Types of documentaries
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This document outlines several types of documentaries: docusoaps which follow groups over time in an observational style; reality TV which blends authentic footage with commercial elements; fly on the wall documentaries where subjects ignore the camera; mixed documentaries that use interviews and archived footage; self-reflective documentaries where the subject is aware of the camera; docudramas that reconstruct past events; and fully narrated documentaries where a voiceover guides the story. It also discusses current affairs programs that explore issues in more depth than news but require faster production than documentaries.
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Documentary films are nonfiction motion pictures intended to document aspects of reality primarily for instruction or maintaining historical records. Social media platforms have allowed documentaries to improve distribution and education reach. Documentaries can be used for journalism, advocacy, or personal expression. They aim to entertain, educate, persuade and inform, with values of being educative, illuminating issues, and engaging empathy. A good documentary raises questions, uses impartial filmmaking, and constructs a particular vision of reality through techniques to inform, convince and persuade.
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The document discusses the theory and history of documentaries. It explains that documentaries document real events and use techniques like voiceovers and interviews to create meaning and emotional responses for audiences. It introduces John Grierson, considered the father of British documentaries, who coined the term "documentary" and used the form to bring important social issues to viewers. John Corner is also discussed and he identifies key elements of documentaries like observation, interviews, dramatization, and exposition. Finally, different types of documentaries are outlined such as expository, poetic, and observational modes.
An Introduction to Documentary Films
Documentaries do not simply present reality, but construct a particular interpretation of real events and issues. They use techniques like narration, footage selection, and film style to influence viewers in certain ways. While documentaries aim to inform, educate, or persuade audiences, viewers also expect them to be grounded in factual events and present information objectively. There are many subgenres of documentaries, including observational, interactive, reflexive, and docu-dramas that depict reality in different styles and forms, with the overall goals of illuminating issues and engaging viewers emotionally or intellectually.
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Field reporters provide additional coverage of sporting events to complement the main reporter. They link to the studio by switching between live footage and the studio. Newsreaders are used to read syndicated news feeds and were originally used for online discussion groups before the internet. Reporters address viewers in a formal manner, often starting with "good evening." Interviews involve formal discussions between people to sell products, debate topics, or clarify issues. Experts and witnesses provide commentary during interviews and broadcasts. News reports follow an inverted pyramid structure, beginning with a headline and lead paragraph covering the key details of who, what, when, where, and why, followed by additional body details and less important information in the tail.
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A documentary aims to document, investigate, inform, educate and entertain in a truthful and factual manner without fiction. John Grierson is considered the father of British and Canadian documentary film, producing documentaries in the 1930s for cinema audiences before television. Key features of documentaries include observation through interviews or reenacting events, with narration to provide background information and context. There are different types of documentaries such as fully narrated, fly on the wall with no narration, mixed with some interviews and narration, self-reflexive where the narrator contributes most, docudramas which reconstruct real stories, and docusoaps which follow an individual's daily life.
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The document discusses the theory and history of documentaries. It explains that documentaries document real events and use techniques like voiceovers and interviews to create meaning and emotional responses for audiences. It introduces John Grierson, considered the father of British documentaries, who coined the term "documentary" and used the form to bring important social issues to viewers. John Corner is also discussed and he identifies key elements of documentaries like observation, interviews, dramatization, and exposition. Finally, different types of documentaries are outlined such as expository, poetic, and observational modes.
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Documentaries do not simply present reality, but construct a particular interpretation of real events and issues. They use techniques like narration, footage selection, and film style to influence viewers in certain ways. While documentaries aim to inform, educate, or persuade audiences, viewers also expect them to be grounded in factual events and present information objectively. There are many subgenres of documentaries, including observational, interactive, reflexive, and docu-dramas that depict reality in different styles and forms, with the overall goals of illuminating issues and engaging viewers emotionally or intellectually.
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Field reporters provide additional coverage of sporting events to complement the main reporter. They link to the studio by switching between live footage and the studio. Newsreaders are used to read syndicated news feeds and were originally used for online discussion groups before the internet. Reporters address viewers in a formal manner, often starting with "good evening." Interviews involve formal discussions between people to sell products, debate topics, or clarify issues. Experts and witnesses provide commentary during interviews and broadcasts. News reports follow an inverted pyramid structure, beginning with a headline and lead paragraph covering the key details of who, what, when, where, and why, followed by additional body details and less important information in the tail.
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A documentary aims to document, investigate, inform, educate and entertain in a truthful and factual manner without fiction. John Grierson is considered the father of British and Canadian documentary film, producing documentaries in the 1930s for cinema audiences before television. Key features of documentaries include observation through interviews or reenacting events, with narration to provide background information and context. There are different types of documentaries such as fully narrated, fly on the wall with no narration, mixed with some interviews and narration, self-reflexive where the narrator contributes most, docudramas which reconstruct real stories, and docusoaps which follow an individual's daily life.
Codes and conventions
This document discusses various codes and conventions used in documentaries, including:
1) News readers, field reporters, links to studio, mode of address, interviewees, experts and witnesses, and report structure.
