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Hanna Marin is a 16-year-old character from the TV drama Pretty Little Liars. She lives in the fictional town of Rosewood, Pennsylvania and is popular, social, and fashionable. Hanna and her friends Aria, Emily, and Spencer are being threatened and harassed by an unknown person named "A" who texts them secrets. A key moment in the series is when Hanna is hit by a car while trying to discover who "A" is. The character is meant to represent a typical teenage girl but also shows the internal conflicts of feeling pressure to fit societal standards of beauty.
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Paper.5.Sense and sensibility
This document compares the characters of Elinor and Marianne Dashwood from Jane Austen's Sense and Sensibility. It describes Elinor as 19 years old and representing "sense," while Marianne at 17 represents "sensibility." Marianne freely expresses her emotions, while Elinor tempers her feelings and focuses on caring for her family. The document outlines Marianne's romantic relationship and heartbreak with Willoughby. It also details an interaction between Elinor and Edward Ferrars that leaves both confused about his feelings for her. Overall, the document analyzes how the two sisters approach relationships differently, with Elinor being practical and Marianne emotional.
End of revenge web seires
END OF REVENGE
Is a content which is developed for both webseries as well as movie . I am here uploading this synopsis and pilot series of season 1 , kindly have a look and if anyone would be interested to invest in such project the contact details are mentioned in the last slide of the PPT .
Directly can contact me on the details mentioned
I am here looking for an Investor to fund this project . Terms and Conditions will be discussed as i am flexible ..
Regards
Navneet kumar soni
Producer at SABRANG WORLD ENTERTAINMENT
Death of a salesman flowchart
The document summarizes the 1949 Pulitzer Prize-winning play Death of a Salesman by Arthur Miller. It describes the main characters, including Willy Loman, a failed salesman living in delusions who loves his sons but can't accept their failures. It also mentions Willy's wife Linda, devoted to Willy but blind to his weaknesses, and their two sons - Biff, who loves but is also frustrated by his father, and Happy, who is superficially successful but unhappy. The play examines the flaws in pursuing the American dream of success, how it led to disillusionment, and how the characters turned to vices or delusions to avoid facing their failures.
Keeping Up Wth The Kardashians & Pstmodernism
The Keeping Up with the Kardashians reality show exhibits several postmodern characteristics according to the document. It depicts a hyperreality where the family's behaviors may be scripted differently than real life. It also acts as simulacra as each family member's personality is portrayed differently across TV, social media, and other outlets. Additionally, the show lacks a linear narrative and emphasizes style over substance as the family rose to fame without traditional talents.
Report copy
The document discusses the props and costumes used in the film Radio-Waves. A vintage radio with the printing "sunnylife" was used to contrast the happy implication of the printing with the grave news being reported. A plain white dress symbolized the victim's innocence and highlighted her difference from the antagonist wearing black. Smudged eye makeup on the victim showed her distressed state and suggested her death was water-related. Roughly laced black shoes on the antagonist reinforced his darkness, while bracelets were ultimately not used on the victim to keep her appearance raw and anonymous.
Homework One AGAIN
Victoria Snow is looking for love through unsuccessful dates while Edward Wright is resigned to an arranged marriage. They meet at a Christmas office party and feel a connection. However, Victoria's friend later sees Edward with another woman and tells Victoria. Victoria confronts Edward and dumps him publicly without explanation. Eventually Edward professes his love for Victoria in the park where they had their first date.
Women in music videos
The document discusses the portrayal of women in various media over time. It argues that women have traditionally been portrayed as sexual objects meant to appeal to a male audience. While some modern portrayals show women gaining independence from men, other media still relies on displaying women in revealing or sexualized ways in order to seem "popular" or sell products, showing how engrained these perspectives remain. The document analyzes several music videos to illustrate its points about both traditional and evolving portrayals of women.
150-moviereview
The document provides summaries of several romantic comedy movies that were popular or upcoming releases targeting female audiences:
- He's Just Not That Into You focuses on the romantic woes of interconnected people in Baltimore based on a self-help book, with a relationship drama and comedic elements.
- Confessions of a Shopaholic stars Isla Fisher as a shopaholic woman who works as a financial magazine's advice columnist and finds trouble paying her credit cards bills.
- The Proposal stars Sandra Bullock as a publishing executive who forces her assistant, played by Ryan Reynolds, to marry her to avoid deportation to Canada.
- Duplicity stars Julia Roberts and Clive Owen as corporate spies
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Paper.5.Sense and sensibility
This document compares the characters of Elinor and Marianne Dashwood from Jane Austen's Sense and Sensibility. It describes Elinor as 19 years old and representing "sense," while Marianne at 17 represents "sensibility." Marianne freely expresses her emotions, while Elinor tempers her feelings and focuses on caring for her family. The document outlines Marianne's romantic relationship and heartbreak with Willoughby. It also details an interaction between Elinor and Edward Ferrars that leaves both confused about his feelings for her. Overall, the document analyzes how the two sisters approach relationships differently, with Elinor being practical and Marianne emotional.
End of revenge web seires
END OF REVENGE
Is a content which is developed for both webseries as well as movie . I am here uploading this synopsis and pilot series of season 1 , kindly have a look and if anyone would be interested to invest in such project the contact details are mentioned in the last slide of the PPT .
Directly can contact me on the details mentioned
I am here looking for an Investor to fund this project . Terms and Conditions will be discussed as i am flexible ..
Regards
Navneet kumar soni
Producer at SABRANG WORLD ENTERTAINMENT
Death of a salesman flowchart
The document summarizes the 1949 Pulitzer Prize-winning play Death of a Salesman by Arthur Miller. It describes the main characters, including Willy Loman, a failed salesman living in delusions who loves his sons but can't accept their failures. It also mentions Willy's wife Linda, devoted to Willy but blind to his weaknesses, and their two sons - Biff, who loves but is also frustrated by his father, and Happy, who is superficially successful but unhappy. The play examines the flaws in pursuing the American dream of success, how it led to disillusionment, and how the characters turned to vices or delusions to avoid facing their failures.
Keeping Up Wth The Kardashians & Pstmodernism
The Keeping Up with the Kardashians reality show exhibits several postmodern characteristics according to the document. It depicts a hyperreality where the family's behaviors may be scripted differently than real life. It also acts as simulacra as each family member's personality is portrayed differently across TV, social media, and other outlets. Additionally, the show lacks a linear narrative and emphasizes style over substance as the family rose to fame without traditional talents.
