Week 6 2010
•Download as DOC, PDF•
0 likes•80 views
The document provides an overview of Ancient Greek art from the 6th to 4th centuries BC, covering major artistic developments, styles, and works. Key periods discussed include the Archaic period known for kouroi and korai sculptures, and the Classical period characterized by idealized naturalism in works like the Doryphoros and refinements to temple design seen in the Parthenon. Major Greek sculptors like Polykleitos and architects like Iktinos and Kallikrates are mentioned in the context of their influential works.
Report
Share
Report
Share
Recommended
Week 8 110 copy
Week 8 of the Ancient Art History Survey focused on Greek art and architecture in the Archaic and Classical periods. Key terms included kore and kouros figures, the Persian Wars, and optical refinements in buildings like the Parthenon. Sculptures discussed were the Discobolus by Myron and Doryphoros by Polykleitos, which demonstrated the Greek ideal of symmetria. The Parthenon frieze depicted the Panathenaic procession and was an important representation of Athenian civic identity.
Week 7
The document provides an overview of ancient Western art from the 4th century BC to the 1st century BC, covering the transition from Hellenic to Hellenistic periods and the rise of Roman rule under Augustus. It lists artists, locations, and notable works such as the Seven Wonders of the World, many of which were constructed during the Hellenistic era but have since been destroyed. The document also describes Augustus' self-presentation on the Prima Porta statue and Ara Pacis monument as projecting messages of peace and propaganda.
Ancient Greece 2 session i Golden Age intro
this slideshow plays automatically as students enter. I have pared it down but the Keynote repeats the questions to answer every 15 slides. Slides change every 3.5 seconds. The purpose is to arouse curiosity, not to satisfy it!
ENGL 511 Day One Lecture
This document provides an overview of the history and definitions of rhetoric in Western thought. It begins with definitions of rhetoric from ancient Greek philosophers like Aristotle, Plato, and others. It then outlines the origins and development of rhetoric from its emergence in ancient Greece and Sicily to its treatment by major thinkers through Roman, medieval, Renaissance, and Enlightenment periods. It discusses how rhetoric was both embraced and criticized depending on the era. The document concludes with a brief discussion of rhetoric's revival in the 20th century with new approaches and the formation of rhetoric organizations and degree programs.
Week 4 110 copy
The document provides information for an Ancient Art History class, including:
- A review for the first exam will be held next week, with the exam on Wednesday. Students should bring a scantron sheet.
- Online review materials in PPT format are available on Blackboard to help study for the exam.
- Key terms, names, and possible essay questions are listed to aid in exam preparation.
Week 9 and 10 110
The document provides an overview of topics to be covered in weeks 9 and 10 of an Ancient Art History survey course. It notes that the next exam will be a take-home essay exam on November 8th covering material through that date. Key figures, terms, and locations from the Hellenistic period through the early Roman Empire are listed, along with potential essay questions. Images are also referenced to illustrate important works like the Pergamon Altar and sculptures of Augustus and Vespasian.
Week 8 110 11
This document provides an overview of ancient Greek art from the Geometric period through the Archaic period. It discusses common vase shapes like amphorae, kraters, and kylikes from the Geometric and Orientalizing periods. Black figure and red figure vase painting techniques developed in this time. The Archaic period saw the emergence of the kore statue and archaic smile, as well as the kouros youth figure. Important temples from this time included the Temple of Zeus at Olympia, known for its pediment sculptures. Significant sculptures included the Discobolus by Myron and the Doryphoros by Polykleitos, which demonstrated Greek ideals of symmetria and proportion.
Week 9 110 11
This document provides an overview of key topics and terms from Ancient Greek art history in Week 9, including architectural elements of the Doric and Ionic orders, refinements in the design of the Parthenon, and figures such as Pericles and Phidias. It also differentiates between the Hellenic and Hellenistic periods, lists the Seven Wonders of the World, and provides potential essay questions and images to examine like the Parthenon and Pergamon Altar.
Recommended
Week 8 110 copy
Week 8 of the Ancient Art History Survey focused on Greek art and architecture in the Archaic and Classical periods. Key terms included kore and kouros figures, the Persian Wars, and optical refinements in buildings like the Parthenon. Sculptures discussed were the Discobolus by Myron and Doryphoros by Polykleitos, which demonstrated the Greek ideal of symmetria. The Parthenon frieze depicted the Panathenaic procession and was an important representation of Athenian civic identity.
