It argues for developing a model of knowledge work that combines digital media techniques with traditional humanities cognitive modes. It discusses curating digital data and developing curriculum using digital media to critique digital media. The document provides examples of projects from the Critical Media Lab that take interdisciplinary research-creation approaches to investigate technology's impact and invent new technologies and media artifacts.
Modern Languages Approaches to Digital CultureRenata Brandão
This document discusses approaches to analyzing digital culture and issues that arise. It notes that the digital requires rethinking existing frameworks as digital forms have blurred boundaries. It emphasizes studying paratexts as much as the core text and following how content flows across platforms. Finally, it stresses the importance of ethics when studying user-generated content, considering issues like informed consent and protecting people's privacy and autonomy.
This document provides an overview of digital humanities (DH), including brief definitions and history, examples of DH projects and tools, and the role of libraries in supporting DH. Some key points include:
- DH uses computational methods to study the humanities and involves activities like digitization of collections, text analysis, and data visualization.
- It has roots in earlier humanities computing projects from the 1940s-1970s and grew with text encoding standards, digital libraries and DH centers in the 1990s-2000s.
- Example projects include Mapping the Republic of Letters, digital archives of WWI poetry, and datasets on the transatlantic slave trade.
- Libraries support DH through digitization, technical skills, project
Class 1 - Introduction to the Semiotics of Digital Interactions.
Originally run at University of Tartu for Undergraduates and up.
Audience: anyone with an interest in the meaning and philosophy behind our interaction with the technological world around us.
This document discusses how digital technologies are changing concepts of materiality, identity, and cognition. It explores how the immaterial can be made material through design, production and cultural innovation processes. New technologies are blurring the boundaries between mind and world, and between reality and play. Our identities are shaped through "identity work and play" using digital tools and virtual environments. The ubiquity of technologies and their integration into many aspects of life are transforming human experience and relationships in complex ways.
1) Roger Malina discusses how entering an era of "big data" has changed astronomy and the scientific method, discovering dark matter and relying more on data analysis and simulations than physical experiments.
2) He argues that our tools and data are reshaping our understanding of the world in fundamental ways, and we need new metaphors to conceptualize these changes, such as "networks of networks" or an "age of entanglement."
3) Malina's ArtSciLab at UT Dallas explores multi-modal representations of large datasets through projects like sonifying brain network data and creating "data forests" interactive visualizations to develop new understandings of data.
Digital Engagement, Challenging Histories - Dr James Stark; University Academ...RCAHMW
Mae datblygiadau diweddar ym maes offer ymgysylltu digidol wedi creu amgylchedd grymus ar gyfer ail-ddehongli treftadaeth. O ymchwil hanesyddol mynediad agored i gasgliadau wedi’u digido amgueddfeydd ac archifdai, erbyn hyn mae gan ymchwilwyr, grwpiau cymunedol a sefydliadau treftadaeth doreth o adnoddau gwreiddiol, a oedd yn anodd eu cyrraedd gynt, y gallant eu cyrchu drwy wefannau, catalogau a safleoedd trydydd parti. Un newydd-ddyfodiad i’r farchnad brysur hon yw Yarn, llwyfan adrodd storïau digidol sy’n dwyn ynghyd gasgliadau amgueddfeydd ac archifdai ac archifau a deunyddiau hanesyddol y defnyddwyr eu hunain.
Recent developments in digital engagement tools have created a dynamic environment for the reinterpretation of heritage. From open access historical research to digitised museum and archive collections, researchers, community groups and heritage organisations are now blessed with an abundance of previously hard-to-reach primary resources, accessible through websites, catalogues and third party sites. One relative newcomer in this busy marketplace is Yarn, a digital storytelling platform designed to bring the collections of museums and archives together with users’ own archives and historic materials.
The area of Digital Humanities has emerged as a transformational force in the Information Age, when digital technology permeates practically every aspect of our life. When technology meets the liberal arts, you get digital humanities, or DH for short. It's a wide-ranging discipline that uses computers to study, interpret, and produce new forms of cultural knowledge. In this blog, we will investigate Digital Humanities and to learn more about it you can pay someone to do my assignment writing assignments and discuss its value, practical uses, obstacles, and potential in the years to come.
