Week 9 110 11
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This document provides an overview of key topics and terms from Ancient Greek art history in Week 9, including architectural elements of the Doric and Ionic orders, refinements in the design of the Parthenon, and figures such as Pericles and Phidias. It also differentiates between the Hellenic and Hellenistic periods, lists the Seven Wonders of the World, and provides potential essay questions and images to examine like the Parthenon and Pergamon Altar.
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1Ancient Egyptian Art12Ancient Egypt2.docx
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Ancient Egyptian Art
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Ancient Egypt
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People, boats, and animals, detail of a watercolor copy of a wall painting from tomb 100 at Hierakonpolis, Egypt, Predynastic, ca. 3500–3200 BCE. Paint on plaster, entire painting 16’ 4” X 3’ 7 3/8”. Egyptian Museum, Cairo.
Predynastic, Early Dynasties, and the Old Kingdom
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Stylistic Conventions of Egyptian Art
Palette of Narmer: a blueprint for a formula for figure representation and other conventions seen in Egyptian art for nearly 3000 years.
Palette of King Narmer (left, back; right, front), from Hierakonpolis, Egypt, Predynastic, ca. 3000–2920 BCE. Slate, 2’ 1” high. Egyptian Museum, Cairo.
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Early Funerary Architectural Forms
Section (top), plan (center),and restored view (bottom) of typical Egyptian mastaba tombs.
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IMHOTEP, Stepped Pyramid and mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Restored view (top) and plan (bottom) of the mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Columnar entrance corridor to the mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Detail of the facade of the north palace of the mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Aerial view of the Fourth Dynasty pyramids (looking north), Gizeh, Egypt. From bottom: Pyramids of Menkaure, ca. 2490–2472 BCE; Khafre, ca. 2520–2494 BCE; and Khufu, ca. 2551–2528 BCE.
The Pyramids
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Section of the Pyramid of Khufu, Gizeh, Egypt, Fourth Dynasty, ca. 2551–2528 BCE.
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Model of the pyramid complex, Gizeh, Egypt. Harvard University Semitic Museum, Cambridge. 1) Pyramid of Menkaure, 2) Pyramid of Khafre, 3) mortuary temple of Khafre, 4) causeway, 5) Great Sphinx, 6) valley temple of Khafre, 7) Pyramid of Khufu, 8) pyramids of the royal family and mastabas of nobles.
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Khafre enthroned, from Gizeh, Egypt, Fourth Dynasty, ca. 2520–2494 BCE. Diorite, 5’ 6” high. Egyptian Museum, Cairo.
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Sculptors at work, detail of the south wall of the main hall of the funerary chapel of Rekhmire, Thebes, Egypt, 18th Dynasty, ca. 1425 BCE.
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Great Sphinx (with Pyramid of Khafre in the background at left), Gizeh, Egypt, Fourth Dynasty, ca. 2520–2494 BCE. Sandstone, 65’ X 240’.
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Menkaure and Khamerernebty(?), from Gizeh, Egypt, Fourth Dynasty, ca. 2490–2472 BCE. Graywacke, 4’ 6 1/2” high. Museum of Fine Arts, Boston.
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Seated scribe, from Saqqara, Egypt, Fourth Dynasty, ca. 2500 BCE. Painted limestone, 1’ 9” high. Musée du Louvre, Paris.
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Ti watching a hippopotamus hunt, relief in the mastaba of Ti, Saqqara, Egypt, Fifth Dynasty, ca. 2450–2350 BCE. Painted limestone, 4’ high.
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Goats treading seed and cattle fording a canal, reliefs in the mastaba of Ti, Saqqara, Egypt, Fifth Dynasty, ca. 2450 – 2350 BCE. Painted limestone.
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Middle Kingdom
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Para compreender melhor a idade do Bronze, com base científica, para trabalhos académicos
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‘8 Sentence Body Paragraph’ Essay Template (22-sentence)Introducti.docx
‘8 Sentence Body Paragraph’ Essay Template (22-sentence)
Introduction ¶(Includes thesis)
Body ¶ #1
Topic Sentence
Concrete Detail #1 (fact) (For example)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concrete Detail #2 (fact )(In addition,)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concluding Sentence (As a result,)
Body ¶ #2
Topic Sentence
Concrete Detail #1 (fact) (For example)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concrete Detail #2 (fact) (In addition,)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concluding Sentence (As a result,)
Conclusion ¶(Includes summary)
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Ancient Greek Art
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The Greek World
Map 5-1 The Greek world.