Week 7
The document provides an overview of ancient Western art from the 4th century BC to the 1st century BC, covering the transition from Hellenic to Hellenistic periods and the rise of Roman rule under Augustus. It lists artists, locations, and notable works such as the Seven Wonders of the World, many of which were constructed during the Hellenistic era but have since been destroyed. The document also describes Augustus' self-presentation on the Prima Porta statue and Ara Pacis monument as projecting messages of peace and propaganda.
Ancient Greece 2 session i Golden Age intro
this slideshow plays automatically as students enter. I have pared it down but the Keynote repeats the questions to answer every 15 slides. Slides change every 3.5 seconds. The purpose is to arouse curiosity, not to satisfy it!
ENGL 511 Day One Lecture
This document provides an overview of the history and definitions of rhetoric in Western thought. It begins with definitions of rhetoric from ancient Greek philosophers like Aristotle, Plato, and others. It then outlines the origins and development of rhetoric from its emergence in ancient Greece and Sicily to its treatment by major thinkers through Roman, medieval, Renaissance, and Enlightenment periods. It discusses how rhetoric was both embraced and criticized depending on the era. The document concludes with a brief discussion of rhetoric's revival in the 20th century with new approaches and the formation of rhetoric organizations and degree programs.
Week 4 110 copy
The document provides information for an Ancient Art History class, including:
- A review for the first exam will be held next week, with the exam on Wednesday. Students should bring a scantron sheet.
- Online review materials in PPT format are available on Blackboard to help study for the exam.
- Key terms, names, and possible essay questions are listed to aid in exam preparation.
Week 9 and 10 110
The document provides an overview of topics to be covered in weeks 9 and 10 of an Ancient Art History survey course. It notes that the next exam will be a take-home essay exam on November 8th covering material through that date. Key figures, terms, and locations from the Hellenistic period through the early Roman Empire are listed, along with potential essay questions. Images are also referenced to illustrate important works like the Pergamon Altar and sculptures of Augustus and Vespasian.
Week 8 110 11
This document provides an overview of ancient Greek art from the Geometric period through the Archaic period. It discusses common vase shapes like amphorae, kraters, and kylikes from the Geometric and Orientalizing periods. Black figure and red figure vase painting techniques developed in this time. The Archaic period saw the emergence of the kore statue and archaic smile, as well as the kouros youth figure. Important temples from this time included the Temple of Zeus at Olympia, known for its pediment sculptures. Significant sculptures included the Discobolus by Myron and the Doryphoros by Polykleitos, which demonstrated Greek ideals of symmetria and proportion.
Week 9 110 11
This document provides an overview of key topics and terms from Ancient Greek art history in Week 9, including architectural elements of the Doric and Ionic orders, refinements in the design of the Parthenon, and figures such as Pericles and Phidias. It also differentiates between the Hellenic and Hellenistic periods, lists the Seven Wonders of the World, and provides potential essay questions and images to examine like the Parthenon and Pergamon Altar.
Week 7 2011 winter
The document provides an overview of ancient Western art from the 4th century BC to the 1st century BC, covering the transition from Hellenic to Hellenistic periods and the rise of Roman rule under Augustus. It lists influential Greek artists like Lysippos and major works including the Seven Wonders of the World, several of which were from the Hellenistic era but are now destroyed or in ruins. The document also outlines Roman developments like realistic portrait styles and Augustus' self-presentation on the Prima Porta statue and Ara Pacis monument to promote his message of peace.
Early greek thru early classical
The document provides an overview of ancient Greek history from the collapse of the Mycenaean civilization in the 11th century BCE through the Peloponnesian Wars in the 5th century BCE. It describes the transition from the Mycenaean and Minoan periods to the Greek Dark Ages. Key periods discussed include the Geometric, Orientalizing, and Archaic periods. Major city-states like Athens and Sparta are mentioned. Important sites, artworks, and structures on the Acropolis like the Parthenon are summarized. The document also outlines philosophical thinkers and developments in science during this time period in Greece. It concludes with details about the Peloponnesian Wars between Athens and Sparta.
Art of classical greece upload
The document provides an overview of classical Greek art from 480-323 BCE, known as the Early Classical, High Classical, and Late Classical periods. It discusses important sculptures, architectural works, and artistic styles that developed during this time, including the Kritios Boy, works by Polykleitos and Lysippos, and major buildings on the Acropolis like the Parthenon and Erechtheion.