Report copy
The document discusses the props and costumes used in the film Radio-Waves. A vintage radio with the printing "sunnylife" was used to contrast the happy implication of the printing with the grave news being reported. A plain white dress symbolized the victim's innocence and highlighted her difference from the antagonist wearing black. Smudged eye makeup on the victim showed her distressed state and suggested her death was water-related. Roughly laced black shoes on the antagonist reinforced his darkness, while bracelets were ultimately not used on the victim to keep her appearance raw and anonymous.
Homework One AGAIN
Victoria Snow is looking for love through unsuccessful dates while Edward Wright is resigned to an arranged marriage. They meet at a Christmas office party and feel a connection. However, Victoria's friend later sees Edward with another woman and tells Victoria. Victoria confronts Edward and dumps him publicly without explanation. Eventually Edward professes his love for Victoria in the park where they had their first date.
Women in music videos
The document discusses the portrayal of women in various media over time. It argues that women have traditionally been portrayed as sexual objects meant to appeal to a male audience. While some modern portrayals show women gaining independence from men, other media still relies on displaying women in revealing or sexualized ways in order to seem "popular" or sell products, showing how engrained these perspectives remain. The document analyzes several music videos to illustrate its points about both traditional and evolving portrayals of women.
150-moviereview
The document provides summaries of several romantic comedy movies that were popular or upcoming releases targeting female audiences:
- He's Just Not That Into You focuses on the romantic woes of interconnected people in Baltimore based on a self-help book, with a relationship drama and comedic elements.
- Confessions of a Shopaholic stars Isla Fisher as a shopaholic woman who works as a financial magazine's advice columnist and finds trouble paying her credit cards bills.
- The Proposal stars Sandra Bullock as a publishing executive who forces her assistant, played by Ryan Reynolds, to marry her to avoid deportation to Canada.
- Duplicity stars Julia Roberts and Clive Owen as corporate spies
Evaluation question 2
The document discusses how different social groups are represented in the film opening. It portrays black male and female teenagers hanging around and sticking to stereotypes of their age, gender, and ethnicity. The females are initially shown as loving but then as unfaithful, while the males come across as intimidating. Music and clothing help convey an uneasy and hidden feel for the character Lakeem. Most characters are represented negatively as the film is about flaws in relationships within a close-knit group.
Representation of social group
The document discusses how different social groups are represented in media. It describes how two teenage female characters, Abbey and Melissa, are portrayed in stereotypical but different ways - Abbey as vulnerable and youthful through costume, shots, and mise en scene, while Melissa represents emotional teenagers. It also notes that having a young female as the villain challenges stereotypes of psychopaths only being middle-aged men. Additionally, it states that the film subverts conventions by having a female rather than male antagonist, unlike many slashers where the villain is usually a male seeking to defeat the female protagonist.
Thriller Evaluation - Q5
The document discusses how the creators of the thriller opening "Homeless" aimed to attract a target audience of 15-24 year old females. They sought to do this by creating a strong, independent female character named Norma who violently attacks a male, breaking traditional gender conventions. By portraying Norma as a "deviant" yet capable female, they hoped to appeal more to their target audience. Feedback from target audience members, especially young females, was positive about the representations in "Homeless" and their ability to relate to the unconventional female characters.
Year 13
This document contains a summary and analysis of a short film. The storyline section outlines the plot, where a man named James receives a woman's phone number written on a £5 note after his girlfriend breaks up with him. He texts the number and builds a relationship with the woman, Jennifer, who put her number there hoping he would contact her. The analysis section praises the acting for conveying emotion well, the realistic locations used, and how the editing technique of using black and white for memories was effective.
Evaluation question 2
The document summarizes how social groups are represented in a film opening. It focuses on the representation of teenagers by age and gender. Young males are shown hanging around stereotypically in hoodies near a cashpoint, potentially intimidating passersby. The female character is first shown as a loving girlfriend but is then revealed to be unfaithful, living up to negative stereotypes of teenage girls. Most characters are represented negatively to set the theme of flaws and unfaithfulness within a close group.
The Neo-classical leterature
This document compares sentimental comedy and anti-sentimental comedy. Sentimental comedy was popular in the 18th century and aimed to appeal to emotions of sorrow, pity and sympathy. It featured strictly good or bad characters overcoming moral trials. Anti-sentimental comedy, also called "comedy of manners", arose in reaction and featured more complex characters and sophisticated societies. It used elements like wit, laughter, farce, irony and disguise. Examples of anti-sentimental comedies included The Rival by Sheridan and She Stoops to Conquer by Goldsmith.
How does our media product represent a particular
This document analyzes how the media product represents social groups such as women and men. It argues that women are represented negatively as overly emotional and mentally unstable. The main character and her niece are shown to have mental health issues stemming from their childhood. Men are represented as cold, emotionless problem-solvers who see mentally ill women as routine cases. However, the document also notes that these representations were not intentional, as the goal was to portray a type of mental illness, not send messages about gender. Choosing a female lead helped use childish props and costumes to link to Alice in Wonderland.
English ii essay
The document compares and contrasts the films 50 First Dates and Anger Management. Both films are in the dramedy genre, which combines elements of drama and comedy. They show how love can change people for the better, as the protagonists in each film overcome personal obstacles through their relationships. The films also portray the challenges of building and maintaining relationships, as well as going to great lengths to pursue what one wants rather than giving up easily. Overall, the document argues that dramedies send positive messages about life, love, and finding happiness.
Review draft 5
Director Megan Windmill's short film 'Bus Stop' follows two sisters - a teenager and a young girl - who wait at a bus stop. The teenager receives messages pushing her to meet up with her girlfriend. She decides to leave her sister, who follows her into the woods and gets lost. The film starts in a contained manner at the bus stop but expands as it moves to the more complex woods. It highlights themes of neglect and isolation as the vulnerable young girl is left alone in a frightening situation. The lack of dialogue is effective in conveying the internal struggle and dilemma faced by the two sisters.
How does our media product represent social groups question 2
Walter Baines is a grizzled police detective driven by the death of his daughter at the hands of an unknown assailant. He will go outside the law to prove innocence or catch true villains. The villain's identity in the film is purposely hidden to add mystery and keep viewers engaged, similar to Keyser Soze in The Usual Suspects. The overworked Police Chief is stressed and cares more for the city's safety than his own welfare. In flashbacks, Walter's daughter is portrayed as innocent to elicit sympathy for Walter and shock at her death.