Digital Humanities 101, ENGL 206, January 27, 2015Elizabeth Skene
This document provides an overview of digital humanities. It discusses definitions of digital humanities from various sources, noting that it is not a unified field but involves using digital tools and technologies to study humanities subjects. Key aspects identified include working with digitized information, metadata, preservation of digital materials, and open access. Values emphasized include public engagement, inclusiveness, and empowering diverse voices. Concerns are raised that digital archives could repeat power imbalances and privileging of certain voices over others.
Workshop 1
Gender, Education and New Technologies: Assessing the evidence
Led by Michael Peters
Workshop 2
Girls, Social Media & Social Networking: Harnessing the talent
Led by Tina Besley
This document outlines a research study on the social media use of creative and cultural workers. It will examine how expertise is performed on Twitter among creative professionals in Birmingham, England. The study aims to understand how social media is used in their everyday lives and work. It will analyze tweets using discourse analysis and interview workers. Findings will relate to the nature of the creative economy and how cultural intermediaries position themselves as experts. The research will provide novel insights into creative workers' social media use and how it connects to the broader creative industries context.
Similar to What do we mean by "Digital Theology" (20)
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إضغ بين إيديكم من أقوى الملازم التي صممتها
ملزمة تشريح الجهاز الهيكلي (نظري 3)
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تتميز هذهِ الملزمة بعِدة مُميزات :
1- مُترجمة ترجمة تُناسب جميع المستويات
2- تحتوي على 78 رسم توضيحي لكل كلمة موجودة بالملزمة (لكل كلمة !!!!)
#فهم_ماكو_درخ
3- دقة الكتابة والصور عالية جداً جداً جداً
4- هُنالك بعض المعلومات تم توضيحها بشكل تفصيلي جداً (تُعتبر لدى الطالب أو الطالبة بإنها معلومات مُبهمة ومع ذلك تم توضيح هذهِ المعلومات المُبهمة بشكل تفصيلي جداً
5- الملزمة تشرح نفسها ب نفسها بس تكلك تعال اقراني
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واخيراً هذهِ الملزمة حلالٌ عليكم وإتمنى منكم إن تدعولي بالخير والصحة والعافية فقط
كل التوفيق زملائي وزميلاتي ، زميلكم محمد الذهبي 💊💊
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Elevate Your Nonprofit's Online Presence_ A Guide to Effective SEO Strategies...TechSoup
Whether you're new to SEO or looking to refine your existing strategies, this webinar will provide you with actionable insights and practical tips to elevate your nonprofit's online presence.
A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
This presentation was provided by Rebecca Benner, Ph.D., of the American Society of Anesthesiologists, for the second session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session Two: 'Expanding Pathways to Publishing Careers,' was held June 13, 2024.
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
This presentation was provided by Racquel Jemison, Ph.D., Christina MacLaughlin, Ph.D., and Paulomi Majumder. Ph.D., all of the American Chemical Society, for the second session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session Two: 'Expanding Pathways to Publishing Careers,' was held June 13, 2024.
3. • What might be meant by Digital Theology
• relevant and important question
• no simple answer
• digitisation of sources?
• digitisation of hermeneutics or systematics?
• impact of digitisation - future of the (e)book?
• digital pedagogy – KhanAcademy/Sugata Mitra
• digital exploration of theology
• theological exploration of the digital
• Re-engineering the categories
5. • Digital Humanities à la Berry
• Lyotard and infinite knowledge
• -> new infinite archive
• two waves/layers/moments
• 1 -> infrastructure, imitation, inputting
• 2 -> born-digital artefacts, distant reading
• 3 -> reinventing humanities – colaboratories
6. • Digital Humanities à la Berry
• The Power of Code
• Not the Humboldt Bildung
• But Hofstadter’s Intellect
• Berry (ed.), Introduction: Understanding the Digital Humanities, pp.1-20
8. • What might be meant by Digital Theology
• Hofstadterian meta-comment moment…
• Conceptual ambiguity about “digital”
• Berry’s waves:
• Digital as “Techne” - digisation
• Digital as “Episteme”- born digital artifacts
9. • What might be meant by Digital Theology
• Marshall McLuhan
• Technology as extension of human capacity
• Extends reach into new space/place/state (*)
• Four rules:
• Extend:Reverse:Retrieve:Obsolesce
• But focus not on the tech but on the medium
• The medium is paramount
10. • What might be meant by Digital Theology
• McLuhan
• “The content or message of any particular
medium has about as much importance as the
stenciling on the casing of an atomic bomb”
• Issue is the episteme that techne represents
• Techne and episteme – which comes first?