Ancient Greece NOTES de Beaufort
This document provides an overview of ancient Greek art, society, philosophy, and mythology from the Geometric period through the Late Classical period. It begins with a list of notable works of art and their creators from this time period. It then discusses the major ethnē (ethnic groups), polis structure, and patriarchal society of ancient Greece. Key figures and concepts from Greek philosophy like Socrates, Plato, and Aristotle are outlined. The major Olympian gods are named and their roles described. Details are provided on pottery styles, the nudity of athletes, and transition from Archaic to Classical ideals. Significant monuments like the Parthenon and events like the Peloponnesian War are
Greek
This document provides an overview of classical Greek art from approximately 900 BCE to 30 BCE. It begins with the Geometric period and progresses through the Orientalizing, Archaic, Severe, Classical, and Hellenistic periods. Key developments discussed include the evolution of the human form in art, the emergence of architectural styles like Doric and Ionic, and masterworks from prominent artists and sites such as the Parthenon, Temple of Athena Nike, and sculptures of Phidias, Praxiteles, and Lysippus. The document traces how Greek art progressed from more rigid, symbolic works to increasingly naturalistic and emotionally expressive pieces that placed greater emphasis on the human body and experience.
Greek and romans chapter 5
The document summarizes the evolution of classical Greek art and architecture from 700 BCE to 30 BCE. It describes the key periods and styles including the Archaic, Classical and Hellenistic eras. Major works discussed include the Parthenon, sculptures like the Doryphorus, and artists such as Phidias who decorated Greek temples and captured ideal human forms.
Chapter 5
This document provides an overview of Greek art from the Geometric period through the Classical period. It discusses the evolution of representations of the human figure in art from early stylized forms to the naturalistic depictions of figures in contrapposto. Architectural developments are also summarized, including the elements of Doric and Ionic temples. Major artists and sculptors of the Archaic and Classical periods are mentioned, such as the Kritios Boy and works by Phidias and Polykleitos. Key monuments on the Acropolis, including the Parthenon, Erechtheion, and Temple of Athena Nike, are briefly described.
10 greek classicism and hellenism v2018
The document provides an overview of Greek classicism and Hellenism, covering the historic context, philosophy, art, architecture, and culture. It summarizes key events like the Persian Wars and Peloponnesian War, philosophers like Socrates, Plato, and Aristotle, and artistic developments in vase painting, sculpture including works by Phidias, Praxiteles, and Lysippus, and architecture such as the Parthenon. The document also outlines the transition to the Hellenistic period following the conquests of Alexander the Great.
GREECE part 2 de Beaufort
The document summarizes key events and developments in ancient Greece during the Classical period from 480 BCE to 323 BCE. It describes how the Greeks defeated the Persians at the Battle of Salamis in 480 BCE, saving Greece from Persian rule. This victory allowed Athens to emerge as a powerful city-state and ushered in the Classical period, a time of intellectual, artistic, and architectural achievements. The document focuses on Athens' cultural flowering under the patronage of Pericles, including the rebuilding of temples on the Acropolis such as the Parthenon with its sculptures and architectural refinements that embodied the ideals of balance, proportion, and order.
Vana-Kreeka skulptuur
The document provides an overview of ancient Greek sculpture from the Archaic period through the Hellenistic period, including many examples of key works and styles. It features summaries of sculptures from temples, tombs, and sanctuaries across Greece from approximately 600 BC to 100 BC, spanning materials from marble to bronze. Key periods and artists mentioned include the Kouroi, Kore, Classical period works by Phidias, Praxiteles, and Lysippos, and Hellenistic developments.
Classical art
1. The document provides an overview of classical art from ancient Greece and Rome, covering major periods, styles, and works.
2. It describes the transition from Geometric to Archaic styles in Greek art, highlighting works like the Dipylon Vase and Kore figure.
3. Classical Greek art is discussed in depth, including the Parthenon and sculptures by Phidias, seen as the peak of Greek artistic achievement.
Gk session i intro
This document outlines an introductory course on Classical Greece. The first session focuses on the origins of Greece, including the culture of Mycenaean Greece as described by Homer and the archaeological findings from this period. Key questions addressed are why study ancient Greece, what is the primary source of knowledge about prehistoric Greece, what was Mycenaean culture like, and how reliable is Homer as a historical source. The session also previews major topics to be covered in subsequent classes, such as the rise of city-states, Greek colonization, Sparta and Athens, the Persian Wars, the Golden Age, and Hellenism.
05 Greece
This document lists various artworks and structures from ancient Greek and Hellenistic civilizations. It includes sculptures such as the Kritian Boy and the Dying Warrior, architectural structures like the Parthenon and Temple of Zeus at Olympia, and paintings such as the Blinding of Polyphemos. The works span from the Archaic to Hellenistic periods and feature subjects like gods, heroes, athletes, and historical events. Locations mentioned include Athens, Delphi, Aegina, and sites across the Mediterranean.
