Unit 3
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This document discusses dimensions of objects in space, techniques used in paintings to create depth, and questions about color. It addresses the three dimensions of objects as height, width and depth. It explains techniques such as overlapping and positioning of figures to create a sense of depth in paintings. It also asks questions about why the rainbow shows seven colors, why tomatoes appear red, and which colors convey happiness.
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Unit 3 & 4
The document contains questions from units 3 and 4 about color, dimensions of objects, and techniques used in paintings to create depth and relationships between objects/planes. Specifically, it asks about why the rainbow shows seven colors, why tomatoes appear red, colors used to convey happiness, and portraits by Renoir that express different emotions. It also defines height, width, depth, and volume, and asks about how specific paintings use techniques like overlapping and contact between objects to create a sense of depth and relationships in space.
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This document contains questions about color and space/volume:
- The first section asks about the colors in the rainbow, why we see tomatoes as red, and colors associated with happiness.
- The second section asks about the three dimensions of objects, the definition of height and volume, and techniques painters use to depict depth like overlapping and relationships between planes. It includes questions about specific paintings.
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The document discusses color and how it is perceived. It asks questions about why rainbows show seven colors (white sunlight splits into the visible color spectrum when passing through raindrops), why tomatoes appear red (they absorb all colors except red which is reflected), and which colors convey happiness, joy, and sadness. It also asks the reader to find portraits by Renoir that use pale colors to depict sad characters and vivid colors for happy characters.
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GROUP 01: PRIMARY, SECONDARY AND TERTIARY COLOURS
Primary colors are red, blue and yellow which cannot be created by mixing other colors. Secondary colors are green, orange and purple which are created by mixing two primary colors. Tertiary colors are created by mixing a primary color with a secondary color, such as yellow-orange from mixing yellow and orange.
Connecting essay 2
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The document contains questions from units 3 and 4 about color, dimensions of objects, and techniques used in paintings to create depth and relationships between objects/planes. Specifically, it asks about why the rainbow shows seven colors, why tomatoes appear red, colors used to convey happiness, and portraits by Renoir that express different emotions. It also defines height, width, depth, and volume, and asks about how specific paintings use techniques like overlapping and contact between objects to create a sense of depth and relationships in space.
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This document contains questions about color and space/volume:
- The first section asks about the colors in the rainbow, why we see tomatoes as red, and colors associated with happiness.
- The second section asks about the three dimensions of objects, the definition of height and volume, and techniques painters use to depict depth like overlapping and relationships between planes. It includes questions about specific paintings.
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The document discusses color and how it is perceived. It asks questions about why rainbows show seven colors (white sunlight splits into the visible color spectrum when passing through raindrops), why tomatoes appear red (they absorb all colors except red which is reflected), and which colors convey happiness, joy, and sadness. It also asks the reader to find portraits by Renoir that use pale colors to depict sad characters and vivid colors for happy characters.
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The document discusses color theory and composition, including how color is perceived by the eye and brain, the RGB and CMYK color mixing models, Isaac Newton's color wheel, dimensions of color like hue and value, how colors can convey different moods, and how color appears and is used in design, branding, and other contexts. It provides information on additive and subtractive color mixing, primary and secondary colors, tints, neutrals, gradation, and how color is interpreted differently based on surrounding colors and shapes.
GROUP 01: PRIMARY, SECONDARY AND TERTIARY COLOURS
Primary colors are red, blue and yellow which cannot be created by mixing other colors. Secondary colors are green, orange and purple which are created by mixing two primary colors. Tertiary colors are created by mixing a primary color with a secondary color, such as yellow-orange from mixing yellow and orange.
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Jean McKenna's photo "Purple Dahlia" uses strong studio lighting to create intense contrast between the deep shadows in the background and highlights on the flower. The large size of the flower allows for a beautiful repetitive pattern of purple and pink hues. The author experimented with their own photo "Fine Art" by applying a deep purple filter and adjusting curves and contrast to intensify the difference between the flower's color and the darker background, giving it a high dynamic range effect. While the two photos appear different, they both use purple as the key color and dramatic lighting to produce striking contrasts within shades of that color.
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The document discusses two types of color - subtractive and additive. Subtractive colors are used in printing and their primary colors are cyan, magenta, and yellow which can be combined to create secondary colors like blue, red, and green. Additive colors are produced by light and seen on screens, with primary colors of blue, red, and green that can be combined to make secondary colors like yellow, cyan, and magenta.