2) Formats such as expository, observational, interactive, reflexive, and performative.
3) Elements of realism including actuality footage, interviews, and photos.
4) Dramatization and narrativisation techniques.
Documentary Presentation
This document discusses different types of documentaries and how the genre has evolved. It defines documentaries as consisting of official documents or using real events and interviews to provide factual reports. There are six main documentary styles: observational, expository, participatory, reflexive, poetic, and performative. Modern documentaries have become more interactive, abstract in filming style, and hybridized. They appeal to wider audiences through techniques like non-diegetic sound and reenactments. Examples highlighted include experimental silent films from the 1920s and more recent films that expose controversial truths in unflinching ways.
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Direct Cinema originated in the late 1950s as a documentary genre that utilized newly available portable audio-visual equipment. It aims for objectivity by having no narrator and leaving interpretation up to the audience. Cinema Verité also strives for realism but allows for interaction between filmmaker and subject and the expression of the filmmaker's perspective. Institutional documentaries may incorporate some Direct Cinema techniques while also using interviews. Docusoaps resemble soap operas through fast-paced editing and voiceovers as they examine ordinary experiences. Public affairs documentaries take a traditional format seen on public broadcasting and explore current issues often in a polemical style.
Theory of documentaries powerpoint
The document discusses the theory and history of documentaries. It notes that documentaries aim to report on facts and events using techniques like narration, interviews, and observations. While documentaries strive for objectivity, they are also inherently subjective as filmmakers interpret and construct reality. The genre has evolved over time, ranging from Grierson's initial documentaries in the 1930s to more creative modern forms that some argue should no longer be called documentaries. Facts are used to make socially critical arguments, but documentaries still grapple with objectively representing truth.
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Documentaries can use several features and take different forms. Key features include observation without interference, interviews to contrast with observations, and dramatization to portray inaccessible events. Common types are fully narrated documentaries using voiceovers, fly on the wall relying only on observation, and mixed styles using multiple features like interviews and narration. Docu-dramas combine reenactments with exposition but are limited by their fictional elements. Current affairs programs differ in their focus on daily news coverage within time constraints versus documentaries' in-depth investigations over longer periods.
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Documentary Conventions
The document describes different types of documentary formats including expository, observational, reflexive, participatory, and performative documentaries. It also discusses documentary realism, dramatization, narrativization, news reporting formats like studio newsreaders and field reporters, and techniques used in news reporting like linking to other studios, addressing viewers, interviewing, using experts and witnesses, report structure, and incorporating actual footage.
Reflexive documentaries
A reflexive documentary acknowledges the filmmaker's presence by including them on camera and providing narrative guidance. This helps audiences understand the construction process and develop a critical perspective. Louis Theroux and Nick Broomfield are examples of filmmakers known for their reflexive style, with Theroux casually interviewing subjects and sometimes participating. Broomfield often films alone to make documentaries seem more personal. Reflexive documentaries engage audiences by showing the filmmaking process and pressures, making them aware of the challenges while maintaining truthfulness through minimal effects.
A Short History Of Documentary
Documentary film began in 1895 with the short actuality films created by the Lumiere brothers capturing scenes of everyday life. The genre evolved with Nanook of the North in 1922, which was the first feature-length documentary and introduced creative interpretations of reality. John Grierson further developed poetic documentaries in the 1930s before direct cinema in the 1950s sought to present social and political issues in a more direct, unedited style. Verite documentaries from France used similar techniques while recent mockumentaries have blurred the line between documentary and fiction.
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News readers must accurately and impartially present factual information to large audiences on TV and radio. Their appearance, speech, and grasp of grammar and accuracy are important. Field reporters gather information through research, interviews, and first-hand reporting of events. They split their time between the newsroom and location. Witnesses and experts provide truthful, factual information and context to news stories. Documentaries use various techniques like reenactments, archival footage, and interviews to represent "truth" and shape audiences' perspectives on real events or issues.
Documentaries
Documentaries aim to document real events using actual footage or reconstruction. While footage may be authentic, directors still construct the presentation through camerawork, lighting, and editing. To make documentaries coherent and engaging, filmmakers borrow techniques from fiction like pacing and structure. John Grierson first defined documentaries in 1926 as the "creative treatment of actuality." John Corner later identified five central documentary elements: observation to place viewers as eyewitnesses, interviews, dramatization of events, carefully composed shots, and an expository argument or point of view. Documentaries can be fully narrated, follow a "fly on the wall" approach, use mixed techniques, or be self-reflexive acknowledging the camera.
Consider how documentaries have evolved?
Documentaries have evolved from early films in the 1920s that captured singular moments, to the development of propaganda films in the 1930s like Leni Riefenstahl's "Triumph of the Will." Direct cinema in the late 1950s and cinema verite in the 1960s strived for a naturalistic style. John Grierson in the 1920s believed documentaries could build morale. While Robert Flaherty's 1922 film "Nanook of the North" was pioneering, it was criticized for staging some scenes. Audiences have become dependent on media like documentaries which they view as truthful sources of information.