Week 7 110 copy
This document provides an overview of ancient art history from the 7th week, covering the Aegean, Minoan, and Mycenaean civilizations. It discusses the architecture of Mycenaean sites like Knossos, Tiryns, and Pylos. It also mentions important figures like Heinrich Schliemann and his discoveries at sites like Troy and Mycenae. Finally, it outlines the development of Greek vase painting styles from the Geometric period through the Archaic period, including black figure and red figure techniques as well as Dipylon vases from Athens.
Bronze age and archaic upload
This document provides an overview of ancient Greek art from 900-500 BCE, known as the Geometric, Orientalizing, and Archaic periods. It discusses the development of temple architecture, with the Temple of Aphaia as an example, and the evolution of sculpture, noting key works like the Metropolitan Kouros. The document also examines cultural influences, artistic styles, and changing representations of the human form over this time.
Art 1010 Chapter 5 Ancient Greece
Ancient Greece evolved through several artistic periods from 900 BCE to 30 BCE. Geometric and Orientalizing art from 900-600 BCE featured abstract, schematic figures on pottery and small bronzes with Eastern influence. The Archaic period from 600-480 BCE saw the first life-size statues with the "Archaic smile" and temples with Doric and Ionic columns. Art depicted humans, gods, mythology and the Trojan War. Kouroi were nude male statues and korai were female statues that followed Egyptian conventions. The Classical period saw the Parthenon and refined human proportions before the Hellenistic period featured emotional, violent sculptures and hybrid temple designs.
Chapter 5 art of ancient greece
This document provides information on ancient Greek art and mythology. It discusses sculptures such as a 1st century AD marble statue copied from a 5th century BC bronze original. It also describes the Sanctuary of Apollo at Delphi around 400 BC, including its symbolic representation of nature and man. The document further outlines many important Greek and Roman deities like Zeus, Hera, Poseidon, and Apollo. It provides details on architectural styles including the Doric, Ionic and Corinthian orders. Additionally, it summarizes various ancient Greek vase shapes such as amphoras, kraters, lekythoi and kylikes used to hold wine and oil.
GREECE part 3 de Beaufort
The document summarizes major developments in Greek art and thought during the Late Classical period (404-338 BCE) following the Peloponnesian War. It discusses how Greek art began to focus more on realism and individual subjects rather than idealism. Key artists from this period like Praxiteles and Lysippos are mentioned for introducing naturalism, emotion, and contrapposto poses into their sculptures. The Hellenistic period that followed is summarized as a time of cultural blending and the rise of new dynastic states after Alexander the Great's conquests.
Greek Art & Architecture
The document discusses Greek art and architecture during the Classical period. It describes the three main types of Greek columns - Doric, Ionic, and Corinthian. It then discusses specific buildings like the Parthenon and the Temple of Nike, noting their architectural features. It explains that Greek art emphasized order, logic, and reason, reflecting the philosophical ideals of the time. Sculpture evolved to show more realistic and proportional human forms.
Fidm weeks 9 and 10
This document provides a study guide for Ancient Art History: Survey of Western Art I covering Weeks 9 and 10, which discusses important people, places, styles, and events in the Byzantine and Islamic empires as well as the rise of Gothic architecture in Europe. Key topics covered include Emperor Justinian and Theodora, the construction of Hagia Sophia, icons and iconoclasm, the development of calligraphy and mosque architecture in the Islamic world, and the innovations of Abbot Suger that influenced Gothic cathedrals such as Chartres.
Syllabus fidm 2012 art history 1
This document provides the syllabus and schedule for an Art History I course on ancient art at FIDM. The course will cover art from prehistoric times through the Gothic period. Students will take two exams worth 1/3 of their grade each and write a short paper also worth 1/3. The paper will involve analyzing an ancient artwork at a local museum. Alternate paper assignments are available if visiting a museum would be difficult. The class will meet weekly and study guides with key terms and images will be provided. Readings from the textbook are recommended as additional background material.
More Related Content
Similar to Week 6 2010
Week 7 2011 winter
The document provides an overview of ancient Western art from the 4th century BC to the 1st century BC, covering the transition from Hellenic to Hellenistic periods and the rise of Roman rule under Augustus. It lists influential Greek artists like Lysippos and major works including the Seven Wonders of the World, several of which were from the Hellenistic era but are now destroyed or in ruins. The document also outlines Roman developments like realistic portrait styles and Augustus' self-presentation on the Prima Porta statue and Ara Pacis monument to promote his message of peace.