Wd131 unit 4 module 3 fundamentals of color interaction
Color is a powerful design element that adds impact beyond black and white designs. Throughout history, color limitations influenced design choices. In the 1920s, designers used only red and black due to printing limitations, and orange was difficult to print until recently. The quantity of color used is as important as the color mix when conveying different messages that may vary across cultures.
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How we made our cd pane
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The document discusses color and space/volume in art. It asks questions about why rainbows have seven colors, why tomatoes appear red, and which colors convey happiness. It also asks about dimensions of objects, defining height and volume. Several artworks are mentioned, and questions explore how the artists use techniques like overlapping and relationships between planes to create depth and convey emotions in their paintings.
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The document contains questions about color theory and the use of techniques like overlapping to create depth in paintings. It asks about the reasons for the rainbow's colors and why tomatoes appear red. It also asks about colors associated with happiness and requests examples of Renoir portraits expressing different emotions through color. The second section defines dimensions and volume, asks about height, and inquires about how painters like Degas, Benson, and Sargent use techniques such as overlapping and placement of figures to convey depth in their works.
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The rainbow shows seven colors because sunlight passes through raindrops and splits into the colors of the rainbow: red, orange, yellow, green, blue, indigo and violet. We perceive tomatoes as red because tomatoes absorb all colors except red. Common colors used to transmit feelings of happiness and joy include pink, red, blue and green.
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The document discusses painting techniques involving layers. It describes underpainting with dark colors on the bottom and applying semi-transparent layers on top. It mentions specific artists like Monet, Richard Diebenkorn, and Georgia O'Keefe who used layering techniques. It also discusses impasto painting using thick layers of paint applied with knives and discusses techniques like smearing, lines, patterns, and scraping.
How we made our cd pane
For the CD design, the team found a template to guide the overall design. They erased background elements in Photoshop and added a black backing color to represent depression and conflict throughout the CD. The main text "Mad World" was chosen as a symbolic reference to the song's meaning of life being crazy and mad. An image of a protagonist covering his face was added to portray emotional conflict and grief. The black and white color scheme represents good and bad, with white symbolizing hope and black symbolizing darkness and depression.
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The document discusses ideas for logos and motion graphics for three production companies:
1. Aperture Productions features an "A" outlined by an aperture that opens and closes as the rest of the name slides in, in red to connote passion.
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3. Illuminite Films #1 shows fireworks bursting onto a black background in blue, green, red and orange to be eye-catching as the name bursts on.
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The document contains ideas for logos and name animations for three production companies: Spotlight Studios, Spotlight Studios #2, and Aperture Productions #1 and #2. For Spotlight Studios #1, the letters of the name appear with a spotlight finding and highlighting the "i". For Spotlight Studios #2, the name words wipe into the center from opposite directions. For Aperture Productions #1, aperture shutters rotate as the name zooms in, and for #2 the name fades in as the shutters spiral. The colors and motions are intended to represent qualities like individuality, passion, and uniqueness for the different production companies.
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This document contains questions about color, art techniques, and dimensions. It asks about the reasons for the rainbow's colors and why tomatoes appear red. It asks students to find portraits by Renoir expressing different emotions through color. It also defines dimensions and volume, asks about techniques like overlapping and depth in paintings, and asks students to analyze specific works for their use of space, planes, and creating a sense of depth.
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- Itten identified 7 methods for combining colors based on their contrasting properties: contrast of hue, light-dark, cool-warm, complements, simultaneous contrast, saturation, and extension. These color contrasts create visual interest and emphasis in art.
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DLAU und die Lizenzen nach dem CCB- und CCX-Modell sind für viele in der HCL-Community seit letztem Jahr ein heißes Thema. Als Notes- oder Domino-Kunde haben Sie vielleicht mit unerwartet hohen Benutzerzahlen und Lizenzgebühren zu kämpfen. Sie fragen sich vielleicht, wie diese neue Art der Lizenzierung funktioniert und welchen Nutzen sie Ihnen bringt. Vor allem wollen Sie sicherlich Ihr Budget einhalten und Kosten sparen, wo immer möglich. Das verstehen wir und wir möchten Ihnen dabei helfen!