• Medium sustains(?) figures
• Episteme sustains(?) techne
• Medium as cultural milieu/sociological canvas/the
ground of being?
11. • What might be meant by Digital Theology
• Latour – Reassembling the Social
• ANT - actor/network theory
• focus on the actors but realise the network is what
gives them the space to act in a particular way
• “Network” as cultural milieu/sociological
canvas/the ground of being?
• Medium ≣ Network
• Figure ≣ Actor
• Kittel, Buribunks, Hansen, Campbell on this…
13. • What might be meant by Digital Theology
• Heidegger – ‘Die Frage nach der Technik’
• “Die Technik ist nicht das gleiche wie das Wesen
der Technik…So ist denn auch das Wesen der
Technik ganz und gar nichts Technisches.”
• Technik (Techne) ≠ Wesen (Episteme)
• “Die Technik ist eine Weise des Entbergens”
• But also “Wir nennen jetzt jenen
herausfordernden Anspruch, der den Menschen
dahin versammelt, das Sichentbergende als
Bestand zu bestellen – das Ge-stell”
15. • What might be meant by Digital Theology
• …. eine Weise des Entbergens?
• Revelation of what exactly – Enframing! Control!
• (ed. > co-creators – in God’s image?)
• Heidegger and technological determinism rests on
the refusal to ask the question about revelation
and instead to be sucked into the question of
Enframing (Gestell)
• Towards the end – art as techne – “Weil sie ein
her- und vor-bringendes Entbergen war und
darum in die poietis gehörte”
18. • Digital Humanities Manifesto
• The genre here is all M’s:
• mix :: match :: mash :: manifest.
• An array of convergent practices
• Called upon to shape natively digital models of
scholarly discourse
• To model excellence and innovation
• Multi-purposing, multiple channelling
• Generative Humanities, co-creative
• Re-engineering, repurposing, translating
• Reconfiguration, dedefinition, triangulation
• http://www.humanitiesblast.com/manifesto/Manifesto_V2.pdf
19. • “Digital” Humanities
• Wave 1 – techne – digitisation, archiving
• Wave 2 – episteme – born-digital, DH manifesto
• ??? Wave 3 – poesis ??? - ???
• Synthesising, forming new pedagogies
• Embedding Dasein into the Vorhandenheit of the
Academy?
• Creating new tools
• Dangers of Enframing rather than revealing?
20. • Digital Humanities – Presner (DHM)
• “…must be engaged with the broad horizon of
possibilities for building upon excellence in the
humanities, while also transforming our
research culture, our curriculum, our
departmental and disciplinary structures, our
tenure and promotion standards, and, most of
all, the media and format of our scholarly
publications.”
22. • What might be meant by Digital Theology
• What is this ‘digital’ epistemology?
• Does techne reveal episteme?
• Does techne create episteme?
• Which came first – tools or the need to use them?
• Will to mastery or the tools to master?
• Or both at the same time?
• Is Heidegger right about Enframing?
• What about social shaping of technology?
• What about Epstein’s call to pour our humanity
into the technology to give it the gift of humanity?
23. • What might be meant by Digital Theology
• McLuhan – Latour - Heidegger
• Medium ≣ Network ≣ Wesen der Technik
• Figure ≣ Actor ≣ Technik
• ‘Digital’ as a polyvalent term
• Digital Theology is about digital technology
• Digital Theology is about digital culture
• But it is probably about so much more as well
Editor's Notes
Lots of people ask my what I mean by Digital Theology
I’m putting together book proposals for publishers on Digital Theology – I really need to understand what I am talking about.
Relevant and important question – the problem is that even though it seems an intuitive phrase – there is no simple answer.
On the one hand it could mean a digitisation of sources – papyri and manuscripts, texts and databases, images and videos
On the other hand it could be a technologisation of hermeneutics or systematics – have you read Gordon Fee’s approach to exegesis in 24 steps with 300 substeps?