Characters profile
This document discusses the casting choices for roles in the film "The Return". It describes each actor and how they are suited for the roles based on their physical appearance, performance in auditions, and how they help reinforce genre conventions or provide social commentary. Key points included are how the actors embody teenage tropes, fulfill character archetypes like the final girl, sexually active characters, and masked killer, and how casting twins allows exploring narrative theory concepts.
Review draft 5
Director Megan Windmill's short film 'Bus Stop' follows two sisters - a teenager and a young girl - who wait at a bus stop. The teenager receives messages pushing her to meet up with her girlfriend. She decides to leave her sister, who follows her into the woods and gets lost. The film starts in a contained manner at the bus stop but expands as it moves to the complex woods. It highlights themes of neglect and isolation as the vulnerable young girl is left alone in a frightening situation. The lack of dialogue enhances the emotional performances and internal logic of the film.
Pitch
Tyler discovers that his ordinary pen allows him to travel back in time. The short film follows Tyler as he uses this ability to try to win over his crush, Rebecca Johnson. However, the new equilibrium is restored when Rebecca's girlfriend Emily kisses her in front of Tyler, revealing she is not interested in him. The film has a £30 budget and targets 15-35 year old men and women of various ethnicities and socioeconomic backgrounds in the UK.
How does your media product reflect particular social groups?
Women are portrayed as both powerful and aggressive in the media product. They are shown dominating men in dating scenes and being physically and emotionally abusive. Men are portrayed negatively and are shown as lonely, using dating websites out of desperation for companionship. Peter specifically is depicted as nerdy, socially awkward, and unsuccessful in relationships, resorting to online dating. Both genders are represented in stereotypical ways, with women shown as harsh and unforgiving, and men as lonely and lacking social skills.
Introduction to comedy
This document provides an introduction to comedy through brief quotes from comedians and writers throughout history. It discusses how comedy originated in Ancient Greece through drunken revelry and slapstick performances by actors dressed as satyrs. The document also presents a timeline of how comedy has evolved from its origins to different genres today, including satire, social comedy, and comedy of manners. Key elements of comedy discussed include the use of humor to entertain and critique society and politics.
As media thriller evaluation second 9 shots
This document provides analysis of various shots from a film that show the relationship between a father and daughter. In the first shot, the father is asleep and reminiscing about when his daughter was young. His house is dull, showing his unhappiness. In a later shot, the father feels out of place at his daughter's party, as shown by his cheap suit contrasting with the rich surroundings. The daughter is happy to see her father, showing she doesn't see him often. The stepfather then gives the daughter a horse, taking her attention and making the father feel invisible in the background.
Research all genres change ver time
This document summarizes the evolution of romantic comedy genres over different decades from the 1920s to the 2000s. In the 1920s, narratives focused on poor women and rich male love interests, with settings like lakes and workplaces. In the 1950s, the narrative centered around a married man who develops feelings for his upstairs neighbor, a young actress. Key settings were apartments in New York. The 1980s narrative involved a working class girl pursuing a relationship with a rich boy despite social barriers, with settings like high school and prom. In the 2000s, the narrative followed a small town girl moving to New York City to pursue singing while working in a bar, with settings including the big city and performance venues.
Our film pitch
Our film Rendezvous is a 1950s romantic drama with elements of film noir. It follows the affairs between four main characters - Bridget, her husband Raymond, a detective, and Vivienne. Bridget has an affair with the detective, who is also seeing Vivienne. Vivienne then seduces Bridget's husband Raymond, twisting the relationships. The film explores the secret meetings and deception between the characters against the backdrop of 1950s England. It aims to subvert film noir conventions by focusing on the female characters and their relationships.
Representations
The group is portrayed stereotypically as feminine women gossiping in pajamas, contrasting their unstereotypical nature. Promotional material instead shows the women looking angry and aggressive, conveying a darker and more serious tone. The final image depicts Sarah in a primitive state doing anything to survive, covered in blood and no longer the innocent person portrayed above, showing love for her friend's husband but also betrayal.
Casablanca
Rick Blaine is the cynical owner of a cafe in Casablanca who is transformed from a self-centered man into an emotionally confident hero. Ilsa Lund is Rick's lost love who remains emotionally distant due to her commitment to her husband Victor Laslo, a noble resistance leader. Captain Renault initially acts cynically like Rick but finds purpose in aiding the resistance. Major Strasser is a ruthless Nazi seeking to stop Laslo from escaping. The film explores how these characters are impacted by fate, luck, and their intertwined pasts in Casablanca during WWII.
Apply narrative to one of your coursework productions
This document discusses the narrative elements in a music video the author created for their coursework. It analyzes how various film and narrative theories were applied to tell the story and engage the audience. Binary oppositions between indoor and outdoor scenes were used to represent the "living" and "dying" states mentioned in the song. Todorov's theory of narrative structure provided an original equilibrium, disequilibrium, and new equilibrium. The mise-en-scene and costumes further developed the narrative and relationship of the artist through ideas like voyeurism and how she challenges or accepts the male gaze. Overall, the author believes the polysemic narrative kept the audience engaged and allowed different interpretations of the story.
Analyse genre
This document analyzes the author's A2 pop music video in relation to genre conventions. It discusses how the video conformed to pop music video conventions to appeal to its target audience of 16-24 year old females and achieve its purpose of entertainment. Key conventions included aesthetic representations of the female artist, costumes that enhanced femininity and desirability, close-ups of lip syncing, lighting techniques like backlighting to symbolize purity, editing techniques like cuts on the beat and fade outs. Adhering to these generic codes helped the audience recognize the video as a pop music video and find it entertaining and repeatable.
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Evaluation question 2
The document discusses how different social groups are represented in the film opening. It portrays black male and female teenagers hanging around and sticking to stereotypes of their age, gender, and ethnicity. The females are initially shown as loving but then as unfaithful, while the males come across as intimidating. Music and clothing help convey an uneasy and hidden feel for the character Lakeem. Most characters are represented negatively as the film is about flaws in relationships within a close-knit group.
Representation of social group
The document discusses how different social groups are represented in media. It describes how two teenage female characters, Abbey and Melissa, are portrayed in stereotypical but different ways - Abbey as vulnerable and youthful through costume, shots, and mise en scene, while Melissa represents emotional teenagers. It also notes that having a young female as the villain challenges stereotypes of psychopaths only being middle-aged men. Additionally, it states that the film subverts conventions by having a female rather than male antagonist, unlike many slashers where the villain is usually a male seeking to defeat the female protagonist.