Early greek thru early classical
The document provides an overview of ancient Greek history from the collapse of the Mycenaean civilization in the 11th century BCE through the Peloponnesian Wars in the 5th century BCE. It describes the transition from the Mycenaean and Minoan periods to the Greek Dark Ages. Key periods discussed include the Geometric, Orientalizing, and Archaic periods. Major city-states like Athens and Sparta are mentioned. Important sites, artworks, and structures on the Acropolis like the Parthenon are summarized. The document also outlines philosophical thinkers and developments in science during this time period in Greece. It concludes with details about the Peloponnesian Wars between Athens and Sparta.
Art of classical greece upload
The document provides an overview of classical Greek art from 480-323 BCE, known as the Early Classical, High Classical, and Late Classical periods. It discusses important sculptures, architectural works, and artistic styles that developed during this time, including the Kritios Boy, works by Polykleitos and Lysippos, and major buildings on the Acropolis like the Parthenon and Erechtheion.
Ancient Greece NOTES de Beaufort
This document provides an overview of ancient Greek art, society, philosophy, and mythology from the Geometric period through the Late Classical period. It begins with a list of notable works of art and their creators from this time period. It then discusses the major ethnē (ethnic groups), polis structure, and patriarchal society of ancient Greece. Key figures and concepts from Greek philosophy like Socrates, Plato, and Aristotle are outlined. The major Olympian gods are named and their roles described. Details are provided on pottery styles, the nudity of athletes, and transition from Archaic to Classical ideals. Significant monuments like the Parthenon and events like the Peloponnesian War are
Greek
This document provides an overview of classical Greek art from approximately 900 BCE to 30 BCE. It begins with the Geometric period and progresses through the Orientalizing, Archaic, Severe, Classical, and Hellenistic periods. Key developments discussed include the evolution of the human form in art, the emergence of architectural styles like Doric and Ionic, and masterworks from prominent artists and sites such as the Parthenon, Temple of Athena Nike, and sculptures of Phidias, Praxiteles, and Lysippus. The document traces how Greek art progressed from more rigid, symbolic works to increasingly naturalistic and emotionally expressive pieces that placed greater emphasis on the human body and experience.
Greek and romans chapter 5
The document summarizes the evolution of classical Greek art and architecture from 700 BCE to 30 BCE. It describes the key periods and styles including the Archaic, Classical and Hellenistic eras. Major works discussed include the Parthenon, sculptures like the Doryphorus, and artists such as Phidias who decorated Greek temples and captured ideal human forms.
Chapter 5
This document provides an overview of Greek art from the Geometric period through the Classical period. It discusses the evolution of representations of the human figure in art from early stylized forms to the naturalistic depictions of figures in contrapposto. Architectural developments are also summarized, including the elements of Doric and Ionic temples. Major artists and sculptors of the Archaic and Classical periods are mentioned, such as the Kritios Boy and works by Phidias and Polykleitos. Key monuments on the Acropolis, including the Parthenon, Erechtheion, and Temple of Athena Nike, are briefly described.
10 greek classicism and hellenism v2018
The document provides an overview of Greek classicism and Hellenism, covering the historic context, philosophy, art, architecture, and culture. It summarizes key events like the Persian Wars and Peloponnesian War, philosophers like Socrates, Plato, and Aristotle, and artistic developments in vase painting, sculpture including works by Phidias, Praxiteles, and Lysippus, and architecture such as the Parthenon. The document also outlines the transition to the Hellenistic period following the conquests of Alexander the Great.
GREECE part 2 de Beaufort
The document summarizes key events and developments in ancient Greece during the Classical period from 480 BCE to 323 BCE. It describes how the Greeks defeated the Persians at the Battle of Salamis in 480 BCE, saving Greece from Persian rule. This victory allowed Athens to emerge as a powerful city-state and ushered in the Classical period, a time of intellectual, artistic, and architectural achievements. The document focuses on Athens' cultural flowering under the patronage of Pericles, including the rebuilding of temples on the Acropolis such as the Parthenon with its sculptures and architectural refinements that embodied the ideals of balance, proportion, and order.
Vana-Kreeka skulptuur
The document provides an overview of ancient Greek sculpture from the Archaic period through the Hellenistic period, including many examples of key works and styles. It features summaries of sculptures from temples, tombs, and sanctuaries across Greece from approximately 600 BC to 100 BC, spanning materials from marble to bronze. Key periods and artists mentioned include the Kouroi, Kore, Classical period works by Phidias, Praxiteles, and Lysippos, and Hellenistic developments.
Classical art
1. The document provides an overview of classical art from ancient Greece and Rome, covering major periods, styles, and works.
2. It describes the transition from Geometric to Archaic styles in Greek art, highlighting works like the Dipylon Vase and Kore figure.
3. Classical Greek art is discussed in depth, including the Parthenon and sculptures by Phidias, seen as the peak of Greek artistic achievement.