Or it could be about the effect of digitisation- John Dyer’s work on the effect of reading Bible texts online – there seems to be greater cognitive retention when texts are read from books – is that just for a pre-digital generation. And what of the need to ensure your iPhone Quran app is the highest App on your phone, your App the highest book on your desk and that you refrain from keeping your phone near less clean parts of your body? And how about tweeting in Church?
Or is it about changing the way that we teach in the Academy – adopting the teaching methodologies of the Khan Academy or of Newcastle’s celebrated Professor of Education Sugata Mitra – both focus on self-learning as the paradigm for the digital classroom – students learn the basics at home and then engage in practical exercises in class with teachers mentoring students on a one to one basis. Is that possible for the Academy?
Or is it an investigation of theology in digital terms? How do we talk of incarnation in digital terms – Mikhail Epstein – kenosis as humanity emptying itself into technology that technology might become more humane.
Or an investigation of the digital in theological terms – what is the theological freight of the digital revoution – of new concepts of presence, absence, embodiment, friendship. How do we talk of God in the digital space? A kind of updating of Teilhard de Chardin?
Whatever it means, there seems to be the need to disambiguate the terms, to re-engineer the categories.
David Berry’s Introduction to Digital Humanities is one of the central texts exploring this newish discipline.
Berry’s argument is at times partial, exploratory, jumping from subject to subject, full of questions and not so many answers.
Berry notes the truth behind Lyotard’s warning about the excess of information – so much information is being created second by second that it is almost impossible for anyone to be an expert on anything anymore. We cannot read all the novels written in the 20th century, so how can anyone claim to be an expert in that subject. In terms of big data and corpora of media information now available, this new infinite archive demands a new way to do research and be open to the benefits of technological advance offers to the academy.
Assuming the huge impact of information culture and the digital revolution, Berry talks of two waves/layers or movements of the development of Digital Humanities.
The first focuses on the technology (techne) – the process of digitisation, electronic publication, replication of what we have done so much in print. To some extent this is a process of imitation – creating the paperless study rather than changing the nature of the study altogether.
The second focusses on the impact of the developing digital culture – looking at using born-digital artifacts, Big Data, the Arts, corpus linguistics, and other inventions of the digital which can bear fruit within the humanities.
But he also points to a third wave – the need to transform the whole concept of academic study, disciplines, process, research – the creation of colaboratories where interdisciplinarity, co-working, science-like teams working on joint projects become more and more the norm.
He asks about what it would mean to understand the humanities through a new language – through the structure and process of Code – what would it mean to do theology according to C++, to talk of the resurrection in the terms of Visual Basic?
In making this query, he challenges traditional understandings of the Academy – by looking back to two German scholars arguments about the Academy.
First he picks up on Humboldt’s vision of a university which is established to output students with the profile or bildung deemed appropriate for public or academic life – in other words a university which is more about formation of acceptable citizens than about academic freedoms or creativity. A university which feeds the state with the people the state needs – for Berry this seems to be the role of the traditional humanities – to create the researchers to feed the research machine.
In contrast, he draws on Hofstadter’s work in the 1960s to draw disinction between intelligence and intellect – he refers to intellect as:” Intellect is the creative and contemplate side of the mind. Where intelligence seeks to grasp, manipulate, reorder, adjust, intellect examines, ponders, wonders, theorizes, criticizes, imagines. Intelligence will sieze the immediate meaning in a situation and evaluate it. Intellect evaluates evaluations, and looks for the meanings of situations as a whole…Intellect is a unique manifestation of human dignity.”
It is really important to note the kind of conversation we are having. A properly Hofstadterian question!
If we track back over the last two slides, we might have noticed that in fact two distinct conversations are happening at the same time. The two conversations kind of match the two waves in classic positions on DigiHumanities. However, we need to recognise that each wave points to a different meaning of or use of or semantic of the word “Digital”. And that in our use of the phrase “Digital Theology”, there is a profound Conceptual Ambiguity.
To some extent Berry hits the ambiguity nail on the head when, early in the chapter, he talks about the difference between digital as ‘techne” and digital as ‘episteme’. If we look back at the first slide, where we asked what digital theology might mean, we begin to see the same process – some conversation about whether “digital” a technological category – the way we develop a specific skill/machine/technology to fulfil a specific task – or an epistemological category – to do with our understanding of the world and the ways things are.
Of course, this split between technology and epistemology isn’t new at all and has been part and parcel of the digital conversations.