Thriller Evaluation - Q5
The document discusses how the creators of the thriller opening "Homeless" aimed to attract a target audience of 15-24 year old females. They sought to do this by creating a strong, independent female character named Norma who violently attacks a male, breaking traditional gender conventions. By portraying Norma as a "deviant" yet capable female, they hoped to appeal more to their target audience. Feedback from target audience members, especially young females, was positive about the representations in "Homeless" and their ability to relate to the unconventional female characters.
Year 13
This document contains a summary and analysis of a short film. The storyline section outlines the plot, where a man named James receives a woman's phone number written on a £5 note after his girlfriend breaks up with him. He texts the number and builds a relationship with the woman, Jennifer, who put her number there hoping he would contact her. The analysis section praises the acting for conveying emotion well, the realistic locations used, and how the editing technique of using black and white for memories was effective.
Evaluation question 2
The document summarizes how social groups are represented in a film opening. It focuses on the representation of teenagers by age and gender. Young males are shown hanging around stereotypically in hoodies near a cashpoint, potentially intimidating passersby. The female character is first shown as a loving girlfriend but is then revealed to be unfaithful, living up to negative stereotypes of teenage girls. Most characters are represented negatively to set the theme of flaws and unfaithfulness within a close group.
The Neo-classical leterature
This document compares sentimental comedy and anti-sentimental comedy. Sentimental comedy was popular in the 18th century and aimed to appeal to emotions of sorrow, pity and sympathy. It featured strictly good or bad characters overcoming moral trials. Anti-sentimental comedy, also called "comedy of manners", arose in reaction and featured more complex characters and sophisticated societies. It used elements like wit, laughter, farce, irony and disguise. Examples of anti-sentimental comedies included The Rival by Sheridan and She Stoops to Conquer by Goldsmith.
How does our media product represent a particular
This document analyzes how the media product represents social groups such as women and men. It argues that women are represented negatively as overly emotional and mentally unstable. The main character and her niece are shown to have mental health issues stemming from their childhood. Men are represented as cold, emotionless problem-solvers who see mentally ill women as routine cases. However, the document also notes that these representations were not intentional, as the goal was to portray a type of mental illness, not send messages about gender. Choosing a female lead helped use childish props and costumes to link to Alice in Wonderland.
English ii essay
The document compares and contrasts the films 50 First Dates and Anger Management. Both films are in the dramedy genre, which combines elements of drama and comedy. They show how love can change people for the better, as the protagonists in each film overcome personal obstacles through their relationships. The films also portray the challenges of building and maintaining relationships, as well as going to great lengths to pursue what one wants rather than giving up easily. Overall, the document argues that dramedies send positive messages about life, love, and finding happiness.
Review draft 5
Director Megan Windmill's short film 'Bus Stop' follows two sisters - a teenager and a young girl - who wait at a bus stop. The teenager receives messages pushing her to meet up with her girlfriend. She decides to leave her sister, who follows her into the woods and gets lost. The film starts in a contained manner at the bus stop but expands as it moves to the more complex woods. It highlights themes of neglect and isolation as the vulnerable young girl is left alone in a frightening situation. The lack of dialogue is effective in conveying the internal struggle and dilemma faced by the two sisters.
How does our media product represent social groups question 2
Walter Baines is a grizzled police detective driven by the death of his daughter at the hands of an unknown assailant. He will go outside the law to prove innocence or catch true villains. The villain's identity in the film is purposely hidden to add mystery and keep viewers engaged, similar to Keyser Soze in The Usual Suspects. The overworked Police Chief is stressed and cares more for the city's safety than his own welfare. In flashbacks, Walter's daughter is portrayed as innocent to elicit sympathy for Walter and shock at her death.
Characters profile
This document discusses the casting choices for roles in the film "The Return". It describes each actor and how they are suited for the roles based on their physical appearance, performance in auditions, and how they help reinforce genre conventions or provide social commentary. Key points included are how the actors embody teenage tropes, fulfill character archetypes like the final girl, sexually active characters, and masked killer, and how casting twins allows exploring narrative theory concepts.
Review draft 5
Director Megan Windmill's short film 'Bus Stop' follows two sisters - a teenager and a young girl - who wait at a bus stop. The teenager receives messages pushing her to meet up with her girlfriend. She decides to leave her sister, who follows her into the woods and gets lost. The film starts in a contained manner at the bus stop but expands as it moves to the complex woods. It highlights themes of neglect and isolation as the vulnerable young girl is left alone in a frightening situation. The lack of dialogue enhances the emotional performances and internal logic of the film.
Pitch
Tyler discovers that his ordinary pen allows him to travel back in time. The short film follows Tyler as he uses this ability to try to win over his crush, Rebecca Johnson. However, the new equilibrium is restored when Rebecca's girlfriend Emily kisses her in front of Tyler, revealing she is not interested in him. The film has a £30 budget and targets 15-35 year old men and women of various ethnicities and socioeconomic backgrounds in the UK.
How does your media product reflect particular social groups?
Women are portrayed as both powerful and aggressive in the media product. They are shown dominating men in dating scenes and being physically and emotionally abusive. Men are portrayed negatively and are shown as lonely, using dating websites out of desperation for companionship. Peter specifically is depicted as nerdy, socially awkward, and unsuccessful in relationships, resorting to online dating. Both genders are represented in stereotypical ways, with women shown as harsh and unforgiving, and men as lonely and lacking social skills.
Introduction to comedy
This document provides an introduction to comedy through brief quotes from comedians and writers throughout history. It discusses how comedy originated in Ancient Greece through drunken revelry and slapstick performances by actors dressed as satyrs. The document also presents a timeline of how comedy has evolved from its origins to different genres today, including satire, social comedy, and comedy of manners. Key elements of comedy discussed include the use of humor to entertain and critique society and politics.
As media thriller evaluation second 9 shots
This document provides analysis of various shots from a film that show the relationship between a father and daughter. In the first shot, the father is asleep and reminiscing about when his daughter was young. His house is dull, showing his unhappiness. In a later shot, the father feels out of place at his daughter's party, as shown by his cheap suit contrasting with the rich surroundings. The daughter is happy to see her father, showing she doesn't see him often. The stepfather then gives the daughter a horse, taking her attention and making the father feel invisible in the background.