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The document describes 7 types of documentaries: fully narrated, fly on the wall, mixed, self reflective, docudrama, docusoaps, and reality TV. It provides details on each type, including common styles, examples, and key characteristics to distinguish them.
Current affairs
These documents discuss the key differences between current affairs programs and documentaries, and provide guidance on structuring a documentary narrative. Documentaries take longer to produce than current affairs programs and do not have the same deadline pressures. An effective documentary relies on a clear narrative structure with a beginning, middle, and end, focusing on characters and conflicts. It also uses techniques like music, lighting, movement and visuals to enhance the narrative and elicit emotional responses from audiences.
Types of Documentary
The document describes several types of documentary films:
- Fully narrated documentaries rely heavily on voiceover narration to explain visuals and develop plot lines. Examples include nature documentaries on the BBC.
- Fly-on-the-wall documentaries attempt to observe settings unaffected by filmmakers, though editing can manipulate reality. Little narration is used.
- Mixed documentaries combine elements like observation and narration to construct narratives using interviews, images, and archives.
- Self-reflexive documentaries acknowledge the camera and have the filmmaker directly address the audience to provide narrative. This style focuses more on the filmmaker than the content.
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Documentary History & Modes
A documentary film is a nonfiction motion picture that documents some aspect of reality. There are several types of documentaries including expository, observational, participatory, reflexive, performative, and poetic. Documentaries can serve to preserve, persuade, analyze, express, discuss, explore, intervene, and enlighten. They employ conventions like handheld camera work, narration, interviews, archival footage, and selective editing to construct meaning from real events and experiences. The history of documentaries dates back to the early actualities of the Lumiere brothers and has evolved through movements like direct cinema that aimed to present issues in an unmediated way.
Documentaries
The document discusses the basics of documentaries and defines key terms and elements. It notes that the purpose of a documentary is to document real events using actual footage or reconstruction. While footage may be real, directing and organization means construction is involved. The document then outlines John Grierson's role in defining documentaries as using creative treatment of reality and reality being a better guide than fiction. It also covers John Corner's five elements of documentaries. Finally, it identifies and describes several common documentary genres including fully narrated, fly on the wall, mixed, self-reflexive, docudrama, and docusoap.
Presentation1
There are 7 main types of documentaries: docusoaps, reality TV, fly on the wall, mixed, self reflective, docudrama, and fully narrated. Docusoaps follow characters in an observational style similar to reality TV shows. Reality TV blends entertainment with information using camerawork and commentary. Fly on the wall documentaries involve hidden cameras that allow viewers to observe like a fly on the wall. Mixed documentaries combine interviews, footage, and narration to explore issues from different perspectives. Self reflective documentaries involve subjects talking directly to the camera. Docudramas reconstruct past events. Fully narrated documentaries rely heavily on voiceover to make sense of the visuals. Current affairs explore
The Theory of Documentaries
The document summarizes key aspects of documentaries based on information from John Fell, John Corner, and John Grierson. Some of the main points made are:
- Documentaries document real events and rely on evidence such as footage and interviews to report on a topic factually.
- They tell a story and aim to leave the audience with a point of view to consider through techniques like interviews, observations, and commentary.
- John Grierson coined the term "documentary" and aimed to influence audiences emotionally with his early socially-focused documentaries.
- Elements like a narrative structure with a beginning, middle, end and conflict help engage audiences, as does the use of sound, interviews and cutaways
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This document discusses various codes and conventions used in documentaries, including:
1) News readers, field reporters, links to studio, mode of address, interviewees, experts and witnesses, and report structure.
2) Formats such as expository, observational, interactive, reflexive, and performative.
3) Elements of realism including actuality footage, interviews, and photos.
4) Dramatization and narrativisation techniques.
Documentary Presentation
This document discusses different types of documentaries and how the genre has evolved. It defines documentaries as consisting of official documents or using real events and interviews to provide factual reports. There are six main documentary styles: observational, expository, participatory, reflexive, poetic, and performative. Modern documentaries have become more interactive, abstract in filming style, and hybridized. They appeal to wider audiences through techniques like non-diegetic sound and reenactments. Examples highlighted include experimental silent films from the 1920s and more recent films that expose controversial truths in unflinching ways.
Tv documentaries styles and influences
Direct Cinema originated in the late 1950s as a documentary genre that utilized newly available portable audio-visual equipment. It aims for objectivity by having no narrator and leaving interpretation up to the audience. Cinema Verité also strives for realism but allows for interaction between filmmaker and subject and the expression of the filmmaker's perspective. Institutional documentaries may incorporate some Direct Cinema techniques while also using interviews. Docusoaps resemble soap operas through fast-paced editing and voiceovers as they examine ordinary experiences. Public affairs documentaries take a traditional format seen on public broadcasting and explore current issues often in a polemical style.
Theory of documentaries powerpoint
The document discusses the theory and history of documentaries. It notes that documentaries aim to report on facts and events using techniques like narration, interviews, and observations. While documentaries strive for objectivity, they are also inherently subjective as filmmakers interpret and construct reality. The genre has evolved over time, ranging from Grierson's initial documentaries in the 1930s to more creative modern forms that some argue should no longer be called documentaries. Facts are used to make socially critical arguments, but documentaries still grapple with objectively representing truth.