Wir erklären Ihnen, wie Sie häufige Konfigurationsprobleme lösen können, die dazu führen können, dass mehr Benutzer gezählt werden als nötig, und wie Sie überflüssige oder ungenutzte Konten identifizieren und entfernen können, um Geld zu sparen. Es gibt auch einige Ansätze, die zu unnötigen Ausgaben führen können, z. B. wenn ein Personendokument anstelle eines Mail-Ins für geteilte Mailboxen verwendet wird. Wir zeigen Ihnen solche Fälle und deren Lösungen. Und natürlich erklären wir Ihnen das neue Lizenzmodell.
Nehmen Sie an diesem Webinar teil, bei dem HCL-Ambassador Marc Thomas und Gastredner Franz Walder Ihnen diese neue Welt näherbringen. Es vermittelt Ihnen die Tools und das Know-how, um den Überblick zu bewahren. Sie werden in der Lage sein, Ihre Kosten durch eine optimierte Domino-Konfiguration zu reduzieren und auch in Zukunft gering zu halten.
Diese Themen werden behandelt
- Reduzierung der Lizenzkosten durch Auffinden und Beheben von Fehlkonfigurationen und überflüssigen Konten
- Wie funktionieren CCB- und CCX-Lizenzen wirklich?
- Verstehen des DLAU-Tools und wie man es am besten nutzt
- Tipps für häufige Problembereiche, wie z. B. Team-Postfächer, Funktions-/Testbenutzer usw.
- Praxisbeispiele und Best Practices zum sofortigen Umsetzen
Removing Uninteresting Bytes in Software Fuzzing
Imagine a world where software fuzzing, the process of mutating bytes in test seeds to uncover hidden and erroneous program behaviors, becomes faster and more effective. A lot depends on the initial seeds, which can significantly dictate the trajectory of a fuzzing campaign, particularly in terms of how long it takes to uncover interesting behaviour in your code. We introduce DIAR, a technique designed to speedup fuzzing campaigns by pinpointing and eliminating those uninteresting bytes in the seeds. Picture this: instead of wasting valuable resources on meaningless mutations in large, bloated seeds, DIAR removes the unnecessary bytes, streamlining the entire process.
In this work, we equipped AFL, a popular fuzzer, with DIAR and examined two critical Linux libraries -- Libxml's xmllint, a tool for parsing xml documents, and Binutil's readelf, an essential debugging and security analysis command-line tool used to display detailed information about ELF (Executable and Linkable Format). Our preliminary results show that AFL+DIAR does not only discover new paths more quickly but also achieves higher coverage overall. This work thus showcases how starting with lean and optimized seeds can lead to faster, more comprehensive fuzzing campaigns -- and DIAR helps you find such seeds.
- These are slides of the talk given at IEEE International Conference on Software Testing Verification and Validation Workshop, ICSTW 2022.
“Building and Scaling AI Applications with the Nx AI Manager,” a Presentation...
“Building and Scaling AI Applications with the Nx AI Manager,” a Presentation...Edge AI and Vision Alliance
For the full video of this presentation, please visit: https://www.edge-ai-vision.com/2024/06/building-and-scaling-ai-applications-with-the-nx-ai-manager-a-presentation-from-network-optix/
Robin van Emden, Senior Director of Data Science at Network Optix, presents the “Building and Scaling AI Applications with the Nx AI Manager,” tutorial at the May 2024 Embedded Vision Summit.
In this presentation, van Emden covers the basics of scaling edge AI solutions using the Nx tool kit. He emphasizes the process of developing AI models and deploying them globally. He also showcases the conversion of AI models and the creation of effective edge AI pipelines, with a focus on pre-processing, model conversion, selecting the appropriate inference engine for the target hardware and post-processing.
van Emden shows how Nx can simplify the developer’s life and facilitate a rapid transition from concept to production-ready applications.He provides valuable insights into developing scalable and efficient edge AI solutions, with a strong focus on practical implementation.GraphRAG for Life Science to increase LLM accuracy
GraphRAG for life science domain, where you retriever information from biomedical knowledge graphs using LLMs to increase the accuracy and performance of generated answers
Video Streaming: Then, Now, and in the Future
In his public lecture, Christian Timmerer provides insights into the fascinating history of video streaming, starting from its humble beginnings before YouTube to the groundbreaking technologies that now dominate platforms like Netflix and ORF ON. Timmerer also presents provocative contributions of his own that have significantly influenced the industry. He concludes by looking at future challenges and invites the audience to join in a discussion.
Why You Should Replace Windows 11 with Nitrux Linux 3.5.0 for enhanced perfor...