Gk session i intro
This document outlines an introductory course on Classical Greece. The first session focuses on the origins of Greece, including the culture of Mycenaean Greece as described by Homer and the archaeological findings from this period. Key questions addressed are why study ancient Greece, what is the primary source of knowledge about prehistoric Greece, what was Mycenaean culture like, and how reliable is Homer as a historical source. The session also previews major topics to be covered in subsequent classes, such as the rise of city-states, Greek colonization, Sparta and Athens, the Persian Wars, the Golden Age, and Hellenism.
05 Greece
This document lists various artworks and structures from ancient Greek and Hellenistic civilizations. It includes sculptures such as the Kritian Boy and the Dying Warrior, architectural structures like the Parthenon and Temple of Zeus at Olympia, and paintings such as the Blinding of Polyphemos. The works span from the Archaic to Hellenistic periods and feature subjects like gods, heroes, athletes, and historical events. Locations mentioned include Athens, Delphi, Aegina, and sites across the Mediterranean.
Week 7 110 copy
This document provides an overview of ancient art history from the 7th week, covering the Aegean, Minoan, and Mycenaean civilizations. It discusses the architecture of Mycenaean sites like Knossos, Tiryns, and Pylos. It also mentions important figures like Heinrich Schliemann and his discoveries at sites like Troy and Mycenae. Finally, it outlines the development of Greek vase painting styles from the Geometric period through the Archaic period, including black figure and red figure techniques as well as Dipylon vases from Athens.
Bronze age and archaic upload
This document provides an overview of ancient Greek art from 900-500 BCE, known as the Geometric, Orientalizing, and Archaic periods. It discusses the development of temple architecture, with the Temple of Aphaia as an example, and the evolution of sculpture, noting key works like the Metropolitan Kouros. The document also examines cultural influences, artistic styles, and changing representations of the human form over this time.
Art 1010 Chapter 5 Ancient Greece
Ancient Greece evolved through several artistic periods from 900 BCE to 30 BCE. Geometric and Orientalizing art from 900-600 BCE featured abstract, schematic figures on pottery and small bronzes with Eastern influence. The Archaic period from 600-480 BCE saw the first life-size statues with the "Archaic smile" and temples with Doric and Ionic columns. Art depicted humans, gods, mythology and the Trojan War. Kouroi were nude male statues and korai were female statues that followed Egyptian conventions. The Classical period saw the Parthenon and refined human proportions before the Hellenistic period featured emotional, violent sculptures and hybrid temple designs.
Chapter 5 art of ancient greece
This document provides information on ancient Greek art and mythology. It discusses sculptures such as a 1st century AD marble statue copied from a 5th century BC bronze original. It also describes the Sanctuary of Apollo at Delphi around 400 BC, including its symbolic representation of nature and man. The document further outlines many important Greek and Roman deities like Zeus, Hera, Poseidon, and Apollo. It provides details on architectural styles including the Doric, Ionic and Corinthian orders. Additionally, it summarizes various ancient Greek vase shapes such as amphoras, kraters, lekythoi and kylikes used to hold wine and oil.
GREECE part 3 de Beaufort
The document summarizes major developments in Greek art and thought during the Late Classical period (404-338 BCE) following the Peloponnesian War. It discusses how Greek art began to focus more on realism and individual subjects rather than idealism. Key artists from this period like Praxiteles and Lysippos are mentioned for introducing naturalism, emotion, and contrapposto poses into their sculptures. The Hellenistic period that followed is summarized as a time of cultural blending and the rise of new dynastic states after Alexander the Great's conquests.
Greek Art & Architecture
The document discusses Greek art and architecture during the Classical period. It describes the three main types of Greek columns - Doric, Ionic, and Corinthian. It then discusses specific buildings like the Parthenon and the Temple of Nike, noting their architectural features. It explains that Greek art emphasized order, logic, and reason, reflecting the philosophical ideals of the time. Sculpture evolved to show more realistic and proportional human forms.
Similar to Week 6 2010 (20)
More from bellablackadder
Fidm weeks 9 and 10
This document provides a study guide for Ancient Art History: Survey of Western Art I covering Weeks 9 and 10, which discusses important people, places, styles, and events in the Byzantine and Islamic empires as well as the rise of Gothic architecture in Europe. Key topics covered include Emperor Justinian and Theodora, the construction of Hagia Sophia, icons and iconoclasm, the development of calligraphy and mosque architecture in the Islamic world, and the innovations of Abbot Suger that influenced Gothic cathedrals such as Chartres.