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Geometric krater, from the Dipylon cemetery, Athens, Greece, ca. 740 BCE. 3’ 4 1/2” high. Metropolitan Museum of Art, New York.
Geometric Period
(9th – 8th centuries BCE)
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DIPYLON PAINTER, Geometric amphora with mourning scene, from the Dipylon cemetery, Athens, Greece, ca. 750 BCE. 5’ 1” high. National Archaeological Museum, Athens.
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Hero and centaur (Herakles and Nessos?), from Olympia,Greece, ca. 750–730 BCE. Bronze, 4 1/2” high. Metropolitan Museum of Art, New York (gift of J. Pierpont).
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Mantiklos Apollo, statuette of a youth dedicated by Mantiklos to Apollo, from Thebes, Greece, ca. 700–680 BCE. Bronze, 8” high. Museum of Fine Arts, Boston.
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Eleusis Amphora – front, 675-650 BCE
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Corinthian black-figure amphora with animal friezes, from Rhodes, Greece, ca. 625–600 BCE. 1’ 2” high. British Museum, London.
Observe the creatures on this black-figure amphora. Are there any precedents for such composite creatures?
Orientalizing Period (7th century BCE)
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Lady of Auxerre, from Crete, probably Eleutherna, Greece, ca. 650–625 BCE. Limestone, 2’ 1 1/2” high. Musée du Louvre, Paris.
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kouros (male youth)/kouroi (pl.)
kore (maiden)/korai (pl.).
Archaic Period (6th century BCE)
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Kouros, from Attica, possibly Anavysos, Greece, ca. 600 BCE. Marble, 6’ 1/2” high. Metropolitan Museum of Art, New York.
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Kroisos, from Anavysos, Greece, ca. 530 BCE. Marble, 6’ 4” high. National Archaeological Museum, Athens.
Why did Greek artists render the male form in the nude?
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Calf Bearer, dedicated by Rhonbos on the Acropolis, Athens, Greece, ca. 560 BCE. Marble, restored height 5’ 5”; fragment 3’ 11 1/2” high. Acropolis Museum, Athens.
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Peplos Kore, from the Acropolis, Athens, Greece, ca. 530 BCE. Marble, 4’ high. Acropolis Museum, Athens.
Notice traces of encaustic paint on the Peplos Kore. Most Greek stone statues were painted.
Notice also that the Peplos Kore is clothed.
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Kore in Ionian dress, from the Acropolis, Athens, Greece, ca. 520–510 BCE. Marble, 1’ 9” high. Acr.
From Palaikastro Marine-style octopus flask, ca. 1500 B.docx
From Palaikastro:
Marine-style
octopus flask,
ca. 1500 BCE
Harvesters Vase, from Hagia Triada,
ca. 1500 BCE. Steatite, with gold leaf;
bottom is reconstructed.
View from sea of Thera (Santorini), a volcanic island north of Crete
View toward caldera of volcano and emerging island of hardened lava
Street with houses, Akrotiri (pre-1628 BCE)
Collapsed staircase
Inside of house, Akrotiri
Brazier, above, and storage jar, right.
From Akrotiri, covered by eruption of
volcano, 1628 BCE
Plaster cast of bed frame (and some cordage), from house at Akrotiri
From Akrotiri (Thera),
young fisherman,
before 1628 BCE
From Akrotiri (Thera),
young woman,
gathering crocus flowers
(before 1628 BCE)
From Akrotiri (Thera): Spring fresco, before 1628 BCE
From Akrotiri (Thera): Ship flotilla fresco, showing overseas
expedition (before 1628 BCE)
View of citadel of Mycenae
Plan, citadel of Mycenae: 1) entrance (Lion Gate) 2) Grave Circle A 3) Megaron
4) Redoubt with sally port and hidden spring Ca. 1300 BCE
H. Schliemann and
friends at Lion Gate,
Mycenae
Lion Gate, Mycenae, and projecting bastion at right
Entrance to Megaron of palace at Mycenae
View to south over existing remains of Megaron (hearth is under tarp) to plain of Argos
Reconstruction of Megaron of Pylos (Palace of Nestor)
View of Grave Circle A at Mycenae, enclosed Shaft Graves, ca. 1600 BCE
Reconstructed drawing of Grave Circle A, with retaining wall and stelai
From Shaft Graves: Mask of “Agamemnon,” ca. 1600 BCE
From Shaft Graves: funerary sheets of gold for a child’s body
Lion Rhyton,
from Shaft Graves,
Mycenae
Inlaid daggers,
from Shaft Graves,
Mycenae. Now in
National Museum,
Athens.