The choice of an operating system plays a pivotal role in shaping our computing experience. For decades, Microsoft's Windows has dominated the market, offering a familiar and widely adopted platform for personal and professional use. However, as technological advancements continue to push the boundaries of innovation, alternative operating systems have emerged, challenging the status quo and offering users a fresh perspective on computing.
One such alternative that has garnered significant attention and acclaim is Nitrux Linux 3.5.0, a sleek, powerful, and user-friendly Linux distribution that promises to redefine the way we interact with our devices. With its focus on performance, security, and customization, Nitrux Linux presents a compelling case for those seeking to break free from the constraints of proprietary software and embrace the freedom and flexibility of open-source computing.
GraphSummit Singapore | The Future of Agility: Supercharging Digital Transfor...
Leonard Jayamohan, Partner & Generative AI Lead, Deloitte
This keynote will reveal how Deloitte leverages Neo4j’s graph power for groundbreaking digital twin solutions, achieving a staggering 100x performance boost. Discover the essential role knowledge graphs play in successful generative AI implementations. Plus, get an exclusive look at an innovative Neo4j + Generative AI solution Deloitte is developing in-house.
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Mind map of common terms used in context of Generative AI.
Infrastructure Challenges in Scaling RAG with Custom AI models
Building Retrieval-Augmented Generation (RAG) systems with open-source and custom AI models is a complex task. This talk explores the challenges in productionizing RAG systems, including retrieval performance, response synthesis, and evaluation. We’ll discuss how to leverage open-source models like text embeddings, language models, and custom fine-tuned models to enhance RAG performance. Additionally, we’ll cover how BentoML can help orchestrate and scale these AI components efficiently, ensuring seamless deployment and management of RAG systems in the cloud.
Pushing the limits of ePRTC: 100ns holdover for 100 days
At WSTS 2024, Alon Stern explored the topic of parametric holdover and explained how recent research findings can be implemented in real-world PNT networks to achieve 100 nanoseconds of accuracy for up to 100 days.
20240605 QFM017 Machine Intelligence Reading List May 2024
Everything I found interesting about machines behaving intelligently during May 2024
GraphSummit Singapore | Neo4j Product Vision & Roadmap - Q2 2024
Maruthi Prithivirajan, Head of ASEAN & IN Solution Architecture, Neo4j
Get an inside look at the latest Neo4j innovations that enable relationship-driven intelligence at scale. Learn more about the newest cloud integrations and product enhancements that make Neo4j an essential choice for developers building apps with interconnected data and generative AI.
20240609 QFM020 Irresponsible AI Reading List May 2024
Everything I found interesting about the irresponsible use of machine intelligence in May 2024
Full-RAG: A modern architecture for hyper-personalization
Mike Del Balso, CEO & Co-Founder at Tecton, presents "Full RAG," a novel approach to AI recommendation systems, aiming to push beyond the limitations of traditional models through a deep integration of contextual insights and real-time data, leveraging the Retrieval-Augmented Generation architecture. This talk will outline Full RAG's potential to significantly enhance personalization, address engineering challenges such as data management and model training, and introduce data enrichment with reranking as a key solution. Attendees will gain crucial insights into the importance of hyperpersonalization in AI, the capabilities of Full RAG for advanced personalization, and strategies for managing complex data integrations for deploying cutting-edge AI solutions.
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Unit 3
- 1. UNIT -4
- 2. Questions about Space and Volume: 2.1. Name the three dimensions of an object: high , width and depth
- 3. 2.2. What is height? Is the vertically , from a top to a bottom
- 5. 2.4. Look at "Horses in a Meadow", by Edgar Degas and explain how the painter creates a sense of depth in this painting. He painted a mountain and a lot of grass.
- 6. 2.5. What is the technique of "overlapping" and why is it used? To create the effect of one object slightly hidden behind another.
- 8. 2.7. Look at "The Daughters of Edward Darley Boit" by John Singer Sargent. How does the painter create the sense of depth? He puts the people behind and in front each other
- 9. UNIT 3- COLOUR Markel Morcillo 1-B
- 10. 1. Answer the following questions about colour: 1.1. Why does the rainbow show seven colours? The rainbow show sevent colours because it rains the white ligth of SUN goes though the raindrops and splits into seven colours
- 11. 1.2. What is the reason why we perceive the tomato as red?
- 12. 1.3. What colours are used to transmit a sense of happiness and joy
- 13. 1.4. Find a portrait by Renoir that expresses a sad character by using pale colours, and one that expresses a happy or vivid character.