Documentary Theory
Documentaries aim to inform audiences about factual subjects using real footage and interviews. Documentary film began in 1895 with the Lumiere brothers and evolved with Nanook of the North in 1922, which was the first feature-length factual film. There are five key elements to documentaries: observation, interviews, dramatization, mise en scene, and exposition. These elements such as observation use unseen cameras to make audiences feel like eyewitnesses, while interviews provide different opinions to support or contrast observations.
Features and types of documentaries
Documentaries can use several features and take different forms. Key features include observation without interference, interviews to contrast with observations, and dramatization to portray inaccessible events. Common types are fully narrated documentaries using voiceovers, fly on the wall relying only on observation, and mixed styles using multiple features like interviews and narration. Docu-dramas combine reenactments with exposition but are limited by their fictional elements. Current affairs programs differ in their focus on daily news coverage within time constraints versus documentaries' in-depth investigations over longer periods.
Documentaries
This document discusses the key elements that make a good documentary and different modes of documentaries. It analyzes the documentary series "Meerkat Manor" specifically. The series follows several groups of meerkats using an observational documentary mode, where the camera remains unobtrusive and allows the audience to observe events unfold naturally. It is narrated by Bill Nighy without direct interaction between subjects and narrator. A variety of camera compositions and techniques are used to document the meerkat families and encourage emotion from viewers.
Documentary
This document provides an overview of documentaries and expository documentaries. It defines a documentary as a film that attempts to document or record aspects of the real world. Expository documentaries specifically use facts and recorded images/sounds to create a socially critical argument or expose a viewpoint. Key features of expository documentaries discussed include the use of narrators, scripts to structure the argument, reconstructions to retell the truth, interviews of eyewitnesses/experts, and mise-en-scene to advance the filmmaker's perspective. Examples like Nanook of the North are analyzed, though some of its scenes are now known to have been staged. The lines between documentary and fiction are also examined.
Documentary Conventions
The document describes different types of documentary formats including expository, observational, reflexive, participatory, and performative documentaries. It also discusses documentary realism, dramatization, narrativization, news reporting formats like studio newsreaders and field reporters, and techniques used in news reporting like linking to other studios, addressing viewers, interviewing, using experts and witnesses, report structure, and incorporating actual footage.
Reflexive documentaries
A reflexive documentary acknowledges the filmmaker's presence by including them on camera and providing narrative guidance. This helps audiences understand the construction process and develop a critical perspective. Louis Theroux and Nick Broomfield are examples of filmmakers known for their reflexive style, with Theroux casually interviewing subjects and sometimes participating. Broomfield often films alone to make documentaries seem more personal. Reflexive documentaries engage audiences by showing the filmmaking process and pressures, making them aware of the challenges while maintaining truthfulness through minimal effects.
A Short History Of Documentary
Documentary film began in 1895 with the short actuality films created by the Lumiere brothers capturing scenes of everyday life. The genre evolved with Nanook of the North in 1922, which was the first feature-length documentary and introduced creative interpretations of reality. John Grierson further developed poetic documentaries in the 1930s before direct cinema in the 1950s sought to present social and political issues in a more direct, unedited style. Verite documentaries from France used similar techniques while recent mockumentaries have blurred the line between documentary and fiction.
codes and conventions
News readers must accurately and impartially present factual information to large audiences on TV and radio. Their appearance, speech, and grasp of grammar and accuracy are important. Field reporters gather information through research, interviews, and first-hand reporting of events. They split their time between the newsroom and location. Witnesses and experts provide truthful, factual information and context to news stories. Documentaries use various techniques like reenactments, archival footage, and interviews to represent "truth" and shape audiences' perspectives on real events or issues.
Documentaries
Documentaries aim to document real events using actual footage or reconstruction. While footage may be authentic, directors still construct the presentation through camerawork, lighting, and editing. To make documentaries coherent and engaging, filmmakers borrow techniques from fiction like pacing and structure. John Grierson first defined documentaries in 1926 as the "creative treatment of actuality." John Corner later identified five central documentary elements: observation to place viewers as eyewitnesses, interviews, dramatization of events, carefully composed shots, and an expository argument or point of view. Documentaries can be fully narrated, follow a "fly on the wall" approach, use mixed techniques, or be self-reflexive acknowledging the camera.
Consider how documentaries have evolved?
Documentaries have evolved from early films in the 1920s that captured singular moments, to the development of propaganda films in the 1930s like Leni Riefenstahl's "Triumph of the Will." Direct cinema in the late 1950s and cinema verite in the 1960s strived for a naturalistic style. John Grierson in the 1920s believed documentaries could build morale. While Robert Flaherty's 1922 film "Nanook of the North" was pioneering, it was criticized for staging some scenes. Audiences have become dependent on media like documentaries which they view as truthful sources of information.
Types of documentary
The document describes 7 types of documentaries: fully narrated, fly on the wall, mixed, self reflective, docudrama, docusoaps, and reality TV. It provides details on each type, including common styles, examples, and key characteristics to distinguish them.