Bronze blade with lion hunt in a Minoan style, inlaid gold, silver, and
electrum, using niello technique (niello is the black background,
made of copper, lead, sulphur, borax).
Tholos tomb, called the “Treasury of Atreus,” ca. 1300 BCE
Detail, showing relieving triangle
Reconstructed façade
of Treasury of Atreus
Section, tholos tomb
Half-column, partly
restored, from
Treasury of Atreus,
now in Athens
Note enormous lintel block inside the “Treasury of Atreus”
Inner corbelled dome of “Treasury of Atreus”
Warrior Vase (krater, for mixing wine), from Mycenae, ca. 1200 BCE
Suit of Mycenaean armor, with
boars’-tusk helmet, from tholos at Dendra,
now in Nafplion Museum. Ca. 1300 BCE
Imports founds at Mycenae:
jewelry and vessels from Egypt;
below, Canaanite transport
amphorae (from area of Syria)
Phaistos Disk, Linear A
Linear B tablets,
National Museum,
Athens
The Ancient Near East
Copper portrait of an Akkadian
ruler,
perhaps Naram-Sin
(ruled 2254-2218 BCE)
Found in Nineveh, mutilated in
antiquity, probably 612 BCE
Jacques de Morgan seated by
Stele of Naram-Sin, found at
Susa (Iran), ph ...
Week 8
Ancient Art Survey: Survey of Western Art I, Week 8 provides information on various topics that will be covered on the upcoming final exam in two weeks. Key terms are listed including Tiberius, Nero, Domus Aurea, Pompeii, Vespasian, Colosseum, Trajan, Pantheon, Constantine, and early Christian art and architecture. Possible essay questions focus on Vespasian's choice to depict himself in a realistic style and his motivations for constructing the Flavian Amphitheater, also known as the Colosseum. Additionally, how early Christian art borrowed forms from other traditions but gave them new Christian meanings.
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The document provides an overview of classical Greek art from 480-323 BCE, known as the Early Classical, High Classical, and Late Classical periods. It discusses important sculptures, architectural works, and artistic styles that developed during this time, including the Kritios Boy, works by Polykleitos and Lysippos, and major buildings on the Acropolis like the Parthenon and Erechtheion.
Early greek thru early classical
The document provides an overview of ancient Greek history from the collapse of the Mycenaean civilization in the 11th century BCE through the Peloponnesian Wars in the 5th century BCE. It describes the transition from the Mycenaean and Minoan periods to the Greek Dark Ages. Key periods discussed include the Geometric, Orientalizing, and Archaic periods. Major city-states like Athens and Sparta are mentioned. Important sites, artworks, and structures on the Acropolis like the Parthenon are summarized. The document also outlines philosophical thinkers and developments in science during this time period in Greece. It concludes with details about the Peloponnesian Wars between Athens and Sparta.
1Ancient Egyptian Art12Ancient Egypt2.docx
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Ancient Egyptian Art
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Ancient Egypt
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People, boats, and animals, detail of a watercolor copy of a wall painting from tomb 100 at Hierakonpolis, Egypt, Predynastic, ca. 3500–3200 BCE. Paint on plaster, entire painting 16’ 4” X 3’ 7 3/8”. Egyptian Museum, Cairo.
Predynastic, Early Dynasties, and the Old Kingdom
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Stylistic Conventions of Egyptian Art
Palette of Narmer: a blueprint for a formula for figure representation and other conventions seen in Egyptian art for nearly 3000 years.
Palette of King Narmer (left, back; right, front), from Hierakonpolis, Egypt, Predynastic, ca. 3000–2920 BCE. Slate, 2’ 1” high. Egyptian Museum, Cairo.
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Early Funerary Architectural Forms
Section (top), plan (center),and restored view (bottom) of typical Egyptian mastaba tombs.
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IMHOTEP, Stepped Pyramid and mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Restored view (top) and plan (bottom) of the mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Columnar entrance corridor to the mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Detail of the facade of the north palace of the mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Aerial view of the Fourth Dynasty pyramids (looking north), Gizeh, Egypt. From bottom: Pyramids of Menkaure, ca. 2490–2472 BCE; Khafre, ca. 2520–2494 BCE; and Khufu, ca. 2551–2528 BCE.
The Pyramids
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Section of the Pyramid of Khufu, Gizeh, Egypt, Fourth Dynasty, ca. 2551–2528 BCE.