So McLuhan argues that technology is an extension of part of the human body – the bike an extension of the leg, the microscope of the eye… which enables human beings to extend themselves into a new space or to a new level of fulfilment. McLuhan was always warning us to focus not so much on the technology as on the extension – focus on the medium not the message – so, as Postman also argued, it is not so much the technology of the telegraph or the telegram or the telephone which is important but rather humanity’s extension into long range communication which no longer necessitated the communicators to be physically present to one another. The technology may be the telegram, but the epistemological issue is absent present communication.
McLuhan: “The content or message of any particular medium has about as much importance as the stenciling on the casing of an atomic bomb”
Technology – casing
Epistemology – explosive
Technology therefore, while often being the external expression which materialists in a consumer society are so prone to drool over is actually the Trojan Horse of Digital Humanities. Wave 1 is important because it focuses on the physical expression as a way of distracting us from the epistemological changes which are much larger, much more long term and much more pervasive throughout society as a whole.
Latour
Ground/Medium/Dasein/Vorhandenheit vs x/Figure
Kittel and Hansen have discussed this more explicitly, although less easily…Kittel tracing the development of techne into episteme, Hansen arguing that episteme drives humanity to create new technology
Heidegger – Die Frage nach der Technik
Relatively brief discussion – part of a longer series of essays on the role of art as revelation of the truth. Heidegger wants to categorically state that there is a difference between technology and the essence of technology
“Die Technik ist nicht das gleiche wie das Wesen der Technik…So ist denn auch das Wesen der Technik ganz und gar nichts Technisches.”
Technology is not the same as the essence of technology…so then as well the essence of technology is certainly not technical”
As Berry later picks up, it is Heidegger who briefly noted the different between techne and episteme.
Technik (Techne) ≠ Wesen (Episteme) = Technology is not the same as Essence
Technology rather is a place of revelation – that which reveals reality – aletheia.
“Die Technik ist eine Weise des Entbergens” = Technology is a way of revealing
Having noted this key point, Heidegger immediately switches tack to query what might be being revealed. He spends a long time arguing that modern technology is about mastering creation. A power station on the Rhine no longer adopts the form and essence of the river – like a bridge did – but rather then river is dammed into the power station – the power station takes control of the nature of the river – it frames the river, it creates the river as a standing reserve, mastered ready to be consumed
We name now then that challenging claim which gathers man thither to order the self-revealing as standing-reserve”
Does Heidigger jump the shark by refusing to pause to consider technology as a revealing – a revealing of what?
Art – Because it was a forth- and hither-bringing revelation and therefore belonged within poesis.”
Wave 1 DH is about the technology – it’s about what we can do with the technology to enhance the academic work we do. Johannine Studies at BNTC – much more on textual variance arising specifically from the presence of the digital.
Wave 2 DH is about the epistemology – BNTC to Bible and Critical Theory and Reception or Katie Edwards on Biblical Literacy – following in the great tradition of Sheffield in merging interdisciplinary studies and the Bible – David Clines, Stephen Moore, Hugh Pyper, Cheryl Exum, Ela Nutu…finding biblical literacy by distant reading of culture.
In other words, what seems to be happening here is a mixing of categories.
DH manifesto – a clarion call to revolution against the Humboldtian university.
Picking up much of the angst of postmodern theory allied to deconstruction and liberation pedagogy.
An attempt to take the opportunity which the digital revolution gives us to bring a radical transformation to the university to creative a Hofstadterian paradise
Latour
Ground/Medium/Dasein/Vorhandenheit vs x/Figure
Kittel and Hansen have discussed this more explicitly, although less easily…Kittel tracing the development of techne into episteme, Hansen arguing that episteme drives humanity to create new technology
Wave 1 DH is about the technology – it’s about what we can do with the technology to enhance the academic work we do. Johannine Studies at BNTC – much more on textual variance arising specifically from the presence of the digital.
Wave 2 DH is about the epistemology – BNTC to BCTR, Katie Edwards on Biblical Literacy – following in the great tradition of Sheffield in merging interdisciplinary studies and the Bible – David Clines, Stephen Moore, Hugh Pyper, Cheryl Exum, Ela Nutu…finding biblical literacy by distant reading of culture.
In other words, what seems to be happening here is a mixing of categories.