Current affairs
These documents discuss the key differences between current affairs programs and documentaries, and provide guidance on structuring a documentary narrative. Documentaries take longer to produce than current affairs programs and do not have the same deadline pressures. An effective documentary relies on a clear narrative structure with a beginning, middle, and end, focusing on characters and conflicts. It also uses techniques like music, lighting, movement and visuals to enhance the narrative and elicit emotional responses from audiences.
Types of Documentary
The document describes several types of documentary films:
- Fully narrated documentaries rely heavily on voiceover narration to explain visuals and develop plot lines. Examples include nature documentaries on the BBC.
- Fly-on-the-wall documentaries attempt to observe settings unaffected by filmmakers, though editing can manipulate reality. Little narration is used.
- Mixed documentaries combine elements like observation and narration to construct narratives using interviews, images, and archives.
- Self-reflexive documentaries acknowledge the camera and have the filmmaker directly address the audience to provide narrative. This style focuses more on the filmmaker than the content.
Tv news glossary
This document provides definitions for various terms used in television news reporting and broadcasting. It defines common news formats and conventions like lead stories, news anchors, and breaking news. It also explains biases that can influence news coverage, such as location bias, mainstream bias, and sensationalism bias. Additionally, it defines the roles of key players in the news industry like freelance journalists, news agencies, and public service broadcasters.
Documentary History & Modes
A documentary film is a nonfiction motion picture that documents some aspect of reality. There are several types of documentaries including expository, observational, participatory, reflexive, performative, and poetic. Documentaries can serve to preserve, persuade, analyze, express, discuss, explore, intervene, and enlighten. They employ conventions like handheld camera work, narration, interviews, archival footage, and selective editing to construct meaning from real events and experiences. The history of documentaries dates back to the early actualities of the Lumiere brothers and has evolved through movements like direct cinema that aimed to present issues in an unmediated way.
Documentaries
The document discusses the basics of documentaries and defines key terms and elements. It notes that the purpose of a documentary is to document real events using actual footage or reconstruction. While footage may be real, directing and organization means construction is involved. The document then outlines John Grierson's role in defining documentaries as using creative treatment of reality and reality being a better guide than fiction. It also covers John Corner's five elements of documentaries. Finally, it identifies and describes several common documentary genres including fully narrated, fly on the wall, mixed, self-reflexive, docudrama, and docusoap.
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Presentation1
There are 7 main types of documentaries: docusoaps, reality TV, fly on the wall, mixed, self reflective, docudrama, and fully narrated. Docusoaps follow characters in an observational style similar to reality TV shows. Reality TV blends entertainment with information using camerawork and commentary. Fly on the wall documentaries involve hidden cameras that allow viewers to observe like a fly on the wall. Mixed documentaries combine interviews, footage, and narration to explore issues from different perspectives. Self reflective documentaries involve subjects talking directly to the camera. Docudramas reconstruct past events. Fully narrated documentaries rely heavily on voiceover to make sense of the visuals. Current affairs explore
The Theory of Documentaries
The document summarizes key aspects of documentaries based on information from John Fell, John Corner, and John Grierson. Some of the main points made are:
- Documentaries document real events and rely on evidence such as footage and interviews to report on a topic factually.
- They tell a story and aim to leave the audience with a point of view to consider through techniques like interviews, observations, and commentary.
- John Grierson coined the term "documentary" and aimed to influence audiences emotionally with his early socially-focused documentaries.
- Elements like a narrative structure with a beginning, middle, end and conflict help engage audiences, as does the use of sound, interviews and cutaways
The theory of documentary
The document summarizes key aspects of documentaries including:
1. Their purpose is to document and report facts based on evidence such as reconstruction, interviews, and observation.
2. John Grierson coined the term "documentary" in 1926 to describe the creative treatment of actuality or reality.
3. Essential elements include observation, interviews, dramatization, mise-en-scene, and exposition.
The Theory of Documentary
The document discusses the theory and history of documentaries. It notes that John Grierson coined the term "documentary" in 1926 to describe the creative treatment of actuality or reality. While documentaries aim to document fact, they also involve elements of reconstruction, interviews, and narrative conventions to engage audiences. The line between truth and reality in documentaries is complex, as they are edited and shaped productions rather than a full representation of truth. Controversially, some argue documentaries have become more sensationalized over time at the expense of authenticity in order to attract viewers.
What types of documentary are there
There are 7 main types of documentaries: docudrama, mixed, fully narrated, docusoaps, self-reflexive, reality TV, and "fly on the wall". The document discusses each type in more detail. It concludes that the documentary being created will be a mixed type, using a combination of interviews, footage, archive material, and narration to engage audiences and entertain younger viewers.
Media studies the theory of documentary
Documentaries aim to document real events and provide factual accounts using evidence like interviews, reconstructed scenes, and observational footage. They tell a story through a narrative structure including an exposition, complication, and resolution. While documentaries strive for objectivity, they involve some degree of construction and interpretation in areas like editing, framing of shots, and narrative approach. The line between documentary and creative work can be blurred, as filmmakers must balance authenticity with storytelling techniques.