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Model of the pyramid complex, Gizeh, Egypt. Harvard University Semitic Museum, Cambridge. 1) Pyramid of Menkaure, 2) Pyramid of Khafre, 3) mortuary temple of Khafre, 4) causeway, 5) Great Sphinx, 6) valley temple of Khafre, 7) Pyramid of Khufu, 8) pyramids of the royal family and mastabas of nobles.
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Khafre enthroned, from Gizeh, Egypt, Fourth Dynasty, ca. 2520–2494 BCE. Diorite, 5’ 6” high. Egyptian Museum, Cairo.
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Sculptors at work, detail of the south wall of the main hall of the funerary chapel of Rekhmire, Thebes, Egypt, 18th Dynasty, ca. 1425 BCE.
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Great Sphinx (with Pyramid of Khafre in the background at left), Gizeh, Egypt, Fourth Dynasty, ca. 2520–2494 BCE. Sandstone, 65’ X 240’.
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Menkaure and Khamerernebty(?), from Gizeh, Egypt, Fourth Dynasty, ca. 2490–2472 BCE. Graywacke, 4’ 6 1/2” high. Museum of Fine Arts, Boston.
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Seated scribe, from Saqqara, Egypt, Fourth Dynasty, ca. 2500 BCE. Painted limestone, 1’ 9” high. Musée du Louvre, Paris.
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Ti watching a hippopotamus hunt, relief in the mastaba of Ti, Saqqara, Egypt, Fifth Dynasty, ca. 2450–2350 BCE. Painted limestone, 4’ high.
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Goats treading seed and cattle fording a canal, reliefs in the mastaba of Ti, Saqqara, Egypt, Fifth Dynasty, ca. 2450 – 2350 BCE. Painted limestone.
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Middle Kingdom
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Vana-Kreeka skulptuur
The document provides an overview of ancient Greek sculpture from the Archaic period through the Hellenistic period, including many examples of key works and styles. It features summaries of sculptures from temples, tombs, and sanctuaries across Greece from approximately 600 BC to 100 BC, spanning materials from marble to bronze. Key periods and artists mentioned include the Kouroi, Kore, Classical period works by Phidias, Praxiteles, and Lysippos, and Hellenistic developments.
The Aegean (Bronze Age) (Presentation) Author De Anza College
The Aegean (Bronze Age) (Presentation) Author De Anza College
Para compreender melhor a idade do Bronze, com base científica, para trabalhos académicos
Pwad i midterm test review jpgs & captions, fall 2010(2)
This document provides an overview of the course Perspectives in World Art & Design. It outlines the material to be covered for the midterm exam, including prehistoric, ancient Near Eastern, ancient Egyptian, Aegean, ancient Greek, and ancient Roman works of art. Students are asked to choose one essay topic and identify 10 individual art objects through slide IDs. They will also complete two slide comparisons and define 10 art history terms with examples. The professor wishes students good luck and offers extra credit opportunities.
Greece, Parte I, bits of tradition, beauty and music
This document provides an overview of Greece, including its history, geography, and culture. It begins with background on ancient Greece and how it influenced Western civilization. It then discusses Greece's current administrative divisions. The majority of the document contains images and captions that showcase various historical sites, landmarks, and aspects of modern life across different regions of Greece, with a focus on Athens. Key places highlighted include the Acropolis, Parthenon, temples, museums, and other iconic locations.
Review Presentation 7
The document discusses Roman art and architecture from the Republican to Imperial eras. It mentions sculptures such as the Augustus of Prima Porta and structures like the Ara Pacis. Specific topics covered include the seven wonders of the world, Etruscan sculpture, the Battle of Actium, and the transition from Republican to Imperial Rome under Augustus. Propaganda and idealism in Roman art during these periods is also addressed.
‘8 Sentence Body Paragraph’ Essay Template (22-sentence)Introducti.docx
‘8 Sentence Body Paragraph’ Essay Template (22-sentence)
Introduction ¶(Includes thesis)
Body ¶ #1
Topic Sentence
Concrete Detail #1 (fact) (For example)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concrete Detail #2 (fact )(In addition,)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concluding Sentence (As a result,)
Body ¶ #2
Topic Sentence
Concrete Detail #1 (fact) (For example)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concrete Detail #2 (fact) (In addition,)
Commentary (explain or comment) (This shows that)
Commentary (explain or comment) (This is because)
Concluding Sentence (As a result,)
Conclusion ¶(Includes summary)
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Ancient Greek Art
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The Greek World
Map 5-1 The Greek world.