Research all genres change ver time
This document summarizes the evolution of romantic comedy genres over different decades from the 1920s to the 2000s. In the 1920s, narratives focused on poor women and rich male love interests, with settings like lakes and workplaces. In the 1950s, the narrative centered around a married man who develops feelings for his upstairs neighbor, a young actress. Key settings were apartments in New York. The 1980s narrative involved a working class girl pursuing a relationship with a rich boy despite social barriers, with settings like high school and prom. In the 2000s, the narrative followed a small town girl moving to New York City to pursue singing while working in a bar, with settings including the big city and performance venues.
Our film pitch
Our film Rendezvous is a 1950s romantic drama with elements of film noir. It follows the affairs between four main characters - Bridget, her husband Raymond, a detective, and Vivienne. Bridget has an affair with the detective, who is also seeing Vivienne. Vivienne then seduces Bridget's husband Raymond, twisting the relationships. The film explores the secret meetings and deception between the characters against the backdrop of 1950s England. It aims to subvert film noir conventions by focusing on the female characters and their relationships.
Representations
The group is portrayed stereotypically as feminine women gossiping in pajamas, contrasting their unstereotypical nature. Promotional material instead shows the women looking angry and aggressive, conveying a darker and more serious tone. The final image depicts Sarah in a primitive state doing anything to survive, covered in blood and no longer the innocent person portrayed above, showing love for her friend's husband but also betrayal.
Casablanca
Rick Blaine is the cynical owner of a cafe in Casablanca who is transformed from a self-centered man into an emotionally confident hero. Ilsa Lund is Rick's lost love who remains emotionally distant due to her commitment to her husband Victor Laslo, a noble resistance leader. Captain Renault initially acts cynically like Rick but finds purpose in aiding the resistance. Major Strasser is a ruthless Nazi seeking to stop Laslo from escaping. The film explores how these characters are impacted by fate, luck, and their intertwined pasts in Casablanca during WWII.
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How does our media product represent social groups question 2
How does our media product represent social groups question 2
How does your media product reflect particular social groups?
How does your media product reflect particular social groups?
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Apply narrative to one of your coursework productions
This document discusses the narrative elements in a music video the author created for their coursework. It analyzes how various film and narrative theories were applied to tell the story and engage the audience. Binary oppositions between indoor and outdoor scenes were used to represent the "living" and "dying" states mentioned in the song. Todorov's theory of narrative structure provided an original equilibrium, disequilibrium, and new equilibrium. The mise-en-scene and costumes further developed the narrative and relationship of the artist through ideas like voyeurism and how she challenges or accepts the male gaze. Overall, the author believes the polysemic narrative kept the audience engaged and allowed different interpretations of the story.
Analyse genre
This document analyzes the author's A2 pop music video in relation to genre conventions. It discusses how the video conformed to pop music video conventions to appeal to its target audience of 16-24 year old females and achieve its purpose of entertainment. Key conventions included aesthetic representations of the female artist, costumes that enhanced femininity and desirability, close-ups of lip syncing, lighting techniques like backlighting to symbolize purity, editing techniques like cuts on the beat and fade outs. Adhering to these generic codes helped the audience recognize the video as a pop music video and find it entertaining and repeatable.
Postmodern media breaks the rules of representation
Postmodern media often breaks conventions of representation to create simulated realities that distort or subvert expectations. This is seen in films like Drive and Inglorious Basterds, which manipulate genres and use techniques like self-reflexivity to present disjunctive worlds. Television shows also break rules, like Family Guy's Star Wars parody that acknowledges itself as constructed fiction. Lady Gaga similarly constructs a simulated persona through allusions and genre-crossing. Overall, postmodern media challenges realistic representation to develop new meanings, though these can only be understood by media-literate audiences.
Discuss why some people are not convinced by the idea of postmodern media
Some audiences are not convinced by postmodern media because postmodern works deliberately distort reality, rely heavily on intertextuality and references that some viewers may not understand, and reject traditional narratives. Postmodern works like the film "Drive" and the TV shows "Flight of the Conchords" and "Family Guy" confuse and frustrate some viewers through their manipulation of elements like time, space, narrative, and their self-reflexive style over coherent plot. Likewise, Lady Gaga's stage persona and music rely heavily on references and simulations of identity that cause some to distrust her as an authentic artist. For these reasons, some find postmodern media vacuous and trapped in meaningless references rather than producing new meaningful content.
TV Drama - Regional Identity
This document discusses how to identify regional identity in TV drama. It explains that regional identity is rooted in where characters live as shown through setting, accents, dialogue, props, costumes and other factors. It tasks researching stereotypes of regions like Northern and Southern England, Scotland, Wales, and cities/areas and identifying them based on dialogue, clothing, location, props, costumes, makeup and class. Students are asked to analyze clips showing how they represent regional identity through Point-Evidence-Explanation paragraphs.
Postmodern media manipulates time and space
The document discusses how postmodern media manipulates time and space through three examples:
1) The TV show "Family Guy" uses non-linear narratives and self-reflexive humor to manipulate time and space. An episode parodies "Star Wars" by interrupting the storyline.
2) The film "Drive" uses contrasting mise-en-scene of cars and costumes to confuse the audience's sense of time period.
3) The film "Scott Pilgrim vs. The World" applies video game rules like battling evil exes, defying the laws of physics and reality. Both films create ambiguous or hyperreal worlds through manipulating time and space.
Define postmodern media
Postmodern media rejects the conventions and utopian ideals of modernism. It subverts expectations through techniques like pastiche, parody, and manipulating time and narrative. Quentin Tarantino's film Inglorious Basterds exemplifies this through its nonlinear narrative, references to fairy tales, and self-aware deconstruction of genre. Similarly, Drive challenges the morality and endings of fairy tales and Family Guy parodies Star Wars in a self-reflexive way. Postmodern media is defined by its blurring of boundaries, referential style, and emphasis on constructed fiction over reality.
Media Representations of Regional Identity
The document discusses regional identity and stereotypes in the United Kingdom. It describes stereotypes associated with being Scottish, Welsh, Irish, English, from London, Manchester, Newcastle, Liverpool, Essex, Yorkshire, Cornwall/Somerset, South England, and North England. For each region, it provides examples of stereotypical traits often portrayed in television and media, such as Scots being money-obsessed drinkers and Londoners being either posh or "chavs". It concludes by listing questions to consider when analyzing how regional identity is represented in a video clip.