Theory of documentary
Documentaries aim to document and report factual information through footage, interviews, and observation. There are various types of documentaries including fully narrated, fly on the wall, verité, and cinema verité. Documentaries rely on human subjects and use exposition, which is the line of argument or narrative, to tell a story. Exposition can be plain, direct, indirect, or hidden. John Grierson coined the term "documentary" and defined it as the creative treatment of actuality for the purposes of education or persuasion.
Media studies - The theory of documentary
The document discusses the key elements and conventions of documentaries. It explains that documentaries aim to document real events and issues using evidence such as interviews, reconstructed scenes, and observational footage. Some key elements discussed include observation, interviews, dramatization, mise-en-scene, and exposition. The document also examines the role of narrative, conflict, editing techniques, and how documentaries can be both art and reportage. It notes that documentaries rely on reconstructing real events and experiences to tell a story and advance an argument.
Documentary research including styles and inspirations
Direct Cinema originated in the late 1950s as a documentary genre focused on capturing reality without mediation. Prior documentaries were limited by equipment and a desire to educate viewers through editing. Direct Cinema films used handheld cameras for increased realism and often included interviews to directly represent reality. It aimed to question the relationship between filmed reality and actual reality.
Types of Documentaries
This document discusses different types of documentaries including docusoaps, reality TV, fly on the wall, mixed, self-reflexive, docudrama, and fully narrated documentaries. Docusoaps follow individuals or groups in an observational style similar to a soap opera. Reality TV gives factual information in an entertaining way by combining authentic material with serious content. Fly on the wall documentaries film events without the subjects' awareness, capturing unguarded reactions. Mixed documentaries utilize interviews, footage, archives, and narration to tell a story. Self-reflexive documentaries follow subjects who are aware of the camera and address it directly. Docudramas reconstruct past events, while fully narrated
Theory of documentaries
Documentaries aim to report factual information using evidence such as actual footage or narration. They can cover political, historical or social issues. John Grierson first coined the term "documentary" in 1926 to refer to documenting real people in real situations. While documentaries strive for truth, they involve some interpretation and elements may be staged for effect. The line between documentary and fiction has blurred over time, leading to debate around their objectives and techniques.
Research into tv documentaries style and influences
This document discusses various styles and techniques used in TV documentaries. It outlines direct cinema, which emerged in the 1960s using portable equipment for a fly-on-the-wall approach without narration. Rules of direct cinema included no interviews, rehearsals, staged events, or film lights. Examples include D.A. Pennebaker's 1968 film "Don't Look Back". Cinema verite was a similar European style that also used interviews and expressed the filmmaker's opinions. Institutional documentaries use direct cinema techniques to provide insights into everyday work life. Docusoaps portray common experiences through the eyes of the public using fast editing and narrative strands. Public affairs documentaries traditionally discuss current issues using sources like the
Genre analysis
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Genre analysis
The document discusses different types of documentaries including fly on the wall, fully narrated, mixed, self-reflexive, docudrama, and docusoap. Fly on the wall documentaries use cinema verite to capture natural settings but editing affects what is shown. Fully narrated documentaries use voiceovers to provide context. Mixed documentaries combine interviews, observation, and narration to advance an argument. Self-reflexive documentaries have the filmmaker discuss the process. Docudramas reenact real events but can only deliver fiction. Docusoaps follow groups of people like reality shows.
Types of Documentaries
This document discusses different types of documentary films, including those with voice-over narration to provide context, fully narrated documentaries that take a authoritative tone, fly on the wall documentaries that observe events candidly without staging, and hybrid documentaries that combine techniques like interviews and archival footage to portray real people and events.
Theory of documentary2
This document discusses the theory and definition of documentary films. It begins by explaining that documentaries portray real topics through actual footage and reconstructions. While documentaries contain real footage, some scenes can be staged, making the exposition less truthful. There is debate over how much creative treatment is acceptable in documentaries while still capturing reality. Key figures like John Grierson introduced principles of documentary making but his early films still contained staged elements. The central elements of documentaries are identified as observation, interview, dramatization, mise-en-scene, and exposition. However, documentaries are not purely factual and allow for social commentary and audience interpretation.
Types of documentaries
The document outlines several types of documentaries:
1) Docusoaps follow certain people and events over a long period of time, usually with a central protagonist.
2) Reality TV emerged in the late 1980s/1990s and combines factual information with commercial content to both inform and entertain audiences.
3) "Fly on the wall" documentaries ignore the camera to record real life events as they unfold without interference.
Codes and conventions of a documentary
The document discusses several codes and conventions commonly used in documentaries. It notes that voiceovers are often used by experts to explain events to viewers and encourage the audience to believe what is said. Documentaries also use narrativization to communicate events in a story-like format to aid understanding. Additionally, documentaries strive to use real footage of events, interviews with real people involved, and texts to convey information and dates. Sound, dramatization, a sense of realism through unscripted footage and interviews, and handheld camera work are other techniques used to make documentaries seem authentic.