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Geometric krater, from the Dipylon cemetery, Athens, Greece, ca. 740 BCE. 3’ 4 1/2” high. Metropolitan Museum of Art, New York.
Geometric Period
(9th – 8th centuries BCE)
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DIPYLON PAINTER, Geometric amphora with mourning scene, from the Dipylon cemetery, Athens, Greece, ca. 750 BCE. 5’ 1” high. National Archaeological Museum, Athens.
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Hero and centaur (Herakles and Nessos?), from Olympia,Greece, ca. 750–730 BCE. Bronze, 4 1/2” high. Metropolitan Museum of Art, New York (gift of J. Pierpont).
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Mantiklos Apollo, statuette of a youth dedicated by Mantiklos to Apollo, from Thebes, Greece, ca. 700–680 BCE. Bronze, 8” high. Museum of Fine Arts, Boston.
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Eleusis Amphora – front, 675-650 BCE
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Corinthian black-figure amphora with animal friezes, from Rhodes, Greece, ca. 625–600 BCE. 1’ 2” high. British Museum, London.
Observe the creatures on this black-figure amphora. Are there any precedents for such composite creatures?
Orientalizing Period (7th century BCE)
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Lady of Auxerre, from Crete, probably Eleutherna, Greece, ca. 650–625 BCE. Limestone, 2’ 1 1/2” high. Musée du Louvre, Paris.
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kouros (male youth)/kouroi (pl.)
kore (maiden)/korai (pl.).
Archaic Period (6th century BCE)
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Kouros, from Attica, possibly Anavysos, Greece, ca. 600 BCE. Marble, 6’ 1/2” high. Metropolitan Museum of Art, New York.
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Kroisos, from Anavysos, Greece, ca. 530 BCE. Marble, 6’ 4” high. National Archaeological Museum, Athens.
Why did Greek artists render the male form in the nude?
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Calf Bearer, dedicated by Rhonbos on the Acropolis, Athens, Greece, ca. 560 BCE. Marble, restored height 5’ 5”; fragment 3’ 11 1/2” high. Acropolis Museum, Athens.
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Peplos Kore, from the Acropolis, Athens, Greece, ca. 530 BCE. Marble, 4’ high. Acropolis Museum, Athens.
Notice traces of encaustic paint on the Peplos Kore. Most Greek stone statues were painted.
Notice also that the Peplos Kore is clothed.
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Kore in Ionian dress, from the Acropolis, Athens, Greece, ca. 520–510 BCE. Marble, 1’ 9” high. Acr.
From Palaikastro Marine-style octopus flask, ca. 1500 B.docx
From Palaikastro:
Marine-style
octopus flask,
ca. 1500 BCE
Harvesters Vase, from Hagia Triada,
ca. 1500 BCE. Steatite, with gold leaf;
bottom is reconstructed.
View from sea of Thera (Santorini), a volcanic island north of Crete
View toward caldera of volcano and emerging island of hardened lava
Street with houses, Akrotiri (pre-1628 BCE)
Collapsed staircase
Inside of house, Akrotiri
Brazier, above, and storage jar, right.
From Akrotiri, covered by eruption of
volcano, 1628 BCE
Plaster cast of bed frame (and some cordage), from house at Akrotiri
From Akrotiri (Thera),
young fisherman,
before 1628 BCE
From Akrotiri (Thera),
young woman,
gathering crocus flowers
(before 1628 BCE)
From Akrotiri (Thera): Spring fresco, before 1628 BCE
From Akrotiri (Thera): Ship flotilla fresco, showing overseas
expedition (before 1628 BCE)
View of citadel of Mycenae
Plan, citadel of Mycenae: 1) entrance (Lion Gate) 2) Grave Circle A 3) Megaron
4) Redoubt with sally port and hidden spring Ca. 1300 BCE
H. Schliemann and
friends at Lion Gate,
Mycenae
Lion Gate, Mycenae, and projecting bastion at right
Entrance to Megaron of palace at Mycenae
View to south over existing remains of Megaron (hearth is under tarp) to plain of Argos
Reconstruction of Megaron of Pylos (Palace of Nestor)
View of Grave Circle A at Mycenae, enclosed Shaft Graves, ca. 1600 BCE
Reconstructed drawing of Grave Circle A, with retaining wall and stelai
From Shaft Graves: Mask of “Agamemnon,” ca. 1600 BCE
From Shaft Graves: funerary sheets of gold for a child’s body
Lion Rhyton,
from Shaft Graves,
Mycenae
Inlaid daggers,
from Shaft Graves,
Mycenae. Now in
National Museum,
Athens.