Syllabus fidm 2012 art history 1
This document provides the syllabus and schedule for an Art History I course on ancient art at FIDM. The course will cover art from prehistoric times through the Gothic period. Students will take two exams worth 1/3 of their grade each and write a short paper also worth 1/3. The paper will involve analyzing an ancient artwork at a local museum. Alternate paper assignments are available if visiting a museum would be difficult. The class will meet weekly and study guides with key terms and images will be provided. Readings from the textbook are recommended as additional background material.
Syllabus fidm 2012
This document outlines the syllabus and schedule for an Art History I course on ancient art at FIDM. It provides details on the instructor, required text, assignments including two exams and a paper, attendance policy, and a weekly schedule of topics. Students have the option to complete a standard museum paper or an alternative project for the paper assignment. Study guides, review materials, and online resources will be provided.
Day of the dead essay
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
Week 13 110 11
This document provides an overview of important developments in art and architecture during the 13th week of an ancient art history survey. It discusses figures like Theodoric and Justinian, architectural landmarks such as San Vitale, Hagia Sophia, and the Dome of the Rock, and artistic styles including icons, calligraphy, and mosque design. Potential essay topics examine the iconoclastic controversy over icons and reasons for their support or criticism, as well as how calligraphy emerged as an Islamic art form and key elements of different mosque plans.
Week 12 110 11
Week 12 of the Ancient Art History Survey focused on art from the late Roman Empire in the 2nd-4th centuries AD. Key topics included the damnatio memoriae practice of disgracing emperors after death, architecture projects under emperors Trajan and Hadrian like the Column of Trajan and Hadrian's Villa, and the rise of Early Christian art and architecture under Constantine following the Edict of Milan. Important sites mentioned were the Pantheon, Arch of Constantine, catacombs, and Mausoleum of Galla Placidia.
Week 10 110 11
The document provides an overview of key topics and figures from Ancient Roman art history for the upcoming take-home exam. It lists important terms like Romulus and Remus, Aeneas, Julius Caesar, and Augustus. Students are not required to meet in class and instead have a take-home exam and assignment on Dia de los Muertos. The exam will cover topics like Augustus' propaganda through the Prima Porta and Ara Pacis sculptures, and Vespasian's decision to depict himself veristically when constructing the Flavian Amphitheater, also known as the Colosseum.
Week 6 and 7 110 11
The document provides background on Mesopotamian civilization during weeks 6 and 7 of an ancient art history survey course. It lists important names, terms, locations, rulers, artifacts, and potential essay questions related to Mesopotamian cultures like Sumer, Akkad, Babylon, and Assyria between roughly 2500 BC to 600 BC.
Week 4 and 5 110 11
This document provides an overview of key topics and terms to be covered for Weeks 4 and 5 of an Ancient Art History survey course. It notes that a review session will be held next week in preparation for the first exam. It also lists online review materials available and reminds students that these are brief and not a substitute for the classes. The document concludes with a list of names, terms, potential essay questions, and images that will be relevant to the upcoming material.
Week 3 art 110 11
This document provides an overview of Week 3 material for an Ancient Art History survey course. It includes a list of important names, terms, and concepts from the week's readings such as Neolithic sites, Egyptian gods, and aspects of mummification. The document also provides a guide to common Egyptian deities with their associated domains and typical visual attributes. Possible essay questions are outlined asking students to discuss works like the Palette of King Narmer and aspects of the Egyptian mummification process.
Week 1 art 110 11
Ancient Art History Survey (CSUDH Art 110)—Study Sheet, Week 1 provides key terms and potential essay questions to help students study for the first lecture exam. The terms include Homo Sapiens, Neanderthal, Paleolithic, cave painting techniques. Possible essay topics ask how prehistoric image making developed human culture and discuss theories for what cave art represented, such as hunting magic or fertility rituals. Images from the textbook on the Venus of Willendorf sculpture and Lascaux cave paintings may also appear on the exam.
Dia de los muertos assignment
The professor cancels the Art 110 class scheduled for November 2nd, which is Dia de los Muertos (Day of the Dead), and instead assigns a paper on the holiday. Students are asked to read an online essay about Dia de los Muertos, attend a local event if possible, and write a 2-3 page paper discussing the traditions from the essay, their observations from the event, and comparisons to ancient practices of venerating the dead discussed in an upcoming class. Alternatives are provided if students cannot attend an event or the October 31st class.
Art 110 11 syllabus etc
This document provides the syllabus and schedule for an introductory ancient art history survey course. It outlines the course materials, requirements, grading, and exam format. Students will study ancient art from prehistoric through medieval periods, both Western and non-Western civilizations. Requirements include three exams, a paper/project, attendance, and a special Dia de los Muertos assignment exploring traditions of venerating the dead in various cultures. The schedule lists the topics, readings, and key dates for the semester. Accommodations will be made for students with special needs. Academic integrity is expected.