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ABC Family was launched in 1977 and is owned by Disney. It targets teenage girls and young women with contemporary TV shows. The channel is represented online through social media. Pretty Little Liars is based on novels and has aired for 5 seasons on ABC Family, following four teenage girls who receive threatening messages from an anonymous person called A. The show deals with themes of lies, secrets, blackmail, gossip and mystery. It challenges stereotypes by portraying the female protagonists as brave and independent. The target audience is teenagers, especially young girls, who can relate to the drama and secrets experienced by the characters.
Mean Girls
The trailer for Mean Girls follows conventions of the teen drama genre. It introduces Cady, a new student from Africa adjusting to life in an American high school. She befriends the popular clique known as the "Plastics" but they turn out to be the antagonists who cause drama. The trailer uses fast pacing, montages and music changes to build excitement around the school cliques, romance, and conflicts that emerge between the girls. It concludes by hinting at resolution while also leaving questions unanswered to encourage viewers to see the full film.
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Glee pm case study
The episode pays tribute to Madonna by having the glee club perform covers of eight of her songs. Throughout the episode, the characters perform the songs to express how they are dealing with issues in their personal relationships and lives. By assigning a Madonna-inspired theme, the teacher hopes to promote equality among the male and female students in the club and address misogynistic attitudes. The episode concludes with an empowering performance of "Like a Prayer" as the students have become more understanding of each other.
Question 4
The document profiles the target demographic for a film called "He's The One" - teenage girls who are quiet, have low self-esteem, and are looking for hope in love. These girls tend to be focused on schoolwork rather than social lives, come from middle-class families with parents still together, and enjoy television shows like iCarly as well as artists like Girls Aloud and Demi Lovato.
The CultureBooksdu r ing t he f ir s t se a son of her.docx
The Culture
Books
du r ing t he f ir s t se a son of her cr i t i-
cally acclaimed HBO series, Girls, Lena
Dunham’s character Hannah Horvath,
high on opium, tells her parents, “I don’t
want to freak you out, but I think that I
may be the voice of my generation—or
at least a voice of a generation.” The line
made waves as people conflated the fic-
tional character with her creator, perhaps
not wrongly. How dare a young woman
make such a bold claim? All too often our
culture tells young women their voices
don’t matter or deserve to be heard.
In her debut essay collection, Not That
Kind of Girl: A Young Woman Tells You
What She’s “Learned,” Dunham demon-
strates her 28-year-old voice’s admirable
range. While some celebrity essay col-
lections and memoirs are lackluster,
even embarrassing to read, Not That Kind
of Girl suffers few missteps. Dunham’s
cinematic flair translates to the page
with vigor and clarity—not unlike the
late Nora Ephron, to whom she is often
compared and to whom the book is
dedicated (along with Dunham’s family
and her boyfriend Jack Antonoff of the
indie-rock band fun.). Instead of tossing
pithy, pseudo-motivational observations
at the reader, Dunham has crafted warm,
intelligent writing that is both deeply
personal and engaging, clustered in five
topical sections: “Love & Sex,” “Body,”
“Friendship,” “Work” and “Big Picture.”
Each of the 29 pieces—essays mixed
with lists, like “18 Unlikely Things I’ve
Said Flirtatiously”—is confident and
assured, sidestepping self-deprecation
and instead offering intense self-
examination. Dunham’s self-awareness
can almost overwhelm with truthiness,
as in “Barry,” her glancing, tragicomic
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campus Republican” who, among other
nonconsensual acts, removes his condom
without her permission or knowledge.
“A sexual encounter that no one can
classify properly” sounds precisely like
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to come to terms with rape culture.
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Q4
The document discusses targeting a female audience aged 16-25 for a romantic film. It aims to appeal specifically to Asian and Oriental Asian females of that age range through the use of an Oriental Asian actress and themes surrounding a nerdy girl interested in art, books and education. The intended audience is also described as being in social class C1+ to focus on demographics more likely to increase profits.
Characterization
The document discusses various techniques authors use to characterize their characters in stories. It describes how characters are characterized through their thoughts, words, actions, interactions with others, physical descriptions, settings, and names. Characters can be round (fully developed) or flat. The protagonist is usually the central character whose perspective is shown, while the antagonist opposes the protagonist.
sense and sensibility .pptx
The document summarizes the novel Sense and Sensibility by Jane Austen. It discusses the two main protagonists Elinor and Marianne Dashwood, who represent Sense and Sensibility. It explores their relationship and characters, and compares the male leads Colonel Brandon and John Willoughby. It also analyzes the importance of wealth, character, and different types of love depicted in the novel.
Evaluation Question Two
This document provides guidance for answering a media evaluation question about how a media product represents particular social groups. It discusses three main characters represented in an opening film sequence: Sabrina Cooper, portrayed as an outsider due to her unusual behaviors; Ben Rippon, portrayed as a popular guy; and Hannah Church, portrayed as a popular and kind "girl next door." Cultural signifiers like clothing, hairstyle, and ethnicity are described for each character to show how they fit into social groups and would be understood by the target audience.
Rom-Com
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2) Key elements of rom-coms include the main characters meeting and initially having fun, before a problem arises that strains their relationship. This is typically followed by one character trying to prove their love to win the other back.
3) Some of the most popular and financially successful rom-coms are Pretty Woman, When Harry Met Sally, and Sleepless in Seattle. Pretty Woman in particular was very profitable and is considered highly influential in the genre.
what is a rom-com?
This presentation has been created to go in to depth about what a rom-com is and look in to the genera and how the films created can be presented in different ways in order to create a different reaction from the viewer.
Character profile
This document provides character profiles for three 17-year-old female characters: Macy, Lily, and Harper. Macy enjoys watching true crime documentaries and conspiracy theories, and is considered the leader of her friend group. Lily enjoys socializing and dancing, and is random but can make awkward situations funny. Harper has a strange personality, keeps to herself, and enjoys collecting insects and watching horror movies. All three characters are described as having a "girly girl" stereotype personality with their friends but more independent alone. They will be going camping together with the props of cameras, flashlights, and backpacks to film a documentary.
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Media Representation Essay
The document discusses representation and stereotypes in media. It defines representation as how media constructs reality through selective presentation. Representations encode certain ideologies and paradigms while excluding others to shape a preferred view. Stereotypes are shortcuts used to understand media that define characters as either belonging or not belonging in a society. While stereotypes can enhance a text's realism, they also risk oversimplifying groups and misrepresenting reality. The document analyzes how various theories like the male gaze approach stereotypes and representation in media production and reception.