Bronze blade with lion hunt in a Minoan style, inlaid gold, silver, and
electrum, using niello technique (niello is the black background,
made of copper, lead, sulphur, borax).
Tholos tomb, called the “Treasury of Atreus,” ca. 1300 BCE
Detail, showing relieving triangle
Reconstructed façade
of Treasury of Atreus
Section, tholos tomb
Half-column, partly
restored, from
Treasury of Atreus,
now in Athens
Note enormous lintel block inside the “Treasury of Atreus”
Inner corbelled dome of “Treasury of Atreus”
Warrior Vase (krater, for mixing wine), from Mycenae, ca. 1200 BCE
Suit of Mycenaean armor, with
boars’-tusk helmet, from tholos at Dendra,
now in Nafplion Museum. Ca. 1300 BCE
Imports founds at Mycenae:
jewelry and vessels from Egypt;
below, Canaanite transport
amphorae (from area of Syria)
Phaistos Disk, Linear A
Linear B tablets,
National Museum,
Athens
The Ancient Near East
Copper portrait of an Akkadian
ruler,
perhaps Naram-Sin
(ruled 2254-2218 BCE)
Found in Nineveh, mutilated in
antiquity, probably 612 BCE
Jacques de Morgan seated by
Stele of Naram-Sin, found at
Susa (Iran), ph ...
Week 8
Ancient Art Survey: Survey of Western Art I, Week 8 provides information on various topics that will be covered on the upcoming final exam in two weeks. Key terms are listed including Tiberius, Nero, Domus Aurea, Pompeii, Vespasian, Colosseum, Trajan, Pantheon, Constantine, and early Christian art and architecture. Possible essay questions focus on Vespasian's choice to depict himself in a realistic style and his motivations for constructing the Flavian Amphitheater, also known as the Colosseum. Additionally, how early Christian art borrowed forms from other traditions but gave them new Christian meanings.
Week 11 and 12
Weeks 11 and 12 of the Ancient Art History Survey covered Roman and early Christian art from the 2nd to 8th centuries AD. Key topics included the damnatio memoriae practice of disgracing emperors after death, emperor Trajan's forum and Column, Hadrian's architectural works including the Pantheon and Villa at Tivoli, and Constantine's adoption of Christianity marked by the Vision and Battle of the Milvian Bridge. Early Christian art incorporated Roman forms like the basilica and adapted motifs from catacomb paintings. Icons emerged as a subject of controversy, with iconoclasts against their production based on the Second Commandment during the 8th century debates.
Week 7 110 copy
This document provides an overview of ancient art history from the 7th week, covering the Aegean, Minoan, and Mycenaean civilizations. It discusses the architecture of Mycenaean sites like Knossos, Tiryns, and Pylos. It also mentions important figures like Heinrich Schliemann and his discoveries at sites like Troy and Mycenae. Finally, it outlines the development of Greek vase painting styles from the Geometric period through the Archaic period, including black figure and red figure techniques as well as Dipylon vases from Athens.
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The Aegean (Bronze Age) (Presentation) Author De Anza College
The Aegean (Bronze Age) (Presentation) Author De Anza College
Pwad i midterm test review jpgs & captions, fall 2010(2)
Pwad i midterm test review jpgs & captions, fall 2010(2)
Greece, Parte I, bits of tradition, beauty and music
Greece, Parte I, bits of tradition, beauty and music
‘8 Sentence Body Paragraph’ Essay Template (22-sentence)Introducti.docx
‘8 Sentence Body Paragraph’ Essay Template (22-sentence)Introducti.docx
From Palaikastro Marine-style octopus flask, ca. 1500 B.docx
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Syllabus fidm 2012 art history 1
This document provides the syllabus and schedule for an Art History I course on ancient art at FIDM. The course will cover art from prehistoric times through the Gothic period. Students will take two exams worth 1/3 of their grade each and write a short paper also worth 1/3. The paper will involve analyzing an ancient artwork at a local museum. Alternate paper assignments are available if visiting a museum would be difficult. The class will meet weekly and study guides with key terms and images will be provided. Readings from the textbook are recommended as additional background material.