Types of documentaries
There are seven main types of documentaries: docusoaps, which follow individuals or groups in an observational style; reality TV, which blends information and entertainment; fly on the wall documentaries where cameras are unseen as they record events; mixed documentaries using interviews and footage; self-reflexive films where subjects interact with the camera; docudramas which reconstruct past events; and fully narrated films where a narrator speaks throughout.
Documentaries types
This document defines and describes various documentary film techniques. It begins by explaining that a documentary aims to document and inform about real events or topics. It then discusses different styles including drama documentaries which recreate events, fly-on-the-wall which observes without interference, docusoaps which follow people over time with some scripting, fully narrated which uses voiceover to explain visuals, and mixed/self-reflexive styles which incorporate different elements like interviews and narration. The document also covers documentary techniques like interviews, dramatization, and mise-en-scene which frames shots effectively to guide the audience.
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Documentary research including styles and inspirations
Documentary research including styles and inspirations
Research into tv documentaries style and influences
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Question 2
The document discusses how a media company effectively linked together their main documentary product and ancillary advertising texts. They used consistent elements like the same title, slogan, scheduling, voiceover, music, and tone across their newspaper advert, radio trailer, and documentary. This coherence created a package that referenced the same channel and provided previews to engage audiences and drive them to watch the full documentary.
Question 1
The documentary uses conventional documentary techniques such as medium and close up shots of interviews to focus on the interviewee. It alternates camera positions and uses conventional editing to remove questions from interviews. Plain backgrounds are used during interviews to avoid distractions. Graphics are included to identify interviewees and their relevance. Interviews are framed with the interviewee's eye line one third of the way down. A variety of shots is used to prevent repetition. The print advert is formatted like other ads, includes an engaging slogan and striking image with humor. It provides all relevant scheduling details and includes the channel and documentary logos positioned conventionally.
Question 2
The document discusses how a media company effectively linked together their main documentary product and ancillary advertising texts. They used consistent elements like the same title, slogan, scheduling, voiceover, music, and tone across the documentary, radio trailer, and newspaper advert to create a coherent promotional package that referenced the same channel and provided previews to engage audiences.
Question 1
The documentary uses conventional documentary techniques such as medium and close up shots of interviews to focus on the interviewee. It alternates camera positions and uses conventional editing to remove questions from interviews. Plain backgrounds are used during interviews to avoid distraction. Graphics are included to identify interviewees and their relevance. Interviews are framed with the interviewee's eye line one third of the way down. A variety of shots is used to prevent repetition. The print advert follows conventional size and format, includes an engaging slogan and image, and provides full scheduling details to clearly indicate when the documentary will air. The channel logo and documentary name are also included per real advertising conventions.
Codes and conventions of radio trailers
The trailer for a documentary radio program follows several codes and conventions. It includes short, intriguing clips from the program itself and has an enticing slogan voiced over an instrumental music bed that is appropriate to the documentary. It always ends with the title, air date, time, and channel and is typically 30 seconds long.
Codes and conventions of newspaper trailers
This document provides guidelines for creating newspaper adverts, including using an enticing slogan and striking image to grab attention, including scheduling details like day, date and time, and placing the channel logo and documentary name alongside the image with the logo on the right half way down.
Codes and conventions of radio trailers
The trailer for a documentary radio program follows certain codes and conventions. It includes short, intriguing clips from the program itself and has an enticing slogan voiced over an instrumental music bed that is appropriate to the documentary. It always ends with the title, air date, time and channel to inform audiences about when they can tune in to watch the full program.
Secondary research
The document discusses secondary research materials about dogs that could be used for a project, including movies featuring dogs prominently like Lady and the Tramp and 101 Dalmatians. It also mentions TV programs and documentaries about dogs that were watched, such as Walking with Dogs and Paul O'Grady - For the Love of Dogs. Books containing photos and facts about dogs are discussed. Finally, dog-related videos and advertisements were viewed to analyze filming techniques featuring dogs.
Secondary research
The document discusses secondary research materials about dogs that could be used for a project, including movies featuring dogs prominently like Lady and the Tramp and 101 Dalmatians. It also mentions TV programs and documentaries about dogs that were watched, such as Walking with Dogs and Paul O'Grady - For the Love of Dogs. Several books are listed as sources of photos, facts and information about dog breeds. Videos of dog advertisements were also viewed to analyze how dogs are presented, with a Pedigree Dogs ad being particularly useful due to its use of slow motion and variety of dog types.
Secondary research
The document discusses secondary research materials about dogs that could be used for a project, including movies featuring dogs prominently like Lady and the Tramp and 101 Dalmatians. It also mentions TV programs and documentaries about dogs that were watched, such as Walking with Dogs and Paul O'Grady - For the Love of Dogs. Several books are listed as sources of photos, facts and information about dog breeds. Videos of dog advertisements were also viewed to analyze how dogs are presented, with a Pedigree Dogs ad being particularly useful due to its use of slow motion and variety of dog types.
Formal proposal for documentary
This formal proposal outlines a documentary titled "Paws for Thought" about dogs. The one-hour documentary will air on Channel 4 and feature interviews with dog experts, owners, and workers. It will use a mix of styles including interviews, observations, archive footage and voiceover. The target audience is families, whether they own a dog or not. Filming locations will include kennels, veterinary clinics, and dog shows. Resources needed include video cameras, microphones, lights, and editing software.