Review islamic art
Muhammed founded the first Islamic state in Medina in 622, establishing the religion of Islam. Islamic art is characterized by aniconism, or the prohibition of images, and calligraphy. Important early Islamic architectural structures include the Dome of the Rock in Jerusalem, notable for housing a sacred rock, and the Selimiye Mosque in Edirne, Turkey, both following a central plan with features like qibla walls oriented towards Mecca and mihrabs. Other mosque styles featured hypostyle halls and four-iwan plans.
Review for final exam winter 2011
This document provides sample review questions for a final exam on Art History 1 (Survey of Western Art 1). It includes multiple choice questions testing knowledge of important buildings, symbols, artists, and time periods covered in the class. Students are advised to review presentation slides for possible essay question topics on subjects like the Parthenon, Colosseum, iconoclasm, and early Christian art and architecture.
Exam review 1
This document provides a set of review questions and answers for an art history exam focusing on ancient art and architecture from various cultures such as ancient Egypt, Mesopotamia, and Europe. The questions cover topics like famous monuments and their locations, artistic techniques, important figures, religious symbols, and terminology.
Week 8 2011 winter
Final exam in two weeks. Papers also due in two weeks, with exam review in the second half of the last class. Key terms include Tiberius, cameo, trophy, Nero, Domus Aurea, trompe l'oeil, painting styles, Villa of Mysteries, Pompeii, Mt. Vesuvius, Vespasian, Flavian, Colosseum, arch construction, and more. Possible essay questions discuss Vespasian's self-representation and the construction of the Colosseum, or how early Christian art borrowed forms and gave them new meanings through attributes of saints. Example artworks provided are the Colosseum, Pantheon, Arch of Constantine,
Week 4 hammurabi handout
1) Hammurabi was appointed by the gods Anu, Bel, and Marduk to rule over Babylon and establish righteousness and justice in the land.
2) Hammurabi lists his accomplishments as king, which include expanding and enriching many cities and temples in Mesopotamia like Nippur, Ur, Isin, Kish, and Borsippa.
3) As the final king appointed by the gods, Hammurabi aims to protect the oppressed and bring well-being to the people of Babylon through righteousness and justice.
Week 6 2011 winter
The document provides key terms related to ancient Greek architecture and sculpture from the 5th century BC including different column styles, structures on the Acropolis in Athens like the Parthenon and Propylaea, and important figures of the time like Pericles and Phidias. It suggests discussing optical refinements in the Parthenon's design that enhance the viewer's experience, and the subject and significance of the Parthenon frieze.
Week 2 2011 winter
This document provides an overview of key terms and concepts from Week 2 of a survey course on Western art history. It includes a list of terminology related to ancient sites, structures, and artistic conventions from Catal Huyuk, megalithic cultures, and ancient Egypt. Examples of Egyptian deities, funerary practices like mummification, and important artifacts like the Palette of King Narmer are mentioned. Potential essay questions prompt analysis of the iconography of the Palette of Narmer and the importance of mummification in Egyptian beliefs about the afterlife. Examples of relevant images from the course textbook are also listed.
More from bellablackadder (20)
Week 6 2010
- 1. Ancient Art History Survey: History of Western Art I, Week 6 Kouros/kore, Archaic Period, archaic smile, Persian Wars, Delian League, ethos, pathos, pediments/Temple of Zeus at Olympia, Lapiths and Centaurs, Apollo, rythmos, Discobolus (Discus Thrower) by Myron, symmetria, Doryphoros by Polykleitos, lost wax casting, Doric and Ionic orders, entasis, volutes, triglyphs and metopes, frieze, Corinthian order, acanthus, acropolis (Athens), Pericles (Perikles), Propylaeia, Mnisikles, Athena Promachos, Salamis, Athena Nike, Parthenon, Iktinos and Kallikrates, Vitruvius, Panathenaic Procession, Phidias, Erectheion, Porch of the Maidens (caryatids), Lysippos, Praxiteles, Skopas, Alexander the Great Possible essay question: --Define “symmetria.” How is it demonstrated in the Doryphoros by Polykleitos? In what sense could Greek idealism be considered generic? --Discuss optical refinements in the plan of the Parthenon--how does the building's design take the viewer's experience into account? What was the subject of the Parthenon frieze, and why was it considered important? Images: Kouros, c.600 BC Doryphoros, c.450 BC Ionic and Doric orders diagrams Parthenon, c.440 BC Propylaea, c.440 BC