How do postmodern media differ from other media
Postmodern media differs from other media in that it often rejects conventions like linear narratives and time/space in favor of manipulated and fragmented forms. Postmodern works reference and subvert other genres/texts, creating deliberate distortions of reality rather than utopian visions. They also rely on audience familiarity to generate constructed fictions. The films Inglorious Basterds and Drive are given as examples, using techniques like pastiche, references to other works, challenging narrative structures, and emphasizing their own artificiality.
Media texts will never be successful unless they are carefully constructed to...
The document discusses how the author constructed a music video media text to target a specific young female audience aged 16-24. Key ways included featuring a female artist of the same age to allow audience identification, using 1950s-inspired costuming and makeup to appeal to desires of femininity and popularity, and editing techniques like black and white effects to provide escapism. Feedback from the target demographic was gathered during the planning process to ensure the text would successfully engage their interests, needs, and interpretations. The feminine style and focus on the female artist helped build audience connection to the media text.
Media audience essay
The document discusses how the author constructed a music video to target a specific audience of young females aged 16-24. Key ways this was done included featuring a female artist around the same age to build rapport, using a 1950s aesthetic to appear desirable, and incorporating themes of relationships to reflect social values of interest to the audience. The author also gained feedback from the target demographic and pitched the idea to ensure it would appeal. By carefully targeting the audience's needs and desires at each stage of construction, the music video adhered to the view that media texts must be deliberately designed for a pre-established audience to achieve success.
Analyse media language june 2012
The document discusses how media language was used to convey meanings in a music video. Camerawork such as long shots, close-ups, and angles were used to portray the artist as solitary, sexualized, and "real". Editing techniques like quick cuts emphasized drama and pacing. Lighting was manipulated through spotlights and backlighting to draw attention and suggest purity. Mise-en-scene elements like outdoor vs indoor settings, colors, props, and makeup reinforced themes of loneliness, life and death, and nonconformity to appeal to audiences.
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The document provides details on the camera shots, editing, lighting, sound, and mise-en-scene elements used in a music video. It describes the different camera shots including mid-shot, close-up, and extreme close-up used to convey facial expressions and draw attention. Straight cuts and fade outs were used for editing. High key lighting and spot lighting were among the lighting techniques. Costumes, props, and locations were chosen to enhance the 1950s inspiration and portray different emotions.
Post production essay
The document discusses the progression of the author's post-production skills from their AS to A2 coursework. At AS, they had basic skills in Photoshop and applied simple editing techniques. By A2, they had gained experience and technical ability to produce work to a more professional standard using different software like Photoshop and Premiere Elements. They analyzed real media texts to replicate conventions and had freedom to experiment with new tools and techniques not available previously. Overall, the knowledge and skills gained at AS allowed the author to confidently achieve industry-standard quality in their A2 post-production work.
Why are some media products considered postmodern
The document discusses how some media products are considered postmodern due to their deliberate manipulation of reality through techniques like intertextuality and pastiche. It provides examples from the films Inglorious Basterds and Drive to illustrate postmodernist techniques. Inglorious Basterds uses elements from genres like westerns and detective films to challenge expectations of the war genre. Drive similarly mixes genres like crime drama and romance to distort reality and lacks contextual cues about its time period. Both films employ techniques like references to other works, unconventional narratives, and manipulated settings to create exaggerated hyper realities for audiences.
Digital technology and creativity
The student's skills in using digital technology for media production developed greatly from their foundation to advanced portfolio. In their foundation portfolio, they used Adobe Photoshop CS5 to create magazine pages and learned techniques like gradients and saturation manipulation. For their advanced portfolio, they used improved skills with Photoshop CS6 to create a hand-drawn cartoon style advert. They also learned Adobe Premiere Elements to create a music video, gaining skills like adding filters and precise cutting. Their use of online research and platforms improved their creative decision making, such as developing a brand image using social media. Overall, preliminary exercises helped them advance their skills from foundation to advanced work.
Blue harvest
This Family Guy episode parodies Star Wars through postmodern techniques such as:
1) Cultural references to American politics and TV shows that audience members can decode
2) Mixing genres by adding a romantic song to the sci-fi action plot
3) Breaking the fourth wall and acknowledging the fictional world, rejecting linear narratives
4) Using self-reflexive parody where characters comment on the original film and actors' careers
Blue harvest
This Family Guy episode parodies Star Wars through postmodern techniques such as:
1) Cultural references to 2000s American politics and TV shows that audiences can interpret through shared knowledge.
2) Mixing genres by adding a romantic song to the sci-fi action plot, going against strict genre divisions.
3) Breaking the fourth wall and creating hyperreality by mentioning the London Symphony Orchestra composer, reminding viewers it is fictional.
4) Employing parody and self-reflexivity as Han Solo jokes about the real Star Wars actors' careers.
Creativity grid
This document summarizes the research and creative process undertaken to develop a retro-inspired magazine concept. It involved researching 1940s/50s pin-up stars, genre conventions from magazines of the era, and inspiration from modern artists emulating retro styles. Mood boards and music were used to set the tone. Photography and editing techniques replicated the aesthetic. A fictional artist 'Sophia Fox' was featured throughout, portrayed through photography, article profiles and a music video concept drawing on analyzed retro and modern works.
Section A; The 5 Key Areas
This document outlines the tasks for a college music magazine project and accompanying music video. For the magazine, the student researched conventions of real magazines and created a preliminary mock-up including a cover, contents page, and double page spread using Adobe Photoshop. For the music video, the student planned concepts, researched conventions, created a storyboard in iMovie, and produced the final video using Adobe Premiere Elements. Across both projects, the student applied researched conventions while adding their own creative elements.
Textual Analysis: Lana Del Rey - 'National Anthem'
The document analyzes the music video for Lana Del Rey's "National Anthem". It recognizes conventions of music videos like narrative scenes, lip syncing, and camera techniques. However, it also stretches conventions by reenacting historical events like Marilyn Monroe's performance for JFK and the assassination scene. It departs from typical solo artist videos by focusing more on historical themes than dances. The video seems aimed at a young audience but modernizes the historical context in an unconventional way.