Formal proposal for documentary
This formal proposal outlines a documentary titled "Paws for Thought" about dogs. It will air on Channel 4 and feature interviews with dog experts, owners, and celebrities like Paul O'Grady. Primary research will include interviews and obtaining archive footage of dogs. The documentary will have a closed, non-linear structure and cover topics like breeding, guide dogs, and agility training through interviews and observations at locations like kennels and vet offices. Post-production software and equipment are requested to edit the footage.
Questionnaire
The survey results showed that dogs are popular among people of all ages and both genders. Golden retrievers, labradors, jack russells, and shih tzus were among the most popular dog breeds. Most respondents got their first dog when they were young, between ages 3-13, and said they could not live without their dog. Common words associated with dogs were friendly, cute, smelly, fluffy, walks, and loyal.
Brainstorm of content for documentary
The document brainstorms potential content ideas for a documentary about dogs, including interviews with Paul O'Grady, owners of guide dogs, veterinarians, teachers with dogs, dog breeders, people who compete in obedience classes or agility, dog walkers, people who work in kennels, celebrities with dogs, archive footage of dogs from films, clips from dog shows, the RSPCA, and views on controversial topics like dog fighting. A wide range of people and their relationships with dogs are listed as possible documentary subjects.
Codes and conventions of interview
The document provides guidelines for conducting interviews for documentaries. Interviews should be filmed in medium close-ups or close-ups of the interviewee's face, with the interviewee looking at the interviewer rather than the camera. Cutaways are sometimes included to avoid jump cuts and illustrate points, and can be archive footage or filmed later. Questions are edited out so only answers are heard.
Analysis of professional double page spread presentation
This document analyzes the layout of a professional double-page spread in an music magazine. It identifies key design elements like the main image, columns, smaller images, bold titles, drop capitals, quotes, page numbers, and color schemes. These elements are used to guide the reader through the article, identify the subject, represent the genre, and draw in readers through visual interest. Common techniques between magazines like NME and Kerrang are also noted.
Codes and conventions
This document outlines various codes and conventions commonly found on magazine covers, including a central main image, masthead, bar code, sub headings, price, buzzwords, bold writing, limited color schemes, promotional puffs, release dates, graphic features, extra smaller images, anchorage text describing the main image, and slogans near the title. These elements are strategically designed and positioned to attract readers' attention, convey key information about the magazine's contents, and encourage purchases.
Evaluation question 3
Bauer Media would distribute the indie/rock magazine because they currently distribute magazines like Q and Kerrang that do not directly compete with NME in the indie/rock genre. This avoids direct competition that could occur if the same publisher distributed both magazines. Bauer also distributes magazines at a lower cost than NME, which could boost sales for the cheaper independent magazine. The magazine would be sold in supermarkets, music venues, and newsagents to reach a wide audience of music fans.
Evaluation question 2
The magazine represents the social group of indie/rock music fans. It uses bold colors like black, red, and white that attract attention but don't overpower the content. Images in the magazine feature an indie/rock dressed woman posing with subtle backgrounds and lighting to represent that genre. The bands and musicians featured in articles and photos also reflect indie/rock. Overall, the design, colors, images, and content aim to represent and appeal to the indie/rock social group.
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Analysis of professional double page spread presentation
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The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
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Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
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留信网认证的作用:
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Types of documentaries
- 1. Types of Documentaries Docusoaps Reality TV Fly on the wall Mixed Self Reflective Docudrama Fully Narrated
- 2. Docusoaps • Observational, a hybrid • A long running documentary series. • Follow groups and individuals. For example One Born Every Minute • Started in 1990`s and were a new thing which challenged what was on TV. • Docusoaps follow central characters which go into lots of detail so the audience gets to know the character better.
- 3. Reality TV • Factual television and can be known as infotainment(information and entertainment) • Emerged in between 1989 and 1999. • Improved factual TV. • Reality TV is a mix of authentic material with serious information with commercial content. • Use of camera work, surveillance and commentary.
- 4. Fly On The Wall • People being filmed ignore the camera. • Events that we see are supposed to be “real” Mixed • Combination of interviews, observation, actuality, footage, archiv e material and narration(who advances the story and narrative on)
- 5. Self Reflective • The camera follows a person and the know they are being followed. They often talk directly to the camera Docudrama • Have reconstruction and reactant. • They show the events that happen at the time.
- 6. Fully Narrated • Voice overs conveys the argument. • Voice over is also used to make sense of the visuals used. • Voice over dominates and tells the audience what is going on. For example Human Planet
- 7. Current Affairs Programmes • Mid way between documentaries and the news. For example News Night • Based on aspects that affect society. • Journalist aims to address the news and political agendas in more depth than news bulletins. • Journalistic report which could be for arguing the case. • Journalists frequently appear. • Explores issues and important social development.
- 8. Differences between current affairs and Documentaries • Documentaries may take more time to produce and current affairs need to get stories together more quickly.