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Week 12 of the Ancient Art History Survey focused on art from the late Roman Empire in the 2nd-4th centuries AD. Key topics included the damnatio memoriae practice of disgracing emperors after death, architecture projects under emperors Trajan and Hadrian like the Column of Trajan and Hadrian's Villa, and the rise of Early Christian art and architecture under Constantine following the Edict of Milan. Important sites mentioned were the Pantheon, Arch of Constantine, catacombs, and Mausoleum of Galla Placidia.
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The document provides an overview of key topics and figures from Ancient Roman art history for the upcoming take-home exam. It lists important terms like Romulus and Remus, Aeneas, Julius Caesar, and Augustus. Students are not required to meet in class and instead have a take-home exam and assignment on Dia de los Muertos. The exam will cover topics like Augustus' propaganda through the Prima Porta and Ara Pacis sculptures, and Vespasian's decision to depict himself veristically when constructing the Flavian Amphitheater, also known as the Colosseum.
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Ancient Art History Survey (CSUDH Art 110)—Study Sheet, Week 1 provides key terms and potential essay questions to help students study for the first lecture exam. The terms include Homo Sapiens, Neanderthal, Paleolithic, cave painting techniques. Possible essay topics ask how prehistoric image making developed human culture and discuss theories for what cave art represented, such as hunting magic or fertility rituals. Images from the textbook on the Venus of Willendorf sculpture and Lascaux cave paintings may also appear on the exam.
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6:个人职称评审加20分
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8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
How to Stop a Divorce and Save Your Marriage: Divorce Spells That Really Work...
How to Stop a Divorce and Save Your Marriage: Divorce Spells That Really Work...Traditional Healer, Love Spells Caster and Money Spells That Work Fast
The forces involved in this witchcraft spell will re-establish the loving bond between you and help to build a strong, loving relationship from which to start anew. Despite any previous hardships or problems, the spell work will re-establish the strong bonds of friendship and love upon which the marriage and relationship originated. Have faith, these stop divorce and stop separation spells are extremely powerful and will reconnect you and your partner in a strong and harmonious relationship.
My ritual will not only stop separation and divorce, but rebuild a strong bond between you and your partner that is based on truth, honesty, and unconditional love. For an even stronger effect, you may want to consider using the Eternal Love Bond spell to ensure your relationship and love will last through all tests of time. If you have not yet determined if your partner is considering separation or divorce, but are aware of rifts in the relationship, try the Love Spells to remove problems in a relationship or marriage. Keep in mind that all my love spells are 100% customized and that you'll only need 1 spell to address all problems/wishes.
Save your marriage from divorce & make your relationship stronger using anti divorce spells to make him or her fall back in love with you. End your marriage if you are no longer in love with your husband or wife. Permanently end your marriage using divorce spells that work fast. Protect your marriage from divorce using love spells to boost commitment, love & bind your hearts together for a stronger marriage that will last. Get your ex lover who has remarried using divorce spells to break up a couple & make your ex lost lover come back to you permanently.
Visit https://www.profbalaj.com/love-spells-loves-spells-that-work/
Call/WhatsApp +27836633417 for more info.Sanatan Vastu | Experience Great Living | Vastu Expert
Santan Vastu Provides Vedic astrology courses & Vastu remedies, If you are searching Vastu for home, Vastu for kitchen, Vastu for house, Vastu for Office & Factory. Best Vastu in Bahadurgarh. Best Vastu in Delhi NCR
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English - The Book of Ruth - King James Bible.pdf
The Book of Ruth is included in the third division, or the Writings, of the Hebrew Bible. In most Christian canons it is treated as one of the historical books and placed between Judges and 1 Samuel.
A375 Example Taste the taste of the Lord, the taste of the Lord The taste of...
It seems that current missionary work requires spending a lot of money, preparing a lot of materials, and traveling to far away places, so that it feels like missionary work. But what was the result they brought back? It's just a lot of photos of activities, fun eating, drinking and some playing games. And then we have to do the same thing next year, never ending. The church once mentioned that a certain missionary would go to the field where she used to work before the end of his life. It seemed that if she had not gone, no one would be willing to go. The reason why these missionary work is so difficult is that no one obeys God’s words, and the Bible is not the main content during missionary work, because in the eyes of those who do not obey God’s words, the Bible is just words and cannot be connected with life, so Reading out God's words is boring because it doesn't have any life experience, so it cannot be connected with human life. I will give a few examples in the hope that this situation can be changed. A375
The_Chronological_Life_of_Christ_Part_104_Repentance_and_Restoration
The heart of the Father is to restore those who come with repentance.