Question 1
The document discusses how the media product uses and challenges conventions of real magazines. It uses a serif font for the coverlines to conform to 1950s conventions, while challenging modern magazines that use serif fonts consistently. The masthead challenges conventions by using two fonts and a photo overlay. For the contents page, it imitates Billboard's layout but challenges conventions by not overcrowding with photos and bold text. It develops the contents title further with a heart shape and gradient overlay. Images are resized across the top third of double pages to balance the layout and convey more context without a clear divide like photos or shapes typically used.
Evaluation Question 5
The document summarizes how the author addressed and attracted their audience for a magazine front cover and double page spread. Key elements included using a young pop artist on the cover to appeal visually, employing negative space and simplified layout to make the page less intimidating, paying homage to Marilyn Monroe to connect to knowledgeable past artist fans, incorporating American themes and imagery well recognized in pop music, and including section categories like "Music" and "Past and Present" tailored to audience interests.
Evaluation Question 4
The primary audience for the magazine would be young female adults aged 16-24 who enjoy pop music, both current and from the past. A secondary audience would be males with similar interests. The cover uses red and blue colors with a predominantly feminine design to appeal to its mainly female readership. The retro typography and photo shoot aim to relate to this target audience's tastes.
Evaluation Question 3
IPC Media would be the most appropriate distributor for the magazine because they have a diverse portfolio of magazines targeting different genres and demographics. As a large and profitable company, IPC Media could invest in a more niche magazine like PopHeart, which targets young female adults aged 16-25 with pop music content. Similar to PopHeart, IPC Media's NME magazine has a niche audience of 16-24 year olds focused on indie/pop music. IPC Media is also adapting to changes in the industry by developing magazine apps to engage digital audiences.
Question 2
This media product represents young female adults aged 16-25. The cover features a young female model biting a pink scarf, emulating Marilyn Monroe's style to appeal to those familiar with past pop music as well as current music. Bright colors and increased saturation were used to subtly appeal to the target female audience. Inside features multiple photos of the model posing in a cute, fashionable way to portray her fun and wild side and appeal to the young, fashion-interested social group. The magazine content focuses on both past and present pop music to attract readers interested in a wide range of music from different decades.
Evaluation Question
The document discusses how the media product uses and challenges conventions of real magazines. It uses a serif font for the coverlines to conform to 1950s conventions, while challenging modern magazines that use serif fonts consistently. The masthead challenges conventions by using two fonts and a photo overlay. For the contents page, it imitates Billboard's layout but challenges conventions by not overcrowding with photos and bold text. It develops the contents title further with a heart shape and gradient overlay. Images are resized across the top third of double pages to balance the layout and convey more context without a clear divide like photos or shapes typically used.
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Heartfulness Magazine - June 2024 (Volume 9, Issue 6)
Dear readers,
This month we continue with more inspiring talks from the Global Spirituality Mahotsav that was held from March 14 to 17, 2024, at Kanha Shanti Vanam.
We hear from Daaji on lifestyle and yoga in honor of International Day of Yoga, June 21, 2024. We also hear from Professor Bhavani Rao, Dean at Amrita Vishwa Vidyapeetham University, on spirituality in action, the Venerable BhikkuSanghasena on how to be an ambassador for compassion, Dr. Tony Nader on the Maharishi Effect, Swami Mukundananda on the crossroads of modernization, Tejinder Kaur Basra on the purpose of work, the Venerable GesheDorjiDamdul on the psychology of peace, the Rt. Hon. Patricia Scotland, KC, Secretary-General of the Commonwealth, on how we are all related, and world-renowned violinist KumareshRajagopalan on the uplifting mysteries of music.
Dr. Prasad Veluthanar shares an Ayurvedic perspective on treating autism, Dr. IchakAdizes helps us navigate disagreements at work, Sravan Banda celebrates World Environment Day by sharing some tips on land restoration, and Sara Bubber tells our children another inspiring story and challenges them with some fun facts and riddles.
Happy reading,
The editors
The Enchantment and Shadows_ Unveiling the Mysteries of Magic and Black Magic...
This manual will guide you through basic skills and tasks to help you get started with various aspects of Magic. Each section is designed to be easy to follow, with step-by-step instructions.
A Free eBook ~ Valuable LIFE Lessons to Learn ( 5 Sets of Presentations)...
A free eBook comprising 5 sets of PowerPoint presentations of meaningful stories /Inspirational pieces that teach important Dhamma/Life lessons. For reflection and practice to develop the mind to grow in love, compassion and wisdom. The texts are in English and Chinese.
My other free eBooks can be obtained from the following Links:
https://www.slideshare.net/ohteikbin/presentations
https://www.slideshare.net/ohteikbin/documents
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Heartfulness Magazine - June 2024 (Volume 9, Issue 6)
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Tv drama
- 1. Representation in TV drama by Sian Lynes TV drama/soap: Pretty Little Liars Genre of TV drama/soap: Mystery-thriller teen drama Actress: Ashley Benson Name: Hanna Marin Age: 16 Ethnicity: Not known Regional Identity: Rosewood (fictional town), based in Pennsylvania Costume usually includes: She normally wears short skirts and feminine tops. Given a typical teenage ‘it girl’ look with glamorous and fashionable taste. Sum up lifestyle in 5 words: Popular, glamorous, social, caring, cautious Friends include: Aria Montgomery, Emily Fields, Spencer Hastings Interests: Shopping, Socialising, Motivation in most situations: Decision maker/Leader of friendship group Love Life: She has feelings for ex-boyfriend Sean but develops love interest with Caleb in later episodes. Problems in life: Unknown person who names themselves “A” texts her and her friends texts of secrets they are keeping, and messes with their lives. Key moment in drama series: She is hit by a car as she discovers who “A” is. Prediction for future narratives: Perhaps another confrontation with “A” and her love life with Caleb goes down hill.
- 2. Representation in TV drama by Sian Lynes How is the audience supposed to react to them? Explain view: The character of Hanna Marin is that she comes across to the audience as a typical teenage girl who is interested in boys, shopping and her friends. But view gradually changes when the audience gets an insight into the drama that goes on between “A” and her friends. This representation of a typical teenage girl is also conflicted when the audience gets an insight into Hanna’s past and realises that she used to be fat and not the ‘it girl’ that she portrays now. This reflects the message to society that teenage girls, showed in Hanna’s character, find it difficult to fit in if they are not perfect looking. And this need to fit into society’s mould of being perfect can lead to the person not being happy at all.