312 A Wise Woman of Abel Beth Maakah Saves The Town
Sermon adapted from, Discovering Christ Day by Day, David Fortner
A Free eBook ~ Valuable LIFE Lessons to Learn ( 5 Sets of Presentations)...
A free eBook comprising 5 sets of PowerPoint presentations of meaningful stories /Inspirational pieces that teach important Dhamma/Life lessons. For reflection and practice to develop the mind to grow in love, compassion and wisdom. The texts are in English and Chinese.
My other free eBooks can be obtained from the following Links:
https://www.slideshare.net/ohteikbin/presentations
https://www.slideshare.net/ohteikbin/documents
Why is this So? ~ Do Seek to KNOW (English & Chinese).pptx
A PowerPoint Presentation based on the Dhamma teaching of Kamma-Vipaka (Intentional Actions-Ripening Effects).
A Presentation for developing morality, concentration and wisdom and to spur us to practice the Dhamma diligently.
The texts are in English and Chinese.
The Enchantment and Shadows_ Unveiling the Mysteries of Magic and Black Magic...
This manual will guide you through basic skills and tasks to help you get started with various aspects of Magic. Each section is designed to be easy to follow, with step-by-step instructions.
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Vertical Church Kyiv Report 2022-2023: Church at war
Vertical Church Kyiv Report 2022-2023: Church at war
2. The Book of Psalms: Recognition of the kingship and sovereignty of God
2. The Book of Psalms: Recognition of the kingship and sovereignty of God
How to Stop a Divorce and Save Your Marriage: Divorce Spells That Really Work...
How to Stop a Divorce and Save Your Marriage: Divorce Spells That Really Work...
Sanatan Vastu | Experience Great Living | Vastu Expert
Sanatan Vastu | Experience Great Living | Vastu Expert
Kala jadu (black magic) expert,Black magic specialist in Dubai vashikaran spe...
Kala jadu (black magic) expert,Black magic specialist in Dubai vashikaran spe...
A375 Example Taste the taste of the Lord, the taste of the Lord The taste of...
A375 Example Taste the taste of the Lord, the taste of the Lord The taste of...
The_Chronological_Life_of_Christ_Part_104_Repentance_and_Restoration
The_Chronological_Life_of_Christ_Part_104_Repentance_and_Restoration
312 A Wise Woman of Abel Beth Maakah Saves The Town
312 A Wise Woman of Abel Beth Maakah Saves The Town
A Free eBook ~ Valuable LIFE Lessons to Learn ( 5 Sets of Presentations)...
A Free eBook ~ Valuable LIFE Lessons to Learn ( 5 Sets of Presentations)...
Why is this So? ~ Do Seek to KNOW (English & Chinese).pptx
Why is this So? ~ Do Seek to KNOW (English & Chinese).pptx
The Enchantment and Shadows_ Unveiling the Mysteries of Magic and Black Magic...
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Week 9 110 11
- 1. Ancient Art History Survey, Week 9 Doric and Ionic orders, entasis, volutes, triglyphs and metopes, frieze, Corinthian order, acanthus, acropolis (Athens), Pericles (Perikles), Propylaeia, Mnisikles, Athena Promachos, Salamis, Athena Nike, Parthenon, Iktinos and Kallikrates, Vitruvius, Panathenaic Procession, Phidias, Erectheion, Porch of the Maidens (caryatids), Lysippos, Praxiteles, Skopas, Alexander the Great, Hellenic, Hellenistic, Macedonia/Pella, mosaic, tesserae, Ephesus, Lysimachos, Pergamon, Attalids, Pergamon Altar/Gigantomachy, Asclepion, Seven Wonders of the World, Hanging Gardens of Babylon (Nebuchadnezzar II), Zeus/Olympia, Mausoleum, Temple of Artemis, Herostratus, Colossus of Rhodes, Lighthouse of Alexandria, Etruscans (Etruria/Tuscany) Possible essay question: --Discuss optical refinements in the plan of the Parthenon--how does the building's design take the viewer's experience into account? What was the subject of the Parthenon frieze, and why was it considered important? --Differentiate between Hellenic and Hellenisitic. Discuss the Seven Wonders of the World. Which were of Hellenisitic origin? What has happened to them? Images: Parthenon, c.440 BC, p. 113-116 Aphrodite of Knidos by Praxitiles, c.340 BC, p. 123 Apoxyomenos by Lysippos, c.330 BC, 125 Pergamon Altar, c.175 BC, p. 133